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Studi Budaya Nusantara

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Published by Universitas Brawijaya

ISSN : - EISSN : 26211068 DOI : -

Core Subject : Religion, Humanities, Art, Social,

Religion Arts Humanities Environmental Science Social Sciences

Jurnal Studi Budaya Nusantara (SBN) adalah media komunikasi ilmiah yang diterbitkan oleh Jurusan Seni dan Antropologi Budaya, Fakultas Ilmu Budaya, Universitas Brawijaya Malang. Jurnal ini dimaksudkan untuk mewadahi hasil penelitian dan kajian ilmiah di bidang seni dan budaya Nusantara sebagai bentuk sumbangan masyarakat ilmiah bagi pengembangan wawasan seni dan budaya dalam kehidupan masyarakat yang lebih luas. Terbit 2 kali setahun (Juni dan Desember).

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Articles 6 Documents

Search results for , issue "Vol 1, No 2 (2017)" : 6 Documents clear

“ETAIKEN WEREK”: HATI MENURUT ORANG HUWULA Meki Mulait
Studi Budaya Nusantara Vol 1, No 2 (2017)
Publisher : Studi Budaya Nusantara

AbstractThe role of the heart is very important in human life. The heart is not only synonymous with feeling but also has a rational intuitive. With careful human life develops in a balanced and meaningful. Thereby heart being one of the central human strength that should be put forward. Forward the heart does not mean ignoring other powers such as seeing, feeling, thinking, and acting up to the soul and spirit in relation to the Supreme Being. Putting forward the 'heart' means "heart is central" (central) in all human activities done with various abilities that exist in him. In this reflection I will show that the heart must be a shaft for all human strength. The location of the heart at the central point can connect the whole reality of human power to enable man to lead to the wisdom of his life. Humans who only rely on the ratio is not necessarily wise or who just rely on feelings are also not necessarily wise. Similarly a diligent man, not necessarily wise. Man is said to be wise when all elements of humanity function in a balanced way. It is the heart that unites all the elements of humanity.

KONSTRUKSI IDENTITAS KULTURAL “WONG NGAPAK” MELALUI KONSUMSI MEDIA DIALEK BANYUMASAN Siti Khusnul Khotimah
Studi Budaya Nusantara Vol 1, No 2 (2017)
Publisher : Studi Budaya Nusantara

This thesis entitled "The Construction of Cultural Identity of Wong Ngapak through the consumption of local media in Banyumasan dialect" which studied the use of radio Programme "Curanmor" by three students from Cilacap in Yogyakarta and the positioning of their cultural identity through central and periphery perspective. The study applied ethnographic research methods in the context of data collection and to explain the patterns and cultural practices of the student from Cilacap in consuming media. In order to analyse the data, author implemented theory of Media Consumption, Cultural Identity and Central – Periphery Perspective. The approach used in this audience study is based on the model of audience-as-agent which considers the audience as an active agent. Audiences consumed media "Curanmor" to construct their cultural identity in Yogyakarta by (1) "Curanmmor” as a cultural symbol for Banyumasan community; (2)" Curanmor” is used as a 'going back home’ experience, (3) "Curanmor" as the media to strenghten Banyumasan Culture dan dialect, (4) Curanmor "as a 'cultural distinctiveness' ; (5)" Curanmor "as soft-resistance of the marginalization of Banyumasan culture. The five ways of the use of these media are forms of the construction of cultural identity that may erode the negative images and stereotypes of the Banyumasan language and culture in the region of Yogyakarta as a result of the unequal binary perspective, central and periphery. Yogyakarta and its culture is considered as central ( "the Self"), while the culture and Ngapak language regarded as "the Other". By constructing and reconstructing cultural identity, it is expected that the culture and Ngapak language are no longer marginalised in the context of Javanese culture itself. Each culture may raise without any domination of one culture to others.

SEBUAH STUDI TENTANG KOMUNIKASI RITUAL DALAM TARIAN SEBLANG BANYUWANGI Dinar Prihastuti; Yun Fitrahyati Laturrakhmi
Studi Budaya Nusantara Vol 1, No 2 (2017)
Publisher : Studi Budaya Nusantara

ABSTRAK Beberapa studi telah dilakukan untuk menggali bagaimana komunikasi ritual dalam tradisi-tradisi yang berlaku di Indonesia. Namun, belum banyak studi yang menyoroti dimensi sejarah dari suatu ritual. Menindaklanjuti hal tersebut, studi ini ditujukan untuk menggali lebih jauh tentang makna ritual Tarian Seblang oleh masyarakat Desa Olehsari, Banyuwangi dalam perspektif komunikasi ritual serta melihat pergeseran yang terjadi dalam praktik ritual Tarian Seblang sejak masa Hindu, masuknya Islam dan ritual saat ini. Melalui studi etnografi, diperoleh hasil bahwa Tarian Seblang dimaknai sebagai ritual untuk mengungkapkan rasa syukur kepada Tuhan Yang Maha Esa, ritual untuk menjaga keselamatan desa, serta upaya menghormati nenek moyang. Dari sisi sejarah, terjadi modifikasi terhadap praktik ritual ini dari masa Hindu, masuknya Islam hingga praktik saat ini, hingga menunjukkan terjadinya akulturasi pada salah satu prosesi. Adanya campur tangan pemerintah melalui promosi pariwisata dalam ritual Tarian Seblang dinilai dapat memudarkan nilai sakral dari ritual Tarian Seblang. ABSTRACTSeveral studies have been conducted to explore some practices of ritual communication in various traditions in Indonesia. However, those studies have not analysed the historical dimension of the ritual. The aim of this research is to explore the shared meaning about Tarian Seblang in the Olehsari people’s, Banyuwangi through ritual communication lens. Furthermore, the study also is conducted to reveal modified practices in Tarian Seblang which has been performed since Hindu era. Through an ethnographical study, the result of this study shows that Tarian Seblang is interpreted as an expressing gratitude to God, as an act to preventing some disaster and plagues, also as an honour to the ancestors. In the historical dimensions, this research reveals some modified practices within the ritual according to the cultural practices in Hindu era, Islamic era and the contemporary era. Some cultural practices also indicate the acculturation between Hindu values and Islamic values. The promotional efforts toward Tarian Seblang organized by the local government are considered to diminish the sacred value of this ritual.

BUDAYA DAN SENI TATO PADA PEREMPUAN TIMUR, Intan Dewi Savitri
Studi Budaya Nusantara Vol 1, No 2 (2017)
Publisher : Studi Budaya Nusantara

ABSTRAK Penelitian yang bertujuan untuk memberikan gambaran interpretatif yang diterima oleh seseorang ketika berusaha untuk mengekspresikan dirinya dengan cara melakukan modifikasi tubuh berwujud tato, khususnya perempuan, hal ini berangkat dari fenomena feminis di masyarakat yang cenderung memarjinalkan perempuan bertato. Budaya kontemporer yang disinyalir makin popular namun tetap dipandang sebagai pelanggaran terhadap yang arus utama (mainstream) tidak mampu melepaskan kemelekatan stigma tertentu pada perempuan ini menurut para pengedepan teori, khususnya teori feminis, adalah sebagaimana bentuk lain dalam hal ekspresi diri. Pendekatan kualitatif deskriptif dengan teknik wawancara dan/ kuesioner terhadap responden, dipilih dalam penelitian ini untuk dapat mendeskripsikan setepatnya gambaran yang muncul sesuai dengan jawaban yang diperoleh. Hasil penelitian menunjukkan mayoritas responden menyatakan ketidaksetujuannya terhadap ekspresi diri perempuan yang direpresentasikan oleh tato. Keberatan yang utama adalah karena stigma sosial yang menempel pada penyandangnya juga karena larangan dari ajaran agama tertentu. ABSTRACT The aim of this research is to describe the attitude towards women who choose to modify her body as a way to express herself, and the form chosen is what scholars may devine as body ink or tattoo. Learning from a study conducted by students from one of the university overseas that recently tattoo is becoming more popular, on the other hand, the stigma social attached to it, and therefore to the women wearing them, remains. Tattoo considered more mainstream these days, but not quite. As for method employed in this research, qualitative has been chosen, and in relation to that, also descriptive. Intervieuw utilizing questionnaire was employed in data collecting with Brawijaya University’s students as participants. As a result, the majority of the participants submitted a negative answer that describe perception in relation to tattoo on women. Their opinion was supported first by stigma social holds against these women, secondly by the fact that tattoos are forbidden practice according to the teaching of a certain religion.

Batara Kala Masa Kini: Transformasi Slametan Ruwatan pada Masyarakat Jawa di Malang Selatan Edlin Dahniar
Studi Budaya Nusantara Vol 1, No 2 (2017)
Publisher : Studi Budaya Nusantara

AbstrakTulisan ini bertujuan untuk mengetahui bagaimana slametan ruwatan mengalami pergeseran, dari yang semula Jawa menjadi ruwatan kombinasi Jawa dan Islam. Ruwatan merupakan salah satu slametan (selamatan) untuk memohon keselamatan yang menjadi tradisi masyarakat Jawa Kejawen. Slametan ini diperuntukkan bagi suatu keluarga yang jumlah dan urutan jenis kelamin anaknya termasuk ke dalam orang-orang sukerta, yaitu orang yang harus melakukan ruwatan untuk memohon keselamatan. Pada masa sekarang, ruwatan sudah banyak ditinggalkan orang. Hal ini terkait dengan semakin banyaknya masyarakat Jawa yang menjadikan syariat Islam sebagai pedoman hidup dan mulai meninggalkan ajaran-ajaran selain itu. Dalam setiap pelaksanaannya, ruwatan digelar dengan melibatkan para tetangga dan saudara terdekat. Permasalahan menjadi muncul ketika salah satu keluarga Jawa berniat mengadakan ruwatan di tengah-tengah masyarakat yang mulai meninggalkan dan tidak mempercayai tradisi tersebut. Untuk menjembatani hal ini, keluarga yang ingin menggelar ruwatan memadukan acaranya dengan kegiatan yang Islami. Hal yang sama juga dilakukan sang dalang dengan memadukan pertunjukan wayang Batara Kala dengan ajaran Islam, bahkan dengan membacakan salah satu ayat Al Quran. Sang Dalang juga memberikan makna yang berbeda pada tokoh Batara Kala yang dikaitkan dengan ajaran Islam tentang konsep waktu. Penelitian ini dilakukan di Desa Sumberejo, Kecamatan Gedangan, Kabupaten Malang, Jawa Timur. Metode penelitian yang digunakan dalam penelitian ini adalah observasi partisipasi dengan wawancara mendalam. AbstractThis paper aims to find out how slametan Ruwatan experienced a shift, from which Java originally became ruwatan combination of Java and Islam. Ruwatan is one of slametan (salvation) to ask for the salvation that became the Javanese tradition of Kejawen. This Slametan is destined for a family whose number and sex sequence of sons belongs to the sukers, that is, one who must perform ruwatan to ask for salvation. In the present time, Ruwatan has been abandoned by many people. This is related to the increasing number of Javanese people who make the Shari'a of Islam as a guide of life and begin to abandon the teachings other than that. In every implementation, Ruwatan performed by involving the neighbors and closest relatives. Problems arise when one of the Javanese families intends to hold ruwatan in the midst of a society that begins to leave and does not believe in the tradition. To bridge this, families who want to hold Ruwatan combine the show with Islamic activities. The same thing is done by the puppeteer by combining Batara Kala puppet show with the teachings of Islam, even by reading one verse of the Qur'an. The Dalang also gives a different meaning to the character of Batara Kala which is associated with Islamic teachings about the concept of time. This research was conducted in Sumberejo Village, Gedangan District, Malang Regency, East Java. The research method used in this research is participant observation with in-depth interview.

Tradisi Petik Laut dalam Komodifikasi Pariwisata Sendang Biru Dyah Rahayuningtyas; Thiovilia Siahaya
Studi Budaya Nusantara Vol 1, No 2 (2017)
Publisher : Studi Budaya Nusantara

AbstrakIndonesi adalah negara memiliki beragam secara geografis dan budaya dan memiliki kekayaan sumberdaya yang cukup melimpah untuk dikembangkan sebagai petani destinasi wisata. Salah satu yang potensial untuk dikembangkan adalah kawasan pesisir dengan segala kebudayaan dan masyarakatnya contohnya tradisi Petik Laut yang hanya dimiliki oleh masyarakat pesisir. Meskipun begitu, pengembangan pariwisata yang berbasis pada nilai-nilai tradisi dan budaya membawa konsekuensi lain yakni menjadikan tradisi tersebut sebagai bagian dari komoditas pariwisata. Diperlukan strategi-strategi tertentu agar suatu tradisi mampu diperhitungkan sebagai destinasi wisata. Salah satunya adalah adalah dengan melakukan komodifikasi kebudayaan sehingga mampu menarik wisatawan. Terlepas dari dampak negatif dan positif, sampai saat ini pariwisata masih menjadi andalan Indonesia untuk meningkatkan kesejahteraan terutama masyarakat pesisir. AbstractIndonesia is a country that has a diversity both geographically and culturally. Through the diversity of Indonesia can develop resources in that is quite abundant as a tourist destination. One of the potential to be developed is the coastal area with all the cultures and communities, for example is “Petik Laut” tradition that is only owned by coastal communities. Although the development of tourism based on tradition and cultural values brings other consequences, namely making the tradition a part of tourism commodities. It takes certain strategies for a destination can be calculated as a tourist destination, one of which is to do the commodification, so as to attract tourists. Regardless of the positive or negative impacts, to date tourism is still a mainstay of Indonesia to improve the welfare, especially coastal communities.

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Studi Budaya Nusantara

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Contact Name
Studi Budaya Nusantara

Contact Email
jsbn@ub.ac.id

Phone
-

Journal Mail Official
jsbn@ub.ac.id

Editorial Address
-

Location
Kota malang,

Jawa timur

INDONESIA