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Anak Agung Ayu Sri Ratih Yulianasari
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+6285738776698
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JALAN KAMBOJA NO 17, DENPASAR - BALI
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Kota denpasar,
Bali
INDONESIA
Jurnal Anala
Published by Universitas Dwijendra
ISSN : 19075286     EISSN : 27225682     DOI : 10.46650
Core Subject : Social, Engineering,
Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences
Jurnal Anala is a peer-reviewed academic journal published by the Faculty of Engineering at Dwijendra University, Denpasar, Bali, Indonesia (P-ISSN: 1907-5286; E-ISSN: 2722-5682). The aim of the journal is to publish original and high-quality articles in the field of architecture, landscape architecture, interior design, building science, building construction, civil engineering and the built environment. Jurnal Anala is published twice a year, in February and September. We accept original articles that have not been previously published elsewhere and are not currently under review for publication.
Arjuna Subject : Teknik (semua kategori) - Arsitektur
Articles 6 Documents
 1 
Search results for , issue "Vol 8 No 1 (2020)" : 6 Documents clear
Nilai Filosofis, Etika Dan Ritual Bangunan Bale Dangin Sakenem Wijaatmaja, Arya Bagus Mahadwijati; Swaryputri, I Gusti Agung Laksmi
Jurnal Anala Vol 8 No 1 (2020)
Publisher : Universitas Dwijendra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46650/anala.8.1.933.1-26

Abstract

Traditional Balinese architecture is a regional architecture that needs to be preserved in this globalization era. The knowledge and implementation of Balinese architecture is also increasingly diminished as the modernity influences the building (architecture). This is followed by the presence of a present-day architectural style dominated by minimalist architecture. The application of Balinese architecture today can only be found in the application of ornaments in the building façade. There are several types of traditional Balinese buildings that still survive until now such as Bale Dangin, Bale Meten/sakutus, Bale Dauh, Jineng/Kelumpu, Paon and others, the building is still surviving in terms of shape, function, and materials used since the first time. Bale Dangin serves as a place of ceremonies, so it is vital to the life of Balinese people who practice Hinduism. Therefore, it is necessary to do the effort to preserve and keep the cultural values of Bale Dangin. The research on Bale Dangin was conducted based on the lack of references that discussed the Bale Dangin thoroughly. This research also aims to determine the peculiarities of the building of Bale Dangin Sakenem seen from philosophical value, ethics and ritual, and get a form of guidelines regarding the building of Bale Dangin Sakenem which can be used as reference in designing or constructing the Bale Dangin Sakenem building. The research approach used in this research is based on qualitative descriptive research methods. Qualitative research intends to understand the phenomenon of what is experienced by research subjects such as behavior, perception, motivation, action, holistically and with descriptions in the form of words and language in a particular context that Nature and by utilizing a variety of natural methods. The method of descriptive qualitative research on this study was used to describe the facts in the field related to the condition of Bale Bale Dangin Sakenem in the case study used, judging by the function of building, form, layout, as well as Development process from the beginning until the building is ready to be occupied. This research is expected to produce a special reference to the Bale building of the sakenem in a traditional Balinese house seen from the philosophical value, ethics and ritual and construction process. Indirectly, this can also preserve Balinese architecture that is in accordance with philosophy and meaning
Arsitektur Rumah Adat Tradisional Mbatangu Di Kampung Ratenggaro Winne , Sopiah Bela; Wiriantari, Frysa
Jurnal Anala Vol 8 No 1 (2020)
Publisher : Universitas Dwijendra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46650/anala.8.1.934.27-34

Abstract

Traditional Sumba houses not only have meaning arising from the belief system, but also have technical solutions that are able to solve architectural problems arising from the shape of the building. The Mbatangu traditional house in Ratenggaro village, known as the tower house, is divided into 3 parts, namely the lower part (kali kambunga), the middle part or (uma dei), and the upper part (uma deta). These three parts have an integrated structural system from the foundation to the roof structure system so that this traditional house can stand in a unique shape and become part of the cultural heritage of the people of Southwest Sumba. Especially the Mbatangu traditional house on the coast, which has a roof which is much higher than other traditional houses in mountainous areas.
Perubahan Paon Pada Rumah Tradisional Di Desa Batuan Sukawati Putra, Putu Arya Wiastina; Yulianasari, Anak Agung Ayu Sri Ratih
Jurnal Anala Vol 8 No 1 (2020)
Publisher : Universitas Dwijendra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46650/anala.8.1.935.35-44

Abstract

Bali is an area famous for its million beauty and charm. The beauty of nature, the hospitality of the people and the sublime Customs and Culture are very valuable assets for Bali in particular and Indonesia in general. Of all the beauty and uniqueness, one thing that is important to note is about Balinese Traditional Architecture which is based on culture and breathes Hinduism. In the study of the construction of Balinese buildings, especially Paon or kitchens, this was carried out to understand more deeply some of the traditional Balinese architectural knowledge that approaches the truth, the direction of development, and the high noble values of our ancestral heritage to be strong and strong. a research was conducted on what changes occurred in the Paon building in the village of Batuan, Sukawati. So that it can be expressed to add to the nation's cultural treasury as a material for information and a comprehensive picture for the Balinese people in particular. The formulation of the problem raised is: How does Paon change in a traditional house in Batuan Village, Sukawati. This study uses an inductive approach to the concept formulated from several elements including: field observations and interviews with experts / experts. It can be concluded: The shape of the Paon building has not changed, but only in terms of materials have changed over time, such as the use of roof covering materials, which all use reeds to become tiles.
Pusat Pembinaan Dan Pengembangan Kesenian Wayang Di Bali Budiarta, I Wayan; Tri Adiputra, I Gusti Ngurah
Jurnal Anala Vol 8 No 1 (2020)
Publisher : Universitas Dwijendra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46650/anala.8.1.936.45-58

Abstract

The existence of some puppets show in Bali are significantly marginalized at recently in the midst of any entertaiments growing up. There are a tendency that the puppets show are almoust going to be extinct, for an example Nongnong Kling Puppet at Paksa Bali Village, Klungkung regency. The sacred puppet show was able to be performed until 1988, because its group members are dispersed and there is only one senior dancer still remains. The similar condition was happened at custom village of Manggis, Manggis subdistrik at Karangasem regency. The village had ever possesed a Telek Puppet group at (Wayang Wong/Parwa) as a sacred dance for offering rites/piodalan the Pura Desa temple of Manggis custom village. Waning of the dance was caused by the lack interest of the successor generations (the youth prefer to work on tourism). Meanwhile, at Buduk custom village, Badung regency, there is a Cupak puppet tradition group that is closed to be vanished. Regarding with the extinction tendency of the puppet show group, so it needs establishing a facility as the centre for puppet coaching and developing in Bali. The research uses an inductive approach for constructing some concepts of designing and planning. The concepts were formulated from the intesection of some components, such as : the field observation result, the puppet expertise interview, the study of literatures , the comparative study, the study of some architectural standards and also the study of local government regulation. The designing and planning for the centre of puppet coaching and developing in Bali, in Gianyar regency, are used the basic concept as follwos : recreative, educative, creative and productive which means that the concepts are reformulated from : the functional approach, climate & environment and the social-cultural background. The architecture theme of Neo Vernacular applied in designing and planning for the centre of puppet coaching and developing in Bali, in Gianyar regency intend its façade/physical appearance can be in harmonious matter at the surrondings, but it still has a contemporary building impression. Because the Neo Vernacular architecture is an equivalent combination between the traditional architecture and modern one.
Pengaruh Modernisasi Terhadap Bahan Bangunan Hunian Tradisional Di Desa Adat Tenganan, Kabupaten Karangasem, Bali Indra, I Gede Bagus Rae
Jurnal Anala Vol 8 No 1 (2020)
Publisher : Universitas Dwijendra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46650/anala.8.1.937.59-66

Abstract

Tenganan Traditional Village is a Bali Aga Village located in Karangasem Regency. As a cultural village tourism object, Tenganan Traditional Village is unique in the form of a spatial arrangement pattern with unique traditional building architecture, traditions and cultural activities of the community, as well as villagers' handicrafts such as woven or bamboo, carvings, and paintings on palm leaves as well as gringsing woven fabric. In line with the times and the rapid development lately there have been concerns about the continuation of development in the Tenganan Traditional Village, resulting in many changes to the residential buildings, especially in building materials. The condition of the Traditional Village which has started to leave materials for traditional buildings and switch to modern building materials. These changes caused the loss of the traditional values of the Tenganan people which became the core of the local community architecture. So it needs special attention and efforts in preserving the architectural values of traditional Tenganan houses. So that the existence of traditional houses and the uniqueness of the village can be maintained and still show the traditional values of the traditional houses of Tenganan Village, with new buildings that will be occupied by the community. Some things that have experienced the influence of modernization are in terms of roof, wall and bataran building materials. This requires joint efforts by the government and local communities to preserve the development of traditional houses related to traditional traditions in the Tenganan Traditional Village so that the construction of traditional houses is sustainable.
Karakteristik Bangunan “Bale Piyasan” Serta Proses Pembangunannya Prayatna, Agus Eru; Widiyani, Desak Made Sukma
Jurnal Anala Vol 8 No 1 (2020)
Publisher : Universitas Dwijendra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46650/anala.8.1.938.67-74

Abstract

Bale Piyasan is one type of sacred building for the Hindu community, especially in Bali as an ancestral heritage that needs to be developed and preserved, so we need to know the background of the Bale Piyasan design and at the same time to know the historical and cultural values contained therein. At the same time as a comparison between the opinions of the sources and the reality in accordance with the conditions in the field, case studies which have different characteristics are carried out, both in terms of function, layout and shape of the sacred building. Based on this description, the purpose of this research is to find the meaning of the philosophy of the Bale Piyasan building, to find the process of self-reliance and physical, the rituals in constructing the Bale Piyasan and to determine the layout of the Bale Piyasan building as well. This research is a comparative descriptive study, where physical and non-physical data are collected, both library and field data. From the results of the analysis and comparison, they are reviewed and concluded to obtain a recommendation. There are 2 (two) types of data used in this study, namely primary data and secondary data. Primary data is obtained through (1) surveys and observations, namely making direct observations to objects and carrying out documentation, (2) interviews, which are conducted with people who are competent and can be trusted in this matter. Secondary data includes literature studies conducted to find information about research through information sources such as books, reports, the internet. From the results of literature and factual studies and analysis results, it can be concluded that Bale Piyasan is a rectangular elongated building with 4 (four) poles as a place to decorate or assemble symbols before being distributed to the sacred building and the place where the ceremony will be offered. Bale Piyasan functions as a place to decorate or arrange symbols, such as Daksina Pelinggih or Arca. The layout of Bale Piyasan is on the west side facing south. We can find Bale Piyasan in the innards of the temple. The Bale Piyasan design uses elbows or traditional Balinese measurements. The establishment of Bale Piyasan must follow the processes and ceremonies in accordance with the rules of traditional Balinese architecture.

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