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Anaphora: Journal of Language. Literary and Cultural Studies
Published by Universitas 17 Agustus 1945 Surabaya
ISSN : -     EISSN : 26563967     DOI : https://doi.org/10.30996/anaphora.v6i1
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
Anaphora : Journal of Language, Literary and Cultural Studies is a double-blind peer-reviewed journal, open access, and biannual academic journal dedicated to the publications of research in the areas of language, literature, and culture studies. Anaphora: Journal of Language, Literary and Cultural Studies focuses on publishing research with the following areas: Applied Linguistics Language Acqusition Interdisciplinary Linguistics Literary Criticism Literature Theory Interdisciplinary Literature Cultural Studies Culture and Language.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 12 Documents
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Search results for , issue "Vol 5 No 1 (2022): JULY" : 12 Documents clear
Grammatical Errors in Using Tenses Made by ESP Students Arni Fitri; Nyayu Yayu Suryani
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6262

Abstract

Sometimes the students of ESP or Non-English majoring error in using tenses. The low level of students' understanding of tense is one of the factors that greatly influences errors in making sentences. The objective of this research was to describe the students’ errors and its causes in using tenses. In this research, the writers used a qualitative method in a form of descriptive analysis (percentage) that included observation, collecting the students’ test, analyzing, and interpreting the data. For collecting the data, the researcher used test as the instrument. This research was conducted to 35 ESP students of Pharmaceutical Study Program of Institute of Health Science of Siti Khadijah Palembang. The result of the research showed that the percentage of the error made by 35 students as the samples in using tenses was 75%, consisted of the error of selection was 30%, the error of omission was 24% and error of ordering 21%. It means that the students of Pharmaceutical Study Program of Institute of Health Science of Siti Khadijah Palembang made error in using tense, because more than 70% of the students made error. The probable sources of the students’ error were interlanguage error and context in learning error, where 52% errors were caused by interlanguage.
The Elements of Multiculturalism in Dwilogi “Angin dari Tebing” by Clara Ng. Zulfikar Alamsyah
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6409

Abstract

This study discusses the values of multiculturalism contained in the dwilogi of "Angin Dari Tebing" by Clara Ng. This research aims to reveal the multiculturalism elements in Clara NG's dwilogi of “Angin Dari Tebing”. This research is based on the value theory of multiculturalism which Thobroni and Nurgiyantoro coined. The values of multiculturalism in the text are analyzed using Barthes' semiotic theory of connotation and denotation. The results of this study state that there are five values of multiculturalism contained in this dwillogi of children's stories: solidarity and brotherhood, gender equality, family values, a sense of contentment in life, and sharing and control of power. Of the five values, the values ​​of solidarity and brotherhood are described more by Clara. Each character with a different background has a high sense of tolerance and empathy so that no ethnocentrism can damage or negatively influence child readers. This study concludes that this book can be used as good reading material for children with good multiculturalism values. This book can teach about the importance of tolerance and mutual respect despite being in an environment with differences in race, ethnicity, religion, and language, as in Indonesia.
Picturing Homosexual Gesture in Call me by Your Name: Gender Performativity, Sexual Identity, and Sexual Activity Aisyah Nur Faidah; Ida Rosida
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6410

Abstract

The issue of LGBT is becoming one of the research fields investigated in literary studies. This topic has its critical academic discussion, especially how this behavior is related to gender, identity, gender role, and even considered destructive religious. This research aims to explore how homosexuality is depicted through homosexual gestures pictured in Call Me by Your Name, a film directed by Luca Guadagnino and released in 2017 at the Sundance film festival, United Kingdom, and the United States. This film successfully received the Best Adapted Screenplay at the 2018 Oscar. The method used is qualitative and engages with queer, Judith Butler on Gender performativity. The technique is a narrow textual analysis in which we are focused on the insight of the film's narrative text and images. We explore the homosexual gesture in Call Me by Your Name as presented by the film’s main characters, Ellio and Oliver by focusing on three performativities, namely, performance, homosexual identity, and sexual activity. The results show that in the form of homosexual gestures obtained: First, the performativity of the performance describes the general character and clothing worn by Elio and Oliver as a same-sex couple. Second, the performativity of homosexual identity shows that the actors are homosexual men. Third, the performativity of sexual activities such as kissing, and sexual deviations that are carried out in inappropriate places. In addition, the sexual relations between characters show the homoeroticism of sexual role stability, where there is a character who identifies with the sexual experience of the partner.
The Tumultuous Game of Legitimacy: Capital Contestation between Riggan, Mike, and Tabitha in Birdman (2014) Alexei Wahyudiputra; Edi Dwi Riyanto
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6415

Abstract

The contemporary Hollywood cinematic landscape is commonly filled with popular films that seek mass legitimacy. It is different from theatrical works or Broadway that are specifically aimed at connoisseurs. The ample evidence of popular films infers that American cultural field constructs its logicality in effect of this system. It affects at how one distinctively perceives theatre or Broadway as “art” and films as “entertainment", leading the actors within them to seek to be legitimized as an “actor/artist” in a distinctive way. This article specifically aims to diagnose this condition through Alejandro Gonzalez Iñárritu’s film entitled Birdman (2014) that tells a story of a washed-up American film actor who wishes to revive his career on Broadway. The research utilizes Pierre Bourdieu’s theory on the mechanism of symbolic power, capital, and trajectories to reveal the dynamics of the field in legitimizing one’s status as an actor and the paths one takes to be legitimized as an artist. The findings suggest the asymmetrical position between Broadway and films leads to exertions of symbolic violence as portrayed by Birdman. The skillset to act is not a measurement for one to be called as an “actor”, rather it is the complex nexus between the field and the agent’s background that determines the legitimacy.
The Impact and Trust of The Sumbersuko Community on The Three Sources Meyvani Chintyandini; Eggy Fajar Andalas
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6648

Abstract

Trust is a culture born and attached to the community that owns it. One of the beliefs that live in the community is the belief about Sumber Dawet, Sumber Kambang and Sumber Towo in Sumbersuko village, Purwosari sub-district. This study aims to 1) find out the stories that developed in the community regarding the origins of the three sources; 2) Community trust in the three sources in Sumbersuko village; 3) The impact caused by the existence of trust in three sources in Sumbersuko village. This research is descriptive research with a qualitative approach. The data source for this research is the people in Sumbersuko village, Purwosari sub-district, used as informants. The data of this research are in the form of observations: a) research location, b) resource persons (caretaker and the surrounding community), c) caretaker writing, d) condition of the three sources (Sumber Dawet, Sumber Kambang and Sumber Towo). Data collection procedures were carried out in various ways, namely a) Observation, b) Interview, c) Documentation, d) Recording, and e) Notes. The study results indicate various beliefs that live in the Sumbersuko village community towards these three sources, which will later affect how people think, act, and behave. The existence of a belief will give birth to an impact on people's lives. So it can be concluded that the people of Sumbersuko village still believe in the existence of ancestors and other supernatural things that still inhabit the three sources. This is still evident in their view of the sacred places in the form of these three sources.
Narrative Self-Healing in Ian McEwan’s The Atonement Mateus Rudi Supsiadji; Tegar Febrian Putra
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6050

Abstract

This study explores Briony's narrative self-healing to promote her healing. The purpose of this study is to clarify the portrayal of narrative self-healing in Atonement. The author adopts a psychology-analytical approach, focusing on the Four Stages of Psychotherapy in particular (Jung, 1966: 53-75). Confession, explanation, education, and transformation are the four stages of Jung's four-stage psychotherapy. The author also uses qualitative descriptive analysis to examine the various forms of Briony's narrative self-healing in Atonement. Through this study, the author learns how Briony reveals her narrative self-healing in Atonement, including her confession of her guilt that she accused Robbie of doing bad things, her explanation of her guilts to Robbie, her explanation of her effort to make some apologies for her guilty and the transformation of her guilt feeling.
Gender Performativity as Asserted on Kate Chopin’s A Respectable Woman Cahyaningsih Pujimahanani; Rommel Utungga Pasopati; Flora Anasis
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6423

Abstract

Literature is colored with gender studies that emphasize female struggle through social construction. The understandings widen from equalities between male and female to how woman should define her self-identity. Identity through gender is not static at all, but dynamic through its process as examined by Judith Butler through her concept of gender performativity. A Respectable Woman is Kate Chopin’s short story that tells Mrs. Baroda who is disturbed with the presence of her husband’s friend, Gouvernail, at her home. She is tempted by him but she realizes that and leaves home. She returns home and speaks to her husband, Gaston that she has made up her mind and be ready if his friend will stay over again. Then, how is gender performativity asserted on Kate Chopin’s A Respectable Woman? Through qualitative method on cultural studies, this writing underlines the wife’s firm state for not being tempted as her own self-definition. It becomes usual for a woman to fall to other man, but the wife thinks differently. She is aware of being tempted and she avoids it. Her identity is not defined by common ideas or dictated by male dominations. She is herself with her own determination by being so earnest. In conclusion, the wife’s resolution to step back, to think, and to return to her husband is her approach to define her identity. This is in line with gender performativity that is stated in line with Chopin’s focus on female subjectivity.
Animate Metaphors to Satire Leaders in Tenas Effendy's Pantun "Kelakar" Essy Syam; Qori Islami Aris; Vita Amelia
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6525

Abstract

This writing deals with an analysis of Pantun Kelakar written by Tenas Effendy by focusing on 4 ( four) of them and analysis the animate metaphors ( animal metaphors) used in these four pantuns in exploring how those animate metaphors reflects leaders’ characters. This study is descriptive analysis where this study aims to describe the existing phenomena. In this case, this study describes the animate metaphors in Pantun Kelakar of Tenas effendy which satire leaders. The animal metaphors found in those 4 pantuns are; crocodile, monkey, lion and snake, and those animals are the analogy of leaders whose characters are associated with the characters of the animals in which they are associated with. Crocodile is the metaphor to satire leader who ignore the rules in taking or consuming something which leads to the life without guidance. The monkey is the metaphor to satire a leader who does immoral deeds. A lion is used as the metaphor of powerful leader who destroys his/her people and snake is the metaphor of sly or cunning leader. by describing those metaphors, this analysis may contribute to create awareness for leaders whose characters are reflected by the metaphors to treat this analysis as a self-reminder to change and improve the person’s character. and in the same time, this analysis may also contribute to give knowledge about some kinds of leaders with their specific characters in leading their people
Gender Intervention Through Toxic Masculinity in Hashimi's The Pearl That Broke Its Shell Anik Cahyaning Rahayu; Ali Romadani; Sudarwati Sudarwati
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6638

Abstract

This article is about the idea of gender intervention through toxic masculinity reflected in Nadia Hashimi’s The Pearl That Broke Its Shell based on the theory of toxic masculinity by Terry A. Kupers. Beginning from a position that sees masculinity as a socially constructed idea in a patriarchal culture, this article works through the concept that hegemonic masculinity under patriarchy can turn toxic. There is a connection between toxic masculinity and hegemonic masculinity because toxic masculinity deviates from hegemonic masculinity aspects that are destructive. Many toxic masculinity traits can be found in society. This research uses a descriptive qualitative research design since this study will be limited to explain on two traits that are found in the novel. The most prominent traits that can be found in the novel are the subordination of women and violence. The idea of subordination of women can harm women because it puts them in an inferior position. This idea is also harmful to men as well when they could not meet society’s expectation of being “real” men. Toxic masculinity also has the belief that to prove their manhood, men have to be able to act violently. From that idea, some characters in the novel perform violence because they want to fit society’s expectation of being a “real” man. This study concludes that the hegemony of masculinity under a patriarchal society can result in a bad situation where men are viewed as superior and women as inferior. It can push the idea of toxic masculinity, which is harmful to both men and women. It is because men's superior position in this situation can be destructive and harmful for both men and women.
Women’s Rebellion to Find Voices in Enola Holmes Aulia Anggraini; Pratiwi Retnaningdya
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6657

Abstract

Directed by Harry Bradbeer, Enola Holmes (2020) portrays a 16-year-old girl who searches for her mother who disappeared while fighting for women’s rights to vote. In this movie, Victorian women are bound by a law that forbids them from having the right to vote. This article aims to identify and describe women’s rebellion in their struggle for voices in the Victorian era. Employing Bartlett's rebellious feminism within a feminist perspective of John Stuart Mill, the article analyses how Eudoria Holmes, a female character, undergoes dangerous ways in attempt to fight for women's rights to vote. Using the script and cinematographical elements, the film analysis reveals that Eudoria Holmes rebels against the values of Victorian society on three levels: individual, familial, and societal. Becoming an independent and courageous mother, she plants the seeds of rebellion to her daughter, Enola Holmes. Moreover, Eudoria also establishes a secretive women’s circle to build solidarity with the purposes of social and political activism in the form of women's suffrage campaigns.

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