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Contact Name
Sularso
Contact Email
sularso@ascee.org
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+6282220828827
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Jl. Janti, Karangjambe 130B, Banguntapan, Bantul, Yogyakarta
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INDONESIA
International Journal of Visual and Performing Arts
ISSN : -     EISSN : 26849259     DOI : https://dx.doi.org/10.31763/viperarts
nternational Journal of Visual and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical study, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g., theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts.
Articles 5 Documents
Search results for , issue "Vol 2, No 1 (2020)" : 5 Documents clear
Taksu and Shackle of the Aesthetic Regimes in the Literation of Laksita Jati Music Yeni Amara Joko Suranto; Rustopo Rustopo; Bambang Sunarto
International Journal of Visual and Performing Arts Vol 2, No 1 (2020)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v2i1.131

Abstract

This article examines the problem of the literary composition of Laksita Jati music as a script for the final assignment of postgraduate students in the art creation program of the Institut Seni Indonesia (ISI) Surakarta. The focus of the study is centered on whether the final project text is part of the aesthetic practices of the co-operative aesthetic or adds weight to the music created? As intellectual property, the manuscript is one of the graduation conditions whose values are parallel to the work itself. With such importance, ideally, the music creation script should be able to describe the entire process until its production is comprehensive. In other words, this art creation script must be able to reflect the quality or weight of the work presented. However, if judging from the standardized system and format of writing, the text may be a fetter of creativity (cooperative regime) for creators who have a personal aesthetic orientation and vision. The assumption is that by referring to a systematic writing format often traps the writer to get absorbed in formalistic writing rules rather than writing the substance of his work itself. The author, in this case, is more concerned with the structure of writing than on content. Another argument is that if we look at the contents of the script, which is a reflection of overall performance, it is not impossible to be used to see the quality of music that students create. This study uses Bartes' synchronous and semiotic acceptance method, "Death of the author." to analyze and overcome the problems in this study. The result, besides showing how the values (taksu) of Laksita Jati music, also revealed the existence of a little aesthetic regime practices in writing scripts for the creation of art.
A Comparative Study of Contemporary Ceramic Sculptures between China and Bangladesh Md. Anisul Haque
International Journal of Visual and Performing Arts Vol 2, No 1 (2020)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v2i1.152

Abstract

Today, contemporary ceramic sculpture expressions come in various forms. Ceramic sculpture is also a medium to express ideas and creative imagination for ceramic artists. This research paper presents a comparative discussion of Contemporary Ceramic Sculptures between China and Bangladesh, which aims to promote the further development of ceramic sculpture through exchanges of ceramic culture. This research not only analyzes contemporary ceramic sculptures between China and Bangladesh but also learns about the economic, cultural, and social influences of the two countries for the development of global ceramic sculptures. Two countries review the history of ceramics and talk about the specificities in the field of ceramics. This study aims to reveal the development of ceramic sculptures between the two countries so that this research can find out how contemporary ceramic artists in China and Bangladesh created unique and themed ceramics. How modern ceramic sculpture influence by philosophy, culture, tradition, and material effect. The combination of modern china and Bangladeshi ceramic sculpture is so touching and unique. The conclusion of this research is through various experiments and creative learning of ceramic sculptors, making the structure of knowledge of modern ceramic artists become formed. As a result, artistic concepts have become more diverse, and the two countries, Bangladesh and China, can exchange ideas in the creation of ceramic sculptures.
Children Songs as A Learning Media Used in Increasing Motivation and Learning Student in Elementary School Ardian Arief; Faris Isnan
International Journal of Visual and Performing Arts Vol 2, No 1 (2020)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v2i1.54

Abstract

Motivation can be a driving force within students that gives rise to learning activities, which ensures continuity of learning activities and which gives direction to learning activities so that the desired goals of the learning subject can be achieved. Students who have strong motivation will have much energy to do learning activities. The results of learning activities will also be optimal if there is the right motivation—media in education functions as a means to achieve learning objectives. Therefore, the information contained in the media must be able to engage students, both mentally and in the form of real activities, so that learning can occur. The use of media in learning in elementary schools can affect student motivation, and the findings evidence this. Differences in learning motivation in thematic learning between the experimental class taught using the learning media of children's songs and the control class taught using classical music learning media, which is seen from the average score of the experimental class at 77.35 and the control class 68.00. From these results, the average experimental class was higher than the control class (77, 35 68.00).
Iconology Analysis in Advertising Design, Case Study Go-Jek Billboard Advertising: Series "Mager Tanpa Laper" in Yogyakarta-Indonesia Arif Ardy Wibowo; Peter Ardhianto
International Journal of Visual and Performing Arts Vol 2, No 1 (2020)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v2i1.57

Abstract

Billboard is one of the outdoor media that still has a vital role in the world of advertising despite being in the digital age. Billboard advertising is still used by a large number of companies to promote their products or services. One of them is Go-Jek Indonesia's online transportation company. This research will discuss the concept of the Go-Jek billboard advertisement, the Mager Tanpa Laper version in Yogyakarta. This study will use the iconographic and iconological approach offered by Erwin Panofsky. The method is then used to analyze the concept of Go-Jek advertising. The results of this study found that the advertising version of Go-Jek Mager Tanpa Laper brings an understanding that wants to be transferred to the target market in the form of ease and convenience in ordering food. Without the need to get out of the house and queue up - as evidenced by the tagline Mager Tanpa Laper (Lazy to Move), just Go-Jekin (use the Go-Jek Application).
The Musicality of Campursari Music in the Islamic Ritual Context Bambang Sunarto
International Journal of Visual and Performing Arts Vol 2, No 1 (2020)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v2i1.130

Abstract

This article discusses campursari’s music, which has an increasingly broad role, from profane to sacrilegious Islamic areas. Since its birth, this music serves as entertainment music. In the era of the 1990s and its peak in the 2000s, this music entered and interacted with the Islamic community. The entry of campursari music into the Islamic religious community is the embodiment of expectations and demands for environmental situations and conditions. Hopes and needs give birth to musical syncretism, which gives birth to adaptation strategies. Verstehen are appropriate methods for recognizing forms of adaptation and syncretism. The choice of the verstehen method is because this article does not merely highlight the problem of music, but also tries to understand the social actions of campursari musicians in serving the muslim community via campursari music. The choice of this approach is because musical adaptation stems from the idea that the birth of musicality has the support of a socially developed network of meanings. The benefit is to recognize the principles and rules of adaptive value and productive syncretism that occur behind music phenomena. The results of this study indicate that campursari's performance is sufficient to prove that campursari's musical musicality in the context of Islamic rituals is productive syncretism. Adaptation and syncretism are thus two methods and ways of building products, both of which must co-exist.

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