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<![CDATA[Women Living with HIV/AIDS and Social Stigma in Semarang ]]>
<![CDATA[Zulfa Safitri K]]>;
<![CDATA[Amirudin Amirudin]]>;
<![CDATA[Ani Margawati]]>
<![CDATA[ Endogami: Jurnal Ilmiah Kajian Antropologi Vol 2, No 2: Juni 2019 ]]>
Publisher : <![CDATA[Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro ]]>
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DOI: 10.14710/endogami.2.2.131-136
<![CDATA[The issue of social stigma for PLWHA (People with HIV/AIDS) is still being a serious problem. On the other hand, it contributes to HIV/AIDS cases that have not been detected and have not been gotten special treatment yet. Social stigma, discrimination, exclusion in social life are still being a creepy consequence, especially for women living with HIV Aids. The pressure of social stigma is very influential on the perception of women living with HIV Aids, both married and unmarried to the diseases suffered. This study would like to analyze the perceptions of women living with HIV who face the social stigma that affects health behavior.The method of the study is a qualitative method with the life history approach. The techniques of collecting data are an in-depth interview, participant observation, and literature study. The informants of the study are two women living with HIV Aids already married and unmarried that assisted by Rumah Aira Semarang. The result of the study shows that PLWHA have negative perceptions related to social stigma however they try to resist the stigma so that affecting knowledge and health behavior. ]]>
<![CDATA[Konsep Pengembangan Kampung Batik Durenan Indah Suatu Pendekatan Antropologi Terapan ]]>
<![CDATA[Eko Punto Hendro]]>
<![CDATA[ Endogami: Jurnal Ilmiah Kajian Antropologi Vol 2, No 2: Juni 2019 ]]>
Publisher : <![CDATA[Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro ]]>
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DOI: 10.14710/endogami.2.2.176-181
<![CDATA[Kampung Batik Durenan Indah Batik is a gathering place for batik artisans, which number around 20 people who are members of four companies. Recently batik artisans participated in the provincial level industry of craft competition because they had previously won the city level race. The approach used in research is applied anthropology, with observation and in-depth interviews. On a more modern entrepreneurial scale, they are still at the beginner level, because they have not used a professional business management system. However, the spirit of the craftsmen is quite high, it requires assistance and direction from the government and other related partie]]>
<![CDATA[Budaya Senior-Yunior (Senpai-Kohai) dalam Struktur Masyarakat Jepang ]]>
<![CDATA[Reny Wiyatasari]]>
<![CDATA[ Endogami: Jurnal Ilmiah Kajian Antropologi Vol 2, No 2: Juni 2019 ]]>
Publisher : <![CDATA[Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro ]]>
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DOI: 10.14710/endogami.2.2.137-143
<![CDATA[The purpose of this study is to describe the culture of senpai-kohai in a Japanese society system that has a vertical structure. The data used are several literature on Japanese seniority system (senpai-kohai) and interviews with several informants. The research method used is a qualitative-descriptive. Data collection with library studies, observations, and interviews to explore deeply about the experiences of informants related to seniority system in Japan. In analyzing data, researchers used the qualitative data analysis techniques. The results of this study show that the culture of senpai-kohai in the lives of Japanese people is reflected in the educational environment, club or organizational environment, work environment, and family environment. In addition to the family environment, senpai-kohai relations are shown through the attitude and actions of a senior to help, maintain, and guide his junior. Conversely, juniors also must behave in accordance with the guidance, instructions, and orders of their seniors. In addition, juniors must also respect and respect their seniors through the use of polite language (keigo) and keep his words]]>
<![CDATA[Komodifikasi Tradisi Bedah Blumbang sebagai Objek Wisata Budaya di Kabupaten Semarang ]]>
<![CDATA[Af’idatul Lathifah]]>;
<![CDATA[Reny Wiyatasari]]>
<![CDATA[ Endogami: Jurnal Ilmiah Kajian Antropologi Vol 2, No 2: Juni 2019 ]]>
Publisher : <![CDATA[Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro ]]>
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DOI: 10.14710/endogami.2.2.182-191
<![CDATA[Tourism is one of the most important sectors in the development process in the country of Indonesia. Cultural tourism development in various regions has led to cultural commercialization practices. Cultural commercialization includes the reconstruction of art and traditions and the practice of everyday life into stage performances that can be enjoyed by tourists. Gintungan Hamlet is one of the hamlets located at the of Mount Ungaran. In this hamlet there is a spring (pennant). The spring has until now become the center of the bedah blumbang ritual. Bedah blumbang that has been going on for decades has inevitably experienced various changes. These changes include changes in the procedures for implementing, completing ceremonies, and involving the community. At the stage of the procession, the tradition of blumbang surgery has become a place for cash exchange market activities with bazaar performances. The commodification of tourism in this blunt surgical tradition has a negative and positive impact. The negative impact is that there are various fundamental changes in its implementation, especially in determining the timing of implementation. The positive impact is that tourism development is also accompanied by infrastructure development that can be used widely by the people of Gintungan Hamlet, the opening of information from inside and outside the hamlet, and revitalizing the tradition of blunt surgery. this research uses ethnographic methods]]>
<![CDATA[Choumiryou dan Harapan Hidup Orang Jepang ]]>
<![CDATA[Sriwahyu Istana Trahutami]]>
<![CDATA[ Endogami: Jurnal Ilmiah Kajian Antropologi Vol 2, No 2: Juni 2019 ]]>
Publisher : <![CDATA[Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro ]]>
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DOI: 10.14710/endogami.2.2.144-149
<![CDATA[The life expectancy of Japanese is the highest in the world, an average of 83 - 84 years. This makes Japan a world role model in order to be able to live long and healthy lives. Many factors influence the high life expectancy of Japanese, one of which is food. Japanese food or washoku (和 食) has already become widely known and widely accepted. Along with this, Japanese basic ingredients or choumiryou (調味 料) are becoming well known. The purpose of this study is to describe the influence of choumiryou on the high life expectancy of Japanese. This study used descriptive qualitative method. The results of this study indicate that basic choumiryou has a large influence on the health of Japanese people. Although some basic spices are not good for health, this does not prevent Japanese from consuming them. Japanese consume choumiryou in a safe portion that does not damage health. In addition, the role of the basic choumiryou in the high life expectancy of Japanese people can also be seen from various kinds of substances that are good for health contained in the basic sashisuseso choumiryou. The taste of choumiryou has always been maintained by the Japanese for the sake of acquiring a distinctive Japanese flavor that has a characteristic soft taste.]]>
<![CDATA[Penetrasi Budaya Wargee Dalem dan Warga Kilalan dalam Kontruksi Masyarakat Jawa Kuna ]]>
<![CDATA[Siti Maziyah]]>
<![CDATA[ Endogami: Jurnal Ilmiah Kajian Antropologi Vol 2, No 2: Juni 2019 ]]>
Publisher : <![CDATA[Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro ]]>
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DOI: 10.14710/endogami.2.2.192-202
<![CDATA[Java in the 7th century has become one of the trading centers in Southeast Asia. Therefore it is not surprising that in this period of time foreigners have come in various destinations. The inscription calls the foreigners the term wargee dalĕm and wargga kilalan. The purpose of this study was to reveal the foreigners and their relationship with the Old Javanese community. The method used for this study uses a historical method that begins by looking for written sources contained in inscriptions of the 9th century to the 14th century that have been translated and have been published in the form of a collection of inscriptions. The inscription used as data is an inscription that contains terms about wargee dalĕm and wargga kilalan. In addition, Chinese news sources are also used which are related to the problem of trading in Java in the contemporary period. Based on the data, then the origin of the foreign countries was traced, and analyzed for their role in the Old Javanese community. The results of the study show that as one of the central commercial areas in Southeast Asia, it is very possible for Javanese people to connect with foreign nations. The long relationship caused a cultural influence that was caused.]]>
<![CDATA[Pengalaman Akulturasi dan Resolusi Konflik Warga Keturunan Tionghoa di Semarang ]]>
<![CDATA[Slamet Subekti]]>
<![CDATA[ Endogami: Jurnal Ilmiah Kajian Antropologi Vol 2, No 2: Juni 2019 ]]>
Publisher : <![CDATA[Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro ]]>
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DOI: 10.14710/endogami.2.2.111-118
<![CDATA[This case study seeks to reveal the acculturation experience some residents Chinese descent in Semarang. The data collection is done by conducting in-depth interviews with three informants selected, complemented by interviews with a priest in order to gain insights into conflict resolution within the framework of multiculturalism. Key to conflict resolution is the synergic cooperation between the government, security, local religious and tribal leaders. Acculturation as a method of receiving and cultural assimilation became one of alternative conflict prevention. The informant chose multiculturalism as a strategy of acculturation. Communication patterns are tolerant and philosophical values of Pancasila should be developed and cultivated to realize multiculturalism.]]>
<![CDATA[Keterampilan Turun-Menurun di Kalangan Perajin Monel Jepara ]]>
<![CDATA[Sri Indrahti]]>
<![CDATA[ Endogami: Jurnal Ilmiah Kajian Antropologi Vol 2, No 2: Juni 2019 ]]>
Publisher : <![CDATA[Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro ]]>
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DOI: 10.14710/endogami.2.2.150-157
<![CDATA[Monel handicrafts grow and develop in Jepara district. It has characteristic that the skill of making monel art is preserved from generation to generation. Its ability to survive was influenced by how much the support of community. Community care and love for the craft can support the existance and development of monel handicraft. The process of descending monel crafts has the advantage that each family as a monel craft business unit has its own characteristics and competitiveness. On the other hand, there is no formal container for learning these skills. This makes monel crafts less open to a wider regeneration process. Even though regeneration really determines the development in the future. Looking at the current development of the craft, efforts to make a more open regeneration process seem necessary. Through this paper, the author try to find steps that can be taken by the supporting community and the Regional Government to form a formal and informal container. It is intended that interested people have access to learn about this craft. Regeneration is carried out to maintain the continuity and development of monel crafts.]]>
<![CDATA[Rumah Bugis sebagai Bentuk Pemertahanan Budaya Masyarakat Bugis di Desa Kemojan Karimunjawa ]]>
<![CDATA[Titiek Suliyati]]>
<![CDATA[ Endogami: Jurnal Ilmiah Kajian Antropologi Vol 2, No 2: Juni 2019 ]]>
Publisher : <![CDATA[Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro ]]>
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DOI: 10.14710/endogami.2.2.203-211
<![CDATA[This paper examines the Bugis house in the Kemojan Village of Karimunjawa as a form of cultural retention of the Bugis people. The efforts of the Bugis community of Kemojan Karimunjawa Village maintain the preservation of the Bugis house as their residence because they try to maintain their culture. Besides that they want to introduce to the people around them their identity through the philosophy contained in the construction of Bugis houses. Although the Bugis house in Kemojan Village is different from the Bugis house in South Sulawesi, but in principle the philosophy and concept of development are the same. The development of tourism which is rampant in Karimunjawa has caused Bugis people in Kemojan Village to take the initiative to build several Bugis houses on the beach for Home Stay. Home Stay was built in accordance with the rules and forms of Bugis houses in Sulawesi. With the existence of Bugis houses for the sake of this tourism, it is hoped that the public will get to know the Bugis culture overseas]]>
<![CDATA[Bullying sebagai Arena Kontestasi Kekuasaan di Kalangan Siswa SMA Jakarta ]]>
<![CDATA[Prisanti Windi Andini]]>;
<![CDATA[Amirudin Amirudin]]>;
<![CDATA[Mulyo Hadi Purnomo]]>
<![CDATA[ Endogami: Jurnal Ilmiah Kajian Antropologi Vol 2, No 2: Juni 2019 ]]>
Publisher : <![CDATA[Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro ]]>
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DOI: 10.14710/endogami.2.2.119-130
<![CDATA[Bullying among students, especially high school students are still common. Acts of violence in schools involve both senior and junior. The seniors’ role of displaying seniority is to teach the juniors manners and discipline. But there are many seniors who abuse the terms of seniority by acting arbitrarily to their juniors. This article will explain how bullying can be considered as a field of power contestation. This study uses several techniques of ethnographic methods, namely, direct observation, interview, and literature. Researchers used indirect observation because informants are reluctant to commit acts of violence when there are other people outside their group. Based on the results of the research, capital are at stake for the actors to reach the prize, such as honor, fame, and material. Bullying behavior that occurs in SMA E Jakarta continues because of an understanding that they have to continue what has been instilled by their seniors before, such as the rules for class X are always imposed from year to the next one.]]>
