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INDONESIA
Lakon Jurnal Pengkajian & Penciptaan Wayang
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : -     DOI : -
Core Subject : Education,
Education
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 18, No 1 (2021)" : 7 Documents clear
Konsep Garap Pakeliran “Wayang Tunggal” Lakon Sudamala Sajian Ki Purbo Asmoro (Relevansi Wayang Sebagai Doa Dalam Fenomena Covid19) Catur Nugroho
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 18, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v18i1.4103

Abstract

This study discusses the wayang performance which is only performed by a dalang alone. The show was referred to as “Wayang Tunggal”. The focus of this research is Wayang Tunggal, Sudamala play, Ki Purbo Asmoro’s presentation. This performance was interesting because it appeared against the backdrop of the Covid-19 pandemic situation. The Sudamala play is a Ruwatan play which means story as a prayer. This study uses an interpretive descriptive concept to discuss the concept of working on pakeliran, including elements of chess, sabet, and pakliran karawitan. The Covid-19 pandemic virus forces almost all elements of life to avoid crowds, while maintaining a safe distance. The single shadow puppet show by Ki Purbo Asmoro is an expression of a very sad reality for both the public in general and the artists in particular. Sudamala’s play is an expression of prayer and hope that the world situation will recover soon, so that everyone can carry out their activities as usual.
Eskatologis Dalam Wayang Purwa: Studi Kasus Kematian Pandu YB Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 18, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v18i1.4108

Abstract

Eschatology is a branch of science that talks about the final things of human life, namely death and life after death. Pandu is a character who experiences a new life after experiencing death. According to the classical view, he should be in hell forever, but because of the struggle of his second son named Bratasena and Permadi, he was freed from hell and obtained a heavenly life. The methods used were data collection, literature study, and interviews. An eschatological approach was used and the result was that Pandu experienced hell suffering because of his speech. denying speech (hypocrisy). Bratasena’s struggle in trying to free his parents from hell reflects his devotion to his parents. Together with Arjuna, his sister and the angels they managed to penetrate the heavens of the throne of the gods. Their struggle can be understood as an inner dialogue, or human prayer with the Creator asking for deliverance.
Krodha Krura Tokoh Bathari Durga Wayang Purwa Andi Wicaksono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 18, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v18i1.4104

Abstract

This article discusses the meaning of the Rakessi form of the figure Bathari Durga in the wayang kulit purwa. The discussion uses Paul Ricoeur’s hermeneutic meaning analysis which emphasizes the terminology aspect. The meaning analysis is carried out by reading through the events of the character Bathari Durga in several texts of lakon in the wayang kulit purwa play, then analyzing the existence of the terminology aspects of ‘raksasa’, ‘raksesi’, ‘buta’ and ‘diyu’ with other phenomena in the text of lakon. The results of the analysis show that the form of raksesi does not mean the same as the understanding of low-level creatures, cruel, and filled with dark traits. The divine capacity as the main goddess is still visible in the text of lakon in wayang purwa with the capacity as isthadewata, so that her personal capacity is still at a high level. The form of raksesi with the name Durga with the title ‘bathari’ represent a blend of aspects ‘krodha’ and ‘krura’ in the style of worshiping ‘sakti’ in the form of ‘Bhairawi Shiva’.
Makna Dasanama Dalam Garap Catur Pertunjukan Wayang Gaya Surakarta Suwondo Suwondo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 18, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v18i1.4109

Abstract

This study aims to find the meaning of the words dasanama and their classification in catur of wayang kulit performance of Surakarta style. Dasanama is a number of vocabularies that have the same or almost the same meaning and is used in the world of puppetry to give reinforcement to the meaning of a word and can also make the catur aesthetic. Nowadays dasanama is starting to be forgotten by the young dalang, therefore it is necessary to identify, classify, and explain its meaning so that it is easy to be used by the younger generation of dalang. The analytical methods used are: (1) identifying the names of the words in catur of the wayang kulit of Surakarta style; (2) classifying dasanama words based on their word references; (3) analyzing the denotative and connotative meanings of dasanama words in catur; (4) evaluating the analysis results; (5) presenting the report; and (6) compiling scientific articles. The results of the analysis show that the dasanama are divided into the classification of gods, humans, animals, and objects.
Ciri Estetik Humor Lakon Wahyu Makutharama Sajian Ki Suyati Purwo Carito Qohhar Dwi Hatmono; Bagong Pujiono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 18, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v18i1.4105

Abstract

One of the puppeteers who has an interesting sense of humor is Ki Suyati Purwo Carito in the wayang kulit purwa lakon Wahyu Makutharama. This article is to answer the problem of how the aesthetic form of humor in Ki Suyati Purwo Carito pakeliran. The method used include observation, literature study and interviews. The approach used is by looking at the humor from various techniques, such as riddle, ridicule, cunundurum, and others. The results obtained show that Ki Suyati’s specific humor shows his characteristic personality in presenting pakeliran. The humorous and vulgar dialogue but not striking, give the impression and message to the audience to always think intelligently without leaving the expectations of human imagination with his point of view.
Karakterisasi Tokoh Suhartini Dalam Monolog Pengakuan Seorang Wanita Pemalu Karya Iswadi Pratama Tafsir Hudha
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 18, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v18i1.4106

Abstract

The script for the Confession of a Shy Woman, the adaptation of the Iswadi Pratama script, is a monologue script, which is a form of single play or individual role art (which is the actor’s singularity) the conflict in the play must be able to be fully described. Monologue is considered as one of the peaks of personal (individual) acting ability which is used as a starting point for the strength of collective acting or ensemble acting, which is a form of acting which is a means of describing conflicts in theater that rests on ‘dialogue’ and is no longer just ‘monologue’. In creating the characterization of Suhartini’s character, it must be based on deepening the script to find the character’s vision, impulse or encouragement of the character, the character’s motivation and the emotional depth of the character. This requires work to explore the problems faced by the characters, formulate character characterizations and the next work is to transform character characterizations into the characters themselves. Such tracing requires analytic work on the script to be played, especially characterization analysis, further processing of the action, requires precision in order to achieve maximum results. Suhartini’s character in the manuscript Confession of a Shy Woman, is a picture of an introverted woman who has strong principles in life, and upholds her self-esteem, but has shy, pendian and anti-social characteristics.
Seni Pertunjukan Sebagai Strategi Pencitraan Kota Studi Kasus Solo International Performing Arts (SIPA) Teti Darlenis
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 18, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v18i1.4107

Abstract

This research takes the title “PERFORMANCE ARTS AS A CITY IMAGING STRATEGY;Solo International Performing Arts (SIPA) Case Study. “The aim of this research is to understand the function and meaning of performing arts outside of artistic and aesthetic interests.In the context of this research, performing arts function as a city image strategy with a case study on the implementation of Solo International Performing Arts (SIPA).It is hoped that the SIPA performance will be able to become a city branding in Surakarta, which can then have multiple impacts or many benefits.

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