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Lakon Jurnal Pengkajian & Penciptaan Wayang
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : -     DOI : -
Core Subject : Education,
Education
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 16, No 2 (2019)" : 7 Documents clear
Estetika Pertunjukan Wayang Kulit Lakon Tripama Kawedhar Sajian Cahyo Kuntadi Ari Nurzeto; Bagong Pujiono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 16, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v16i2.3806

Abstract

The research entitled " Estetika Pertunjukan Wayang Kulit Lakon Tripama Kawedhar Sajian Cahyo Kuntadi" aims to reveal the aesthetic elements and their implementation in wayang kulit performance Lakon Tripama Kawedhar presented by Cahyo Kuntadi. This problem is studied using the aesthetic thought by Sunardi and Najawirangka. The analysis of this research is descriptive qualitative using data collection techniques through the literature study, observation, and interviews. The results show that, firstly, the aesthetic elements of the wayang performance, Tripama Kawedhar, can be observed through lakon, sabet, catur, and karawitan pakeliran. Secondly, the achievement of the aesthetic concept of puppetry is manifested through the success of the puppeteer in building an atmosphere of impressive scene of feeling regu , greget, nges, sem, renggep, antawacana, lucu, unggah-ungguh, tutuk and trampil. Cahyo Kuntadi succeeded in performing Lakon Tripama Kawedhar aesthetically. 
Lakon Karna Gugur sebuah Pengorbanan untuk Kejayaan Pandawa Sukatno Sukatno
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 16, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v16i2.3811

Abstract

In the world of puppetry, lakon Karna Gugur contains moral teachings with values that can be seen through the characters of Basukarna and Duryudana in defending the Astina State. This study aims to explain Karna's character in his efforts to win goodness. Structural analysis is used to achieve this goal. Karna as a symbol of virtue can be understood through the lakon Karna Gugur in the Baratayuda series. From the moral aspect, the characters of Basukarna and Duryudana represent the transformations of good and evil. The good done by Karna is a sign of his service to Astina's country, while the evil is symbolized by Duryudana with the attitude of defending the country to the end.
Kesenian Profetik Membangkitkan Khittoh Seni Back To Basic (Telaah Kesenian dan Keislaman) Wawan Kardiyanto
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 16, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v16i2.3807

Abstract

Currently there is a flourishing art creations that is influenced by the concept and / or theory of art for art (L'art pour L'art), which tends to show value-free art creations, which tend to emphasize ethical, aesthetic, and truth values. The prophetic mission of religion is a prophetic movement through theology which becomes a revolutionary ideology, which always brings about changes in civilization. Here the prophetic ethics movement in religions becomes grounded to be a social implementation including art. This article tries to think about the concept of prophetic art that will give more beneficial and clear goals of the arts, namely to remain in synergy with the interests of ethics, aesthetics and truth. This study uses a Heuristic analysis approach with the literature method. The conclusion tells that prophetic art is a positive concept for the development of artistic paradigms which are proven to be necessary to develop as a concept of purpose and the value of art. Prophetic art in Islamic teachings is something important to be an offering for creative method of sharing. Islamic and prophetic art will make people's lives more beautiful in the prescribed Islamic law.
Wayang Beber Lakon “Joko Kembang Kuning” Garap Kontemporer Sebagai Upaya Pelestarian Dan Pengembangan Seni Tradisi Suratno Suratno; Jaka Rianto
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 16, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v16i2.3813

Abstract

The writting aims at describing the model consept of script writting  on    wayang beber‘s performance  on contemporary approach as the way to  do preservation and  cultivation  of the tradisional performing art which is nowday almost extinct. This model consept of script writting will be clarified through how to treat the character of Panji Asmarabangun and Sekartaji as the main characters in the story of “Joko Kembang Kuning”. The clarification will be answering the questions on: (1) how is the synopsis; (2) how is the structure of scenes; (3) How is the course of story and the progress of dramatics; and (4) how is the characteristic of each character on the story.
Sasmita Gendhingdalam Pakeliran: Dulu Dan Kini Sri Harti
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 16, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v16i2.3808

Abstract

Sasmita gendhing is a series of words that refer to the name of the gendhing as the accompaniment of Wayang Kulit Purwa. When the wayang kulit performance refers to the overnight performance of the palace pakeliran genre, sasmita gendhing becomes a bridge between the puppeteer and the pengrawit to sound the gendhing to support certain scenes. In its development, the existence of the sasmita gendhing slowly declined, even most of the puppeteers no longer used the sasmita gendhing. The text-context approach from Heddy Shri Ahimsa is used to reveal the variety of sasmita gendhings and to find the causes for the decline in the use of sasmita gendhing. The result of the study shows the various forms of sasmita gendhing including figurative words, wangsalan, and cangkriman. Meanwhile, the cause of the decline in the use of sasmita gendhing is suspected to be due to the change of image, the free structure of the scenes, the free choice of lakon, and cross style of pakeliran.
Persepsi Penonton Terhadap Pentas Pertunjukan Wayang Yayasan Kertagama Jakarta Sudarsono Sudarsono; Harijadi Tri Putranto; ER Elis Noviati Dewi Mariani
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 16, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v16i2.3809

Abstract

In 2010, the Kertagama Foundation in collaboration with ISI Surakarta organized a puppet show. Research on puppet show audiences has been extremely rare. The approach used in this study belongs to Talcott Parson's thinking about the functional theory of action. The results of the study tell that the audience comes from different ages and different social status. The school age sees wayang because of their parents. the adolescent audience sees wayang to add their knowledge related to the art education they are learning. The adult audience sees wayang performances as a hobby to satisfy themselves. By watching a puppet show, adults feel that they have learned about life lessons so that they can become spiritually satisfied. Among the audiences, there are groups of them who just watch wayang performances, for example accompanying their girlfriends, their employers, or their parents.
Muksa Dalam Pamuksa YB Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 16, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v16i2.3810

Abstract

Pamuksa is Lakon which tells that heaven and hell are choices. Heaven is togetherness with the divine, the source of life, while hell is the separation of humans from the divine which is synonymous with eternal suffering, which is also known as eternal death. The purpose of this paper is to solve problems related to moral values contained in the wayang lakon Pamuksa. This article takes a moral approach. Based on this approach, the result shows that, firstly, humans will get happiness if they prioritize heavenly values in their lives. Secondly, the filial piety of children towards parents has great power or power in saving parents from eternal suffering.

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