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Moslem Wear Terinspirasi dari Motif Tabuik Maysharah, Maysharah; Rahmanita, Nofi; Imelda, Desra; Fatrina, Novina Yeni
Style : Journal of Fashion Design Vol 3, No 2 (2024): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v3i2.4218

Tabuik is an annual celebration carried out by the pariaman people of west Sumatra, the tabuik ceremony anchors tabuik to the sea. There are many parts that have meaning, namely there are salapan flowers have eight (8) petals, four on the top and four on the bottom. Tabuik is a collaboration of custom and religion, so the meaning of the salapan flower is that the four petals symbolize religion. While the biliak-biliak tabuik are seveb rooms dedicated to niniak mamak, religious scholars, cadiak clever, community leaders, urang sumando, children and kamanakan. Then the seven are the components of society at the time. The concept of creating this work takes the form of salute flowers and biliaks in muskim wear clothing is clothing that is closed and loose, the process of embodiment of this work begins with exploration to produce sketches and designs, then after that the artist carriest out the process of embodiment by sewing the work. The resulting work which means it has space or can be filled by the user’s body. The color that is applied to the work is the color of the moodboard

Pengaruh Nilai Islam pada Visual Pakaian Pengantin Adat Minangkabau Koto Gadang Akbar, Taufik; Imelda, Desra; Prameswari, Nadia Sigi; Putri, Selfi Mahat
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 8 No. 02 (2022): June 2022
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v8i02.5268

Abstrak Pakaian pengantin tradisional Koto Gadang merupakan salah satu produk seni budaya Minangkabau yang identik dengan nilai Islam. Walaupun bukan sebagai tempat masuknya Islam di Minangkabau dan Sumatera Barat tetapi masyarakat Koto Gadang mampu mencerminkan nilai Islam yang kuat pada visual pakaian pengantin yang khas. Penelitian ini adalah sebuah pengamatan visual tentang nilai-nilai Islam yang diwakili melalui pakaian pengantin Koto Gadang. Pengamatan dilakukan dengan pendekatan etnografis Spradley melalui analisis elemen dan komponen visual pakaian pengantin Koto Gadang serta didukung oleh teori semiotika dyadic Ferdinand De Saussure. Hasil penelitian menunjukan pengaruh nilai-nilai Islam pada busana mempelai wanita terdiri dari telekung, baju kurung, dan sarung kodek. Pada pakaian mempelai pria pengaruh Islam terlihat jelas pada atribut penutup kepala yang disebut deta ameh gadang dan kain penutup celana yang disebut sesamping. Penelitian ini dapat menambah studi tentang pengaruh sosio-kultural terhadap karya seni, khususnya di Sumatera Barat. Kata Kunci: budaya Minangkabau, nilai Islam, pakaian pengantin, Koto Gadang, etnografi AbstractThe Koto Gadang traditional wedding dress is one of the Minangkabau’s cultural arts product that are identical to Islamic values. Although not as a place for the entry of Islam in Minangkabau and West Sumatra, the Koto Gadang community is able to reflect strong Islamic values in the visuals of a distinctive wedding dress. This research is a visual observation about the Islamic values represented through the Koto Gadang wedding dress. Observations performed with an ethnographic approach through a process of Spradley’s visual components analyzing in the Koto Gadang wedding dress and also supported by the dyadic semiotics theory of Ferdinand De Saussure.The result of the analysis show that there are influences of Islamic values in trousseau consist of telekung, baju kurung, and kodek sarong. In the groom's clothes, the influence of Islamic values clearly visible in turban called deta ameh gadang and the cloth covering pants called sesamping. This research is expected to contribute to the study of socio-cultural influences in artworks, particularly in West Sumatra. Keywords: ethnographic, Islamic values, Koto Gadang, Minangkabau culture, wedding dress

Representasi Nilai Multikultural dalam Desain Ornamen Songket “Kambang Cino” Koto Gadang Akbar, Taufik; Imelda, Desra; Rahmanita, Nofi; Yanuarmi, Dini; Qomarats, Izan
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 9 No. 03 (2023): September 2023
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v9i03.6996

Abstrak Visualisasi suatu karya seni dapat dipengaruhi oleh kondisi zaman yang terkait dengan seniman dan gejala sosio-kultural suatu masyarakat, termasuk seni ragam hias atau ornamen. Ornamen songket “Kambang Cino” Koto Gadang secara tidak langsung dapat mengungkapkan pandangan hidup masyarakat perajin sekaligus gejala sosio-kultural yang diduga kuat merefleksikan keberadaan nilai multikultural. Tujuan penelitian ini adalah untuk menjelaskan bentuk visual, gaya seni, makna sekunder, tema karya, makna intrinsik dan nilai simbolik dari ornamen songket “Kambang Cino” Koto Gadang. Penelitian dilakukan dengan metode kualitatif dengan pendekatan sejarah melalui teori ikonografi Erwin Panofsky. Hasil penelitian menunjukan bahwa visualisasi songket ini menggabungkan ornamen Minangkabau dengan ornamen khas budaya Cina yang bergaya fantasi. Ornamen pada songket ini bertemakan tentang manusia dan alam semesta (makrokosmos) yang bermakna tentang nilai toleransi, perdamaian dan kemakmuran. Ornamen songket “Kambang Cino” merupakan representasi simbolik dari nilai keberagaman dan keterbukaan atas keberadaan etnis sosio kultural yang multietnis dalam masyarakat Koto Gadang sebagai bagian dari masyarakat Minangkabau dan Indonesia. Kata Kunci: desain, Koto Gadang, multikulturalisme, nilai, tenun songket AbstractThe visualization of an artwork can be influenced by the conditions of the times, the ideology of the artist, and the socio-cultural phenomena of society, including ornaments. Koto Gadang's "Kambang Cino" songket weaving ornament can indirectly express the view of the craftsman, as well as socio-cultural phenomena that reflect multicultural values. This study aims to explain the visual form, style, secondary meaning, theme, intrinsic meaning, and symbolic meaning of the songket weaving ornament "Kambang Cino" from Koto Gadang. The research was conducted using a qualitative method with a historical approach through Erwin Panofsky's iconographic theory. The results indicated that the visualization of this songket weaving combines Minangkabau ornaments with typical Chinese culture ornaments in a fantasy style. This songket weaving ornaments have the theme of humans and the universe (macrocosm) with tolerance, peace, and prosperity values. The songket weaving ornament "Kambang Cino" is a symbolic representation of the diversity and open mind values of the multi-ethnic socio-cultural life in Koto Gadang society as part of the Minangkabau and Indonesian society. Keywords: design, Koto Gadang, multi-culturalism, songket weaving, values

SIBA AS A CONTEMPORARY FASHION INSPIRATION Suksa Hanifa, Nidya; Imelda, Desra; Rahmat, Fadri
Runtas : Journal Of Arts And Culture Vol. 2 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

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The work entitled "Siba As Inspiration for Contemporary Clothing" was inspired by siba which is found in Minangkabau women's traditional clothing, namely the basiba kuruang shirt. Siba is a piece that is located on the left and right sides of the basiba kurung shirt which functions to increase the looseness of the clothes. The creators design clothes with innovative models into contemporary clothing. Creating this work with the aim of increasing the existence of the basiba kurung shirt and making it attractive to all Minangkabau women, and remaining in line with the Minangkabau adage, namely adat basandi syarak, syarak basandi Kitabullah. The process of embodiment of this work begins with exploration to produce sketches and designs, then the craftsmen carry out embodiments by sewing works using semi-boutique and boutique techniques. Using materials in accordance with the three concepts created. The works created by Siba as inspiration for contemporary fashion are three ready-to-wear works, two ready-to-wear delux works, and one houte couture work with each concept using the same color nuance.

Zero Waste Fashion Innovation Inspired by Pacu Jalur Batik Motifs Della, Miftari; Imelda, Desra
Jurnal Bisnis dan Komunikasi Digital Vol. 2 No. 4 (2025): August
Publisher : Indonesian Journal Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47134/jbkd.v2i4.4689

This work aims to create contemporary fashion using zero waste pattern techniques combined with the Batik Pacu jalur motif as an appreciation for local cultural traditions and to support sustainability in the fashion industry. The theory applied in this work focuses on sustainable design principles that emphasize waste reduction and the optimal use of resources. The methods used include exploring the Pacu jalur culture as an idea source, designing fashion patterns using zero waste techniques, and applying batik motifs inspired by the unique ornaments of Pacu jalur. The resulting work consists of three categories of fashion: ready-to-wear, ready-to-wear deluxe, and haute couture, each embracing the concepts of sustainability and cultural preservation. The presentation of this work is carried out through a fashion show, showcasing a collection that features strong and bold design elements, along with diverse embroidery and stitching techniques to enrich its visual aesthetics. This work functions not only as fashion but also as an artistic statement on the importance of cultural and environmental preservation

FUNGSI DAN MAKNA SIMBOLIK TINGKULUAK KOTO NAN GADANG PAYAKUMBUH Imelda, Desra
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
Publisher : Studi Budaya Nusantara

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Koto Nan Gadang is one of the nagari in North Payakumbuh that still preserves Minangkabau traditional clothes, this can be seen when carrying out traditional ceremonies such as weddings, batagak pengulu, and others. The community still respects the local cultural customs by still wearing traditional clothing during the event process. This research is about Tingkuluak Koto Nan Gadang which is devoted to the function and meaning of the symbols contained in each tingkuluak. It was concluded that Tingkuluak Koto Nan Gadang has several functions, namely as mamanggia traditional clothes, clothes for maanta, and clothes to await guests. Tingkuluak Koto Nan Gadang is also a symbol and sign for the wearer, others will be able to know the status of the wearer from the clothes he wears.

SIBA AS A CONTEMPORARY FASHION INSPIRATION Suksa Hanifa, Nidya; Imelda, Desra; Rahmat, Fadri
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

The work entitled "Siba As Inspiration for Contemporary Clothing" was inspired by siba which is found in Minangkabau women's traditional clothing, namely the basiba kuruang shirt. Siba is a piece that is located on the left and right sides of the basiba kurung shirt which functions to increase the looseness of the clothes. The creators design clothes with innovative models into contemporary clothing. Creating this work with the aim of increasing the existence of the basiba kurung shirt and making it attractive to all Minangkabau women, and remaining in line with the Minangkabau adage, namely adat basandi syarak, syarak basandi Kitabullah. The process of embodiment of this work begins with exploration to produce sketches and designs, then the craftsmen carry out embodiments by sewing works using semi-boutique and boutique techniques. Using materials in accordance with the three concepts created. The works created by Siba as inspiration for contemporary fashion are three ready-to-wear works, two ready-to-wear delux works, and one houte couture work with each concept using the same color nuance.

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