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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 472 Documents
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Portrait Selection as Affective Act: Sara Ahmed’s Affective Economies in Setengah Rindu Mayang Anggrian; Hillary Pieta Gracia Wenas
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 18 No. 1 (2026)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v18i1.8456

Abstract

This study examines the affective logic underlying the selection of portrait subjects in Setengah Rindu (2026), a collective exhibition by the artist collective Simpullapan held at Galeri Raos, Kota Batu. The exhibition presents five portrait paintings by artist Dwi Christanto depicting world figures: Frida Kahlo, Princess Diana, Vladimir Putin, Mahatma Gandhi, and Tan Malaka, whose apparent thematic arbitrariness constitutes the central analytical problem of this study. Drawing on Sara Ahmed's framework of affective economies and the cultural politics of emotion, this article argues that the selection of these figures is governed by a coherent internal affective logic in which public figures accumulate emotional value through cultural circulation, becoming sticky objects to which feelings adhere and through which they are transmitted and contested. Using qualitative interpretive methods, this study analyzes documentation of the exhibition including artwork photographs, wall texts, and the artist's statement. Findings reveal that each portrait subject carries distinct affective qualities, constituting what this study terms an affective archive: a coherent emotional landscape assembled through the deliberate accumulation of sticky figures. This article contributes to emerging discussions of affect theory within Indonesian visual culture studies, a field in which this theoretical approach remains markedly underutilized.  Keywords: Affective economies, Indonesian contemporary art, Portrait painting, Sara Ahmed, Sticky objects
Integrasi Manajemen Produksi Kreatif dan Strategis Digital Perfilman Independen Indonesia Amiruddin Saleh; Hidayahtul Dinul
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 18 No. 1 (2026)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v18i1.8467

Abstract

Industri film independen di Indonesia menghadapi tantangan ganda antara keterbatasan infrastruktur fisik dan tuntutan adaptasi digital. Penelitian ini bertujuan untuk menganalisis bagaimana integrasi manajemen produksi kreatif dan strategi distribusi digital dapat menjadi solusi bagi keberlanjutan sineas independen. Metode yang digunakan adalah deskriptif kualitatif dengan dukungan data survei primer terhadap praktisi film di berbagai wilayah Indonesia. Hasil penelitian menunjukkan bahwa mayoritas sineas (berusia karir 1-3 tahun) menghadapi hambatan utama pada aspek pendanaan dan birokrasi perizinan. Namun, terdapat korelasi positif antara penggunaan platform digital (OTT dan Media Sosial) dengan peningkatan eksistensi karya. Kepemimpinan sutradara dalam menjaga alur komunikasi dan kontinuitas selama pascaproduksi menjadi faktor penentu kualitas teknis di tengah keterbatasan daya. Kata kunci: Distribusi digital, Film independen, Kepemimpinan kreatif, Manajemen produksi, Perfilman Indonesia. Indonesia

Page 48 of 48 | Total Record : 472

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