Texture : Art and Culture Journal
Texture art and culture journal, memuat artikel hasil penelitian ilmiah dalam spektrum penciptaan dan pengkajian seni rupa dan budaya. Lokus seni rupa berfokus pada praktik artistik dalam beragam medium ungkap, baik dua dimensi, tiga dimensi, hingga ragam praktik seni intermedia. Budaya dilihat dalam konteks praksis, berikut ragam produk budaya visual yang tumbuh dan berkembang di masyarakat. Kajian terkait seni rupa dan budaya dalam jurnal ini menggunakan pendekatan kritis dalam perspektif keilmuan interdisipliner.
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<![CDATA[Design of Multifunctional Vest Bag for Moving Coffee Traders ]]>
<![CDATA[Azfari, Chalifh]]>;
<![CDATA[Surya, Geggy Gamal]]>
<![CDATA[ TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v8i2.6424
<![CDATA[Traveling coffee traders are one of the jobs in the informal sector that are very often found in the Jabodetabek area. Traveling coffee traders are also considered as one of the efforts to overcome unemployment by creating their own jobs through entrepreneurship that is cheap to do and often found in any area. Usually, traveling coffee traders use public spaces to sell, such as sidewalks and parks. However, although their existence is often considered to disturb the beauty of the city, many people consider that the existence of traveling coffee traders plays an important role when needed, such as during office breaks, when taking a break while traveling and so on. The use of a multifunctional product will greatly help the smoothness of sales operations carried out by traveling coffee traders. With this new breakthrough, products and services are easier to reach potential consumers widely. Therefore, the idea arose for this research to design a multifunctional vest design for traveling traders who can carry their needs when selling a product and add their own appeal.]]>
<![CDATA[Documentary Film Procdution for Lettering Time Community to Support Brand Awareness ]]>
<![CDATA[Nazarindra, Reyhan]]>;
<![CDATA[Wulandari, S.Sn., M.A., Sri]]>;
<![CDATA[Solicitor.C.R.E.C, S.T,.M.Ds., Aileena]]>
<![CDATA[ TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v8i2.6432
<![CDATA[The Lettering Time community, established in Surabaya in 2023 under the auspices of the Better Youth Foundation, functions as a platform for young people to develop skills in lettering and calligraphy. More than just an artistic outlet, the community serves as a vital channel for communication and self-expression, offering a safe space for youth to relieve stress and express their thoughts, particularly while navigating the challenges of the quarter-life crisis. The core mission of Lettering Time is to spread goodness and inspiration through the medium of handmade letters. To achieve this mission, the community holds regular "Lettering Time" activities, gathering members to learn techniques, share knowledge, and engage in discussions. Although these activities are archived on the official Instagram account to attract public participation, the community consistently faces a significant challenge: fluctuating weekly attendance levels. Consequently, a more effective and engaging media strategy is necessary to substantially enhance the community's brand awareness beyond simple photo documentation. This project proposes the implementation of a documentary film as the solution. This film is expected to serve as a powerful medium for conveying the community's unique, inspiring story and its positive impact on youth. The goal is to build a distinctive and credible public image, ensuring that the community is widely recognized and successful in attracting broader youth engagement. The documentary will be produced using Adobe Premiere Pro and distributed via the YouTube platform]]>
<![CDATA[Development Of Landmark Signage Design for Semarang City “Sebaru (Semarang Hebat Baru)” Using Atumics Method ]]>
<![CDATA[Rahmasari, Erisa Adyati]]>;
<![CDATA[Yanuarsari , Dzuha Hening]]>;
<![CDATA[Setiawan, Agus]]>
<![CDATA[ TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v8i2.6445
<![CDATA[Semarang city landmark is one of the symbols of the city which can be in the form of a building which is one of the unique characteristics of the city of Semarang. Landmarks can be in the form of architectural buildings that are distinctive and able to provide aesthetics of space and good views of the city. Landmarks can also be used to attract the interest of tourists visiting the city. The results of observations and questionnaire studies that have been carried out by researchers at this time show that the landmarks of the city of Semarang do not really show the characteristics of the city of Semarang. Architectural buildings and arts in the city of Semarang became the inspiration for the development of landmark designs in the city of Semarang. The purpose of this design is to develop an existing landmark signage design based on the results of research and research conducted. The method for analysis in this design uses the ATUMICS method. The output or final result in the development of this landmark signage design is used as a reference material in the development of landmark signage designs in Semarang City. The benefits of this design are as a development of the characteristics of the city of Semarang as well as a support in the development of tourism in the city of Semarang.]]>
<![CDATA[Representation Of Urban Lifestyle in The Form of a Large Electric Scooter Design ]]>
<![CDATA[SANTOSO, Akmal Fadhlurrahman]]>;
<![CDATA[Sardjana, Narhendrha Putra]]>
<![CDATA[ TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v8i2.6465
<![CDATA[This research explores electric scooters in urban environments in Indonesia, with a focus on adapting technology and design to dense urban conditions. Electric scooters offer eco-friendly mobility solutions amid challenges such as congestion and diverse road infrastructure. Through qualitative research methods, this study assesses the preferences of urban users towards the dimensions, features, and design of electric scooters. The results of the interviews show that scooters with large dimensions, features such as delivery boxes, and efficient lights are highly desirable for comfort and safety in cities. Modern casual designs are also preferred because they are practical for everyday use. This research highlights the need for further development to create a more e-scooter-friendly urban environment, as well as the importance of design that is responsive to the needs of urban users.]]>
<![CDATA[Character Design for Sadewa Krama Cinta Sejati Webcomic ]]>
<![CDATA[Istiqomah, Restifar Amalia]]>;
<![CDATA[Aji, Restu Ismoyo]]>;
<![CDATA[Setiawan, Bayu]]>
<![CDATA[ TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v8i2.6524
<![CDATA[This article discusses the design of the main characters of the webcomic Sadewa Krama: Cinta Sejati published on the LINE Webtoon Kanvas platform. This design aims to increase the awareness of individuals aged 16-24 years old towards wayang culture. Wayang is an Indonesian culture that must be preserved. However, as time goes by, the art of wayang has experienced a process of decline due to development of the era. This is due to the language element of the puppet performance which uses the Regional Language (Javanese) and the performance time is at night. Through descriptive qualitative research methods (interviews, observations, and questionnaires) to collect and analyze data as visual concepts. It was revealed that respondents from the questionnaire tended to prefer staying up late to play gadgets. The phenomenon of the development of this era requires wayang to adapt. Hence, there is a need to transfer of mediums to adapt one medium to another. In accordance with this, the right media to communicate the story is a webcomic that can also be accessed through gadgets. Not stopping there, a story that has relevance to the problems of today's teenagers is needed. Problems that they face, for example, the formation of behavior and the search for compatibility with themselves and the environment. Lakon carangan Sadewa Krama is considered to have relevance to these problems. The character design in the webcomic is realized by adapting wayang kulit characters, combined with wayang wong, then represented in a semi-realist/semi-cartoon drawing style.]]>
<![CDATA[Medallion Relief as A Source of Ideas for Creating Artworks Utilising Wood Waste ]]>
<![CDATA[Yuliana, Tri]]>;
<![CDATA[Meilinda, Vina]]>;
<![CDATA[Rohmawati, Fauziah Dwi]]>
<![CDATA[ TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v8i2.7039
<![CDATA[The concept of local culture and environmentalism is a genre of art and art practice that seeks to introduce, maintain, preserve and revive the love of culture and the environment. This is because in recent times local culture has been displaced by modernisation, and the love for the environment has declined. So that an effort is needed to regenerate the love of local culture and the environment. The purpose of this research is to create artworks with the theme of local culture and environment-based, namely medallion reliefs and wood waste. Artworks with the theme of local culture and waste utilisation are one of the efforts to introduce, maintain and preserve local culture and the environment through art. The research method uses Arts based Research which is an arts-based research with the principle of adapting art creativity to social research with an artistic practice approach, because both are holistic and dynamic involving reflection, description, problem formulation and problem solving, as well as the ability to identify and explain intuition and creativity in the research process. Artistic practice uses a three-stage experimental sequence, namely: exploration stage, design stage, and realisation stage. The results of this research show that wood waste has high potential to be utilised as an alternative medium for art creation. The result of this creative process is a medallion-themed collage artwork that is environmentally friendly and affordable.]]>
<![CDATA[Designing A Typeface Inspired by The Embunbekhangkat Motif of The Alas Tribe, Southeast Aceh ]]>
<![CDATA[Firman]]>;
<![CDATA[Yuliarni, Yuliarni]]>;
<![CDATA[Akmal, Ahmad]]>
<![CDATA[ TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v8i2.7056
<![CDATA[This research aims to design a decorative typeface inspired by the Embunbekhangkat motif of the Alas tribe in Southeast Aceh, as an effort to preserve local culture and strengthen regional visual identity. The study applies a qualitative creation method including literature study, observation, interview, and visual analysis using the 5W+1H approach. The resulting typeface, named ‘Mesikhat,’ was designed through ideation, stylization, digitization, and application stages. The typeface is categorized as a display font with decorative features while maintaining legibility, readability, and clarity. The final result is a digital typeface in OTF and TTF formats applicable in various media such as posters, packaging, and cultural merchandise, supporting the promotion of Southeast Aceh’s cultural identity.]]>
<![CDATA[The Rhetoric of the Imagery of Muhammad Marzuki's (Zuk) Painting with the Theme of Human Arrogance Uploaded on Instagram Account ]]>
<![CDATA[Eni Sukaesih, Aizza Nur Layli]]>;
<![CDATA[Ponco Anggoro, Albertus Rusputranto]]>
<![CDATA[ TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v8i2.7107
<![CDATA[This study discusses the rhetoric of the image of Muhammad Marzuki's (Zuk) painting with the theme of human arrogance uploaded on his Instagram account. Zuk's painting that comes with a caption provides evidence that artwork can trigger self-reflective appreciation, because of the rhetoric (strong visual language) in the visuals and captions. The purpose of this study is to explain the background of the creation of Zuk's paintings, explain the visuality of Zuk's paintings with the theme of human arrogance, and explain the rhetoric of the image of Zuk's paintings with the theme of human arrogance. This Final Project examines the rhetoric of the image of Zuk's paintings with the theme of human arrogance uploaded on his Instagram account from the perspective of Roland Barthes' rhetorical theory of imagery using the semiotic analysis method. The researcher found that the rhetoric of Zuk's work was formed because Zuk's paintings have visual elements that are relevant to appreciation, simplicity of technique and form, and captions written in simple and relaxed language. The text in the caption relays the visual meaning of the photo, so that the message and meaning become stronger. The results of the study show that there is rhetoric (strong visual language) in the photographs of Zuk's paintings and the captions that accompany them.]]>
<![CDATA[Analysis of Nonlinear Narrative Structure in Building Dramatic Scenes in Jatuh Cinta Seperti di Film-Film ]]>
<![CDATA[Andika, Oktora Candra]]>;
<![CDATA[Kurniawan, SS, M.Si., M.Hum, Donie Fadjar]]>
<![CDATA[ TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v8i2.7156
<![CDATA[This study discusses how non-linear narrative structure is used to construct dramatic scenes in the film Jatuh Cinta Seperti di Film-Film. The purpose of this study is to analyze how the non-linear narrative structure contributes to four dramatic elements: conflict, suspense, curiosity, and surprise. This research uses a qualitative descriptive method to examine each scene in detail. The data were analyzed using narrative analysis techniques, including plot, time sequence, characters, conflict, goal, setting, and theme. The findings show that 27 scenes in the film display a non-linear narrative pattern, where scenes are arranged non-chronologically and often blend reality with imagination. This narrative approach effectively creates dramatic tension and emotional depth throughout the film. The presence of interconnected dramatic elements in each act strengthens the overall narrative and drives the story forward with emotional resonance.]]>
<![CDATA[Rhetoric And Visual Metaphor Of “Aku Kartini” In A Context of Sculpture and Activism ]]>
<![CDATA[Prasetya, Laras Shinta]]>;
<![CDATA[Marwanto, Aries Budi]]>
<![CDATA[ TEXTURE Art and Culture Journal Vol. 8 No. 2 (2025) ]]>
Publisher : <![CDATA[Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/texture.v8i2.7301
<![CDATA[This research aims to analyze the visual rhetoric elements and visual metaphors contained in Aku Kartini sculpture and connect them with the theme of activism. The statue titled Aku Kartini is one of the works from the Kartini series created by Budi Santoso, with the theme of activism as the object of this research. The sculpture presents another version of Kartini, an Indonesian heroine who is famous for her slogan “out of darkness comes light”. The research method used is descriptive qualitative, to collect data and explain the phenomenon of Aku Kartini sculpture, using Sonya K. Foss' rhetoric theory and Lakoff and Johnson's metaphor theory to explain the phenomenon of Aku Kartini sculpture in terms of rhetoric and metaphor. The research results show that the Aku Kartini sculpture possesses visual rhetoric characteristics, and its metaphorical meaning is closely related to the theme of activism presented during the exhibition.]]>
