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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Gorga : Jurnal Seni Rupa Lekesan: Interdisciplinary Journal of Asia Pacific Arts Segara Widya: Jurnal Penelitian Seni Jurnal Pengabdian Masyarakat (ABDIRA) calaccitra: jurnal film dan televisi Abdi Widya: Jurnal Pengabdian Masyarakat Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara International Journal on Hindu Culture
I Made Denny Chrisna Putra
Institut Seni Indonesia Bali
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Nursing Public Health Social Sciences Other

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Film Dokumenter “Sesuluh” Sebagai Media Pembentuk Karakter Bangsa Buda, I Ketut; Payuyasa, I Nyoman; Deny Chrisna Putra, I Made
Segara Widya : Jurnal Hasil Penelitian dan Pengabdian Masyarakat Institut Seni Indonesia Denpasar Vol 6 No 2 (2018): November
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (501.491 KB) | DOI: 10.31091/sw.v6i2.549

Abstract

Dewasa ini berbagai macam masalah muncul ke permukaan menghiasi media. Hal ini mencerminkan terjadinya degradasi moral atau kemerosotan karakter. Padahal jika dicermati  nilai-nilai karakter sangat kental termuat dalam nilai-nilai lokalitas kebudayaan yang salah satunya adalah wayang Kamasan. Lukisan wayang Kamasan adalah budaya yang sarat dengan nilai-nilai moralitas. Berkaitan dengan hal ini penulis termotivasi untuk melakukan kajian terhadap sebuah film dokumenter yang berjudul “Sesuluh” yang secara materi film ini mengangkat wayang Kamasan serta nilai-nilai karakter pembentuk bangsa. Mengingat film banyak digandrungi masyarakat luas dan begitu menginspirasi bagi generasi penerus bangsa. Oleh karena itu dalam peneitian ini penulis mengangkat tiga permasalahan, yaitu pertama adalah bagaimanakah konsep film “Sesuluh”, kedua bagaimanakah cerita film “Sesuluh”, dan ketiga bagaimanakah eksplorasi nilai-nilai karakter yang terdapat dalam lukisan wayang Kamasan. Rancangan penelitian ini adalah deskriptif kualitatif. Metode pengumpulan data menggunakan metode wawancara dan observasi. Film dokumenter “Sesuluh” adalah jenis film dokumenter yang berdurasi 17 menit. Film ini mengambil konsep penggalian dan eksplorasi nilai karakter dalam wayang Kamasan, dengan menghadirkan tiga nara sumber yang berkompeten. Cerita film dibagi menjadi tiga babak, babak pertama membahas peran dan fungsi wayang kamasan, ketiga eksplorasi nilai karakter, dan ketiga berupa konklusi. Film “Sesuluh” ini merupakan sebuah media yang pantas dan patut dijadikan sarana pembentukan karakter bangsa.Today various problems surfaced adorn the media. This reflects the occurrence of moral degradation or deterioration of character. In fact, if we look at the character values are very thick, contained in the values of cultural locality, one of which is Kamasan wayang. Kamasan puppet paintings are cultures that are full of moral values. In connection with this the writer is motivated to conduct a study of a documentary film entitled “Sesuluh” which in this film materializes Kamasan wayang and the values of the nation’s forming characters. Considering the film is much loved by the wider community and so inspiring for the future generation. Therefore, in this study the author raises three problems, namely first is how the concept of the film “Sesuluh”, the second how the story of the film “Sesuluh”, and the third how to explore the character values contained in Kamasan puppet paintings. The design of this study is descriptive qualitative. Data collection method uses interview and observation methods. The documentary film “Sesuluh” is a type of documentary film that lasts 17 minutes. This film takes the concept of digging and exploring the value of characters in the Kamasan wayang, by presenting three competent resource persons. The film story is divided into three rounds, the first round discusses the roles and functions of kamasan puppet, the third is exploration of character values, and the third is conclusions. This “Sesuluh” film is an appropriate media and should be used as a means of forming the nation’s character. 
Film Dokumenter “Sesuluh” Sebagai Media Pembentuk Karakter Bangsa I Ketut Buda; I Nyoman Payuyasa; I Made Deny Chrisna Putra
Segara Widya : Jurnal Hasil Penelitian dan Pengabdian Masyarakat Vol. 6 No. 2 (2018): November
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (501.491 KB) | DOI: 10.31091/sw.v6i2.549

Abstract

Dewasa ini berbagai macam masalah muncul ke permukaan menghiasi media. Hal ini mencerminkan terjadinya degradasi moral atau kemerosotan karakter. Padahal jika dicermati  nilai-nilai karakter sangat kental termuat dalam nilai-nilai lokalitas kebudayaan yang salah satunya adalah wayang Kamasan. Lukisan wayang Kamasan adalah budaya yang sarat dengan nilai-nilai moralitas. Berkaitan dengan hal ini penulis termotivasi untuk melakukan kajian terhadap sebuah film dokumenter yang berjudul “Sesuluh” yang secara materi film ini mengangkat wayang Kamasan serta nilai-nilai karakter pembentuk bangsa. Mengingat film banyak digandrungi masyarakat luas dan begitu menginspirasi bagi generasi penerus bangsa. Oleh karena itu dalam peneitian ini penulis mengangkat tiga permasalahan, yaitu pertama adalah bagaimanakah konsep film “Sesuluh”, kedua bagaimanakah cerita film “Sesuluh”, dan ketiga bagaimanakah eksplorasi nilai-nilai karakter yang terdapat dalam lukisan wayang Kamasan. Rancangan penelitian ini adalah deskriptif kualitatif. Metode pengumpulan data menggunakan metode wawancara dan observasi. Film dokumenter “Sesuluh” adalah jenis film dokumenter yang berdurasi 17 menit. Film ini mengambil konsep penggalian dan eksplorasi nilai karakter dalam wayang Kamasan, dengan menghadirkan tiga nara sumber yang berkompeten. Cerita film dibagi menjadi tiga babak, babak pertama membahas peran dan fungsi wayang kamasan, ketiga eksplorasi nilai karakter, dan ketiga berupa konklusi. Film “Sesuluh” ini merupakan sebuah media yang pantas dan patut dijadikan sarana pembentukan karakter bangsa.Today various problems surfaced adorn the media. This reflects the occurrence of moral degradation or deterioration of character. In fact, if we look at the character values are very thick, contained in the values of cultural locality, one of which is Kamasan wayang. Kamasan puppet paintings are cultures that are full of moral values. In connection with this the writer is motivated to conduct a study of a documentary film entitled “Sesuluh” which in this film materializes Kamasan wayang and the values of the nation’s forming characters. Considering the film is much loved by the wider community and so inspiring for the future generation. Therefore, in this study the author raises three problems, namely first is how the concept of the film “Sesuluh”, the second how the story of the film “Sesuluh”, and the third how to explore the character values contained in Kamasan puppet paintings. The design of this study is descriptive qualitative. Data collection method uses interview and observation methods. The documentary film “Sesuluh” is a type of documentary film that lasts 17 minutes. This film takes the concept of digging and exploring the value of characters in the Kamasan wayang, by presenting three competent resource persons. The film story is divided into three rounds, the first round discusses the roles and functions of kamasan puppet, the third is exploration of character values, and the third is conclusions. This “Sesuluh” film is an appropriate media and should be used as a means of forming the nation’s character. 
Edukasi Covid-19 Melalui Program KKN ISI Denpasar Untuk Mewujudkan Karakter Anak Yang Sadar Kebersihan Di Desa Carangsari I Made Denny Chrisna Putra; Maria Regina Ayu Tri Wina Yuhari
Segara Widya : Jurnal Hasil Penelitian dan Pengabdian Masyarakat Vol. 8 No. 2 (2020): November
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (810.013 KB) | DOI: 10.31091/sw.v8i2.1175

Abstract

Tujuan dilaksanakannya kegiatan pengabdian kepada masyarakat dalam bentuk KKN Daring adalah suatu bentuk dukungan terhadap keputusan mentri pendidikan yang menyatakan bahwa proses belajar mengajar harus tetap berjalan dalam format daring atau Belajar dari Rumah. Kegiatan ini juga dilakukan untuk membantu masyarakat di Desa Carangsari lebih tanggap dan paham bahaya dari COVID-19, serta mampu menerapkan pola hidup bersih selama masa pandemi dan era normal baru. Kegiatan ini menerapkan metode kualitatif dimana sumber data diperoleh melalui wawancara terhadap informan yang kompeten. Sumber data yang diperoleh dari pengumpulan data primer dan skunder dianalisa sehingga menemukan kesimpulan yang dapat dipertanggung jawabkan. Pada program KKN yang dilakukan di Desa Carangsari dilakukan edukasi yang menggunakan pendekatan berupa kegiatan mennghias masker, membuat poster yang berisikan informasi tentang COVID-19 dan protokol kesehatan, serta membuat rekaman bernyanyi dengan tema kebangsaan yang disisipkan pesan tentang bahaya CoVID-19. Seluruh program kerja berhasil dijalankan dengan dukungan penuh oleh masyarakat serta mendapat pengwalan ketat dari tim Satgas COVID-19 Desa Carangsari.
SUBJEKTIFITAS SUTRADARA DALAM DOKUMENTER EKSPOSITORI 11TH HOUR DAN KONY 2012 I Made Denny Chrisna Putra
Imaji Vol 11, No 2 (2013): IMAJI AGUSTUS
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (479.116 KB) | DOI: 10.21831/imaji.v11i2.3841

Abstract

Subjektifitas pembuat film bukanlah hal  baru  pada  film dokumenter. Namun peletakan subjektifitas yang berlebihan menjadikan karya tersebut terlalu monoton dan berkesan mengajari. Memposisikan narasumber secara tepat akan menghasilkan informasi yang berguna bagi penonton, tetapi bila informasi dari narasumber di simpulkan sendiri oleh sutradara maka akan terkesan sangat menggurui. Dokumenter propaganda saat ini akan banyak mendapatkan kritik dari berbagai pihak, mengingat mudahnya akses media internet. Oleh karena itu, perlu melakukan penggarapan secara baik agar mampu memberikan jalan keluar dari suatu masalah yang di  sajikan melalui dokumenter  tersebut.
PENERAPAN PERGERAKAN KAMERA DINAMIS PADA FILM “SAMSARA” UNTUK MENCIPTAKAN KESAN MENEGANGKAN Helvin Topannesa; I Kadek Puriartha; I Made Denny Chrisna Putra
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 1 No. 1 (2021): Jurnal Calaccitra Juni 2021
Publisher : CALACCITRA: JURNAL FILM DAN TELEVISI

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Abstract

Samsara film is an action drama genre film with the story preaching an emotional and tense feeling as an experience for each audience, the writer is responsible for determining the cinematographic concept that will be used in samsara films in supporting the needs of narrative elements in the film. Based on this the authors as cinematographers chose to apply dynamic camera movement techniques, to provide elements of dramatic, realism and audience participation. In embodying the concept the writer uses qualitative description methods such as observation of the reference film, interviews with Ical Tanjung as a national cinematographer, opinion surveys about dynamic camera movements to the public and supported by cinematographic theories from Joseph V.Mascelli and Himawan Pratista who explain Framming : composition, angle, continuity, lighting, color and aspect ratio and camera movement. In realizing cinematographic techniques in Samsara films, in addition to using cinematographic elements such as angles, three point lighting, aspect ratio and type of shot, the writer also uses handheld techniques because basically dynamic cameras have a flexible nature and move freely to follow the movement of the story so that each battle scene, Dramatic and tense moments in his preformance can be easily enshrined to build mood and support the narrative element needs of Samsara films.
PENERAPAN TEKNIK EDITING FAST CUT UNTUK MEMPERKUAT STORYTELLING PADA FILM “SAMSARA” I Kadek Purnama; I Made Denny Chrisna Putra; Nyoman Lia Susanthi
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 1 No. 1 (2021): Jurnal Calaccitra Juni 2021
Publisher : CALACCITRA: JURNAL FILM DAN TELEVISI

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Abstract

Editing is the process of compiling, reviewing, selecting, then collecting audio and video material during the production process. The role of an editor is very important, where the final result of the editing process is one of the aspects that determine the quality of a film. An editor must also be able to strengthen storytelling in a film. One of the important elements contained in storytelling is the atmosphere of a scene. There are several techniques that can strengthen the atmosphere of a film scene, one of which is the fast cut editing technique, where this technique will be applied to a film entitled "Samsara". The method used to support the application of fast cut editing techniques is the library method and interviews by reading books related to fast cut editing techniques and their functions. Supporting aspects in implementing fast cut editing techniques include rhythmic and temporal aspects, through the application of fast cut editing techniques so that the atmosphere contained in the scenes in the film "Samsara" can be felt by the audience and the audience will be able to enjoy the scene.
PENERAPAN ASPEK RITMIS DALAM MEMBANGUN FILM “EGO” DENGAN GENRE DRAMA KOMEDI I Made Angga Wicaksana Yasa; Ni Kadek Dwiyani; I Made Denny Chrisna Putra
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 1 No. 1 (2021): Jurnal Calaccitra Juni 2021
Publisher : CALACCITRA: JURNAL FILM DAN TELEVISI

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Abstract

The editing aspect is a technique that is well known in the film world, especially editing. At the beginning of the development of film, filmmakers were well aware of the powerful influence of the editing aspect in manipulating time and space. Editors can choose one of the four aspects of editing, one of which is the rhythmic aspect which will be applied to the making of a film entitled "Ego". This writing will examine how the application of the rhythmic aspects to each scene and how the rhythmic aspects can influence the narrative elements in the film "Ego". The method used is the method of creation including the creation stage (idea creation), the planning stage (library research and observation methods) and the implementation stage (pre-production, production and post-production). The main theory in this paper uses the editing theory by Mabruri (2013) regarding editing techniques using rhythmic aspects and shaping aspects of editing. The conclusion obtained in this paper is the application of the rhythmic aspect in the film "Ego" is realized by controlling the rhythm of the short shot length with sound, image size, camera movement and subject movement in the film, which is applied to the scene opening taste, 14, 15, 16, 19, 24, 25, 27 and 28. In addition, the rhythmic aspect greatly influences the narrative structure of the story in the film "Ego" through its editing elements, so that the impression of a comedy drama can be conveyed properly to the audience.
PENERAPAN MUSIK DIATONIS MINOR UNTUK MEWUJUDKAN SUASANA SUNYI DAN SENDU PADA FILM “SENANG BERTEMU DENGANMU” I Made Suhartana; I Kadek Puriartha; I Made Denny Chrisna Putra
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 1 No. 2 (2021): Jurnal Calaccitra Agustus 2021
Publisher : CALACCITRA: JURNAL FILM DAN TELEVISI

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Abstract

“Senang Bertemu Denganmu” is a fictional film that tells the story of Mega, a young man who found out a mysterious diary in his mother's inherited house. Gradually. In films, sound can liven up the atmosphere to create the feeling of sadness, joy, anger and fear. In general, the sound in films consists of two types, namely diegetic sound and non-diegetic sound which includes dialogue, sound effects and music. One of the types of musical scale that can cause a quiet and sad atmosphere is a minor diatonic. The minor diatonic is music that uses seven basic notes, namely la, si, do, re, mi, fa, sol, and la. Music with minor diatonic scales can create a quiet and sad atmosphere, based on the theory of diegetic sound which is all the elements of sound in the film, including dialogue, sound effects and ambiance. Diegetic sound helps to create the quiet and sad atmosphere that occurs in the film “Senang Bertemu Denganmu”. The results of the diegetic sound theory can provide a more detailed sound through the foley technique so that after all the elements of the diegetic sound are combined with the accompaniment of minor diatonic music combined with the strains of a piano, the quiet and sad atmosphere in the film “Senang Bertemu Denganmu” can be realized. Therefore, it can convey an impression and message to the audience.
MEMBANGUN KESAN REALITAS MELALUI DIMENSI EDITING DALAM FILM BERGAYA MOCKUMENTARY “SEPENGGAL KISAH BUNGA” Dani Sahrul Hadi; Nyoman Lia Susanthi; I Made Denny Chrisna Putra
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 1 No. 2 (2021): Jurnal Calaccitra Agustus 2021
Publisher : CALACCITRA: JURNAL FILM DAN TELEVISI

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Abstract

Mockumentary movie is a fiction movie that takes the form or look like a documentary. The form of the movie is able to simulate the style of a documentary movie to tell a form of narrative in particular. The use of the mockumentary style aims to refract between reality and non-reality in other words which want to present something that is not real but looks real. The movie “A Piece Of Flower” raised the issue of sexual violence. The concept of editing that will be applied is to give the impression of reality through the application of the technique of editing aspects rhythmic. Aspects of the rhythmic system is in control of the length of the short shot so that an editor will be able to control the rhythm of the editing in accordance with the needs of the movie. The process of the creation of the movie is based on the existence of the issue sexual violence that happened among the next of kin, departing from the issues that formed the object creation in the form of building the impression of reality through the mockumentary movie entitled “A Piece Of Flower”. The method of creation of works of the movie “A Piece Of Flower” of course, through the stages of pre-production, production and post-production. In post production there is the process of editing or editing image around. The editing process is a process of organize, review, select and combine the “footage” of the image and sound recording production. On the work of the movie “A Piece Of Flower” the application of the technique of editing aspects of rhythmic used to build the impression of reality through the emotional emphasis of the audience. In this emphasis, emotional audience built through the application of the duration or timing. timing is a part of the rhythmic function to determine the average duration used in each shot. The formation of emotional in editing is also influenced by two types of rhythm that is the rhythm of the internal and external. With the application of the technique of editing aspects of rhythmic expected to be able to convey the concept of editing that has been designed so that the messages in the movie can be delivered.
PENERAPAN KOMPOSISI DAN SUBJECT STAJING DALAM FILM “SURUH AYU” I Wayan Sauca Widyantara Putra; I Made Denny Chrisna Putra; I Nyoman Payuyasa
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 2 No. 1 (2022): Jurnal Calaccitra Maret 2022
Publisher : CALACCITRA: JURNAL FILM DAN TELEVISI

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Abstract

Film sangat digemari oleh banyak kalangan anak muda pada masa ini. Film saat ini merupakan media yang digunakan sebagai hiburan di masyarakat, dalam perkembangannya kini dunia perfilman telah menghasilkan beberapa sineas atau pembuat film yang cukup banyak di dunia. Film juga memiliki beberapa tahap produksi untuk menghasilkan film yang memuaskan. Tahap produksi yaitu dari penciptaan ide, praproduksi, produksi, dan pascaproduksi. Dari tahapan produksi barulah film akan di distribusikan ke kalangan masyarakat. Dengan menciptakan ide baru dari sebuah film dengan langsung melaksanakan kegiatan produksi hingga hasil dari ide film menjadi sebuah film layar lebar. Adapun pengumpulan data yang harus digunakan dalam pembuatan film. Pengumpulan data mencari tahu tentang kebenaran yang ada dengan apa yang digunakan nantinya pada saat pembuatan film, disini ada dua contoh seperti pengumpulan data melalui wawancara dan melakukan observasi. Dengan melakukan pengumpulan data, maka film yang produksi semakin akurat. Penggunaan komposisi dan subject stajing mempengaruhi keseimbangan karakter yang muncul di dalam gambar. Komposisi melakukan penempatan sebuah objek maupun karakter yang sesuai dengan cerita, dengan memperlihatkan maupun menggunakan rules of third menyampaikan sesuatu yang terlihat di dalam gambar akan menjadi sangat special dan bermakna dalam setiap shot. Komposisi juga menyangkut dengan pergerakan kamera yang membuat kesan lebih dramatis dilihat oleh penonton dan menambahkan ukuran shot akan jauh lebih memunculkan kesan emosional karakter. Oleh karena itu film yang diproduksi penulis menggunakan penerapan komposisi dan subject stajing dalam film “Suruh Ayu”
Co-Authors Agustina, I Kadek Indra Armandio, Michelly Dante Arya Pageh Wibawa Ayu Pamungkas, Epriliana Fitri Baehaqi Dani Sahrul Hadi Darma Yasa, Ngakan Putu Desak Putu Yogi Antari Tirta Yasa Epriliana Fitri Ayu Pamungkas GANGGA LAWRANTA Gede Pasek Putra Adnyana Yasa Hari Kayana, Ida Bagus Helvin Topannesa I Gusti Agung Deta Nanda Nugraha I Kadek Puriartha I Kadek Purnama I Ketut Buda I Ketut Buda I Made Angga Wicaksana Yasa I Made Suhartana I NYOMAN PAYUYASA . I Putu Agus Endra Widiantara I Putu Suyandana I Wayan Agus Mahardika I Wayan Sauca Widyantara Putra Ida Bagus Hari Kayana Putra Ida Bagus Harikayana Putra Jasmine, Raniya Kadek Dwiyani Ketut Hery Budiyana Made Rai Budaya Bumiarta Manik Darmaputra , Ida Bagus Maria Regina Ayu Tri Wina Yuhari Oktrino, Gespanne Fayyadh Pamungkas, Epriliana Fitri Ayu Putu Kenta Menggala Ruspa Rizky Achmad Fadil Suciartini, Ni Nyoman Ayu Susanthi, Nyoman Lia Thoriq Sihabudin Widhi Asih, Made