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Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni
Published by Institut Seni Indonesia Surakarta
ISSN : 14124181     EISSN : 2685287X     DOI : 10.33153
Core Subject : Education, Art,
Arts Education Languange, Linguistic, Communication & Media Other
International Journal of Visual and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics includes Ethnomusicology, Karawitanology, Music Education, Dance Theatre, Movie and Television, Interior Design, Industrial Design, Media Arts, Fine Arts, Photography. These topics are addressed in full-length academic articles, critical statements on current issues, developmental practice, and reviews of books and live/media-based visual and performing arts. The journal presents an innovative platform for researchers, students, practitioners and educators to both learn from and contribute to the field. All articles are subject to initial Editor screening and then a rigorous double-blind peer-review process before publication.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 6 Documents
 1 
Search results for , issue "Vol 15, No 2 (2020)" : 6 Documents clear
Visual Elements of Semar Calligraphy on Cirebon Glass Painting of Kusdono’s Work Yayah Rukiah; Sarwanto Sarwanto; Sutarno Sutarno; Sunardi Sunardi
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 15, No 2 (2020)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v15i2.3161

Abstract

This research is focused on visual elements contained in Kusdono's Cirebon glass painting. To examine the meaning of visual elements, the writer uses the aesthetic approach and Erwin Panofsky's iconographic approach through 3 stages: the description of pro-iconography, iconography, and finally, iconology. The methodology used is a descriptive qualitative research method, with data collection techniques from books and journals related to the research object. The purpose of this study is to examine and uncover the meaning of Cirebon glass paintings. These research results are Semar as the principal figure in the clown who always do good, keep the truth, and obey His teachings closely related to Islam. Arabic calligraphy reinforces Semar's figure. Many use mega cloudy and wadasan ornaments in the Cirebon glass painting, which are Cirebon batik motifs. Also, the colors used are coastal colors due to the City of Cirebon's geographical location close to the beach.
Perempuan Papa dalam Realisme Foto (Perempuan Papa menjadi ide untuk dituangkan sebagai karya seni berbentuk lukisan realisme foto) Anna Susilowati; Dharsono Dharsono; Setiawan Sabana; Mudji Sutrisno
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 15, No 2 (2020)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v15i2.3229

Abstract

Penulis melakukan studi tentang orang-orang miskin di Kecamatan Tebet untuk dijadikan objek lukisan. Kecamatan Tebet adalah distrik golongan menengah ke atas yang asri dan teratur. Dalam pengamatan penulis, di sela-sela distrik tersebut ditemukan orang-orang miskin yang bekerja di sektor informal, seperti pemulung, pengamen, juru parkir tidak resmi, pembantu, penjual koran dan pengemis. Penulis tertarik pada pelukisan subyek perempuan., karena mengambil foto dan mewawancarainya merupakan sesuatu yang sulit. Dibandingkan dengan pekerja informal laki-laki, perempuan mempunyai level insecure yang lebih tinggi terhadap orang asing. Dalam pembuatan lukisan mengenai perempuan miskin ini, penulis menggunakan gaya realisme foto. Tidak banyak pelukis yang membuat lukisan bertema kemiskinan karena tidak menarik dan tidak diminati kolektor.
Permainan Kendang Bali I Putu Danika Pryatna; Hendra Santosa; I Komang Sudirga
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 15, No 2 (2020)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v15i2.2991

Abstract

Kendang Bali merupakan alat musik yang termasuk dalam keluarga perkusi. Kendang lanang dan kendang wadon memiliki pola yang berbeda-beda, namun jika dimainkan bersama bisa menimbulkan keseimbangan di dalamnya. Keseimbangan merupakan salah satu unsur estetika yang peneliti gunakan untuk menganalisis keseimbangan pola permainan kendang Bali yang dapat dilihat dari konsep rwa bhineda. Penelitian ini merupakan penelitian kualitatif deskriptif yang menghasilkan data kualitatif. Data yang diperoleh dari penelitian ini dilakukan dengan teknik metode penelitian berupa observasi, wawancara, dokumentasi, dan studi pustaka. Setelah data diperoleh, peneliti mengkaji unsur estetika bunyi kendang Bali dengan teori estetika keseimbangan. Hasil yang diperoleh dari penelitian ini adalah ditemukannya keseimbangan estetika lanang dan kendang wadon. Pola kendang gegilak dan tetambat menjadi salah satu bentuk estetika keseimbangan yang timbul dari bunyi kendang Bali yang dalam filosofinya memunculkan konsep rwa bhineda berupa lanang dan wadon atau laki-laki dan perempuan.
Rachana Vidhi: Metode Desain Interior Berbasis Budaya Lokal dan Revolusi Industri 4.0 I Kadek Dwi Noorwatha; Putu Ari Darmastuti; Ni Luh Kadek Resi Kerdiati
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 15, No 2 (2020)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v15i2.3160

Abstract

This research is a fundamental research that seeks to formulate an interior design method based on local culture and the industrial revolution 4.0 called 'Rachana Vidhi'. The research problem arises from the urgent need for the formulation of an ideal interior design method, which combines the development of local culture, the needs of the interior design industry and implements the spirit of the industrial revolution 4.0. The research method uses a qualitative document study approach specifically with the systematic review method, which is combined with the comparative method. The reseach results of the 'Rachana Vidhi' method have been discussed using the basic framework of the stages of the HDII professional organization as a synergy between academics and professional organizations. The method also balances knowledge and abilities between academics and practitioners with the 'research based design' paradigm. In the context of cultural development, the interior design method 'Rachana Vidhi' has been filled in at the ‘Predesain’ stage especially at step no. 15 Cultural Exploration, as part of the drafting of interior design concepts. Synergy with the industrial revolution 4.0 on the interior design method 'Rachana Vidhi' is applied to the stages of Input, Design, Conceptual Design and Design Development. Industrial revolution 4.0 application used is for insight searching, data collecting and modeling.
Peran Puik-puik dalam Kesenian Gandrang Makassar Adiatma Hudzaifah
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 15, No 2 (2020)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v15i2.2699

Abstract

ABSTRACT In general, this music is played by several instruments, not only the poetry and equipped with gandrang, length and katto-katto also actually exist in the separate music. In the next development, only puik-puik and gandrang were launched, which continued to be developed in the owner's community activities. This became the basis for the beginning of the puik-puik research. Puik-Puik in the Gandrang Makassar has a very fundamental role in shaping the harmony of the show. The difference in sound characteristics between gandrang and puik-puik is a strong reason. In the end, puik-puik is always present in the Gandrang dish, while there are several other instruments such as dengkang and katto-katto, which are rarely found at community events. This is closely related to the concept of harmony of the art owner community. Puik-Puik in the Gandrang Makassar art has a very fundamental role in shaping the harmony of the show. The difference in sound characteristics between Gandrang and puik-puik is a strong reason. In the end, puik-puik is always present in the Gandrang dish, while there are several other instruments such as dengkang and katto-katto, which are rarely found at community events. This is closely related to the concept of harmony of the art owner community. Keywords: Puik-puik, Society, Gandrang Makassar, and Role.  ABSTRAK Umumnya kesenian Gandrang Makassar dimainkan oleh beberapa alat saja, bukan hanya puik-puik dan sepasang gandrang, tetapi dengkang dan katto-katto sebenarnya juga berada dalam seperangkat kesenian tersebut. Pada perkembangan kemudian, hanya puik-puik dan sepasang gandrang yang eksis berkembang dalam kegiatan masyarakat pemilik. Hal ini menjadi landasan awal penelitian puik-puik. Puik-puik dibahas secara mendalam karena belum adanya pengetahuan tentang kenapa hanya puik-puik yang berada dalam kesenian Gandrang Makassar. Sepasang gandrang tidak dipertanyakan karena alat tersebut adalah utama dalam kesenian Gandrang Makassar. Maka dari itu permasalahan mengenai kepentingan dan peran puik-puik dibahas dengan melihat dari sisi masyarakat, kebudayaan, peranan musikal nilai esetetis yang terkandung, dan peranan musikal dalam kesenian Gandrang Makassar. Puik-puik dalam kesenian Gandrang Makassar sendiri mempunyai peran yang sangat elementer mengenai pembentukan harmoni sajian. Perbedaan karakter bunyi antara gandrang dan puik-puik menjadi alasan kuat mengapa puik-puik sangat berperan dalam kesenian tersebut. Pada akhirnya puik-puik selalu ada dalam sajian Gandrang, walaupun beberapa instrumen lain seperti dengkang dan katto-katto sudah jarang ditemui dalam perhelatan masyarakat. Hal ini erat kaitannya mengenai konsep harmoni masyarakat pemilik kesenian.   Kata Kunci: Puik-puik, Masyarakat, Gandrang Makassar, dan peran.
Peranan Elemen Desain Interior Dalam Membentuk Atmosfer Ruang Tunggu CIP Lounge Bandara Rr. Chandrarezky Permatasari; Nuarista Edi Nugraha
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 15, No 2 (2020)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v15i2.3027

Abstract

The atmosphere of the space can be formed visually through its interior design elements. In this study shows how the role of interior design elements is applied to the public waiting room in CIP Mandiri Priority Lounge Kualanamu conducted to determine the atmosphere of the atmosphere that forms the image of corporate lounge image.The existence of a space formed through the physical elements of interior design consisting of horizontal and vertical elements. This basic element is present along with the color, light, texture and pattern of the field which will affect the perception of visual weight, proportion and dimensions. Other non-physical elements of a space are socio-cultural elements carried by other people and the environment can affect interactions in the form of non-physical elements of a space.The physical and non-physical elements work together to create the atmosphere of a space that has characteristics that are able to build a space image.This research uses a qualitative method with a descriptive analysis approach. Data collection techniques through survey studies.  From the analysis of the data it was found that the role of the interior design elements forming the space greatly influences the atmosphere of the public lounge CIP lounge in accordance with the image of identity of a lounge. The character of the atmosphere formed is linked and assessed for its suitability to the style, function of the area in the Airport CIP Lounge

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