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ricky Irawan
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Program Studi Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar. Jalan Nusa Indah, Denpasar 80235
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Journal of Music Science, Technology, and Industry (JOMSTI)
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 26228211     DOI : https://doi.org/10.31091
Core Subject : Education, Art, Social,
Arts Social Sciences Other
Journal of Music Science, Technology, and Industry is a scientific media disseminating science, technology, aesthetic, and industry of music in relation to its uses in the society. JOMSTI is published with a focus on philosophy, aesthetic, concept, and theory of music; music analysis and genre; music education and learning; specific and/or common, traditional and/or modern, local and/or global music history and entity; music application, practice, show or performance, and technology; production, distribution, and consumption in music industrialization; anthropology, sociology, and psychology of music.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 12 Documents
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Search results for , issue "Vol. 5 No. 2 (2022)" : 12 Documents clear
Beatbox sebagai Media Kreativitas Musik Joko Widodo
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: Beatbox is a music genre that exists in Indonesia. Beatbox as a medium for music produces and uses sound sources using the mouth. In its presentation, beatbox cannot be separated from creativity as a solo, duo, trio or quartet. This is what attracts researchers to explore beatbox and its relationship with creativity. Research methods: Researchers conducted observations and literature on beatbox and creativity through various media and literature. The research method used is qualitative using a psychological approach with beatbox and creativity as the subject. Results and discussion: As a result, beatbox as a creative medium is related to creativity indicators such as divergent, collaborative, original and flexible thinking. Implication: Creative indicators always appear in the beatbox menu in various forms.
Aplikasi Acoustic Shells untuk Mendukung Pertunjukan Musik Kamar di Stage Candra Metu ISI Denpasar Maria Maya Aristya; Ni Wayan Ardini; I Komang Darmayuda
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This article intends to explain the results of using acoustic shells on Candra Metu performance stage at the Indonesian Institute of the Arts Denpasar in an effort to overcome the problem of musicians on stage without using additional PA System. It was intentional so that the quality of the sound’s character authenticity from the acoustic instrument does not change. The acoustical problem in the Candra Metu stage conduces: (1) inadequate sound distribution which were directed to musicians, (2) musicians are not be able to hear between others during the performance. Research Method: The research method used in writing this article is pre-experimental with One-groups pretest-posttest design, which is explained using qualitative-descriptive method with interdisciplinary approach. Results and discussion: The attempt to overcome sound distribution deficient in the Candra Metu stage by testing the acoustic shells as a performance support during chamber music performance. The acoustic shells’ setting and the arrangement of distance between musicians can affect the sound distribution, where the test result shows that by providing panel reflector could affect and increase the sound intensity on the stage. Implication: The application of acoustic shells on the stage can be helpful to increase sound distribution, whereas to obtain the advantage for musician such as clarity on stage, it is necessary to do acoustic simulation in order that the design of acoustic shells can be redeveloped.
Metode Uploading sebagai Sarana Pertunjukan Musik Online: Studi Kasus Duo Guitar Dumotsiny Amra Reza; DJ Dimas Phetorant; Demi Tatipikalawan
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: Technology provides color and a new way of viewing music. Music performances that originally relied on physical and communal meeting rooms had to adapt to social distancing policies due to the pandemic. This condition attracted the attention of researchers to observe the dynamics of the lives of art workers in the field of music. Research methods: Researchers observe musical performances that are displayed on several digital media platforms. Many of the artists who use the uploading method. The research method used is qualitative using a case study approach with the subject of the guitar duo Dumotsiny. Results and discussion: As a result, online music performances can be done by uploading by recording audio and video separately or by recording audio and video simultaneously. Implication: In music, every era always experiences changes in technology.
Eksperimentasi Elemen Tempo melalui Pengembangan Teknik Phasing dalam Karya Novena Hery Kristian Buana Tanjung
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This study aims to determine the extent of the role of the element of tempo as an experimental material in the composition of the music of the work entitled novena. Research method: The research is carried out through the stages of the exploration process that is carried out up to the determination of experimental limits. Results and discussion: The composition technique used in the novena is the phasing technique, where this technique becomes an experimental tool in exploring the tempo element. Implication: Experimental limits need to be determined so that they do not become research bias, therefore an interpretive approach to sensory experiences or body sensations is needed when researchers pray the rosary, so that there is an interconnectedness between the research idea and the object used.
Pengembangan Aplikasi Android Pembelajaran Gamelan Selonding Gaya Tenganan Komang Ayu Tri Paramitha; I Wayan Diana Putra; Ni Wayan Mudiasih
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: The purpose of this research is to develop an android application for learning Selonding Instrument of Tenganan Style. Research Method: The type of this research is used Research and Development (R&D). The result of this research is an android-based Selonding Instrument learning application, namely learning activities or subject matter which is divided into several substances such as basic knowledge of Gamelan Selonding, instrumentation, tone structure, saih (tone tasks), the basic technique of using the application, game techniques, song and quiz questions related to Selonding Instrument. Result and discussion: The results of the validation of the learning content expert test with a percentage of 93.34%, the results of the validation of the learning media expert test with a percentage of 96.67%, the validation results of the learning design expert test with a percentage of 90%, the results of the musical teacher trial with a percentage of 96.67%, the results of individual trials with a percentage of 92% and the results of small group trials with a percentage of 94.5% stated that the results of the application were very good. Implication: The development used in developing learning applications is in the form of a Borg and Gall product development model
Komposisi Tabuh Kreasi Sekar Taji I Kadek Deo Sandiawan; Hendra Santosa; Ni Putu Hartini
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: The creation of a musical piece of musical art creation "Sekar Taji" is to realize the imagination or thoughts of the stylist in a new creative musical work. The stylist got an idea from his own experience to make a creative percussion using the gamelan Gong Kebyar as a medium of expression. Research Method: To achieve Balinese musical works, the stylist uses several methods or stages for the creation process, namely the first with the preparation stage, the exploration stage, the formation stage, the guidance stage and the presentation stage. Results and discussion: The Tabuh Kreasi work "Sekar Taji" uses a kawitan, gendered, bapang and pusher structure by combining musical elements such as dynamics, tempo, melody and rhythm that are combined in such a way as to achieve a karawitan musical work, namely percussion creations. Implication: This work is manifested into a creative percussion through a creative process using existing patterns and patterns of strokes as a means of stimulating creativity in the sector of musical art.
Orkes Gambus Himpunan Remaja Karya di Canggu, Batu Brak, Lampung Barat Muhammad Randi Dimas Prayoga; Erizal Barnawi; Bian Pamungkas
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This study aims to describe the form of presentation of the Orkes Gambus HRK and a description of the structural analysis of the Janji Sebudi, Dang Cawa Khua, Gekhing, Mak Kesiwan and Seandanan song which is a legendary old song by HRK created by Basnal Maas. Research Methods: Qualitative research based on case studies. Sources of data in this study were obtained through interviews with the performers of the Orkes Gambus HRK, field observations, and documentation in the form of audio recordings transcribed into block notation as material for analyzing the form and structure of songs that are often presented by the HRK group. The song was analyzed using the theory of Karl Edmund Prier in his book entitled Ilmu Bentuk Musik. Results and discussion: The results of this study indicate that there are two aspects of presentation in the Orkes Gambus HRK performance, namely the form of musical presentation and the form of non-musical presentation. The form of musical presentation is in the form of instruments consisting of piul (violin), Gambus, Ketipung, Tambourines, Electric Bass, and Electric Guitars which are played on one of the legendary populer songs by HRK. The form of non-musical presentation includes the place of presentation, supporters, time, players, costumes, and loudspeakers. Implication: This research can contribute to science, as a written documentation of the typical art of West Lampung, namely the Orkes Gambus.
Karakteristik Musikal Lagu Yesus Bertanya Karya RP Redemptus Simamora Jones Irawan Sibagariang; Junita Batubara; Emmi Simangunsong
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This study aims to discuss the musical characteristics of the song Yesus Bertanya by RP Redemptus Simamora. In this study, the author uses the theory of P. Malm and Prier as the author's foundation in knowing the characteristics of the song Yesus Bertanya. The song Yesus Bertanya has a simple musical characteristic and has deep meaning in the lyrics. Research method: In this study the authors used a qualitative descriptive research method. Result and discussion: The form of the song Yesus Bertanya is Ternary Form or a three-part song form consisting of A(a'), B(b'), C(c',c'). And the song Yesus Bertanya consists of part A (Vers), part B (Pre Chorus), part C (Ref). Implication: The meaning contained in the song Yesus Bertanya is to describe the doubts and anxiety of mankind from all ages who still question who Jesus is, so that we are invited to contemplate who Jesus is. Jesus is everything to us in joy and sorrow and Jesus is the love of all human hearts
Lagu Dolanan ‘Suwe Ora Jamu’ sebagai Media Terapeutik dalam Kegiatan Belajar Mengajar Anak Autis di Sekolah Khusus Autisme Bina Anggita Yogyakarta Kania Azzahra Dharmawan; Intansari Wahyuning Widiyasih; Ria Setiawan; Ary Nugraha Wijayanto
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: The purpose of this study was to explain the types of gamelan and gendhing (songs) used and to describe the form of interaction response that occurred between respondents and the child's gendhing dolanan 'Suwe Ora Jamu' before and after being given a pre-session music therapy at the special school for autism Bina Anggita Yogyakarta. Research Methods: This study uses a qualitative method with the type of case study which is a research strategy by carefully investigating an event, program, activity, and process or a group of individuals. Results and discussion: The choice of case study as a research strategy design because the use of gamelan as a therapeutic medium is a program implemented by the Sekolah Luar Biasa Bina Anggita Yogyakarta in helping improve the condition of autistic children in teaching and learning activities. Implication: The results showed that the use of the children's play song 'Suwe Ora Jamu' gave different emotional responses to each student, both before and after being given a pre-therapy session.
Perjuangan Mahasiswi Gitar Klasik pada Jenjang Pendidikan Sarjana Musik di Indonesia Andre Indrawan; Dara Benita Titihalawa
Journal of Music Science, Technology, and Industry Vol. 5 No. 2 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

The population of guitar students in the Bachelor of Music Study Program, Faculty of Performing Arts, Institut Seni Indonesia Yogyakarta, is dominated by male students. Purpose: This study aims to uncover women's efforts in gaining learning achievement in the context of guitar studies at the Indonesian higher education level. Research Method: This study uses qualitative research methods with interview instruments. However, in the analysis of some preliminary data using a quantitative approach. Result and discussion: Results and Interviews with four female alums and four active students provided information about their effort in pursuing Bachelor's studies with a classical guitar major. The analysis includes motivation, learning process, gender, and expectations. Implication: This study concluded that all subjects were not affected by the dominance of men in the guitar student population at ISI Yogyakarta. For them, gender does not affect the quality of learning outcomes; instead, perseverance and enthusiasm for learning play an important role.

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