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Ranang Agung Sugihartono
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ARTISTIC : International Journal of Creation and Innovation
Published by Institut Seni Indonesia Surakarta
ISSN : 27219445     EISSN : 27219321     DOI : https://doi.org/10.33153/artistic
Core Subject : Education, Art,
Arts Languange, Linguistic, Communication & Media
The publishing of "ARTISTIC: International Journal of Creation and Innovation" specializes within the focus and scope including: 1. Creative and conceptual thinking related to the practice of art works and creative problems (Artistic Creation Thought). 2. The results of artistic research in the fields of : a. Batik b. Keris c. Crafts d. Karawitan e. Pedalangan (Puppetry) f. Dance g. Music h. Theater i. Painting j. Sculpture k. Graphics l. Interior Design m. Stage Design n. Visual Communication Design o. Product Design p. Television q. Film r. Photography s. Animation t. Games u. Visual Effects, and v. other arts. 3. New insights about the practice of art, resulting from the creative process. 4. New knowledge generated from the practice of art and artwork produced. 5. Values and meanings of novelty produced in the creation of art works, or studies of innovation in art.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 11 Documents
 1   2 
Search results for , issue "Vol. 5 No. 2 (2024)" : 11 Documents clear
THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ART Krisna Prabu, A.A. Gede Bayu Paramarta
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.4678

Abstract

The creator, born in Padangtegal, Ubud, has appreciated Pita Maha artwork. Pita Maha painting is a genre that emerged in 1936, characterized by the fusion of classical Balinese and Western painting styles. The creator believes that the aesthetics of Pita Maha painting can serve as a foundation for artistic creation. This study employs a qualitative methodology, utilizing data collection techniques such as observation, documentation, interviews, and supplemented with library resources. The gathered data undergoes two phases: analysis to identify the concept, followed by the creation phase. The outcome of the study is a painting titled "Wayang Wong". This contemporary artwork is created employing the techniques and aesthetics of Pita Maha painting, allowing it to resonate within the context of modern life.
CONTRIBUTION OF SOME NIGERIAN ARTISTS IN TERTIARY INSTITUTIONAL ADMINISTRATION Rom Kalilu, Razaq Olatunde; Odeniyi, Akinkunmi Olatunbosun
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.5675

Abstract

Modern Nigerian Art emerged as a result of the efforts of artists. The later generation artists, particularly those with significant contributions to visual arts departments in Nigerian Universities deserve adequate scholastic attention. This study is a biographical examination of selected Nigerian artists who function in professional, academic, and administrative capacities in visual art departments in Nigerian universities. Eleven academics who are pioneers, administrators, and sustainers of visual arts departments in Nigerian universities were selected for biographical study based on set criteria. Findings revealed that these academics are material to the establishment, development, and sustenance of their visual art departments and Nigerian visual arts, as heads of department, deans of faculty, heads of university, visiting lecturers, lecturers on sabbatical leave, external examiners, academic assessors, resource persons in programme audit and accreditation exercise, and consultants on the establishment of visual art departments.
BLURRING BOUNDARIES: EXPLORING CHROME TANNED LEATHER AS A SCULPTURAL MEDIUM THAT MERGER PLANT FORMS WITH MATERIAL CULTURE Ankyiah, Francis; Okae-Anti, Ernest
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.5865

Abstract

This art-based research explored the sculptural potential of using chrome tanned leather to merge plant forms with materials culture. Chrome tanned leather was selected as the medium for its flexible yet durable qualities that allow it to be manipulated into organic shapes reminiscent of botanicals. A series of sculptural works were created using varieties of chrome tanned leather offcuts that were either stitched, glued or tucked over metal pipes, wood or plastic tube armatures. These armatures were then curled, spiralled or formed into nodule shaped components evoking leaves, vines, roots and pods. The works aimed to blur boundaries between the natural and industrial by incorporating the distinctive patina and textures of chrome tanned leather, a material intrinsically tied to industry and manufacturing. Through an iterative process, techniques for shaping, assembling and finishing the leather components were developed. Finishing techniques such as tooling, staining and distressing were employed to enhance botanical details and accentuate the unique properties of the leather. The research found that chrome tanned leather lends itself well to organic sculptural forms and allowed an imaginative merging of plant inspirations with an industrially produced material. By flexing the material past its functional limits, a hybrid language was discovered that challenges perceptions of what leather can signify as an artistic medium. The research contributes to interrogating relationships between nature, culture and materials.
THE CREATION OF PUBLICATION MEDIA FOR RELIEF-PRINT ART EXHIBITION POST-COVID 19 Adi, Sigit Purnomo; Aripin, Nur Adibah Nadiah Mohd; Marutama, I Gusti Ngurah Tri; Arissuta, Dona Prawita
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.5976

Abstract

The creation of publication media for these relief-print artworks is a creative and innovative work because it does not only create relief-print works of art, but also creates publication media or exhibition media to exhibit relief-print works of art. This publication media work is a publication work that combines virtual and offline. The purpose of this work is the creation of relief-print art exhibition publication media that try to find alternative publication media which are environmentally friendly, efficient and global. The creation of this publication media uses the Tri Cipta Karya creation method which is an elaboration of the Artistic Creation method. The results of this creation produce an efficient Hybrid publication media, meaning that in the exhibition it is not only exhibited offline or physically, but also exhibited online or through a virtual gallery. The implications of this publication media creation have opened up wide opportunities for artists or designers to publish their works across countries online.
THE INTERSECTION OF TIME: THE IMAGINARY MEETING AMONG RONGGOWARSITO, MANGKUNEGORO IV AND RADEN SALEH Subiyanto, Subiyanto; Rustopo, Rustopo; Kartika, Dharsono Sony
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.3316

Abstract

The 19th century was a turbulent period for the island of Java, especially for its Javanese inhabitants, who had recently survived a devastating conflict known as the Java War. Prince Diponegoro became a symbol of Javanese resistance and a pivotal figure, signifying the inception of the high colonial era under the rule of Pax Nederlandica. Key historical figures like Raden Ngabehi Ronggowarsito, Mangkunegoro IV, and Raden Saleh Syarif Bustaman came of age in this epoch. The research project seeks to juxtapose the thoughts of these three key historical figures. A historical approach is used to analyze the available primary and secondary data and to constitute a metaphorical approach for reading art through the prism of these three exceptionally talented figures. The creative process of “The Intersection of Time” has been produced based on various considerations. Their interactions resulted in (1) heightened social awareness, which is evident in the way their thought processes responded to contemporary socio-economic, political, and cultural conditions during their respective lifetimes; (2) increased aesthetic awareness, allowing for creative responses to their environment and contemporary circumstances through their work; and (3) enhanced spiritual awareness, informing their individual and collective initiatives to protect Java’s circumstance. Drawing from a profound understanding of Javanese history, the history of the three selected individuals, and their artwork, the film “The Intersection of Time” will effectively encapsulate the distinct spirit and zeitgeist of the 19th century, setting it apart from conventional historical narratives.
RELIGION AND CULTURE BASED ARTS SUSTAINABILITY MODEL IN THE “AMONG” SYSTEM: EMPIRICAL STUDY IN BUTUH, THE WAYANG HAMLET Kusumawati, Ita Rahmania
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.6437

Abstract

It is scarce to find a village where most of its citizens are engaged in traditional wayang crafts, especially if the most residents are Muslims. Moreover, the number of puppets needed to fulfill shadow puppet shows is limited throughout the world. However, the fact shows that Butuh Hamlet has a majority of residents who work as wayang artisans and still exist today, a model for the continuation of traditional arts in facing tough challenges and is an example of the sustainability of traditional arts in facing tough challenges, both externally and internally. This sustainability can be seen in the number of residents who still pursuing the crafting profession, which craft are still the main source of income for residents. Butuh Hamlet has received the title of Kampung Berseri (a beautiful and clean village). Apart from that, they also continue to work on strengthening the wayang craft with the Among System: caring for, fostering, and sharpening each other in developing the wayang craft. The sustainability of wayang as a means of livelihood and a medium for preaching (da'wah) has made the lives of artisans better.
THE INTERSECTION OF TIME: THE IMAGINARY MEETING AMONG RONGGOWARSITO, MANGKUNEGORO IV AND RADEN SALEH Subiyanto, Subiyanto; Rustopo, Rustopo; Kartika, Dharsono Sony
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.3316

Abstract

The 19th century was a turbulent period for the island of Java, especially for its Javanese inhabitants, who had recently survived a devastating conflict known as the Java War. Prince Diponegoro became a symbol of Javanese resistance and a pivotal figure, signifying the inception of the high colonial era under the rule of Pax Nederlandica. Key historical figures like Raden Ngabehi Ronggowarsito, Mangkunegoro IV, and Raden Saleh Syarif Bustaman came of age in this epoch. The research project seeks to juxtapose the thoughts of these three key historical figures. A historical approach is used to analyze the available primary and secondary data and to constitute a metaphorical approach for reading art through the prism of these three exceptionally talented figures. The creative process of “The Intersection of Time” has been produced based on various considerations. Their interactions resulted in (1) heightened social awareness, which is evident in the way their thought processes responded to contemporary socio-economic, political, and cultural conditions during their respective lifetimes; (2) increased aesthetic awareness, allowing for creative responses to their environment and contemporary circumstances through their work; and (3) enhanced spiritual awareness, informing their individual and collective initiatives to protect Java’s circumstance. Drawing from a profound understanding of Javanese history, the history of the three selected individuals, and their artwork, the film “The Intersection of Time” will effectively encapsulate the distinct spirit and zeitgeist of the 19th century, setting it apart from conventional historical narratives.
THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ART Krisna Prabu, A.A. Gede Bayu Paramarta
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.4678

Abstract

The creator, born in Padangtegal, Ubud, has appreciated Pita Maha artwork. Pita Maha painting is a genre that emerged in 1936, characterized by the fusion of classical Balinese and Western painting styles. The creator believes that the aesthetics of Pita Maha painting can serve as a foundation for artistic creation. This study employs a qualitative methodology, utilizing data collection techniques such as observation, documentation, interviews, and supplemented with library resources. The gathered data undergoes two phases: analysis to identify the concept, followed by the creation phase. The outcome of the study is a painting titled "Wayang Wong". This contemporary artwork is created employing the techniques and aesthetics of Pita Maha painting, allowing it to resonate within the context of modern life.
CONTRIBUTION OF SOME NIGERIAN ARTISTS IN TERTIARY INSTITUTIONAL ADMINISTRATION Rom Kalilu, Razaq Olatunde; Odeniyi, Akinkunmi Olatunbosun
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.5675

Abstract

Modern Nigerian Art emerged as a result of the efforts of artists. The later generation artists, particularly those with significant contributions to visual arts departments in Nigerian Universities deserve adequate scholastic attention. This study is a biographical examination of selected Nigerian artists who function in professional, academic, and administrative capacities in visual art departments in Nigerian universities. Eleven academics who are pioneers, administrators, and sustainers of visual arts departments in Nigerian universities were selected for biographical study based on set criteria. Findings revealed that these academics are material to the establishment, development, and sustenance of their visual art departments and Nigerian visual arts, as heads of department, deans of faculty, heads of university, visiting lecturers, lecturers on sabbatical leave, external examiners, academic assessors, resource persons in programme audit and accreditation exercise, and consultants on the establishment of visual art departments.
THE CREATION OF PUBLICATION MEDIA FOR RELIEF-PRINT ART EXHIBITION POST-COVID 19 Adi, Sigit Purnomo; Aripin, Nur Adibah Nadiah Mohd; Marutama, I Gusti Ngurah Tri; Arissuta, Dona Prawita
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.5976

Abstract

The creation of publication media for these relief-print artworks is a creative and innovative work because it does not only create relief-print works of art, but also creates publication media or exhibition media to exhibit relief-print works of art. This publication media work is a publication work that combines virtual and offline. The purpose of this work is the creation of relief-print art exhibition publication media that try to find alternative publication media which are environmentally friendly, efficient and global. The creation of this publication media uses the Tri Cipta Karya creation method which is an elaboration of the Artistic Creation method. The results of this creation produce an efficient Hybrid publication media, meaning that in the exhibition it is not only exhibited offline or physically, but also exhibited online or through a virtual gallery. The implications of this publication media creation have opened up wide opportunities for artists or designers to publish their works across countries online.

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