ARTISTIC : International Journal of Creation and Innovation
The publishing of "ARTISTIC: International Journal of Creation and Innovation" specializes within the focus and scope including: 1. Creative and conceptual thinking related to the practice of art works and creative problems (Artistic Creation Thought). 2. The results of artistic research in the fields of : a. Batik b. Keris c. Crafts d. Karawitan e. Pedalangan (Puppetry) f. Dance g. Music h. Theater i. Painting j. Sculpture k. Graphics l. Interior Design m. Stage Design n. Visual Communication Design o. Product Design p. Television q. Film r. Photography s. Animation t. Games u. Visual Effects, and v. other arts. 3. New insights about the practice of art, resulting from the creative process. 4. New knowledge generated from the practice of art and artwork produced. 5. Values and meanings of novelty produced in the creation of art works, or studies of innovation in art.
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<![CDATA[MOTHER'S LOVE AS AN INSPIRATION FOR CREATING PAINTING WORKS ]]>
<![CDATA[Guhmana, Teguh Djaka Sudarmana]]>
<![CDATA[ ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[ISI Press Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/artistic.v5i1.5905
<![CDATA[The study of the creation of this work began with an interest in mothers’ love in sincerely nurturing their children and families. Once elaborated, a mother's love is eventually the fruits of the spirit (Galatians 5:22-23). This creation study uses an emic approach to understand the meaning of maternal love as perceived by mothers at the Bhakti Kasih Bunda nursing home in Surakarta. This creation study stage was divided into several steps in creating the work: (1) data collection through field observations, literature studies, and in-depth interviews with mothers at the Bhakti Kasih Bunda nursing home as well as Christian and Confucian religious leaders; (2) data analysis and conclusions as a source of work creation; (3) the process of creating works, which involves stages of experimentation, contemplation, and execution. he result of this creation study was a painting that uses mixed media with collage techniques. The works were divided into four parts based on subject matter, all of which are metaphors for maternal love as the fruit of the spirit. The four parts are the earth and the solar system, humans, animals, and plants.]]>
<![CDATA[UNDERSTANDING THE CREATIVE PROCESS BEHIND THE BUDHIST SONG ]]>
<![CDATA[Kristianto, Johanes]]>
<![CDATA[ ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[ISI Press Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/artistic.v5i1.6230
<![CDATA[This study explores the creative process behind the Buddhist hymn Breathing In Breathing Out, specifically chosen for its recognized association with Buddhist meditation techniques. The study employs a qualitative methodology, involving five informants who possess expertise in music studies and Buddhism. Its objective is to investigate the process of creating Buddhist songs and analyze their influence on listeners. The results indicate that 1) songwriting for Buddhism is generally a voluntary pursuit without any external financial support or specified objectives, and 2) the creative process adheres to the four stages suggested by Graham Wallas. Furthermore, the practice of Breathing In Breathing Out has a beneficial impact on listeners’ mental well-being, improving mental conditions through enhanced concentration, focus, and self-acceptance.]]>
<![CDATA[THE INTEGRATION OF WOOD CARVING SKILLS INTO TEACHING AND LEARNING OF WOOD CARVING ]]>
<![CDATA[Archer, Thomas Brown Kow]]>;
<![CDATA[Isaac Kwabene, Agyei]]>;
<![CDATA[Adu-Agyem, Joe]]>;
<![CDATA[Adom, Dickson]]>
<![CDATA[ ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[ISI Press Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/artistic.v5i1.6279
<![CDATA[Wood carving has been an integral part of many ethnic groups in Ghana and worldwide. Currently, Ghanaian wood carvers produce countless varieties of wooden sculptures for tourist trade or export. The wood carving business in Vakpo has provided employment for natives in the production of different wooden objects such as stools, umbrella tops, linguist staffs, walking sticks, human and animal figures/figurines, and many more. Unlike any other wood carving industry, one of the major challenges facing Vakpo traditional wood carving is less recognition by art lovers due to scanty literature in the town and insufficient art enthusiasts in Ghana. The study adopts a qualitative research design with a descriptive research method. The data was gathered through observations and interviews. The results indicate that wood carvers in Vakpo exhibit mastery in creativity, intricate cuts as well as finishing, and their quality wood carvings are by no means inferior to the wooden sculptures of other wood carvers from renowned towns such as Aburi, Ahwiaa, Foase, and others.]]>
<![CDATA[PIS BOLONG POSTER DESIGN: THE ACCULTURATION OF CHINESE AND BALINESE CULTURE IN INDONESIA ]]>
<![CDATA[Rai, I Gusti Ngurah Tri Marutama]]>;
<![CDATA[Adi, Sigit Purnomo]]>;
<![CDATA[Taemprasit, Somporn]]>
<![CDATA[ ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[ISI Press Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/artistic.v5i1.6324
<![CDATA[This study explores the integration of Chinese and Balinese cultural elements in poster design as a means of visual communication. This study aims to understand how cultural acculturation is manifested in poster design by integrating visual idioms from both cultures to convey messages of solidarity, tolerance, and cultural appreciation and preservation. Using qualitative research and a Design Thinking approach, this study seeks to present cultural acculturation values in poster design elements and evaluate their impact on the audience. The research findings demonstrate that the combination of Chinese and Balinese cultural symbols, colors, and patterns effectively produced a communicative and aesthetically appealing visual narrative. These findings highlight the significance of cultural comprehension in visual communication design and contribute to the development of culture-based design practices. This study enhances our understanding of the function of design in communicating cultural values.]]>
<![CDATA[THE ROLES OF TRADITION AS AN IDEA FOR THE DOCUMENTARY FILM ‘MAPPADEKKO’ WITH EXPOSITORY DIRECTING STYLE ]]>
<![CDATA[Annisa, A.Mulya]]>;
<![CDATA[Harsakya, Cahya Surya]]>;
<![CDATA[Kurniawan, Donie Fadjar]]>;
<![CDATA[Nugrahaning Widhi, Dwi Putri]]>
<![CDATA[ ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[ISI Press Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/artistic.v5i1.5405
<![CDATA[The Mappadekko Documentary Film is a form of cultural preservation that raises the issue of the role of traditional leaders in preserving a nearly extinct annual tradition in Camba District. Mappadekko is a form of gratitude to God Almighty for the success of planting rice. The narrative structure of this film employs the 5W+1H framework for storytelling. The film employs an expository directing approach. The expository directing approach primarily documents the involvement of traditional leaders in the Mappadekko tradition through the use of narration and interviews. This style prioritizes informal shooting activities to convey the message directly to the audience, minimizing the potential for other interpretations. The Mappadekko documentary film conveys a message that urges the audience, particularly the younger generation, to prioritize cultural awareness and preservation]]>
<![CDATA[MOTHER'S LOVE AS AN INSPIRATION FOR CREATING PAINTING WORKS ]]>
<![CDATA[Guhmana, Teguh Djaka Sudarmana]]>
<![CDATA[ ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[ISI Press Institut Seni Indonesia Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/artistic.v5i1.5905
<![CDATA[The study of the creation of this work began with an interest in mothers’ love in sincerely nurturing their children and families. Once elaborated, a mother's love is eventually the fruits of the spirit (Galatians 5:22-23). This creation study uses an emic approach to understand the meaning of maternal love as perceived by mothers at the Bhakti Kasih Bunda nursing home in Surakarta. This creation study stage was divided into several steps in creating the work: (1) data collection through field observations, literature studies, and in-depth interviews with mothers at the Bhakti Kasih Bunda nursing home as well as Christian and Confucian religious leaders; (2) data analysis and conclusions as a source of work creation; (3) the process of creating works, which involves stages of experimentation, contemplation, and execution. he result of this creation study was a painting that uses mixed media with collage techniques. The works were divided into four parts based on subject matter, all of which are metaphors for maternal love as the fruit of the spirit. The four parts are the earth and the solar system, humans, animals, and plants.]]>
<![CDATA[UNDERSTANDING THE CREATIVE PROCESS BEHIND THE BUDHIST SONG ]]>
<![CDATA[Kristianto, Johanes]]>
<![CDATA[ ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[ISI Press Institut Seni Indonesia Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/artistic.v5i1.6230
<![CDATA[This study explores the creative process behind the Buddhist hymn Breathing In Breathing Out, specifically chosen for its recognized association with Buddhist meditation techniques. The study employs a qualitative methodology, involving five informants who possess expertise in music studies and Buddhism. Its objective is to investigate the process of creating Buddhist songs and analyze their influence on listeners. The results indicate that 1) songwriting for Buddhism is generally a voluntary pursuit without any external financial support or specified objectives, and 2) the creative process adheres to the four stages suggested by Graham Wallas. Furthermore, the practice of Breathing In Breathing Out has a beneficial impact on listeners’ mental well-being, improving mental conditions through enhanced concentration, focus, and self-acceptance.]]>
<![CDATA[THE INTEGRATION OF WOOD CARVING SKILLS INTO TEACHING AND LEARNING OF WOOD CARVING ]]>
<![CDATA[Archer, Thomas Brown Kow]]>;
<![CDATA[Isaac Kwabene, Agyei]]>;
<![CDATA[Adu-Agyem, Joe]]>;
<![CDATA[Adom, Dickson]]>
<![CDATA[ ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[ISI Press Institut Seni Indonesia Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/artistic.v5i1.6279
<![CDATA[Wood carving has been an integral part of many ethnic groups in Ghana and worldwide. Currently, Ghanaian wood carvers produce countless varieties of wooden sculptures for tourist trade or export. The wood carving business in Vakpo has provided employment for natives in the production of different wooden objects such as stools, umbrella tops, linguist staffs, walking sticks, human and animal figures/figurines, and many more. Unlike any other wood carving industry, one of the major challenges facing Vakpo traditional wood carving is less recognition by art lovers due to scanty literature in the town and insufficient art enthusiasts in Ghana. The study adopts a qualitative research design with a descriptive research method. The data was gathered through observations and interviews. The results indicate that wood carvers in Vakpo exhibit mastery in creativity, intricate cuts as well as finishing, and their quality wood carvings are by no means inferior to the wooden sculptures of other wood carvers from renowned towns such as Aburi, Ahwiaa, Foase, and others.]]>
<![CDATA[PIS BOLONG POSTER DESIGN: THE ACCULTURATION OF CHINESE AND BALINESE CULTURE IN INDONESIA ]]>
Rai, I Gusti Ngurah Tri Marutama;
<![CDATA[Adi, Sigit Purnomo]]>;
<![CDATA[Taemprasit, Somporn]]>
<![CDATA[ ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[ISI Press Institut Seni Indonesia Surakarta ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.33153/artistic.v5i1.6324
<![CDATA[This study explores the integration of Chinese and Balinese cultural elements in poster design as a means of visual communication. This study aims to understand how cultural acculturation is manifested in poster design by integrating visual idioms from both cultures to convey messages of solidarity, tolerance, and cultural appreciation and preservation. Using qualitative research and a Design Thinking approach, this study seeks to present cultural acculturation values in poster design elements and evaluate their impact on the audience. The research findings demonstrate that the combination of Chinese and Balinese cultural symbols, colors, and patterns effectively produced a communicative and aesthetically appealing visual narrative. These findings highlight the significance of cultural comprehension in visual communication design and contribute to the development of culture-based design practices. This study enhances our understanding of the function of design in communicating cultural values.]]>
