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Jurnal Pakarena
Published by Universitas Negeri Makassar
ISSN : 25286994     EISSN : 27146081     DOI : 10.26858
Core Subject : Education, Art,
Arts Other
Jurnal Pakarena merupakan jurnal ilmiah yang dikelola oleh Prodi Pendidikan Sendratasik Fakultas Seni dan Desain dengan proses peer review. Menerbitkan Artikel hasil dan pengkajian seni, dengan ruang lingkup: seni rupa, drama, tari, dan musik.
Arjuna Subject : -
Articles 4 Documents
 1 
Search results for , issue "Vol 7, No 1 (2022): Jan-Juli" : 4 Documents clear
NARRATIVE DECORATIVE MOTIVES ON TORAJA TRADITIONAL CARVING Sofyan Salam; Saleh Husain; Tangsi Tangsi; Jamilah Jamilah
JURNAL PAKARENA Vol 7, No 1 (2022): Jan-Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i1.33007

Abstract

This study aims to explain the format and techniques of non-sacred narrative carving in Toraja. This research is classified as a qualitative research carried out in the field, namely in Tana Toraja and North Toraja. Data sources (1) artifacts in the form of non-decorative motifs of Toraja carving, both found in Toraja and elsewhere; (2) human data sources, namely Toraja sculptors and Toraja community leaders; and (3) documents that are documents containing descriptions, drawings or photographs of non-sacred decorative motifs of Toraja carving. Data collection techniques used were observation, interviews, and documentation. The collected data was analyzed with an interactive analysis model from Miles and Huberman. The results showed that: (1) The format of narrative carving art which is non-sacred in Toraja is (a) the format of a single scene narrative, (b) the panoramic narrative format, (c) the format of the narrative silmultanate. (2) The technique of depicting narrative carving art in Toraja, namely: (a) a realistic depiction technique, (b) the technique of presenting space there are two ways: presenting two-dimensional and three-dimensional space, and (c) the technique of composing elements (composition) which applied is symmetrical composition, asymmetric, rhythm, protrusion of object, and unity.
GITA BAHANA NUSANTARA AS A REPRESENTATION OF BHINNEKA TUNGGAL IKA Adira Hesti Ksvara
JURNAL PAKARENA Vol 7, No 1 (2022): Jan-Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i1.33540

Abstract

The purpose of this study is to describe Gita Bahana Nusantara as a musical group that represents diversity and strengthens the value of patriotism for the participants involved. This research uses the descriptive qualitative method. The results of the study found that Gita Bahana Nusantara has become a space for diversity that is applied by bringing together individuals from various regions in Indonesia so as to create brotherly ties as fellow Indonesians. In addition, patriotism also emerged in the participants involved through the media of music, namely struggle songs. The lyrics and the type of song can stir the hearts and souls of the people who sing and even those who listen to the song.
"PANGGIH " ARTIST ART CRAFT WOVEN “PECI” FROM BANANA TREE FRONDS Irawan Sukma
JURNAL PAKARENA Vol 7, No 1 (2022): Jan-Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i1.32779

Abstract

Panggih is one of the woven craft artists who are already famous in East OKU Regency because of his peculiarity in making works in the form of "Peci from banana tree fronds". Not only in the district environment, h work is sold, but there are also many orders from outside the city and even the province. ina intends to develop craft art in Belitang, so that cra artworks are not extinct and there are future generations. The purpose of this research is to reflect on and introduce how the figure of a 'Panggih' works in the world of Fine Arts. This research is qualitative, describing how a woven craft artist named Panggih creativity, made artwork based o banana tree fronds. Furthermore, this research tells how panggih's creative process becomes a craft artist? What craft artwork was created by Pangg and the specialty of the artwork created by Panggih? And how is t process of making the craft artwork "Peci" by Panggih? This is what w be explained in this study. Wallas's theoretical thoughts about the creative process, combined with Anna Cra  thoughts on the circle of creative processes were used in this research. It is hoped that the results of this study can foster the interest and talent of the younger generation in East OKU and be able to pass on what has been done by Panggih so that the Kriya A made from banana tree fronds becomes a strong identity for Panggih work for the East OKU Community.
STUDY OF PENDANTS MADE OF RESIN PRODUCED BY THE ART FOLK VILLAGE INSTITUTION Israwati Hamsar; Ismayanti Hamsar; Hasnawati Hasnawati; Irfan Irfan
JURNAL PAKARENA Vol 7, No 1 (2022): Jan-Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v7i1.35125

Abstract

The background of the problem in this study is the lack of craftsmen in making pendants made from resin, this becomes a problem because this pendant is quite a in demand to be used as souvenirs at weddings, by doing this research the public can be invited directly to see the process of making this pendant. , as an effort to find people who are interested in becoming a pendant craftsman made of resin. This study aims to describe the process of making pendants made from. The type of research is survey research with a descriptive qualitative data analysis technique. Data collection techniques in the form of observation, interviews, and documentation. Data analysis techniques in the form of data collection, data reduction, data presentation, and data verification. The results showed 1) the pendant manufacturing process consisted of several stages, first: preparation of tools and materials, second: selection of raw materials, third: assembling the main material with additional materials such as resins, catalysts, and dyes, fourth: printing process, fifth: drying process, sixth: finishing includes sanding and brassoing.

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