cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Gede Pasek Putra Adnyana Yasa
Contact Email
calaccitra@isi-dps.ac.id
Phone
+6285792402926
Journal Mail Official
calaccitra@isi-dps.ac.id
Editorial Address
Jl. Nusa Indah, Sumerta, Kec. Denpasar Timur, Kota Denpasar, Bali 80235
Location
Kota denpasar,
Bali
INDONESIA
calaccitra: jurnal film dan televisi
Published by Institut Seni Indonesia Denpasar
ISSN : 27986152     EISSN : 27984370     DOI : -
Core Subject : Art,
Arts
Jurnal Calaccitra adalah media publikasi ilmiah di bidang kajian/perancangan serta kajian budaya terhadap media, produksi film, televisi, dan animasi. Jurnal Calaccitra diterbitkan oleh LP2MPP Institut Seni Indonesia Denpasar dan dikelola oleh Program Studi Produksi Film dan Televisi Fakultas Seni Rupa & Desain Institut Seni Indonesia Denpasar, dengan e-ISSN: 2798-4370 dan p-ISSN: 2798-6152 . Jurnal Calaccitra memiliki periode penerbitan dua kali dalam setahun, yaitu pada bulan Juni dan Agustus. Ruang lingkup artikel dalam Jurnal Calaccitra meliputi: (1) produksi film, (2) media, (3) televisi, (4) animasi, (5) videografi, (6) sinematografi, (7) teknologi terapan terbaru di bidang produksi film, televisi, dan animasi, (8) metode pendidikan dalam pengajaran film, media, televisi, dan animasi, (9) budaya dalam ranah media, film, televisi, dan animasi. Ruang lingkup artikel dalam Jurnal Calaccitra meliputi kajian/perancangan serta kajian budaya di bidang media, film, televisi, dan animasi. Ruang lingkup tersebut diantaranya tentang: Produksi film Media Televisi Animasi Videografi Sinematografi Teknologi terapan terbaru di bidang produksi film, televisi, dan animasi Metode pendidikan dalam pengajaran film, media, televisi, dan animasi Budaya dalam ranah media, film, televisi, dan animasi
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 140 Documents
 10   11   12   13   14 
PENERAPAN STRUKTUR 8 BABAK PADA NASKAH FILM RERANTIG SENJA DI RUMAH PRODUKSI CV. LUAR KOTAK AUDIOVISUAL Effendi, Daffa Nabawi; Prabhawita, Gede Basuyoga; Putra, Ida Bagus Hari Kayana
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 5 No. 2 (2025): Jurnal Calaccitra November 2025
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Kampus Merdeka is a policy initiated by the Indonesian Ministry of Education and Culture that allows students to develop interdisciplinary skills, one of which is through the Merdeka Belajar Kampus Merdeka (MBKM) program. In this final report, the author collaborated with Luar Kotak Audiovisual to develop an independent project in the form of a fictional film script titled RERANTING SENJA. This final project discusses the process of creating a fictional film script entitled Reranting Senja, which highlights themes of self-recovery after loss, emotional pressure, and identity exploration. The story centers on the main character, Raka, a photographer experiencing an existential crisis following the death of his father and the emotional strain in his relationship with his partner, Laras. The project adopts the Eight-Sequence Structure (Elizabeth Lutters) as the narrative framework. This structure is used to shape the emotional transitions of the character gradually and dynamically, from the initial set-up, internal conflict, to a resolution that touches both psychological and spiritual aspects. The creative process began with the exploration of themes such as grief and relational tension, which were visualized through elements like photography, silent spaces, and symbols of familial memory. The scriptwriting adopts a character-driven approach, where the narrative development is shaped by the protagonist’s internal conflicts. Elements such as reflective dialogues, still visuals, and dramatic rhythm are used to deepen the atmosphere and evoke emotional responses from the audience. The final result is a fictional script with a duration of approximately 90 minutes, consisting of 28 major scenes that represent the transformative chapters of Raka’s journey. Through Reranting Senja, the author attempts to portray that healing is not about returning to who we once were, but about becoming someone new. This work aims to reflect on mental health issues and the importance of healthy relationships in one’s life, while also contributing to the development of more psychologically and emotionally nuanced screenplay writing.
KONSTRUKSI IDENTITAS KARAKTER LANSIA DALAM PENYUTRADARAAN FILM PENDEK “SEPI DI UJUNG HARI” Jasmine, Raniya; Putra, I Made Denny Chrisna; Bumiarta, Made Rai Budaya
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 5 No. 2 (2025): Jurnal Calaccitra November 2025
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research explores the construction of elderly character identities in the short film "Sepi di Ujung Hari." Using Carl Plantinga’s theory, the study examines how cinematographic techniques, storytelling, and direction shape audience perception. Through script analysis, cinematography review, and directorial study, findings reveal that close-up shots, lighting contrast, and framing effectively convey emotions and psychological depth. The narrative structure further strengthens audience empathy by depicting the internal struggles of elderly individuals. Additionally, directorial choices, such as actor direction and blocking, significantly enhance authenticity. This study provides valuable insights for filmmakers in constructing engaging elderly characters and contributes to broader discussions on elderly representation in cinema.
PENERAPAN GAYA PENYUTRADARAAN HUMANIST DIRECTION DALAM FILM PENDEK DRAMA "KALA MENTARI BERLALU" Gede Bumi Apnala Bayu; Gede Basuyoga Prabhawita; Putu Raditya Pandet
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This final project report examines the application of the Humanist Direction directing approach in the creation of a short drama film entitled Kala Mentari Berlalu. Kala Mentari Berlalu is inspired by the growing phenomenon of land selling among Balinese communities, which affects not only economic conditions but also cultural values, identity, and emotional attachment to ancestral land. The creative process follows three main stages: pre-production, production, and post-production. The results indicate that the Humanist Direction approach effectively conveys inner character conflicts without excessive dramatization, while clearly delivering a social message about land as cultural heritage, living space, and identity. This film is expected to function as both a reflective medium for audiences and an academic reference for humanist-based film directing practices.
PENCIPTAAN ARTISTIK DENGAN PENDEKATAN REALISME MAGIS DALAM FILM PENDEK “PANTAI INI MILIK SIAPA?” DI CV. RADITYA JAYA MAHARDIKA Glorya Trivika; I Kadek Puriartha; Putu Raditya Pandet
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Film is an audio-visual medium that serves not only as entertainment but also as a means of conveying ideas and social reflection through aesthetic expression. Artistic elements play an important role in shaping atmosphere, strengthening character portrayal, and supporting narrative meaning. This Final Project report discusses the creation of the short film “Pantai Ini Milik Siapa?”, focusing on the role of artistic elements in supporting a magical realism approach. The study emphasizes the use of makeup and visual design as symbolic visual strategies to represent social issues. The results show that conceptually designed artistic elements effectively support magical realism while reinforcing character development and social commentary.
PERAN PENATA ARTISTIK DALAM FILM FIKSI DARA DALAM BELENGGU INSTITUT SENI INDONESIA BALI Arinanda Kesuma; Ni Kadek Dwiyani; Desak Putu Yogi Antari Tirta Yasa
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The internship program is part of the Merdeka Belajar Kampus Merdeka (MBKM) initiative, which aims to connect academic learning with professional industry practice. The author completed an internship at PT. Boklaa Bali Film, a company engaged in film production and creative media content. The internship focused on the role of the art department in the production of the fictional short film Dara Dalam Belenggu. The internship activities were carried out through observation, interviews, active participation, and direct documentation during the pre-production, production, and post-production stages. Through this process, the author gained knowledge regarding the workflow and responsibilities of the art department, as well as strategies for addressing visual and technical challenges in the field. These challenges included adapting set designs to the narrative concept, selecting appropriate props, and managing color schemes and visual textures to support the emotional atmosphere of each scene. The application of semiotic elements also contributed to strengthening the storytelling and visual meaning of the film. In addition, the internship provided skill development in creating set design sketches, arranging spatial layouts, and collaborating with other departments such as cinematography, lighting, and costume. From a technological perspective, the author learned to use design and visualization software, including SketchUp and Coohom, to support artistic planning and set design development in accordance with the film’s narrative needs. The internship process was analyzed using a descriptive approach to examine the relationship between theoretical knowledge obtained in academic studies and its application in professional practice. The results of this internship enhanced the author’s technical competencies in production design and increased awareness of the importance of interdepartmental collaboration in film production, contributing to better preparation for entering the creative industry.
PENERAPAN GAYA SINEMATOGRAFI SLOW BURN DALAM FILM KALA MENTARI BERLALU I Putu Suyandana; I Made Denny Chrisna Putra; Gangga Lawranta
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The short film Kala Mentari Berlalu addresses the issue of the sale of rice field land in Bali through a child’s perspective, employing a slow-burn cinematographic approach. This research/creative project aims to analyze the role of the Director of Photography in shaping visual rhythm, emotional resonance, and the transformation of visual style from realism to surrealism. The method applied is practice-based research, encompassing stages of conceptualization, visual design, production, and evaluation. The results indicate that the slow-burn approach is effective in gradually building the audience’s emotional engagement through long shot durations, minimalist camera movement, and subtle lighting. This film is expected to contribute to the development of fictional film cinematography practices with a reflective approach.
PRODUKSI PROGRAM VARIETY SHOW “NGOPI” SEBAGAI MEDIA HIBURAN DAN EDUKASI DI TVRI BALI Pande Putu Argyananta Artana; Ida Bagus Hari Kayana; Made Rai Budaya Bumiarta
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The NGOPI (Ngobrolin Orang Penuh Inspirasi) variety show is designed as an entertainment and educational program produced and broadcast via live streaming on the YouTube channel "Pande Argy". This research is a creation study (practice) using a descriptive-qualitative approach through production documentation, field observations, and post-broadcast evaluation. The production process includes pre-production (production book, rundown, PPM), production (live multicam), and post-production (evaluation & archiving). The results indicate success in building a warm and communicative segment format, but faced technical obstacles such as delayed broadcast starts and audio problems that affected the initial quality of the broadcast. Practical recommendations include increasing technical preparation time, strict audio checking protocols, and adding a short rehearsal before broadcast. This work contributes in the form of a practical guide for live streaming variety show production and learning materials for the development of similar programs.
PERANCANGAN BAHASA VISUAL DALAM PENCIPTAAN KARYA FILM PENDEK DARA DALAM BELENGGU Thoriq Sihabudin; I Made Denny Chrisna Putra; I Nyoman Payuyasa
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Film is an audio-visual medium that possesses the power to convey meaning through moving images; however, strictly relying on verbal dialogue or verbalism remains a common issue in practice. The creation of the short fiction film Dara dalam Belenggu addresses the psychological issue of body anxiety in adolescents, demanding a specific visual approach to depict internal conflict without explicit verbal explanation. This article discusses the application of Cinematic Language by the cinematographer as a narrative solution to visualize the isolation and mental pressure experienced by the protagonist, Anari. The creation method focuses on Shot Design utilizing Negative Space and the application of lighting with a Progressive Contrast Ratio. The results demonstrate that the use of tight, restrictive framing (claustrophobic) and the shift in light contrast ratio from flat to high contrast successfully represent the emotional escalation and the character's feeling of being "shackled" symbolically. Through this approach, visual elements effectively function as the primary storyteller, building the atmosphere and character emotion..
SINEMATOGRAFI DALAM PENYAMPAIAN EMOSI NON-VERBAL PADA FILM TAK KEMBALI LAGI I Gusti Agung Deta Nanda Nugraha; I Made Denny Chrisna Putra; I Wayan Agus Mahardika
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The short film Tak Kembali Lagi is a fictional drama-romance work that explores the dynamics of a relationship breakdown through a non-verbal emotional approach. This work is based on the idea that conflicts in relationships do not always emerge through explicit verbal confrontation, but rather develop gradually through silence, emotional distance, and routines that lose their meaning. Therefore, cinematography is positioned as the primary visual language in conveying the characters’ inner states and relational dynamics. This article examines the creative process of Tak Kembali Lagi with a focus on the role of the Director of Photography (DOP) in designing and implementing visual aesthetics that support emotional storytelling. A realist approach is employed as the aesthetic foundation through the application of cinematographic techniques such as long takes, natural lighting, negative space composition, and frame-in-frame. The creation method consists of concept exploration, pre-production, production, and post-production stages. The results indicate that cinematography plays a significant role in communicating non-verbal emotions and enhancing the audience’s emotional experience without reliance on dialogue.
PERAN MEDIA LOKAL “INFO PURWOKERTO” DALAM PENYEBARAN INFORMASI PUBLIK DI PURWOKERTO Sabila Dini
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to find out how the role of local media "Info Purwokerto" in the dissemination of public information in Purwokerto. This study investigates the role of local media "Info Purwokerto" in contributing to the dissemination of public information in Purwokerto. Data was collected through in-depth interviews with "Info Purwokerto" managers, local government representatives and local community members. This data collection method uses a descriptive qualitative approach. According to the research results, "Info Purwokerto" plays an important role as a reliable source of information for the people of Purwokerto. This media can disseminate various types of public information, including government policies, local events, and emergency situations. In addition, "Info Purwokerto" is an interactive platform that enables two-way communication between the government and the community, aiming to increase public participation and information transparency. However, issues such as ensuring the truth of information and preventing the spread of hoaxes are still a major concern. This study recommends increasing cooperation between "Info Purwokerto" and government institutions and media literacy training for the community to maximize the role of the media.

Page 14 of 14 | Total Record : 140

 10   11   12   13   14 

Filter by Year

2021 2026


Reset
Filter By Issues
All Issue Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026 Vol. 5 No. 2 (2025): Jurnal Calaccitra November 2025 Vol. 5 No. 1 (2025): Jurnal Calaccitra Agustus 2025 Vol. 4 No. 2 (2024): Jurnal Calaccitra November 2024 Vol. 4 No. 1 (2024): Junal Calaccitra Maret 2024 Vol. 3 No. 2 (2023): Jurnal Calaccitra November 2023 Vol. 3 No. 1 (2023): Jurnal Calaccitra Maret 2023 Vol. 2 No. 2 (2022): Jurnal Calaccitra September 2022 Vol. 2 No. 1 (2022): Jurnal Calaccitra Maret 2022 Vol. 1 No. 2 (2021): Jurnal Calaccitra Agustus 2021 Vol. 1 No. 1 (2021): Jurnal Calaccitra Juni 2021 More Issue