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Pendhapa
Published by Institut Seni Indonesia Surakarta
ISSN : 20868138     EISSN : 27457249     DOI : https://doi.org/10.33153
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences
Jurnal Desain Interior, Seni dan Budaya adalah jurnal yang mempublikasikan wacana dan hasil penelitian berterkiat dengan desain, desain interior dan diskursus desain interior terhadap kajian seni dan budaya. Pendhapa dalam susunan rumah tradisional Jawa merupakan ruang terbuka untuk menerima tamu, tempat pertemuan, tempat pertunjukan. Pendhapa memiliki fungsi yang cukup kompleks yakni fungsi sakral maupun profan, ritual sekaligus seremonial, publik sekaligus privat, meleburnya bagian luar dan bagian dalam interior-arsitektur bangunan, bertemunya tamu dan tuan rumah. Pendhapa sebagai paseban, merupakan medium bagi bertemu, bertukarnya ide, pemikiran, gagasan, informasi, strategi maupun formulasi menyangkut banyak hal untuk kemaslahatan. Selaras dengan fungsi pendhapa yang strategis hadir Pendhapa: Jurnal Desain Interior, Seni dan Budaya terbit berkala setahun dua kali pada bulan Juni dan Desember sebagai media penyaluran dan publikasi ide, gagasan, inovasi, hasil penelitian para ilmuwan desainer dan desainer ilmuwan.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 6 Documents
 1 
Search results for , issue "Vol 13, No 1 (2022)" : 6 Documents clear
Interior Design School of Photography in Surakarta Annisa Ainul Latifah
Pendhapa Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/pendhapa.v13i1.3518

Abstract

Interior Design School of Photography in Surakarta is a space and place for students in the special field of photography. The development of photography technology in Indonesia has caused photography not only to be used as a means to document an event or activity, but photography has also developed into a means or means of communication in the field of art. This final task aims to produce the interior design of the School of Photography with a Modern Natural Concept. Surakarta is one of the student cities in Indonesia. Indonesian society itself has a high interest in photography. Some schools in Indonesia are inadequate in terms of facilities and comfort so that students are less effective in conducting learning and teaching activities. The design method used into two stages. The first stage is data collection, with literature studies and field studies. The second stage is data analysis based on requirements that include space programs, circulation systems, and security systems. The results of the analysis were then combined with the concept of design that has been selected, namely produced an interior design School of Photography with a modern natural concept. The use of modern natural style is expected to be able to optimize between aesthetics and also function in the school with a natural impression.Keyword : School, Photography, Function, Natural, Interior Design.
Application of the New Islamic Style Concept at Hotel Narapati Indah Syariah Boutique & Convention Gissa Nurhalisa; Rangga Firmansyah; Ariesa Farida; M.Togar Mulya Raja
Pendhapa Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/pendhapa.v13i1.4585

Abstract

Sharia hotels are accommodation services needed by Muslim tourists which have increased since the government began developing halal tourism. In the design of the Narapati hotel which refers to Ministerial regulation No. 2 of 2014 concerning guidelines for the operation of the Sharia hotel business with a classification of Hilal 1, which consists of several aspects. It is necessary to pay attention to the separation between men and women on each floor or room area, facilities, and circulation of visitors. The application of the latest Islamic concept that combines the classic style (existing hotel) with Islamic architecture (Islamic patterns such as calligraphy, geometric, arabesque, arch), can present an attractive form with a current, unique and luxurious feel, the application of colors that follow the Islamic sunnah can bring blessings. These things are applied in order to stay away from deviant behavior, create a safe, comfortable atmosphere for hotel visitors so as to generate interest in coming back.
Interior Design of Gubeng Train Station in Surabaya With Colonial Style Future Station Concept Alifia Hidayati Amrina; Ambar Mulyono
Pendhapa Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/pendhapa.v13i1.3507

Abstract

Interior Design of Gubeng Train Station in Surabaya with a Concept Future Station and Colonial-Style aims to design a train station that can keep up with future Indonesian railways and maintain the identity of the Gubeng station itself, this is because the train station has an essential role in all activities of railway which is one of the main transportation options in Indonesia and one of the Heritage buildings of a city. The development of rail transportation also has an impact on the activity needs of Train Station users, which are still not fulfilled by Train Stations in Indonesia, especially in user orientation and sustainable design. This is a reason for the inconvenience and can impact on the decrease in rail transport users.The design made is expected to cover all the activities of station users and still maintain the identity of the building as a visitor attraction. Supporting all activities for station users can be achieved by paying attention to 3 important things, is accessibility, mobility, and sustainability, which are the main concepts in this design, apart from the functional factors, this building will be designed in a colonial style as the identity of the previous Gubeng Station which is also a Heritage building in Surabaya.
Desain Interior Gereja Bethel Indonesia di Surakarta Mega Puspa Susanto; IF. Bambang Sulistyono
Pendhapa Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/pendhapa.v13i1.3510

Abstract

Every individual who has trust, needs means and infrastructure in realizing their relationship with God. This can be realized by the construction of houses of worship. Church is a place of worship for Christians to ally with God, so this space is considered sacred. The problem of worship space of bethel church today is more looks like a concert hall than a place to worship. There are also other problems such as lack of wiggle room, children running around in the worship space, this can interfere with the course of worship. Therefore it takes space for Sunday school that can accommodate children to worship.The interior of the church has an important role in supporting one's need to worship. Based on the above concerns, a church was designed that could provide a sacred and peaceful atmosphere with the application of contemporary concepts, as well as design a Sunday school space that could appeal to children. There are also other rooms that serve as support rooms.
Interior Design of Omah Blues in Surakarta Raden Gasta Mulyandra Jayaatmaja; Ahmad Fajar Ariyanto
Pendhapa Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/pendhapa.v13i1.2947

Abstract

Surakarta is the heart of Javanese culture; hence the people of Surakarta are closely connected to artistic activities. There are various types of arts, one of which is performing arts. The many performances held in Surakarta are one of the city government's efforts to meet the needs of its people. One of the many performances is the Solo Blues Festival, which started in 2013, and every year the enthusiasm for the Solo Blues Festival increases. The event's success was also due to the role of the blues community in Surakarta. They are involved in the Solo Blues Festival and have a fixed agenda to perform and introduce blues music to the public. However, in Surakarta, there is not yet a specific place regarding blues music to serve as a place for activists and fans of blues music to get to know blues music more deeply. Community members are still constrained to introduce blues music to the public if they only rely on the concerts they organize. Based on the problems that occur, one solution to overcome them is to design a place specifically for blues music, namely Omah Blues. The interior design of Omah Blues in Surakarta will function as a place for blues music to continue to exist and develop in Surakarta. It is hoped that Omah Blues can also represent how blues music exists and develops in society, especially among the people of Surakarta City. The interior design of Omah Blues in Surakarta will apply an art deco style combined with the kawung batik motif as a design idea. The choice of art deco was due to the rapid development of blues music in harmony with the development of the art deco style. The choice of the kawung motif as the design idea is because the kawung motif is geometric, which is in line with art deco characteristics, as well as to bring out Javanese cultural identity.Kata Kunci : Interior, Blues, Art Deco, Kawung.
Interior Design of the Bahurekso Kendal Cultural House in Kendal Regency Taufik Chandra Nugroho; Sumarno Sumarno
Pendhapa Vol 13, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/pendhapa.v13i1.3710

Abstract

The Interior Design of the Bahurekso Kendal Cultural House, located in Kendal Regency, is a special interior design aimed at artists in Kendal City, as a forum for the community or art activists in Kendal Regency as a facility for expression or performance. Art activists can promote or introduce studios and cultural arts from each region in Kendal Regency. The interior design of the Bahurekso Kendal Cultural House adopts the John M. Kurtz programming method which consists of orientation, basic programming, repetition of programming, until the design reaches approval. The design basis used is a theme and style approach, a function approach, an ergonomics approach, and a color approach. The interior design of the Bahurekso Kendal Cultural House features Barong Loreng Genteng, an art that is loved by the citizens of Kendal City. The Barong Loreng Genteng theme was chosen with the consideration that the interior space-filling elements will lead to the traditional aspect. The Barong Loreng Genteng theme is achieved through shapes, materials and colors. The scope of work on the design includes the lobby, auditorium, make-up room, art gallery, player transit room, stage staff room, office, dance practice room, library, caffe, and open stage. able to make it as a means of folk entertainment culture and educational facilities in order to preserve traditional art culture, especially in Kendal Regency. The character of the space is very helpful in creating comfort and safety for visitors.

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