cover
Contact Name
Harpang Yudha Karyawanto
Contact Email
harpangkaryawanto@unesa.ac.id
Phone
+628563651865
Journal Mail Official
virtuososendratasik@unesa.ac.id
Editorial Address
Gedung T14 Lantai 2 Program Studi Seni Musik Fakultas Bahasa dan Seni Universitas Negeri Surabaya Kampus Lidah Wetan, Surabaya 60213
Location
Kota surabaya,
Jawa timur
INDONESIA
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik
ISSN : -     EISSN : 26220407     DOI : -
VIRTUOSO is a scholarly journal that presents music analysis and music composition articles. The expert editors receive articles on music and music studies from various groups of students, lecturers, musicians, teachers, and other elements of society. This journal encompasses original research articles, review articles, and performance analysis, including: Classic Music Traditional Music Contemporary Music Music Performance Musicology Music Education Musical Theatre Ethnomusicology Music Therapy World Music Film Music Digital Music Modern Music This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
Articles 8 Documents
Search results for , issue "Vol. 6 No. 2 (2023)" : 8 Documents clear
Cultural Diversity and Worship: The Role of Ethnic Music in Eliezer Sentani Congregation Sahureka, Cosye Meilina; Parinussa, Nelinio
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p123-132

Abstract

Caring for the congregation through the presence of ethnic music in weekly worship and religious festivals brings a new atmosphere to the Eliezer congregation in Sentani. The purpose of this study is to provide an overview of the forms, impacts, and meanings of ethnic music in the Eliezer Sentani congregation. The ethnic music and singing are a collaboration of six different ethnic groups: Papua, Maluku, NTT, Sulawesi (Toraja-Minahasa), Java, and North Sumatra (Batak). The method used is a qualitative descriptive method that employs data triangulation through document analysis, observation, and two types of interviews: focused interviews and free interviews. Data is analyzed by combining these three data sources and then providing a description and conclusions about the observed phenomenon. The results of this research reveal that the worship with ethnic nuances in GPI Eliezer Sentani can be seen in terms of its form, meaning, and impact. The form of worship with ethnic elements involves traditional music components in various combinations, serving the purpose of adding aesthetics and color to worship and devotion. In terms of meaning, the use of ethnic music in worship acts as a means of promoting culture and as a tool for unity and togetherness. Regarding its impact, the use of ethnic music in worship has led to an improvement in the quality and quantity of congregation members participating in the worship.
Innovation in Environmentally Friendly Materials: Making Paralon Soprano Alto Tenor Bass (SATB) Musical Instruments Phetorant, Dimas; Kusnawan, Uus
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p133-142

Abstract

This study seeks to explore the paralon's ability to make musical instruments. Paralon is a material that is strong against weather changes. The novelty of this research is in the form of the soprano, alto, tenor, and bass (SATB) paralon musical instrument. For this reason, researchers describe and explore the tool step by step until its presentation. The purpose of this study was to find innovations in making musical instruments from paralon. This study uses a qualitative method along with exploration. Data were collected through observation, interviews, and literature studies as reference materials related to this research. Observations were carried out by researchers by observing the making of the SATB paralon musical instrument, measuring the parts of the paralon, and taking notes. Exploration of the internet for literature to add insight about the object to be studied. The stages of making the SATB paralon musical instrument begin with finding the raw materials to be used. After all the raw materials are obtained, the paralon pipe is cut and shaped according to the design that the researcher made. Followed by installing a knife at the end of the paralon. After gluing, the process of finding the tone (tuning) of the paralon pipe begins. The table is needed to place the SATB paralon musical instrument, which is made and shaped according to the SATB paralon musical instrument.
An Analysis of The Impact of Remixed Songs on Tik Tok Social Media on Children's Language Development In Elementary School Gutama, Andika; Andriansyah, Ella Nur
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p143-158

Abstract

Tik Tok is an application containing short videos accompanied by music. Many songs on Tik Tok are not suitable for elementary school students to listen to, such as Mangku Purel, Abang Evil, and No Comment, so these songs have an impact on children's language development. This research aims to determine the impact of songs on Tik Tok social media on children's language development in elementary school. This type of research is qualitative descriptive research. The objects of this research are teachers and students. The data collection procedures used were observation, interviews and documentation. From the research carried out, the following results were obtained: there are many negative impacts, such as students playing with cellphones more, the songs consumed by students are not suitable for elementary school-age children, the videos on Tik Tok are not all positive, Tik Tok affects language development and environment, students follow language like adults and students cannot differentiate between positive and negative. Based on the results of research that has been carried out, there are many negative impacts, (1) Playing with cellphones more. (2) The songs consumed are not suitable for elementary school-age children. (3) Not all of the videos on Tik Tok are positive, (4) Tik Tok influences language development and the environment, (5) Students follow the language like adults from the Tik Tok application, (6) Students cannot yet differentiate between what is good and what is not good. This has a big impact on children's language development, apart from being used as a means of entertainment, a lot of content is accompanied by songs that are not suitable for elementary school-age children. Therefore, parents need to play a role in using social media, so that children's language does not influence Tik Tok language.
Musical Analysis Structure and Violin Playing Technique in Suzuki Violin Book Riyadi, Lanang; Yensharti, Yensharti
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p170-178

Abstract

This article aims to describe and provide an overview of the analysis of the musical structure and violin playing techniques contained in the works in Suzuki Violin Book Volume 1. The research contained in this article uses a qualitative method with a systematic content analysis approach, objectivity, and generalization. The works analyzed in this research are "Twinkle, Twinkle, Little Star", "Lightly Row", and "Song of the Wind". The results show that the three works are simple works that are appropriate as teaching materials for educators in teaching students who are just learning violin instruments. This is evidenced by violin playing that only uses the A string and E string with 1, 2, 3, and 0 (open string). The works are composed of intervals that make the melody movement dominated by stepping movements rather than jumping. In addition, the techniques that appear in these works are simple techniques such as up-bow, down-bow, tenuto, and staccato, and a little complicated for beginners is syncopation. So, the three works are the right works to learn for beginners.
Minimalist Sape: The Use of Digital Sound Effects For a Musical Hybrid Concept Between Dayak Sape Music and Minimalist Music Darlene, Esther
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p159-169

Abstract

Sape Minimalist music composition is the result of a musical dialogue between Sape (Dayak) music and Minimalist music through a hybrid approach. Minimalist music itself is a backlash mainly against the chaos and complexity of serialism and aleatoric music. In minimalist music, short melodic patterns with clear tonality and constant repetition are the main focus. In this Minimalist Sape composition, the Sape instrument is usually played for specific functions such as accompanying ritual ceremonies/customs, as well as entertainment, in this composition Sape collaborates with minimalist music elements and produces a repertoire that can be classified in the "absolute" music category. The hybrid musical dialogue approach, which combines two different types of music, has the ability to increase the variety and uniqueness of Sape music. Hybrids in Minimalist Sape compositions produce unique new musical variations with an experiment using a touch of digital sound effect technology that the tempo development of sape music assisted by other music can affect the hybrid concept realized by combining musical elements from Dayak Sape music with Minimalist music. The method used in this research was conducted through a literature review, previous repertoire review, and using an artistic-based research approach. The results of the composition found that Sape - Minimalist music using digital sound effect applications can bring breakthroughs with the concept of musical hybrids from Sape music and Minimalist music with a touch of sound design effects that produce music with new creativity.
A Review of The Chord Progression and Presentation Format of The Song "Masih Ada" 2D Arranged By Oni and Friends Budiyono, Abednego Ziposa Sabatnissan
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p213-225

Abstract

The song “Masih Ada” tells the story of someone who misses his lover, which is expressed through poetry and turned into a song. This research aims to (1) Analyze the Chord Progression of the song “Masih Ada” arranged by Oni and Friends. (2) Analyzing the Presentation Format of “Masih Ada” performed by Oni and Friends. The method used is descriptive qualitative analysis. The data used in this method is pure data obtained directly from Oni Krisnerwinto as the arranger. This research uses the research techniques of Observation, Interview, Documentation, and Literature Study. The findings show that Oni and Friends' arrangements provide a new interpretation, with the use of more complex and innovative chord progressions. Complex means that the chords and notes played are interconnected with the next chord. Innovative means changing the chord progression style with reharmonize. Based on the results of this research, it can be concluded that the chord progression used has many reharmonized changes. The presentation format used is a mixed large ensemble.
Management of Learning Environment in Studio Class at Seraphim Music Studio Mahendra, Marda Putra
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p200-212

Abstract

Seraphim Music Studio is a professional non-formal music school specializing in arts education, particularly music education. Undoubtedly, Seraphim Music Studio boasts internationally certified and professional instructors in their respective fields. The cornerstone of effective learning lies in adequate classroom spaces. The management of a conducive learning environment significantly influences the learning process in the classroom. As one of the non-formal music schools in Surabaya, Seraphim Music Studio has designed all its classrooms as studio spaces. Several challenges arise in the development of these studio classrooms, including spatial limitations, diversity in musical instruments, and studio class management. This research employs a qualitative research method, focusing on data collection through interviews, observations, and document analysis to understand complex and contextual phenomena. The findings of this article reveal that Seraphim Music Studio identifies 7 standards for studio classroom facilities and service management that must be met. These standards include service speed, information accuracy, and courtesy in communication. Keywords for this abstract include Seraphim Music Studio, non-formal music education, internationally certified instructors, studio classrooms, learning environment management, and service standards.
Creativity Products of the Calung Al-Khoir Pagongan Tegal Music Group in the Song Arrangement Process Nurjanah, Putri Eka; Rizki Harmono Sejati, Irfanda
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p179-199

Abstract

This article aims to find out the product results of the creativity of the Calung Al-Khoir Pagongan Tegal music group in creating a new arrangement of an existing song as well as the process of practicing the Calung Al-Khoir Pagongan Tegal music group. This writing is qualitative writing with the writing location in Grogol Village, Dukuhturi District, Tegal Regency, namely the Al-khoir Pagongan calung music group. The Al-khoir Pagongan calung music group, located in Grogol Village, Dukuhturi District, Tegal Regency, is one of the calung music groups that actively performs in the city of Tegal. This music group, which was formed in 2018, operates through an agreement between young people to fill their free time which is then used as a means of earning a living besides their main job. The Al-Khoir music group is a Calung music group that performs songs with the characteristics of Calung Banyumasan. Data collection techniques were carried out using observation, interviews, and documentation with sources. Data analysis is obtained from reduction, data presentation, and concluding. This article was also written using a musicological approach. The focus of this writing problem is creativity in arranging songs and the process of practicing the Calung Al-Khoir music group. The results of this writing show that the creative product produced by the Al-khoir Pagongan calung music group is in the process of practicing, making arrangements, costumes during performances, and the concept of appearance at each different event. This writing concludes that the Calung Al-koir Pagongan Tegal Music Group produces creative products, namely song arrangements, costumes when performing, different formations of musicians at each different event, as well as their performance concept which carries the calung Banyumasan concept.

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