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Visi Sosial Humaniora
Published by Universitas HKBP Nommensen
ISSN : 27227316     EISSN : 27231275     DOI : 10.51622
Core Subject : Economy, Science, Education, Art, Social,
Arts Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice
Focus dan Scope Jurnal Humaniora mencakup berbagai bidang kajian ilmu pengetahuan yang bersifat multidisiplin ilmu Sosial Humaniora. Seperti Ekonomi, Ilmu Hukum, Linguistik, Agama, dan ilmu sosial lainnya.
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 147 Documents
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Analisis Stilistika Bahasa Slang Digital dan Implikasinya terhadap Etika Berbahasa Siswa SMA Kelas 11 Primbana Lasmina Boru Sinaga; Sarma Panggabean; Renita Br Saragih
Visi Sosial Humaniora Vol. 7 No. 1 (2026): Visi Sosial Humaniora Edisi : Juni 2026
Publisher : LPPM Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51622/vsh.v7i1.3273

Abstract

This study aims to describe the forms and meanings of stylistic features in digitalslang language and their implications for language ethics among eleventh-grade students of Primbana Senior High School. This research is motivated by the widespread use of slang on social media, particularly tiktok, which influences students’ communication patterns. This study employs a qualitative approach with a content analysis design. The data consist of slang utterances obtained from videos, captions, and comments on tiktok, supported by questionnaires. Data collection techniques include observation using note-taking, recording, and non-participant observation methods. The data were analyzed using referential, orthographic, and pragmatic matching methods. The results show that there are 44 data of stylistic forms of slang, including loanwords, acronyms, neologisms, and nonstandard forms, as well as 20 data of stylistic meanings consisting of expressive, social, and pragmatic meanings. The use of slang reflects students’ creativity and social identity; however, excessive use may reduce the use of standard Indonesian and language politeness. Therefore, awareness is needed in using language appropriately according to context.
Translation Equivalence in Cultural Elements of the Batak Folktale Legenda Danau Toba by Fifth-Semester Students at Universitas HKBP Nommensen Medan Arisa Doloksaribu; Dr. Kammer Sipayung, S.Pd., M.Pd.; Harpen H.P. Silitonga S.Pd., M.Hum.
Visi Sosial Humaniora Vol. 7 No. 1 (2026): Visi Sosial Humaniora Edisi : Juni 2026
Publisher : LPPM Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51622/vsh.v7i1.3275

Abstract

This study aims to identify the types of translation equivalence and translation strategies employed by fifth-semester students of the English Education Study Program at Universitas HKBP Nommensen Medan in translating cultural elements of the Batak Toba folktale Legenda Danau Toba into English. This research adopts a descriptive qualitative method. The data were collected from 23 student translation manuscripts of a 15-paragraph Batak Toba text. The analysis focuses on 16 selected cultural elements classified into ecological, social, and cultural categories. The analysis of equivalence is based on Nida’s (1964) theory, while translation strategies are analysed using Vinay and Darbelnet’s (1958) framework. The findings reveal that students applied three types of equivalence: formal, dynamic, and acceptable equivalence, with dynamic equivalence as the most dominant. Formal equivalence is mainly used for simple lexical items, while dynamic and acceptable equivalence are applied to culturally bound expressions. In terms of strategies, cultural equivalent and literal translation are the most frequently used, followed by functional and descriptive translation. The results indicate that students demonstrate an emerging ability to translate cultural elements; however, inconsistencies remain due to variations in linguistic competence and cultural understanding. Therefore, strengthening students’ knowledge of translation theory and cultural context is necessary to improve translation quality.
Peran Kolaboratif Penta Helix Dalam Pemberdayaan Desa Wisata Ngilngof Pulau Kei Kecil Rizky Jumatul Ulya Siregar; Simson Metungun; Resky Sirupang Kanuna
Visi Sosial Humaniora Vol. 7 No. 1 (2026): Visi Sosial Humaniora Edisi : Juni 2026
Publisher : LPPM Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51622/qmr4j445

Abstract

This study aims to examine the collaborative role of the Penta Helix model in the empowerment process of Ngilngof Tourism Village on Kei Kecil Island. The research adopts a descriptive qualitative approach, with data collected through in-depth interviews, field observations, and documentation review. The informants include representatives from the village government, academics, business actors (MSMEs), community groups (BUMO-Pokdarwis), and local media. The data were analyzed using a thematic analysis approach to identify patterns of roles and the dynamics of collaboration among stakeholders. The findings indicate that cross-sector collaboration has been established through village policy support and funding, training and mentoring activities facilitated by academics, the development of culture-based tourism products by business actors, active community participation in decision-making processes, and media contributions to destination promotion. This collaboration has had a positive impact on enhancing community capacity and stimulating local economic growth. However, the synergy among stakeholders still requires stronger institutional frameworks and more structured coordination, particularly in terms of integrated promotion and the sustainability of tourism programs. Therefore, the Penta Helix model holds significant potential as a strategic framework for supporting participatory and sustainable tourism village development in archipelagic regions.
Pengaruh Media Microblogging Threads Terhadap Kemampuan Menulis Teks Argumentasi Siswa Kelas XI SMA Parulian 2 Medan Yosevin Nadeak; Sarma Panggabean; Eka Putri Saptari Wulan
Visi Sosial Humaniora Vol. 7 No. 1 (2026): Visi Sosial Humaniora Edisi : Juni 2026
Publisher : LPPM Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51622/4ake2545

Abstract

This study aims to determine the impact of the use of the Microblogging Threads platform on students' ability to write argumentative texts. The methodology applied in this study is an experiment with a one-group pretest-posttest design. The population involved in this study were all students, with a sample size of 27 students. Data collection was carried out through an argumentative text writing ability test carried out before (pretest) and after (posttest) the treatment was given. Based on the data obtained from the study, the average pretest score was recorded at 46,59 in the very poor category, while the average posttest increased to 75.85 and was included in the good category. The results of the hypothesis analysis using the t-test showed that the resulting value was higher than the 5% significance level, which led to the acceptance of the alternative hypothesis (Ha) and the rejection of the null hypothesis (H0). Thus, it can be stated that the use of the Microblogging Threads platform has a significant influence on students' ability to write argumentative texts. This media has proven effective in helping students develop ideas, organize arguments logically, and increase their learning motivation.
Lagu Puisi Indonesia Sebagai Praktik Dialog Budaya: Kajian Silang Budaya Terhadap Penciptaan Dan Ekspresi Musikal: Indonesia Kartini R. M Manalu
Visi Sosial Humaniora Vol. 7 No. 1 (2026): Visi Sosial Humaniora Edisi : Juni 2026
Publisher : LPPM Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51622/tkx4pp10

Abstract

This study examines Indonesian Art Songs Based on Poetry (Lagu Puisi Indonesia) as a form of cultural dialogue through the perspectives of cross-cultural studies and artistic research. The study is motivated by the absence of a specific terminology that adequately explains the development of vocal and piano compositions based on Indonesian poetry, which have traditionally been associated with categories such as seriosa, Indonesian classical music, or tembang puitik (poetic songs). Employing a practice-based research approach within the framework of artistic research, the creative process of composition functions simultaneously as both the object and method of inquiry. Data were generated through the analysis of Indonesian poems as compositional sources, documentation of the compositional process, critical artistic reflection, and musicological examination of the relationship between text and music. The findings reveal that the transformation of poetry into song involves hermeneutic interpretation, intersemiotic translation, and musical reconstruction through the manipulation of melody, harmony, rhythm, texture, and form. Furthermore, the creation of Lagu Puisi Indonesia demonstrates an ongoing negotiation among Indonesian literary traditions, Nusantara musical idioms, and Western art song conventions, resulting in a dialogic and hybrid musical expression. The study also shows that the compositional process generates new artistic knowledge concerning the mechanisms of poetry-to-music transformation, strategies of cultural negotiation, and the conceptual formulation of Lagu Puisi Indonesia as a distinct musicological category. Therefore, Lagu Puisi Indonesia may be understood both as a practice of cultural dialogue and as a medium for the production of artistic knowledge within contemporary music composition.
Memahami Frasa Merendahkan Diri: Kajian Teologis Filipi 2:1-11 dan Implikasinya bagi Jemaat Masa Kini Helwen Pattikawa; Elsye Yusnengsih; Theofilus Faot; Diniyarti Rara Bolu; Degunias Ton
Visi Sosial Humaniora Vol. 7 No. 1 (2026): Visi Sosial Humaniora Edisi : Juni 2026
Publisher : LPPM Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51622/jexrsf37

Abstract

The humility of Christ is the core of Christian life, yet it is often viewed merely from a doctrinal perspective. This study employs a qualitative approach with a hermeneutical study, specifically exegesis of words and sentences, to explore the deeper meaning of the text. This article aims to understand how the Apostle Paul describes the humility of Christ. The analysis reveals that Christ’s humility conveys significance regarding His identity, soteriology, incarnation, and the omnipotence of God. Therefore, understanding the phrase "the humility of Christ" serves as an exhortation to follow His example.
Gender Cyber-deconstruction Sosok Nyai Roro Kidul dan Dewi Sri pada Karya Kei Imazu Chairunisa; Dwi Ayu Setiowati
Visi Sosial Humaniora Vol. 7 No. 1 (2026): Visi Sosial Humaniora Edisi : Juni 2026
Publisher : LPPM Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51622/h4vft249

Abstract

This article develops the concept of cyberdeconstruction gender to read the representation of two Javanese mythical figures  Nyai Roro Kidul and Dewi Sri  in Kei Imazu's contemporary installation work. This approach combines cyberfeminism, ecofeminism, and visual mythology studies to examine how Imazu's digital-analogue art deconstructs traditional dichotomies (nature/culture, feminine/object, local/global) and reconfigures gender subjects through hybrid media. The primary data consists of a visual analysis of Imazu's works exhibited in The Sea is Barely Wrinkled (MACAN Museum, 2025), combined with contemporary ethnographic literature and cultural studies. The results of the study reveal three processes: (1) symbolic recombination  the combination of agrarian and maritime attributes that challenges traditional gender essences; (2) mystical technogenesis  the use of digital materiality and installation-based presentation that blurs the boundaries between human and non-human; and (3) politicisation of public space  works that invite local narratives into global discourse, modifying the mythical authority of women. The article concludes that Imazu's practice functions as an aesthetic political strategy that deconstructs and recomposes mythical feminine identities in the digital media era  relevant to gender studies, contemporary art, and visual anthropology. Recommendations include detailed field studies of coastal community perceptions and further interdisciplinary studies on the transformation of myths in digital space.

Page 15 of 15 | Total Record : 147

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