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Studi Budaya Nusantara
Published by Universitas Brawijaya
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Jurnal Studi Budaya Nusantara (SBN) adalah media komunikasi ilmiah yang diterbitkan oleh Jurusan Seni dan Antropologi Budaya, Fakultas Ilmu Budaya, Universitas Brawijaya Malang. Jurnal ini dimaksudkan untuk mewadahi hasil penelitian dan kajian ilmiah di bidang seni dan budaya Nusantara sebagai bentuk sumbangan masyarakat ilmiah bagi pengembangan wawasan seni dan budaya dalam kehidupan masyarakat yang lebih luas. Terbit 2 kali setahun (Juni dan Desember).
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Articles 6 Documents
Search results for , issue "Vol. 4 No. 1 (2020)" : 6 Documents clear
FUNGSI DAN MAKNA SIMBOLIK TINGKULUAK KOTO NAN GADANG PAYAKUMBUH Imelda, Desra
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
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Abstract

Koto Nan Gadang is one of the nagari in North Payakumbuh that still preserves Minangkabau traditional clothes, this can be seen when carrying out traditional ceremonies such as weddings, batagak pengulu, and others. The community still respects the local cultural customs by still wearing traditional clothing during the event process. This research is about Tingkuluak Koto Nan Gadang which is devoted to the function and meaning of the symbols contained in each tingkuluak. It was concluded that Tingkuluak Koto Nan Gadang has several functions, namely as mamanggia traditional clothes, clothes for maanta, and clothes to await guests. Tingkuluak Koto Nan Gadang is also a symbol and sign for the wearer, others will be able to know the status of the wearer from the clothes he wears.
TANDA DAN MAKNA KARTUN MICE PADA KORAN KOMPAS EDISI 8 MARET 2020 Wayan, Nuriarta I
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
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This study uses qualitative design to collect, filter and analyze data. The subject of this research is Mice cartoon in Kompas Newspapers in 2020. The selection of cartoons uses a purposive sampling technique. Purposive sampling is sampling that is related to the purpose of the study. From a number of cartoons has been observed,cartoons published on March 8, 2020 were chosen as samples because they show the pandemic situation of the global community as well as in Indonesia. The object of this research is focused on cartoon visual analysis, the meaning of denotation and connotation meaning. The object of this research is based on the analysis the meaning of denotation and connotation meaning using the semiology theory of Roland Barthes. The result of the study, Mice cartoons are not only convey the the reality of Indonesian people’s lives in facing Covid-19, but Mice also brought smiles in providing the preventive solutions, moreover Mice cartoons reminded the whole community to always take care of themselves and obey the government instruction in putting on your mask while traveling or “self quarantine “ avoid the crowd.
APLIKASI MOTIF MANUSKRIP PADA BATIK: Pewarisan Budaya melalui Proses Pembelajaran terhadap Mahasiswa ISI Padangpanjang yanuarmi, dini
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
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Abstract

This paper describes the motives found in manuscripts or ancient manuscripts are tangible cultural heritage, which can be categorized as visual culture. Its presence can be seen in plain view and all the time. A noble and monumental cultural heritage, can be threatened by extinction due to human activities and natural disasters. It is fitting for the cultural heritage of the heritage of the past to be preserved and maintained. To maintain the sustainability of these motifs can be revitalized and applied to various media and techniques, such as batik. Batik in the form of one technique in decorating the fabric surface with the application of motifs found in the manuscript. More than that, the existing motives can be developed by creating without changing the original shape. The Craft Art Study Program at the Indonesian Art Institute in Padangpanjang after collaborating with the Regional Literature Study Program of Andalas University, tried to maintain the historical heritage by applying manuscript motifs to batik. The motive that has been applied is the manuscript motif found in the Pakandangan area of Padangpariaman district and Lunang Silaut in the South Coast district. Some works designed by students interested in textiles are made using natural and synthetic coloring. So that batik illumination is born that is creative, innovative and competitive.
STRUKTUR KELAS DAN OTONOMI PEREMPUAN TENGGER DESA ARGOSARI KECAMATAN SENDURO KABUPATEN LUMAJANG Aliffiati, Aliffiati; Kaler, I Ketut
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
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Abstract

Family and household studies are one of the initial anthropological studies related to studies beginning at the household is a study of women, specifically the role and status of women in the family / household as individuals, wives and mothers. Women in a household play a role in maintaining the stability and economic survival of thefamily, as experienced by most women in rural areas. Gender inequality that occurs in the community, especially in rural areas is one interesting problem to be studied with various approaches, one of which is the science of anthropology. The following study analyzes the Tengger ethnic women farmers in Argosari Village, Senduro District, Lumajang Regency, East Java. The research objective is to find out and identify about women's autonomy and women's social power in the family and community. Especially the social strafication of women in society is related to the status and role of women in the domestic and public spheres. The study was conducted using the ethnographic approach as a variant of the qualitative approach. Research activities include field assessments to understand the condition of the research location, followed by field data collection carried out using interviews, observation, literature, and document checks. Data collected from various sources are then processed, analyzed, then presented in the form of descriptive descriptions.
BOKOL MONGONG-KELI REPIS DALAM KONSEPSI TANGGUNG JAWAB EMMANUEL LEVINAS Wele, Marianus
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
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Abstract

This study examines the local wisdom in the tradition of Riung cultural of Bokol Mongong-Keli Repis. Bokol Mongong-Keli Repis implies the understanding of maintaining the unity that has existed in order to remain sustainable and to knit again which had been scattered and one another "far apart." Bokol Mongong-Keli Repis as a material object will be examined with a formal object that is the conception of responsibility Emmanuel Levinas. This research method uses qualitative phenomenology with some steps: that is doing a description, interview, and interpretation. The results of the research found that Bokol Mongong-Keli Repis is (1) an expression of the desire to unite together and make peace; (2) has a content of a rational function; (3) respecting others lyan; (4) responsibilities in the life together; and (5) there is love as a binder. The conception of responsibility can be a recommendation as a basis for maintaining relations in the tradition of Riung cultural.
MEMBINGKAI RELASI ORANG HIDUP DAN MATI MELALUI TRADISI LISAN UPACARA TEING HANG Selatang, Fabianus
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
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Abstract

The teing hang, a traditional ceremony in honour to the ancestors or the deceased is deeply rooted within the  culture of the Manggarai society. Although this ritual  is part of the local culture it still has many unresolved issues. The questions that often arise are: is teing hang a religious syncretism? Is it a dualistic faith practice? Does this not contradict to the content and the essence of Christian faith? Is this a form of idolatry? These questions encourage writers to explore the depth of the significance and the message of the teing hang ceremony. This study aims to explore the relationship between the living and the dead based on the oral tradition of the teing hang ceremony. Conceptually, the idea of the relationship meant here is based on the concept of birth. In the frame of the birth concept, the Manggarai has built a pattern of relationship with the ancestors or deceased people. This research is carried out through the use of qualitative methods. The data is analysed through structural and semiotic studies. The data is taken from a traditional figure in village N Sub-district Macang Pacar, West Manggarai regency. The results of this study show that the practice of  the teing hang ceremony in honour to the ancestors or deceased people is not a form of syncretism or idolatry. This is actually a way of proclaiming faith. The Church wants to say to the Manggarai society that by the teing hang ceremony there is a supranatual power that isn't enough explained by reason completely. The Church wishes to show to its believers that the message of the teing hang ceremony is far beyond what is visible to the human eyes. It is a spirituality rich ceremony that envelopes supernatural realities. Thus, the teing hang ceremony provides a new means of expressing faith through symbolic languages.

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