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All Journal International Journal of Visual and Performing Arts Prosiding Konferensi Nasional PKM-CSR
Joko Suranto
Universitas Sebelas Maret, Surakarta, Jawa Tengah
Arts Humanities Control & Systems Engineering Economics, Econometrics & Finance Education Environmental Science Nursing Public Health Social Sciences

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Taksu and Shackle of the Aesthetic Regimes in the Literation of Laksita Jati Music Yeni Amara Joko Suranto; Rustopo Rustopo; Bambang Sunarto
International Journal of Visual and Performing Arts Vol 2, No 1 (2020)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v2i1.131

Abstract

This article examines the problem of the literary composition of Laksita Jati music as a script for the final assignment of postgraduate students in the art creation program of the Institut Seni Indonesia (ISI) Surakarta. The focus of the study is centered on whether the final project text is part of the aesthetic practices of the co-operative aesthetic or adds weight to the music created? As intellectual property, the manuscript is one of the graduation conditions whose values are parallel to the work itself. With such importance, ideally, the music creation script should be able to describe the entire process until its production is comprehensive. In other words, this art creation script must be able to reflect the quality or weight of the work presented. However, if judging from the standardized system and format of writing, the text may be a fetter of creativity (cooperative regime) for creators who have a personal aesthetic orientation and vision. The assumption is that by referring to a systematic writing format often traps the writer to get absorbed in formalistic writing rules rather than writing the substance of his work itself. The author, in this case, is more concerned with the structure of writing than on content. Another argument is that if we look at the contents of the script, which is a reflection of overall performance, it is not impossible to be used to see the quality of music that students create. This study uses Bartes' synchronous and semiotic acceptance method, "Death of the author." to analyze and overcome the problems in this study. The result, besides showing how the values (taksu) of Laksita Jati music, also revealed the existence of a little aesthetic regime practices in writing scripts for the creation of art.
Nunggak semi Al Suwardi: organology and perspective of harmonic planet music creation Aton Rustandi Mulyana; Joko Suranto
International Journal of Visual and Performing Arts Vol 3, No 1 (2021)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v3i1.203

Abstract

This article examines the artistry of a composer named Aloysius Suwardi. This composer, who grew up in the Javanese gamelan music tradition, has produced musical compositions and created musical instruments as a means/medium to express it on the journey of his creativity. His works have been staged in various forums or world music festivals. The musical instruments he has created fill the laboratory spaces to create his musical compositions. Two musical ensembles that have been created are Gamelan Genta and Gamelan Planet Harmonic. These two musical instruments complement the many personal musical instruments he has created, such as the vibrander, tering, gerendang, and other musical instruments. Regarding the two ensembles, this article examines the aspects of the creation process. For example, how did Al Suwardi choose the materials used, how to make them, to how he determined the barrel system for these tools. In terms of compositing, this article examines how Al Suwardi started his work, his models of creation, and how he composes his works until they are declared final. The gragas and dridis creeds and Nunggak Semi's concept are the main topics in this composition creation model. Both creeds and concepts have ushered in the landscape of making Al Suwardi's musical compositions expand, from the gamelan tradition to more contemporary models of music creation
Literasi Pengelolaan Desa Wisata melalui Media Digital sebagai Komunikasi Pemasaran Era Pandemi Covid-19 di Desa Wisata Tanjung, Kecamatan Juwiring, Kabupaten Klaten sri herwindya baskara wijaya; Ina Primasari; Dwi Tiyanto; Aryanto Budhy Sulihyantoro; Mahfud Anshori; Chatarina Heny Dwi Surwati; Henricus Hans Setyawan Prabowo; Joko Suranto; Firdastin Ruthnia Yudiningrum; Deniawan Tommy Candra
Prosiding Konferensi Nasional Pengabdian Kepada Masyarakat dan Corporate Social Responsibility (PKM-CSR) Vol 4 (2021): Peran Perguruan Tinggi dan Dunia Usaha dalam Mewujudkan Pemulihan dan Resiliensi Masya
Publisher : Asosiasi Sinergi Pengabdi dan Pemberdaya Indonesia (ASPPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (584.035 KB) | DOI: 10.37695/pkmcsr.v4i0.1260

Abstract

Upaya pemulihan perekonomian di sektor pariwisata dan ekonomi kreatif terlebih pada pelaku usaha Desa Wisata akibat dari pandemi covid-19, menjadi salah satu perhatian dari Menteri Desa Pembangunan Daerah Tertinggal dan Transmigrasi (PDTT) untuk meningkatkan revitalisasi Badan Usaha Milik Desa (Bumdes). Salah satu upaya yang dilakukan yaitu dengan adanya kegiatan pengabdian kepada masyarakat yang diharap dapat menghasilkan luaran yang akan bermanfaat bagi mitra berupa Teknologi Tepat Guna. Kegiatan pengabdian ini dilakukan dengan dua metode yaitu pendampingan dan pelatihan untuk menganalisis dan memberikan solusi dalam komunikasi pemasaran digital sebagai strategi untuk membantu mengatasi dampak pandemi yang terjadi di Desa Wisata Tanjung sebagai rintisan destinasi wisata payung muto di kecamatan Juwiring, Kabupaten Klaten.
WORKSHOP PENGUATAN MANAJEMEN MEDIA DIGITAL DI DESA WISATA SIDOWAYAH, KLATEN, JAWA TENGAH sri herwindya baskara wijaya; Ina Primasari; Henricus Hans Setyawan Prabowo; Joko Suranto; Eka Nada Shofa Alkhajar; Aryanto Budhy Sulihyantoro; Deniawan Tommy Candra; Dwi Tiyanto
Prosiding Konferensi Nasional Pengabdian Kepada Masyarakat dan Corporate Social Responsibility (PKM-CSR) Vol 5 (2022): PERAN PERGURUAN TINGGI DAN DUNIA USAHA DALAM AKSELERASI PEMULIHAN DAMPAK PANDEMI
Publisher : Asosiasi Sinergi Pengabdi dan Pemberdaya Indonesia (ASPPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37695/pkmcsr.v5i0.1536

Abstract

Desa Wisata saat ini menjadi salah satu tren pariwisata di Tanah Air. Dengan memanfaatkan potensi lokal, banyak desa berlomba mempercantik diri agar bisa menjadi destinasi wisata. Hadirnya beragam teknologi digital utamanya internet dan media sosial menjadikan pariwisata desa-desa wisata di Tanah Air kian semarak. Namun, pandemi COVID-19 menjadikan banyak desa wisata di Indonesia ikut terdampak akibat penurunan jumlah wisatawan, salah satunya Desa Sidowayah, Kecamatan Polanharjo, Kabupaten Klaten, Jawa Tengah. Terkait dengan itu, untuk meningkatkan kembali kekuatan citra (branding) Desa Sidowayah sebagai destinasi wisata, maka Research Group D3 Komunikasi Terapan Sekolah Vokasi Universitas Sebelas Maret (UNS) Surakarta menyelenggarakan workshop penguatan manajemen media digital desa wisata. Kegiatan ini diselenggarakan pada Selasa, 5 Juli 2022 di Pendopo Umbul Siblarak, Desa Sidowayah, Klaten. Kegiatan dan dihadiri sekitar 20 peserta dari kalangan badan usaha milik desa, kelompok sadar wisata, pengelola media digital desa dan karang taruna. Materi kegiatan berupa penyegaran prinsip-prinsip manajemen profesional dalam tata kelola media digital desa wisata secara profesional meliputi perencanaan, pengorganisasian, pelaksanaan dan pengevaluasian. Selain itu, disampaikan tentang strategi teknis pembuatan media konten untuk berbagai platform media sosial. Kata kunci: Manajemen, media digital, desa wisata
Strategies and techniques for crafting a scientific manuscript for artistic publication: a guide for academic artists in Indonesia Sularso Sularso; Agus Cahyono; Qinyu Yu; Joko Suranto; Zulkarnain Mistortoify; Lardianto Budhi
International Journal of Visual and Performing Arts Vol 6, No 1 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i1.1314

Abstract

Scientific publications in the field of art creation have sparked considerable debate within the academic community in Indonesia. Issues such as the validity of artworks, assessment criteria, publication formats, and the alignment of academic standards with artistic practice have generated discussions regarding the format of publication writing. This article aims to offer alternative guidance on techniques for writing scientific publication articles in the field of art creation, particularly tailored for academic artists in Indonesia. The guidance encompasses a literature review, the selection of an appropriate methodology, the provision of relevant examples and illustrations, the application of a reflective analytical approach, the clear presentation of data and results from art creation research, as well as the development of an appropriate writing structure and language. Through this study, academic artists in Indonesia stand to benefit significantly. First, they can enhance the quality of their publications by adhering to the provided writing technique guidelines. These guidelines will aid in fortifying the substance of their articles, organizing data in a structured manner, and conveying thoughts and ideas more clearly and effectively. Second, by employing this guide, academic artists can improve their ability to disseminate their thoughts, ideas, and artistic knowledge more widely. This will enable them to contribute to the global arts community through high-quality scientific publications. By enhancing the quality of publications and fostering more effective dissemination of ideas, this research will contribute to the development and recognition of Indonesian academic artists on the global stage. Through the enhancement of publication quality and the improved dissemination of artworks, Indonesian academic artists will be better positioned to make significant contributions.
Co-Authors Agus Cahyono Anshori, Mahfud Aryanto Budhy Sulihyantoro Aton Rustandi Mulyana Bambang Sunarto Chatarina Heny Dwi Surwati Deniawan Tommy Candra Dwi Tiyanto Eka Nada Shofa Alkhajar Firdastin Ruthnia Yudiningrum Henricus Hans Setyawan Prabowo Ina Primasari Lardianto Budhi Qinyu Yu Rustopo Rustopo sri herwindya baskara wijaya Sularso Sularso Zulkarnain Mistortoify