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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 462 Documents
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Estetika Karya Seni Lukis Faiz Zaki Abdillah: Perspektif Teori Monroe C. Beardsley Dardiri, Thoriq Bidar; Aditya Eko Adrianto; I Nyoman Suyasa; Syamsiar
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 17 No. 2 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v17i2.7798

Abstract

This study analyzes the paintings of Faiz Zaki Abdillah using a descriptive qualitative approach, with Monroe C. Beardsley's aesthetic theory as its primary foundation. The method employed is analytical description, integrating visual analysis and interpretation of three primary works: Life (2022), Morp Transition (2023), and Amartha (2025). The findings indicate that the creative process behind Faiz Zaki Abdillah's paintings encompasses idea conception, concept development, technique and style, and the stages of creation. An aesthetic analysis based on the principles of unity, complexity, and intensity reveals that Faiz's works represent a synthesis of empirical experience and ecological spirituality, shaped by his closeness to nature, animals, and the agricultural world. Through detailed, meticulous, and symbolic visual structures, the ecological spiritual values in his works are organically realized, creating a contemplative and transcendental aesthetic experience. An examination of the creative background further reveals that the aesthetics of Faiz's works are a comprehensive crystallization of his creative process, where form and meaning, technique and spirituality, merge into a coherent, reflective, and aesthetically rich visual narrative.
Melacak Jejak Makna : Interpretasi Topeng Malangan Dalam Perspektif Hermeneutika Paul Ricoeur Iswandi, Heri; Sarwanto, Sarwanto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 17 No. 2 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v17i2.7799

Abstract

This study aims to understand the deeper meaning and uncover the important values ​​contained in the Malangan Mask. This study uses Paul Ricoeur's hermeneutic analysis. The Malangan Mask is not just part of a performance; it also helps express the culture and identity of the Malang people. However, with today's developments, its meaning has become less clear because the role of masks has changed and art is often used for business purposes. By using Ricoeur's method, which looks at how meaning emerges from the three steps of prefiguration, configuration, and refiguration, we can better understand the symbols, appearances, and stories that are part of the mask. This study uses qualitative methods, observing the visual form of the mask, how it is used in performances, and speaking with local artists and cultural experts. The findings of this study indicate that the Malangan Mask explains the relationship between stories and real life, and contains messages about living a balanced life, having wisdom, and Javanese beliefs. This perspective on masks shows that masks are not just beautiful objects, but a living part of culture that can change and be understood differently depending on the context.

Page 47 of 47 | Total Record : 462

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