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Tamumatra : Jurnal Seni Pertunjukan
Published by Universitas Hamzanwadi
ISSN : -     EISSN : 26217244     DOI : 10.29408/tmmt
Core Subject : Education, Art,
Arts Education
Jurnal TAMUMATRA (e-issn: 2621-7244) mempublikasikan hasil penelitian dan kajian analitis dalam bidang pendidikan seni dan seni pertunjukkan drama, tari, dan musik. TAMUMATRA terbit dua kali setahun yaitu Juni dan Desember
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 6 Documents
 1 
Search results for , issue "Vol 5 No 2 (2023)" : 6 Documents clear
Estetika Pertunjukan Gender Wayang secara Virtual Ni Putu Hartini; Ni Made Haryati
TAMUMATRA Vol 5 No 2 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v5i2.12256

Abstract

Gender Wayang is an old Balinese gamelan that uses a 5-tone selendro barrel. Gender Wayang in its presentation in this pandemic era has a new model so that it becomes an attraction to be discussed. Due to the Covid-19 pandemic outbreak, the change in Gender Wayang performances which are generally held in person has been changed to a virtual performance. This study aims to find out the aesthetic elements in the virtual Gender Wayang performance and the meaning contained in the virtual Gender Wayang performance. This virtual performance was carried out in an effort to treat the longing of art lovers, especially the Gender Wayang gamelan. Gamelan Gender Wayang is one of the primadonnas among the community, especially children, teenagers both from elementary school, junior high school, high school and college. The research method used is a qualitative method with data collection techniques through participant observation and interview methods. The result obtained is the aesthetics and meaning contained in the virtual Gender Wayang performance. With the virtual Gender Wayang performance, it can be used as a forum in presenting artworks in fighting the Covid-19 pandemic that we are facing together.
Intertekstual Lakon Randai Sabai Nan Aluih Karya Efyuhardi Dalam Lakon Pray Monita Precillia
TAMUMATRA Vol 5 No 2 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v5i2.7885

Abstract

The article entitled Intertextual of the play Randai Nan Aluih by Efyuhardi in the play Pray For Sabai by Edy Suisno is a qualitative research in the form of descriptive analysis. The Pray For Sabai text is the result of the Intertextual Manuscript of Sabai Nan Aluih which is in accordance with the kaba that is developing in society. This paper aims to describe the background and process of the emergence of the text Pray For Sabai by Edy Suisno. We can say that it is intertextual that it rejects the establishment of a text, where Pray For Sabai uncovers the possibilities that exist in Sabai Nan Aluih. Intertextual in Pray For Sabai not only changes the storyline but also changes the identity and character of the characters. The character of Sabai Nan Aluih was originally the biological child of Sadun Saribai and Rajo Babanding, but it turned out that he was only an adopted child. Sabai Nan Aluih is the biological child of Rajo Nan Panjang and a beautiful maid who he raped.
Masyarakat Kalijeruk dalam Pelestarian Pertunjukan Ebeg Nuzulul - Fadillah; Heri - Kurnia
TAMUMATRA Vol 5 No 2 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v5i2.14829

Abstract

The sophistication of technology and communication systems has had an impact on the high flow of globalization that has entered Indonesia. Not a few foreign cultural influences that enter are not in accordance with the cultural norms of the Indonesian nation. This is because people are more familiar with foreign cultures compared to native Indonesian culture. One of them is the traditional art of Ebeg as one of the noble heritages of the ancestors of the Indonesian people, which from now on is rarely found. A sense of belonging to the young people of Kalijeruk Village is needed for Ebeg art as an art that deserves to be upheld and becomes the pride of the community. This Ebeg art is widely displayed by people at festivals, celebrations, competitions and celebrations on certain days. The author discusses the preservation of Ebeg art using documentation and observation studies. Through literature review and observational notes, the data obtained was then collected, selected and presented in the discussion. As early as possible, the young people of Kalijeruk Village are introduced to Ebeg art and trained to play it so that they can continue the art that has been passed down from generation to generation as an intangible cultural heritage. The explanation presented is expected to be able to become a value of public awareness of the preservation of the Indonesian nation's traditional arts.
Proses Produksi Karya Tari Virtual “Nafas Nusantara” Mega Lestari Silalahi; Denny Eko Wibowo
TAMUMATRA Vol 5 No 2 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v5i2.12316

Abstract

The dance work "Nafas Nusantara" is a new dance creation that departs from the motion of representing four regions, Java, Malay, Bali, and Borneo. Nafas Nusantara is a form of virtual performance work produced as an opening ceremony in the virtual INTERNATIONAL MULTIDISCIPLINARY RESEARCH CONFERENCE ON EDUCATION, SCIENCES AND ARTS (IMReCESA 2021) held in the Philippines. Nafas Nusantara dance works through different stages of production from dance works are live show, the production of Nafas Nusantara works through the stages: pra-production, production, and post-production, where pre-production consists of 4 stages of preparation such as: Drafting the work concept, compiling a production schedule, making storyboards, and forming a production team. Production stage with the process of forming dance and music accompaniment, documenting dance works with cinematographic techniques. The last post-production is the editing and mastering process.
Studi Literatur: Analisis Estetika Musik Barok pada "Feel My Rhythm” Cevinita Nahany Nevia Nikita Becker; Maula Waytisi Kirana; Axel Nicholas Cornelius
TAMUMATRA Vol 5 No 2 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v5i2.12862

Abstract

Music, fundamentally, always evolves through increasing human creativity. The increase in human creativity has given rise to various variations of popular music trends. This is found in the use of Baroque music samples "Air on the G String" by Johann Sebastian Bach in the song "Feel My Rhythm" by the girl group Red Velvet. This study examines the aesthetic value of Baroque music "Air on the G String" by Johann Sebastian Bach in its utilization on the song "Feel My Rhythm" by Red Velvet. As qualitative research, the assessment was conducted using a literature study approach and descriptive analysis method. Through research, it was found that there are key adjustments, chord progressions, bass and harmony agility, as well as electronic sound medium intervention in the song "Feel My Rhythm" through the aesthetic perspective of Baroque music "Air on the G String." Thus, in the use of samples of Baroque music "Air on the G String" in the Modern era "Feel My Rhythm," it can be concluded that the aesthetic authenticity (characteristics) of Baroque music is still present and only given an increase in modernity aspects.
Perjalanan Batin Seniman di Wilayah Malang Raya Pasca-G30s PKI: Pendekatan Konflik Kurt Lewin Ella Jayahuda Prasety; Dewa Agung Gede Agung
TAMUMATRA Vol 5 No 2 (2023)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v5i2.15674

Abstract

This research was conducted to analyze the inner conflicts of artists in Malang Raya after the G30S PKI. The data in this study are described based on conflict theory according to Kurt Lewin as; (1) conflict between approaches, (2) conflict between approaches, and (3) conflict between approaches and the factors that cause inner conflict. The results were analyzed based on Abraham Maslow's theory of human needs. This research method is descriptive qualitative using a psychological approach and interview techniques. The results of the study describe the conflicting forms of approaches marking the happiness of artists who survived the G30S incident. The conflict between circumcision and circumcision marks the attitude of the artist who honestly admits his anxiety when he meets a servant of the state. Approach-avoidance conflict is marked when an artist faces two very dilemmatic choices about continuing his work and there is a possibility of not surviving or looking for another job. All of these conflicts arose because the impact of G30S among them was very traumatic.

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