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INDONESIA
Jurnal Ilmu Budaya
Published by Universitas Lancang Kuning
ISSN : 18298338     EISSN : 25407651     DOI : -
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Jurnal Ilmu Budaya (ISSN 2540-7651; E-ISSN: 1829-8338) is an international journal published by the Faculty of Humanities, Universitas Lancang Kuning and published twice a year. It specializes in humanities, library science, philology, literature, cultural studies and current issues on the subject. This journal warmly welcomes contributions from scholars of related disciplines.
Arjuna Subject : -
Articles 5 Documents
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Search results for , issue "Vol. 17 No. 1 (2020)" : 5 Documents clear
KAJIAN STRUKTUR KEPRIBADIAN FREUD DALAM KISAH 1001 MALAM: STUDI PSIKOANALISIS Syam, Essy; Rosaliza, Mita
Jurnal Ilmu Budaya Vol. 17 No. 1 (2020)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v17i1.4708

Abstract

This writing deals with analyzing Sigmund Freud’s personality structure on Arabian nights (Seribu Satu Malam). The analysis shows that in his actions, the main character, King Shahryar, is controlled by the three components of Freud’s personality structures; Id. Ego and Superego. Id controls the king when he is pushed by his Id to marry a woman and kills that woman the following day. He does that everyday for three years. It is pushed by soul drive to get pleasure when his anger and revenge are fulfilled. So, marrying and killing those women are pushed by Id. Ego’s domination is seen when the king is eager to listen to his wife’s stories and his awareness of his power also the reality he responds in leading him to his actions. At last, Superego brings him back to his good nature when he can finally accept his wife, Shahrazad. Besides, listening to Shahrazad’s stories also triggers Superego portrayed by his giving chance for Shahrazad to tell the stories, respecting her and furthermore, the good characters’quality in Shahrazad’s stories also contribute to strengthen Superego’s domination.
NILAI KARAKTER ISLAMI DALAM TUNJUK AJAR MELAYU TENAS EFFENDY H. Putera, Griven
Jurnal Ilmu Budaya Vol. 17 No. 1 (2020)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v17i1.4709

Abstract

Tunjuk Ajar Melayu written by Tenas Effendy is a brilliant work that contains a variety of educational pearl values ​​in a broad sense. If the value is actualized in the concepts of education, then a quality form or format will be produced in the preparation of the concept of education. One of the most urgent values ​​in Malay teaching is character. Based on a study of the character content in the 2013 Curriculum and the character values ​​in the Tenas Effendy Malay Language Teaching Guide, the author sees that there are similarities and meeting points of the two aspects. However, the character values ​​in Tunjuk Ajar Melayu by Tenas Effendy are far broader and deeper and it touches directly on the cultural basis of society. These values ​​are neatly packaged in the curriculum, they will result a very positive if these impact in the context of achieving national education goals today.
EKOSOFI CANGKIR KERA DALAM CERITA RAKYAT “BANGLAS ANTARA RINTIS” KARYA HANG KAFRAWI DKK. Fauzi, Mohd.
Jurnal Ilmu Budaya Vol. 17 No. 1 (2020)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v17i1.4710

Abstract

The research attempted to describe the ecosophy of “Cangkir Kera” in Riau Malay Folklore “Banglas Antara Rintis” written by Hang Kafrawi. The kind of research is library research and the method used was descriptive-qualitative. The data was collected by using simak method. The data analysis applies agih method with the deletion technique and the substitution technique. The data used was written language related to ecolinguistic in Banglas Antara Rintis written by Hang Kafrawi, et al. The result of the research shows that Allah SWT has given Malay the environment with various types of plants. One unique plant is “Cangkir Kera” which can be used as a medium of medicine for anyone who coughs. The old Malays use pure water in a “Cangkir Kera” to treat coughing and other kinds of disease. This way is a form of local Malay wisdom in utilizing their environment by always expecting help from Allah SWT.
MAKNA SYARAT DAN UNSUR SILEK DESA KUBU GADANG Rosaliza, Mita; Wardhana, Muhammmad Fajar Vierta; Risdayati, Risdayati
Jurnal Ilmu Budaya Vol. 17 No. 1 (2020)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v17i1.4711

Abstract

The martial art of silat in Minangkabau, which is usually called silek, has its own uniqueness in terms of terms and movements. Silek in Minangkabau is a legacy from the Minangkabau ancestors that still exists and develops today. The requirements that must be possessed in this silat include cloth, knives, sewing needles, mirrors, rice and money that have meaning in this silat tradition. In addition, there are other elements in these martial arts which also have meaning in terms of movement, clothing and place of implementation. This study focuses on the meaning of the terms and movements used in the silek of Tuo gunuong in Kubu Gadang village. The informants in this study are traditional elders and people who still practice silat as a martial art and understand the terms and meanings of the movement.
KREATIVITAS ELA MUTIARA DALAM TARI KANYA Kusumadewi, Murtisa Sulistin
Jurnal Ilmu Budaya Vol. 17 No. 1 (2020)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v17i1.4712

Abstract

Kanya is a contemporary dance that raises the issue of early marriage in Sukabumi. This study uses a qualitative method with a descriptive analysis approach that provides a description or description by describing data obtained from the field regarding the choreography of the Kanya dance, as well as Ela's creativity in compiling the Kanya dance. To answer the problem regarding the Kanya dance choreography, it was explained using the basic elements of choreography based on Sumandiyo Hadi's opinion. In addition, Ela's creativity was explained using the 4P concept proposed by Rhodes, namely (1) person (2) press (3) process (4) product. The results obtained from Ela's study of creativity in the Kanya dance work were greatly influenced by her experience as a dancer and choreographer. This creativity is manifested in daily motives by the lack of a stilator and a combination of techniques such as fibration, fall and recovery, repetition, and tempo adjustment. The conclusion of this research is the result of Ela's creativity that uses daily movements by exploring the characteristics of some rope and jug characteristics as well as minimalist clothing and make-up choices.

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