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INDONESIA
Gelar : Jurnal Seni Budaya
Published by Institut Seni Indonesia Surakarta
ISSN : 14109700     EISSN : 26559153     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Gelar focuses on theoretical and empirical research in the Arts and Culture.
Arjuna Subject : -
Articles 10 Documents
 1 
Search results for , issue "Vol 7, No 2 (2009)" : 10 Documents clear
KLASIFIKASI KELAS PENARI WAYANG WONG MASA SULTAN HAMENGKU BUWANA V Supriyanto Supriyanto
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5391.621 KB) | DOI: 10.33153/glr.v7i2.1299

Abstract

Names given to groups showing the levels of dancers are like social stratification of race in administrative law of foreign inhabitants in the territory  of Sultan palace. The first level to which the best dancers belong is called Ringgit Gupermen. The second level is the group of moderate dancers AND is called Ringgit Encik. The beginners are grouped into a class called Ringgit Cina. The naming is probably influenced by the social stratification of foreign inhabitants living in the territory of the palace. Similarities in a class of dancers are determined by class consciousness. Sociologically, class consciousness is obtained automatically through skills and collective goals. So, class consciousness is related to the orientation of status symbol. This is not a problem for a nobleman because the consciousness is accepted automatically. It is not true for bureaucrats and priyayi (upper-class man). Their orientation of status symbol is attached to promotion. Key words : classification, class, dancer
ORNAMEN KACA PADA INTERIOR BANGUNAN TRADISIONAL DI SURAKARTA Agung Purnomo
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5499.255 KB) | DOI: 10.33153/glr.v7i2.1275

Abstract

Glass is kind of material often used in building planning including in the interior part. Glass, with several characteristics and special qualities, is able to give beauty and comfortable atmosphere in a room. This recearch aims at the application the material of glass in the common building interior which characterize Javanese traditional house, viewed from the meaning of ornamentation and its function. Recearch locates in Surakarta possessed of many common building with architecture characterizing Javanese tradisional house. The research is descriptive qualitative analytic bu applying design approach in this matter related to the function and fine arts language (semiotic fine arts language) to analyze its ornamentation side. The sources of data are books and artifact. Technicque of collecting data is conducted by book study, observation, and dokumentation. Analyzing technique uses interactive analytic miodel and drawing conclusion or its verification, the activity is conducted interactively by using data collection process as taken purposively by using creteria wich is glass element applied having ornamentation form, meaning and fungtion. Sample chosen are Pendapi Gede Balaikota (City Hall) which is part of complex of local government office of Surakarta and Sasana Handrawina Kasunanan Palace of  Surakarta as a tourism attraction wich is able to be visited and utilized  by public. The ornament applied in Pendapi Gede Balaikota (City Hall) of Surakarta is a symbol of the local government of Surakarta, while the ornament used in Sasana Handrawina is a symbol called Radya Laksana. Inside the symbol used as ornaments of both buildings, there are various raut or shape having meaning related to cosmos, food dan clothing, hassle, and culture. For example is the shape of   of the sun having meaning that a person having cultural spirit must be able to engraft power and must be able to shine a light of life without expecting for the return. The function of ornaments in the shape of the symbols is not addressed for sacred importance but to fullfill the profane needs wich ae beauty or aesthetic value and used an identity. Key words :  interior, glass, ornament
KEINDAHAN PENGALAMAN PADANG GURUN DRUPADI Rahno Triyogo
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5578.722 KB) | DOI: 10.33153/glr.v7i2.1287

Abstract

This article aims at describing a leading figure’s suffering responded as blessing. The result of the analysis shows that the failure in overcoming various problems of life is determined by a person’s attitude toward the problems themselves. The various problems of life are called the desert of life. Submission to God’s will brings in blessing. People with divine blessing show kindness in accordance with God’s disposition. Key words :  desert, submission, blessing
TARIAN RITUAL, PESTA KOLEKTIF, DAN KONSERVASI LINGKUNGAN DALAM UPACARA MANGANAN DI BLORA Budi Setiyono
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3138.306 KB) | DOI: 10.33153/glr.v7i2.1277

Abstract

What today we call as  traditional arts, is often a form of ritual in the past  or part of it. A form of ritual is not only a human  activity to make a relation to transcendental being, but also as a way to create a balance and sustainable life. Based on Roy Rappaport’s thought, stating that rituals are modes of communication which transfers the  practical information of physiological, psychological and sociological condition of a certain group, the study attempts  to explain the rationalization of dancing and fertility ritual manganan in Blora in functionalism perspective. To Blora community, manganan ritual and buoh tradition that to be at its peak on tayuban performances are social and symbolic ways to perpetuate the natural as well as economic, and also to maintain  their  social resource  Key words : ritual, conservation, social resource, natural recourse
BENTUK SIMBOLIS ESTETIKA JAWA PADA PERTUNJUKAN WAYANG PURWA Robby Hidajat
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6398.358 KB) | DOI: 10.33153/glr.v7i2.1289

Abstract

Javanese aesthetics is closely related to Javanese performing art, especially wayang. Due to that, “Javanese aesthetics” can be understood through the performing art in practice. The lesson that can be obtained is morality that can be completely understood in a cosmic sphere the nature of which is paradoxical  and opposing. It is still possible to carry out an in-depth study to Javanese aesthetics and this preliminary study puts an emphasis on symbolic aspects on wayang purwa performance. Key words : wayang, aesthetics, paradoxical, philosophy 
KONSEP MUSIK RAHAYU SUPANGGAH DALAM TEATER I LAGALIGO Danis Sugiyanto
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4267.24 KB) | DOI: 10.33153/glr.v7i2.1279

Abstract

I Lagaligo (ILG) epic belongs not only to Sulawesi society anymore but to the world as well. The epic contains many values of life such as history, literature, philosophy of life, humanity, and so on. The epic has been talked about as the latest performing art dealing with such problems as East-West culture, collaboration, originality, morality, and so on. This writing analysis (ILG) in detail covering the people (artists) involved in the production of ILG musical theatre, how ILG musical theatre could be performed in various world class festivals, and the explanation of Rahayu Supanggah’s concepts of musical theatre in ILG and music director’s views. Key words : i lagaligo, concept of ILG musical theatre, Rahayu Supanggah
LAKON CARANGAN PADA PEDALANGAN SUNDA Timbul Subagya
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4078.18 KB) | DOI: 10.33153/glr.v7i2.1293

Abstract

The writing entitled lakon carangan is a descriptive review of Sundanese puppetry discussing how lakon carangan was created and the structure of it. The result of the analysis shows that lakon carangan came into existence because it was only standard stories of Mahabarata and Ramayana which were presented. To avoid boredom, puppeteers created new stories which were still based on the standard stories. The new stories are called lakon carangan. The structure of Sundanese lakon carangan is different from Javanese lakon carangan. Key words : wayang, lakon carangan, structure 
TOLERANSI MASYARAKAT MINANGKABAU TERHADAP PERAN PEREMPUAN DALAM AKTIVITAS SENI BUDAYA Efrida Efrida
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4998.457 KB) | DOI: 10.33153/glr.v7i2.1281

Abstract

Women, in one hand, have a respected position in the matrilineal culture of Minangkabau society and, on the other hand, they are restricted when they want to express themselves in performing art. The efforts made by the female to demand that the Minangkabau society should tolerate women taking part in performing art, especially dancing, cause the pros and cons. However, the choreographers like Huriah Adam, Gusmiati Suid, Syofyani Bustamam, and Ery Mefry help the female gain wider access to take part in Minangkabau performing art. Key words : tolerance, women’s role, art
MENDIDIK TANPA MENGGURUI MELALUI DONGENG ANAK Trisno Santoso; Tatik Harpawati; Nanik Prihartanti
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5778.513 KB) | DOI: 10.33153/glr.v7i2.1297

Abstract

This plan tris to create a story form carried out by children. The children will fell the function of the story more real, they do not only become hears but also can use it as a developing media for their characteristics and personalities in accordance to the need, ability as well as psychology belong to children of 7 years until 12 years in elementary or intermediate school (Madrasah Iftidaiyah). This research aims to produce guie-line to tell story for children and it is hoped to be used as an effort to develop arts creativities for the elementary students. Some steps are taken to reach the target starting from observation towards learning and teaching activities in several elementary schools in Surakarta. the design of story telling guide-line is made attractively inorder hat it can raise the students’ interest to express their personal creativities in front of audiences harmoniously and structurally. For the reason, the main target is that children will be able to tell story skillfully and attractively. The forms of the plan including: (1) Buku Pedoman Tehnik Mendongeng dan Materi Cerita (The Guide-line of Story Telling Technique and Story Material; (2) Practical instructions for story telling completed with examples of stories and the performing forms to identify problems found in subject material, demonstrating instruments, the ways of conveying, and the achieve result. Other product of this research is a guide-line for story telling and its needed equiprment according to the physic and psychology belong to children of 7 years to 12 years. Based on the result, socialization is executed in order to test whether the result of the plan is surely effective, efficient, and multifunctional as a unified learning media in accordance to the children’s needs and abilities or not. Key words : story, children, personality, creativity
MAKNA LAGU DOLANAN ILIR-ILIR Rabimin Rabimin
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5433.046 KB) | DOI: 10.33153/glr.v7i2.1283

Abstract

The traditional children’s song entitled Ilir-ilir is predicted to come into existence in the 15th century. It is written in many manuscripts that the composer of this song was Sunan Giri. The song known well up to now has undergone various developments in lyrics, meaning, function and garap. In case of the function, the song which was only sung by children in the past, has developed into, amongst other things, a means of midodareni ritual of Javanese wedding, entertainment, Islamic proselytism, dance accompaniment, consciousness recovery, war motivation, education and so on. In case of garap development, the song which was sung without instrumental accompaniment has developed in various ways, that is, (1) the song is accompanied by gamelan agung rebana and lesung; (2) it is presented as an instrumental song; (3) it is arranged in the form of lancaran, srepeg, ketawang, ladrang; (4) it is arranged in lancar (fast), tanggung (medium-fast), dados (slow), wiled, rangkep rhythmes; (5) it is arranged in slendro and pelog (pentatonic) and even diatonic pitch; (6) it is arranged in patet nem, lima, manyura, and sanga; (7) the lyric which was at first only one pada (couplet) has become three couplets; (8) the lyric has a variety of differences due to needs, situation, the influence of local culture, and the attitude of creative artists. Key words :  ilir-ilir, traditional children’s song, development

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