cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
-
Contact Email
-
Phone
-
Journal Mail Official
dewaruci@isi-ska.ac.id
Editorial Address
Jl. Ki Hajar Dewantara, Nomor 19, Kentingan, Jebres, Surakarta 57126, Indonesia.
Location
Kota surakarta,
Jawa tengah
INDONESIA
Abdi Seni
Published by Institut Seni Indonesia Surakarta
ISSN : 20871759     EISSN : 27232468     DOI : 10.33153
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
urnal Abdi Seni memiliki fokus pada hasil pengabdian dan pemberdayaan kepada masyarakat, baik itu pengabdian dosen maupun KKN yang dilakukan oleh mahasiswa dalam bidang seni. Cakupan jurnal Abdi Seni memiliki ranah keilmuan di bidang seni rupa dan desain ataupun seni pertunjukan (Tari, Karawitan, Pedalangan, Teater, Etnomusikologi, dll), yang mampu memberikan banyak manfaat untuk masyarakat serta menambah literasi dalam berkesenian.
Arjuna Subject : -
Articles 8 Documents
 1 
Search results for , issue "Vol 13, No 1 (2022)" : 8 Documents clear
Pengenalan Batik Jumputan Sebagai Media Alternatif Keterampilan Kepada Ibu PKK Perum Solo Elok, Mojosongo, Surakarta FP Sri Wuryani; Rahel Olivia Chandra Estoni Putri
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4179

Abstract

ABSTRACTWomen from low-income families encounter some challenges because of their gender status. Thus, attention is required to improve women’s engagement in the socioeconomic development process, a program implemented by the government in the scope of women’s welfare. However, the program’s impact on women has not been totally positive. Providing training related to Jumputan (tie-dye) batik making is one of the alternatives for women empowerment, particularly among local housewives community (PKK) members in Perum Solo Elok, Mojosongo, Surakarta. Batik is a method of decorating cloth with dye techniques; however, in the majority of Indonesian society, the term batik refers to batik-patterned textiles or printed batik rather than actual batik. This course is intended to support attempts to preserve traditional art, particularly batik artworks. Activities are carried out in collaboration with program partners PKK Perum Solo Elok, Mojosongo, Surakarta. The approach used to carry out this introductory activity prioritizes participant and mentor activeness, which is supported by the use of media and effective and efficient training models, with the goal of training materials being well accepted by trainees, who are PKK members. In accordance with this, the program design, particularly this creative workshop, refers to David Gibson’s concept of design phases divided into three broad groups: planning, design, and implementation. The stages of activity implementation include three methods: mutual approach, personal approach, and partnership approach. This skill is to add a variety of skills to partners in order to develop a hobby and business related to tie-dye batik. 
Fenomena Seni Pertunjukan Sintren Pesisiran dan Pemberdayaan Masyarakat melalui Pedekatan Antropologis Kukuh Pamuji
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4220

Abstract

The phenomenon of coastal sintren performing arts in the border areas of West Java (Cirebon and Indramayu) and Central Java (Brebes, Tegal, Pemalang) which has local genius by carrying out cultural transformations between traditions and mystical traditional arts transforming with modern culture as an effect of urban culture, finally with the transformation of culture will be transformed into urban culture. The problems that exist in the Sintren Pesisitran art community include: (1) the lack of support for the development and preservation of coastal traditional arts, (2) How the art of performing the Coastal Sintren can holistically rediscover the essence of aspects of cultural expression and the development of other creative aspects. This empowerment program is carried out through various mentoring programs including; (1) empowering creative human resources, (2) choreography training, musical instruments, (3) costume assistance for several Sintren Pesisiran communities. The results of community empowerment assistance, including: The performing arts of coastal sintren can be studied holistically, aspects of art as expression, art as pragmatics, anthropological and sociological studies. Pragmatically, this typical coastal art performs practical activities for various aspects of interest. It was then realized by the performing arts community that their creative activities are not just expressions. Social aspects are also interpreted more broadly when we look at the educational aspect, of course with multidimensional and multi-interpreted discourses.
Menumbuhkembangkan Potensi Promosi Desa Wisata dengan Sentuhan Seni di Desa Watukarung, Pringkuku, Pacitan, Jawa Timur Cito Yasuki Rahmad
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4150

Abstract

Cultural diversity and natural beauty make the southern part of Java, particularly the coastal villages, well-known for tourist objects, both cultural and natural. Watukarung Village is one of the most fascinating tourist destinations in Pacitan Regency. Watukarung Village, in addition to natural beach attractions, offers beautiful views. Watukarung Village contains tourism assets with the potential to be developed. The potentials of Watukarung Village may immediately stimulate tourist growth, which will have an impact on the community around tourism. On the other hand, the positive potential of Watukarung Village people in the face of limitations must be fostered. These issues must be resolved by enhancing the existing potential through the use of art in the promotion of tourism villages through trainings. This activity is very beneficial to the people of Watukarung Village because it allows village residents to upgrade their skills in developing community resources and natural resources in the village, allowing the community to actively participate in developing their village’s potential through creative fields with a touch of art.  
Kreativitas Sanggar Sang Citra Budaya Surakarta dalam Pelatihan Tari Masa Pandemi Covid-19 Hartanto Hartanto
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4212

Abstract

 This report is the result of Community Service with the theme of ‘Creativity of Sang Citra Budaya Art Studio Surakarta in Dance Training during the Covid-19 Pandemic.’ The purpose of the training is to accommodate the talents, abilities and enrichment in the field of dance for the art studio students. The targets of the activity are students and teachers at the art studio. The training activities are carried out using the dialogical method, the lecture method, the demonstration method, and the drill method. The output of this activity is to direct and make students develop creativity in learning dance. The result of the creativity in training activity is the creation of the offering dance “Sesaji Nur Citra Laksita” and Wayang Bocah “Dewa Ruci”.
Penguatan Budaya Tenun ATBM Lurik Khas Pedan Klaten Moh. Rusnoto Susanto; Rahayu Retnaningsih; Flora Grace Putrianti; Shafa’ Selimanorita; Puspa Eka Ayu Febriana
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4219

Abstract

It is very rare to find an integrated textile industry center in Indonesia until now, apart from the integrated textile industry with Pekalongan batik in Central Java which is synergistic with the growth of the fashion business and the proliferation of tailor and fashion design. However, this landscape can be found in Pedan Klaten District, which is a center for ATBM weaving production whose business growth is getting stronger into an integrated area. The original ATBM weaving of Pedan Klaten has been known to be very skilled and detailed in its workmanship so that the resulting product is very smooth and compact, with the main motif called lurik. The participatory approach of the colleague team and partners of the Lurik Pedan ATBM Weaving MSMEs with various strengthening programs includes: design training, technical development workshops, IPR regulations and other E-Commerce strengthening activities. This article is intended to explain field findings with a clear, objective, systematic, and careful description of the facts obtained. The results of the MSME assistance program for 1 year made impacts as follows; (1) The Lurik Pedan brand encourages the pioneering of an integrated cultural tourism industry area. (2) Strengthening the Marketing Communication (MARCOM) system as an effort to increase sales turnover and strengthen business strategy. (3) The strategy of strengthening the ATBM weaving culture for traditional Lurik weaving craftsmen in Pedan Klaten
Penari Berhijab dalam Perspektif Masyarakat sebagai Ajang Dakwah melalui Kesenian Muhamad Parhan; Cindy Anugrah Pratiwi; Rika Agustina; Salsa Nurul Aini
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4161

Abstract

This article provides an overview of the implications of Islamic science and art. Not many dancers wearing hijab when dancing, because it is considered something unusual. Various stigmas appear in the perspective of society when they see dancers wearing hijab. One of the stigmas given is that women or girls wearing hijab are not supposed to dance because often the movements performed can invite lust, for instance, through erotic movements that could trigger lust especially in men who are not family members of the women. The dancers wearing hijab, on the other hand, appear to be conveying an implicit message of Islamic preaching. Every dance, in fact, has meaning and serves as a medium for the dancer’s self-actualization through movements. With this phenomenon in mind, this study was conducted to collect, conclude, and share understanding from many perspectives on hijab-wearing dancers. To obtain larger data, this study used a qualitative method with descriptive analysis. This research could be used as a reading source to open up fresh perspectives for society and to encourage hijab-wearing women to express themselves limitlessly when doing activities such as dancing.
Menceritakan Bancah Birunguik, Memperagakan Silek Luncua Mendendangkan Balam-balam : Pelatihan Repertoar Baru Randai di Solok Selatan Dede Pramayoza; Emri Emri; Susas Rita Loravianti
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4180

Abstract

This paper describes the implementation of the Randai Creation Workshop in South Solok Regency, which was carried out by ISI Padangpanjang Community Service Team. The workshops are carried out with problems solving approach and artistic research, which are oriented towards finding answers to problems through the practice of artwork creation. The process of creating Randai began with shared research for folklore that developed in South Solok, using the Focus Group Discussion (FGD) method, which resulted in findings in the form of the Bancah Birunguik story, which was then processed together as a screenplay. The process of creating Randai continued with the creation of Legaran with the method of practical mentoring, which departed from the repertoire of Silek Luncua, a silek genre that developed in South Solok. The last process of the workshop, also employing the method of practical assistance, is the blending of movements with sounds. This process is codified as an aspect of Randai musicality, using the Balam-Balam sung from Saluang Panjang tradition, a type of South Solok traditional song, as the main guide. The results of the workshop are several scenes of Randai as an embryo that can be developed into the typical Randai repertoire of South Solok.
Ekplorasi Komposisi Choir Nusantara pada Karya Musik Metal Kelompok Djiwoastra Wahyu Purnomo; Bondan Aji Manggala; Denis Setiaji
Abdi Seni Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i1.4229

Abstract

The activity of creating musical works based on Community Service activities with the  title  “Exploration  of  Harmonious  Composition  Techniques  and  Interlocking Vocal Techniques in Metal Musical Works of the Djiwoastra Group” seeks to express musical works that show the marriage between Nusantara aesthetics and Western aesthetics through working on choir vocal compositions. The agreement to collaborate in composing music with an emphasis on the Gregorian choir composite strategy that explores Nusantara vocal forms such as Senggakan and Gerongan (Javanese), as well as the Balinese Kecak vocal interlocking technique is a problem solving point in overcoming the problem of diversity in metal music production techniques required by Djiwoastra music group as partners. The Participation Action Research method is prioritized in this activity. This activity is a vehicle for realizing mutual understanding between the team implementing the activity and the metal music group Djiwoastra, in order to strengthen each other’s potential for the challenges of musical works based on the internalization of diverse experiences. Community service activities that aim to solve problems in balancing the aesthetics of music between West and East have been achieved to some extent by strengthening the trans-medium composite technique of Javanese vocal forms such as Senggakan, Gerongan, and Balinese Kecak which are packaged in a gregorian choral style, which can become a new techniques mastered by partners to develop subsequent works

Page 1 of 1 | Total Record : 8

 1 

Filter by Year

2022 2022


Reset
Filter By Issues
All Issue Vol. 16 No. 1 (2025) Vol. 15 No. 2 (2024) Vol. 15 No. 1 (2024) Vol. 14 No. 2 (2023) Vol. 14 No. 1 (2023) Vol 13, No 2 (2022) Vol 13, No 1 (2022) Vol 12, No 2 (2021) Vol 12, No 1 (2021) Vol 11, No 2 (2020) Vol 11, No 1 (2020) Vol 10, No 2 (2019) Vol 10, No 1 (2019) Vol 9, No 2 (2018) Vol 6, No 2 (2015) Vol 9, No 1 (2018) Vol 8, No 1 (2017) Vol 7, No 2 (2016) Vol 7, No 1 (2016) Vol 5, No 1 (2013) Vol 3, No 1 (2011) Vol 2, No 2 (2010) Vol 2, No 1 (2010) Vol 1, No 1 (2009) Vol 6, No 1 (2015) More Issue