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INDONESIA
Berkala Arkeologi
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Core Subject : Science,
We are a journal on archaeology published by Balai Arkeologi Yogyakarta every May and November each year. This journal seek to promote and shares research results and ideas on archaeology to the public. We covers original research results, ideas, theories, or other scientific works from the discipline of Archaeology mainly in the Indonesian Archipelago and Southeast Asia. Interest from other disciplines (such as history, anthropology, architecture, geology, etc.) must be related to archaeological subject to be covered in this journal. Our first edition was published on March 1980.
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Articles 756 Documents
MONUMEN MEGALITIK DAN TRANSPORTASI BAHANNYA: Analisis Terhadap Beberapa Faktor Yang Berpengaruh Lutfi Yondri
Berkala Arkeologi Vol 29 No 1 (2009)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5204.059 KB) | DOI: 10.30883/jba.v29i1.367

Abstract

Megalithic monuments in Nusantara are generally found on plateaus, for example on hill tops, mountain slopes, and other remote locations. A big question often raised on how the prehistoric people could move such huge and heavy boulders to build their monuments. It is assumed that to build those megalithic monuments, various factors were involved, i.e. the landscape, technology, and leaderships as well.
Preface Berkala Arkeologi Volume 28 No. 2 November 2008 Berkala Arkeologi
Berkala Arkeologi Vol 28 No 2 (2008)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (645.054 KB)

Abstract

KAJIAN IKONOMETRI ARCA LOGAM PRODUK PERAJIN TROWULAN Sugeng Riyanto
Berkala Arkeologi Vol 28 No 2 (2008)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4583.358 KB) | DOI: 10.30883/jba.v28i2.363

Abstract

A question often raised on metal sculpture made by Trowulan artists is: do iconometric aspects of the sculptures follow the iconometric order? Studies on iconology, including iconographic and iconometric studies, are important in Indonesian archaeology. Iconometric study on metal sculptures made by Trowulan artists is an example for iconometric study in Indonesia.
UMPAK-UMPAK DI SITUS CANDI SANGGAR Sugeng Riyanto
Berkala Arkeologi Vol 29 No 1 (2009)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4624.382 KB) | DOI: 10.30883/jba.v29i1.368

Abstract

Artifacts, such as ceramics, potteries, and 18 propstones are found in the vicinity of Chandi Sanggar. By analyzing the propstones, it turned out that they have many varieties on the size, and the technology. It is remarkable to observe that the surface of the propstones showed variants: smooth, rough, and the combination of it, whereas their size are also different: big, medium, and small. The differences are related to the structure of Chandi Sanggar, since the propstones were found in context with it. Therefore it can be concluded that Chandi Sanggar was a compound, consisted of the main chandi and several supporting buildings.
RITUS KEMATIAN MASYARAKAT JAWA KUNA, BALI KUNA, DAN BALI SEKARANG Rita Istari
Berkala Arkeologi Vol 28 No 2 (2008)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5266.735 KB) | DOI: 10.30883/jba.v28i2.364

Abstract

Indonesia has various tribes that spread over a large number of islands, and each has their own custom or tradition which is unique and different from each other. One of the customs or traditions is the funeral ceremony which can be found among Javanese and Balinese people, that is a ceremony held when someone is passed away. Based from the old inscriptions and manuscript funeral ceremony has already rooted in the past. They have their own terminology about the ceremony, although the ceremony itself principally has the same purposes. Compared to similar ceremony still undergoes until the present time, it is assumed that the custom or tradition is inherited for generations.
BHAGAWATIMAH CIDYA DEWI: IDENTIFIKASI FIGUR WANITA MENGGENDONG BAYI DALAM PRASASTI CEBONGAN Kayato Hardani
Berkala Arkeologi Vol 29 No 1 (2009)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (7274.737 KB) | DOI: 10.30883/jba.v29i1.369

Abstract

Some historical-archaeological remains from Java in 9th-10th century such as inscriptions have been preserved in good condition. Most of them has been transliterated and documented on systematically corpus or catalogues. The inscriptions which incised on stone or chopper were issued by the king who reigned in Java on that time, usually to commemorate the establishment of a free-hold land or cultivation area. Social-cultural lifehood sometimes reflected from the inscriptions. Only a few can be classified as spell or 'mantra' inscription. Besides old Java writing, human figurines is also described on the the chopper inscription. She is Bhagawatimah Cidya Dewi, divine body with a baby on her arms. There are some correlations found between the description of the figurines with the verbal contents of the inscription.
NAGARAKERTAGAMA DAN TROWULAN A.S. Wibowo
Berkala Arkeologi Vol 4 No 1 (1983)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6262.985 KB) | DOI: 10.30883/jba.v4i1.300

Abstract

Ada dua sumber utama untuk mengetahui fisik kota zaman Majapahit. Yang pertama adalah kitab Nagarakertagama (=Nag.) yang digubah oleh Prapanca tabun 1365, khususnya pupuh 8-12; yang kedua adalah daerah Trowulan di kabupaten Mojokerto (Jawa Timur) yang hingga kini diperkirakan menjadi lokasi ibukota Majapahit. Namun sayangnya kita masih belum mampu untuk memadukan kedua sumber itu menjadi satu. Tidak satupun hal yang disebutkan Prapanca dapat secara pasti diidentifikasikan dengan salah satu peninggalan arkeologi di Trowulan. Atau, sebaliknya, tidak satupun peninggalan arkeologi yang dijumpai di Trowulan dapat kita carikan padanannya dalam Nag.
GAMBAR CADAS KALIMANTAN TIMUR: Satu Bukti Seni Lukis Kutai Purba Gunadi Kasnowihardjo
Berkala Arkeologi Vol 28 No 2 (2008)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2386.065 KB) | DOI: 10.30883/jba.v28i2.360

Abstract

Art including painting is an element of culture. Therefore art also becomes an object of archaeological research. Rock art paintings found in prehistoric caves in Kutai Timur regency of East Kalimantan Province are categorized as art paintings of prehistoric era. In prehistoric archaeology, arts and religion were difficult to be separated. Rock art paintings should be analized by religion approach and arts approach as well.
IMPLIKASI KULINER SESAJI DAN DHANYANG DALAM UPACARA TRADISI DI JEPARA Sri Indrahti; Siti Maziyah; Alamsyah Alamsyah; Yanuar Yoga Prasetyawan
Berkala Arkeologi Vol 39 No 1 (2019)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (567.733 KB) | DOI: 10.30883/jba.v39i1.327

Abstract

The article describes the culinary imp lic ation of offerings and d hanyang in 5 (five) villages in Jepara in the form of traditional ceremonies of Jembul Tulakan, Hari Jadi Kota Jepara, Sedekah Laut, Perang Obor, and Pesta Baratan. Only three out of five ceremonies were present ing culinary offerings as a representation of the dhanyang presence. The objective of this study is to reveal the existence of culinary offerings and d hanyang both by their food types and the intended dh anyang. This study was using a qualitative method which includes the collection of primary and secondary sources through literature study, observation, participants, structured interviews, indepth interviews, and Focus Group Discussion. The approaches which were used are anthropological and hermeneutical approaches. The study reveals a symbolic meaning from the presence of various culinaries presented to dhanyang and wishes expressed implicitly or explicitly in the ceremony. The wishes include the requests of safety, kindness, protection, etc. Recently, these wishes have shifted which caused by better knowledge, belief, and social experience of the performers towards their religion. Public belief in the power of d hanyang still exists even though it is not dominant.
IDENTIFIKASI TEKNIK MENANGKAP IKAN BERDASARKAN ENTHESOPATHIES PADA RANGKA MANUSIA DARI SITUS GILIMANUK, BALI Dicky Caesario Wibowo
Berkala Arkeologi Vol 39 No 1 (2019)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (282.669 KB) | DOI: 10.30883/jba.v39i1.328

Abstract

Due to its location in Gilimanuk Bay and its findings, Gilimanuk site stated for having fishers as subsistence strategy. This research uses pathological condition called enthesopathies as the primary data to induce fishing techniques as part of their daily activities. Identification enthesopathies follows procedure proposed by Hawkey & Merbs and Mariotti. Result shows only two specific techniques which can be identified through pathological condition. Those techniques are fishing with stick and spearing methods. Based on pathological conditions, early fisher’s community from Gilimanuk only developed shallow water fishing techniques. Absence of other fishing techniques indicates by artefacts and induced from enthesopathies might lead to early assumption about natural resources are widely available and easy to procure in surrounds environment.

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