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Suar Betang
Published by Balai Bahasa Kalimantan Tengah
ISSN : 19075650     EISSN : 26864975     DOI : 10.26499/surbet.v14i1.91
Core Subject : Education,
Languange, Linguistic, Communication & Media
SUAR BETANG is a journal that publishes articles in the study of literature, linguistics, and language teaching. This journal will be consumed by litterateur, linguists, researchers, university lecturers in language teaching, students in linguistics, language teachers, journalists, and other professionals. All articles in SUAR BETANG have passed reviewing process by peer reviewers and edited by editors. SUAR BETANG is published by Balai Bahasa Kalimantan Tengah twice a year, in June and December.
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Articles 18 Documents
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Search results for , issue "Vol 14, No 1 (2019)" : 18 Documents clear
Formal and Informal Language Used by Hana Miyakoshi in www.Working!! Anime Episode 1 Produced by Aniplex Rahmad Novianto Ardiansyah
SUAR BETANG Vol 14, No 1 (2019): Juni 2019
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v14i1.91

Abstract

The Japanese language have four levels of language formality. The languages classified as Kenjogo (humility language), Sonkeigo (honorific language), Teineigo (usual formal language), and the last is Futsugo (daily language). The formalities in the Japanese language also shown in Japanese animation, anime. This study researched the utterance by Hana Miyakoshi in Aniplex anime titled www.working!! episode I. This research focuses on discovering what type of and how Hana Miyakoshi utters the Japanese language used in the anime. This study is a descriptive qualitative study. The result of this study is there are 11 data of Hana Miyakoshi utterances. Those 11 is consisting of 3 formal variants and 8 informal variants. Hana Miyakoshi uses a Japanese formal variant when attending the costumer of Wagnaria, and she uses the informal variant of Japanese language when she is communicating with her coworker.
Metafora-Metafora Cinta dalam Sakinah Bersamamu Karya Asma Nadia Ai Kurniati
SUAR BETANG Vol 14, No 1 (2019): Juni 2019
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v14i1.100

Abstract

Asma Nadia is known as a very productive Indonesian woman writer. It is said to be productive because within ten years she produced more than fifty books. The distinctive style of language, especially metaphors of love in the quote of those beautiful wisdom words will be used as data in this paper. This paper aims to describe the metaphors of love in Sakinah Bersamamu by Asma Nadia. The method used is descriptive-qualitative as a problem-solving procedure by describing the language style of metaphors in the quotation of Asma Nadia's wisdom words. Based on the data, there are ten quotes of Asma Nadia's loving wisdom words that utilize the metaphor language style.
Reinterpretasi dan Rekonstruksi Dongeng Jaka Tarub dalam Drama Karya Akhudiat: Sebuah Pembacaan New Historicism Lina Meilinawati Rahayu; Aquarini Priyatna; Rasus Budhyono
SUAR BETANG Vol 14, No 1 (2019): Juni 2019
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v14i1.108

Abstract

The paper examines the transformation of “Jaka Tarub”, a folktale contained in Babad Tanah Jawi, into the play Jaka Tarub by Akhudiat. Jaka Tarub by Akhudiat is a two-act play that is parodic in style. The play won the 1974 Jakarta Arts Council Playwriting Competition. The aim of the paper is to study how the tale is interpreted and reconstructed into Indonesian contemporary literature. The transformation of the tale is analyzed from a new historicist perspective. The analysis suggests that the history of a nation can be read through its literature since New Historicism sees that texts and history are always, inevitably, interrelated. Based on such a perspective, there is no longer such a thing as a single absolute “historical reality”. Instead, there are always different versions and perspectives to history. Akhudiat’s reinterpretation and reconstruction of the folktale represents Indonesia in the 1970s. Seen in this light, an Indonesian literary text that reflects history can be regarded as another version of history. Thus, New Historicism offers an appropriate approach to study such a literary text because it is through a New Historicist approach to reading that realities unwritten in mainstream texts of history become accessible to the reader or audience.  
Afiksasi Derivasi dan Infleksi pada Album Taylor Swift 1989: Kajian Morfologi NFN Irwansyah; Agus Nero Sofyan
SUAR BETANG Vol 14, No 1 (2019): Juni 2019
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v14i1.101

Abstract

The title of this research is Derivation and Inflection in Taylor Swift’s Album 1989: A Morphology Study. The purpose of this research is to describe types of use of derivation and inflection in the album. This research uses descriptive qualitative method. The paper lies on a theory proposed by O’Grady and Dobrovolsky. Based on the results, the data of derivation divide into six, i.e. noun changes to verbs (2 data), noun changes to adjective (1 data), noun changes to noun (1 data), adjective changes to noun (2 data), adjective changes to adjective (2 data) and derivation of compounding (8 data). In addition, there are 71 data that use the inflection of noun {-s/es}, 28 data inflection of verbs {-s}, 44 data use the {-ing} suffix, 30 data use the {-ed} suffix, 4 data uses the {-er} suffix, 1 data use the {-est} suffix or most and 4 data zero affixations.
Representasi Sosial Santri dan Kota dalam Novel Hubbu Karya Mashuri (Sebuah Tinjauan Sosiologi Sastra) Imam Muhtarom
SUAR BETANG Vol 14, No 1 (2019): Juni 2019
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v14i1.110

Abstract

Mashuri’s Hubbu is all about the life of a santri which was not always inline with the schools’ rules. This novel takes a picture of a failed santri. The main actor of the novel, Jarot, have had not succeed of holding the schools principles. He broke the rules when attending lectures in Surabaya. This is a sociology of literature point of view paper. It figures out the city’s social realities which change the life of the actor. It also identifies how the novel get its social basic. In this sense, Hubbu is a social representation of reality. The novel provides values dispute when a santri live in outer world which is actually his real life. He should adapt to this different environment without losing his previous status? He can also be rolled up by seculary values offered by the life of the city.
Nilai Pendidikan Karakter dalam Novel Bulan Terbelah di Langit Amerika NFN Lastaria; NFN Widya
SUAR BETANG Vol 14, No 1 (2019): Juni 2019
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v14i1.111

Abstract

A good novel is a novel that has much benefits and good values. A novel written by Hanum Salsabiela Rais, Bulan Terbelah di Langit Amerika, is one of several good novels. Therefore, researchers chose the novel as a source. This is a qualitative and descriptive paper. From the analysis there are nineteen character values in the novel, namely (a) religious, (b) honest, (c) responsible, (d) healthy lifestyle, (e) discipline, (f) hard work, (g) self-confidence, (h) logical thinking (critical, creative, and innovative), (i) independent, (j) curios, (k) self-conscious, (l) polite, (m) democratic, (n) nationalist, (o) pluralist, (p) intelligent, (q) helpful, (r) resilient, and (s) action oriented.
Puisi Indonesia Abad ke-5: Kajian Struktural dan Sosiologi Sastra Teks Yūpa Muarakaman Indra Sarathan; Widyo Nugrahanto; Randy Ridwansyah
SUAR BETANG Vol 14, No 1 (2019): Juni 2019
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v14i1.113

Abstract

The history of modern Indonesian poetry often begins in the 1920s. The first modern Indonesian poem refers to the poem ―Tanah Air‖ ‗Motherland‘ by Muhammad Yamin. The canonization of M. Yamin (1903—1962) as one of pillar modern Indonesian poetry was known from the contribution of A. Teeuw (1921—2012). The results of his research on Indonesian poetry continue to resonate in the spaces of literary and language education to this day (2018). However, there is still little attentions that explain the process of transformation from old poetry (mantra, pantun, karmina, seloka, gurindam, syair, etc.) to modern Indonesian poetry. The data only explained the milestones of modern Indonesian poetry starting in the 1920s. Even though the history of world literature dived until the time Before Century in his explanation of the history of poetry. Such as the Gilgamesh epic written on the 3rd century BC stone remains of the Sumerians in Mesopatami or the Beowulf long poem derived from oral literature as the beginning of the history of Anglo-Saxon (ancient English) poetry of the 8th century CE. Referring to the not strict definition of poetry, this paper will review the oldest text of the inscription in the Indonesia archipelago (5th century AD) as a form of old poetry by examining the structure and typology, as well as the social history of Indonesian ancient people that produced the inscription text in viewpoints sociology of literature. Thus, the results of this study are also expected to offer an alternative historiography of the history of Indonesian poetry.
Bentuk dan Fungsi Ikon Lingual dalam Teka-Teki Berbahasa Indonesia NFN Basori
SUAR BETANG Vol 14, No 1 (2019): Juni 2019
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v14i1.115

Abstract

Puzzle is one form of verbal communication. Puzzles different from other types of communication. In puzzles, language is used in its function as a game. The language in puzzles used is usually used to tease, heckle, in packaged by slipping of tongue or phonetic forms of words. This research will explore the puzzle in its function as a game. Using the agih method using the determinant is an element of the language under study and a padan method that uses elements outside the language. The results of the study showed that there was creativity carried out by language users in using language in the form of puzzles. Konyol-humorik lingual icons in puzzles can be divided into several types, word play, punctuation, guesswork, questions, and discourse. The meaning in the form and type of the puzzle is very dependent on the context of its disclosure. This reinforces Halliday's statement that the text can never be released from its context.

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