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Acintya
Published by Institut Seni Indonesia Surakarta
ISSN : 20852444     EISSN : 26555247     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 512 Documents
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IKONOGRAFI TOPENG MALANG DALAM TOKOH DEWI SEKARTAJI DAN PANJI ASMOROBANGUN Fatmawati, F.,; Zurinani, Siti
Acintya Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i1.1915

Abstract

The shape and character masks in each region are rooted from local values and mythology in the local community. Each element of line, color, and pattern on the mask is a symbol that implies meaning. Panofski describe art object studies includes three stages. The first stage is called pre iconography, such as the interpretation of the textual aspect of a work of art is accompanied expressionalresponse. The second stage is called the stage of iconography, such as the interpretation of the theme and concept embodied in a work of art and the correction of the themes and concepts, and the third stage is called the stage of iconology, in the form of interpretation of the meaning in the context ofsocio-cultural. The third stage of the process are found to form, meaning and benefits of the existence of Malang Mask for society.Keywords: iconography, malang’s mask, Dewi Sekartaji, Panji Asmorobangun
MANAJEMEN FESTIVAL DI KOTA SOLO STUDI KASUS PADA SOLO KARNAVAL, SOLO INTERNATINAL PERFORMING ARTS, SOLO BATIK CARNIVAL, DAN SOLO MENARI Utami, Fawarti Gendra Nata
Acintya Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i1.1917

Abstract

This research aims to develop learning in the field of performing arts management, considering in particular the art of research on the management of the festival is still very minimal done. While the activities of management and arts management are the main things that must be considered and doneas early as possible beyond the artistic issues a mat or platform. Management is not only about management cramped funds to prepare and present a performance but more complex than that. Performing arts festival is an artistic event that needs special handling, careful planning and extensivework area and involves a lot of team work. Many important how a festival it is important to be held or carried. Many big questions that must be answered; about whether the festival was real? to whom the festival is reserved, what his Goal of the festival was held, what the target of the festival is held? Whatcarried the theme? discourse, there are many more issues. Zoning of rising fund or fund-raising, supporting the government, community involvement and community, artistic strong board, and not less important is the issue of management audience. Management of the audience is important becausethe festival is always synonymous with audiences on a large scale and even thousands on this issue is often not handled properly and tend to be unthinkable. And Solo is important because in addition to being a city of culture, city and town dance festival. Besides getting a concrete picture of the variousfestivals held in the city of Solo of course with the advantages and disadvantages of each, we also had the opportunity to discusses the discourse and the problems that occur in organizing a festival event. To the researchers will look and unravel some of the major festivals held in the city of Solothem; Carnival Solo, Solo Batik Carnival, Solo International Performing Arts, and solo dancing. Besides getting a concrete picture of the various festivals in the city of Solo, which of course with the advantages and disadvantages of each, we also had the opportunity to discusses the discourse and the problems that occur in the organization of a festival.Keywords: Management, Festival, Solo.
EKSPRESI SENI RITUAL MASYARAKAT TUTUP NGISOR Ansari, Isa
Acintya Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i1.1919

Abstract

This paper is presented to the reader is presented to describe the ritual art forms and restrictions made by local people to the art they present. Due to these restrictions they realize the implications of their art performing. To explain these realities the author uses anthropological perspective about the experience, which emphasizes the bodily and mental disposition of the local community.Methodological implications that emerges is that the interviews and observations intent should be done to the informant. From the analysis, that the ritual arts community in Tutup Ngisor village done to support the sustainability of the arts in the area.Keywords: Expression, Ritual Art, Tutup Ngisor.
LOMOGRAFI SEBAGAI EKSPRESI SENI DAN GAYA HIDUP LOMOGRAPHIC SOCIETY SOLO Wahyudi, Johan Ies
Acintya Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i1.1921

Abstract

The aim of this study is to investigate the phenomenon of Lomography as art and lifestyle at the Lomography community in Surakarta. The subjects were community Solo Lomographic Society and the object of research is the works Lomografi of the community. Collecting data in this study using the method of observation, literature / documents and interviews. Observations carried out on community activities Lomographic Society Solo in Surakarta and artifacts of their activities such as exhibition catalogs and documents activities. A literature study to strengthen the theoretical foundation and a variety of matters relating to Lomography. Interviews were conducted to speakers who are competentas a practitioner Lomografi, photographic art expert and journalist who has written about the phenomenon Lomografi in Indonesia. The target of this research is knowing the stages in the process of creating works Lomografi and aesthetic form of artwork Lomografi the aesthetic point of view of art‘as well as the internal-external factors that encourage the formation of community of Lomographic Society Solo and existence.Keywords: LOMO, Lomografi, Lomographic Society Solo, art expression, lifestyle.
PEMBELAJARAN MEDIA VISUAL BAHASA INGGRIS UNTUK ANAK-ANAK PAUD/TK DI SURAKARTA Prasetyo, Johnny
Acintya Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i1.1923

Abstract

Perkembangan teknologi yang semakin maju dapat berkontribusi besar di bidang pendidikan. Salah satunya keinginan para pakar di bidang pendidikan untuk memperbaiki sistem model pembelajaran. Salah satu model pembelajaran yang dikembangkan pada akhir-akhir ini adalah model pemelajaran dengan memanfaatkan media visual. Demikian pula dengan model pembelajaran di PAUD/TK yang mulai dikembangkan ke arah media visual. Media visual yang dikembangkan menggunakan bahasa Inggris untuk lebih memudahkan guru di dalam pencapaian materi bahasa Inggrisa. Materi itu nantibisa berupa gambar, video, film, dan sebagainya. Penelitian mengenagi Teknik Inovatif Pembelajaran Media Visual Bahasa Inggris untuk Anak-anak PAUD/TK di Surakarta menggunakan penelitian deskriptif kualitatif. Penelitian deskriptif bertujuan membuat deskripsi (gambaran) secara sistematis, faktual, dan akurat mengenai fakta-fakta, sifat, serta hubungan antara fenomena yang diselidiki.Hasil dari penelitian berupa model pembelajaran media visual bahasa Inggris untuk anak PAUD/TK dan manfaat penggunaan media visual dalam proses pembelajaran.Keywords: media visual, bahasa Inggris, PAUD, TK, model.
POLA PERJALANAN DESA WISATA SOOKA KABUPATEN PACITAN Aryosamodro, Noor Harsya; DWI ATMAJA, NUR RAHMAT ARDI CANDRA
Acintya Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i1.1925

Abstract

Life of the community adapt to the environment of the mountains Sewu in Pacitan was an extraordinary experience as a shared learning. Environmental influences and untapped natural potential as a knowledge of the history of the earth is not yet considered the potential. Along with the spirit andincredible work ethic encourage villagers in Pacitan build a tourist village efforts as new destinations in Pacitan. Tourist village into a model development of creative economic development as a basis of economic growth in the region and regionally in East Java. The field research uses an ethnographic approach as an attempt to read the dynamics of society and read the regulation on tourism inPacitan. An ethnographic approach “being” or ontology of this research project wants a “mapping” or the travel patterns of rural tourism so as to contribute to government policy. Government policies in the three (3) provinces, namely, East Java, Central Java and Yogyakarta associated with the receipt of the plan penggunungan Sewu region into areas of “geo karst” in the UN world body UNESCO. Travel patterns tourist village Sooka as micro area managed by the society has tremendous potential mobilize community-based economy. Objects managed by communities and re-enjoyed by the public is an important pillar of the new economy as an alternative income increase Sooka Village community.The pattern has been found Sooka Tourism Village Travel, Travel Pattern 1, Pattern 2 and Pattern Journey Journey 3. The third pattern that has various advantages and disadvantages of each.Keywords: travel pattern, village tourism Sooka, community-based management
LOKALITAS KERAMIK (KESINAMBUNGAN ESTETIKA DAN BUDAYA) Yustana, Prima
Acintya Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i1.1927

Abstract

This study aimed to examine the characteristics of ceramic products produced by artisans in Indonesia that documented in the literature references. The problems that are very interesting to know is whether there is continuity of the history of the development of the existing ceramic Indonesian territory or people also often refer archipelago. Indonesia has a lot of existing areas, each location thereis a life that determines the development of ceramics, various characteristics of ceramic products both artifacts and decorative and beauty has the sole purpose different. Under these conditions, the sustainability of these developments are worth mentioning as ceramic locality. Analysis of literature is needed to support the argument accuracy in analyzing a problem, various approaches by using areference would be very supportive in this study, this study will be very interesting when it first tried to find out the origin of both the craft center through the historical approach, the accuracy of the data into better to use as a literature review of relevant literature artifacts through to dissect the artifacts.Multidisciplinary be a force in this literature-based research especially by taking samples directly image and any information contained in the relevant literature. This research method will use qualitative research methods that are supported by the data the theory according to some experts who have done research and the information is written in the book. Targeted research is to identify and analyze scientifically how the actual local forces or the values of existing locality on the archipelago so as to address challenges both nationally and globally about the identity of the ceramic archipelago. Through a multidisciplinary approach will provide greater insight from various angles both the beauty, culture and history so that if this research can produce a reference book, it can be used as a reference for both students and students to strengthen national identity as a means of responding to global challenges as well as guidance on how the importance of locality in each nation’s childrenKeywords: Locality, Ceramics, Aesthetics and Culture.
DURSASANA GUGUR: SEBUAH KAJIAN RESEPTIF Triyogo, YB. Rahno
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i2.1929

Abstract

The death of Dursasana in Baratayuda from time to time got a response (reception) of community supporters. Reader responses poured in various forms, such as a copy into different languages, in different forms of literature, and the performing arts. Responses occurred perhaps because literary life always offers value relefan with his time. This study is the preparation of the historical development of the story Dushasana death, either in the form of literature written and oral literature. In accordance with its objectives, this study is receptive to both approaches and methods. The final goal of this research focuses on the transformation of the death of Dursasana in the war of Baratayuda.Keywords: literature, relevant, response, various forms.
PENCIPTAAN KARYA SENI LUKIS IMPRESIONISME MIXED MEDIA Haryono, Santoso
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i2.1931

Abstract

Research art work titled “Creation of Art Work Impressionism Mixed Media“ aims to create paintings impressionism to approach the creation of mixed media techniques. This study seeks to synergize the strengths and peculiarities of character style impressionism mixed media in a creative, free and unique.Research work is important to do given the current world of art creation is growing, so that it takes the experiments cross-media art. Creation method used is the method of research that began with the development of exploration, experimentation, embodiments, and evaluation. Research work resultswill be useful for the development of the arts, in particular on the development of the creation of works of art.Keywords: Impressionism, art, mixed media.
MURALDEFINISI DAN SEJARAH PERKEMBANGANNYA Isnanta, Satriana Didiek
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i2.1933

Abstract

The presence of the mural in the development of human civilization have been found long ago. Murals or painted walls has existed since prehistoric times that the site is in caves. Mural always follow human civilization, including modern human civilization now. In modern civilization, mural functions continue to evolve, as well as wall hangings, mural also serves as a medium for propaganda, protest against the authorities, the existence of self-identity politics and group, artistic expression, and as an advertising medium. In the context of contemporary art, murals entry in the genre of public art (publicart) and street art (street art), which in conjunction with other types of street art like graffiti. Problems arise when, performers (creator), public (apresiator) and government (stakeholders-holder regulation) do not understand the definition and historical development of this mural, so it can not distinguish between murals and graffiti. This gives rise to misunderstanding among them. On the one hand, considers that the expression of art, on the other hand considers murals make the city dirty. Therefore, it is important to make a study of literature relating to the definition and development mural to be a reference material for mural artists and government policy makers. Kepustakan research method is using a discourse analysis of data taken from various books, scientific articles, photo and video documentation, catalogs and media coverage.Keywords: murals, public art, contemporary art.

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