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INDONESIA
Jurnal Media dan Komunikasi Indonesia
Published by Universitas Gadjah Mada
ISSN : -     EISSN : 2721396X     DOI : https://doi.org/10.22146/jmki.51114
Core Subject : Humanities, Education, Social,
Humanities Languange, Linguistic, Communication & Media Social Sciences
Jurnal Media dan Komunikasi Indonesia (JMKI) published by the Department of Communication Science, Faculty of Social and Political Sciences, Universitas Gadjah Mada. JMKI is dedicated to publish and disseminate research, studies, theories, and phenomena in communication science. The scope of the manuscript to be published in the JMKI is a manifestation of the Department of Communication Science’s vision "Crafting Well Informed Society." JMKI is published twice a year and invites researchers or practitioners from various disciplines to write about media and communication issues such as, but not limited to, journalism and media, entertainment media, advertising, public relations, cultural studies, film studies, and game studies.
Arjuna Subject : Ilmu Sosial - Komunikasi
Articles 5 Documents
 1 
Search results for , issue "Vol 1, No 2 (2020): September" : 5 Documents clear
Perspektif Normatif pada Jurnalisme Digital Mufti Nurlatifah; Billy Sarwono; dr. Irwansyah
Jurnal Media dan Komunikasi Indonesia Vol 1, No 2 (2020): September
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.51487

Abstract

Law perspective on communication studies provide normative point of view to analize phenomenon of communication. This point of view doesnt discuss rules of the game as the domain, but sees “what shoule be” as main focus. Normative theory provides causality to explain communication phenomena holistically. For journalism digital, normative theory have two main question to discuss. First, the position of digital journalism as current condition in communication studies. Second, the influence of digital journalism in democratic society. This conceptual study aims to answer both question and looking new horizon of normative theory among perspectives in the communication studies.
Manajemen Privasi di Situs Jejaring Sosial: Studi Kasus Penggunaan Finstagram untuk Voyeurisme Termediasi Alya Nurbaiti; Irham Nur Anshari
Jurnal Media dan Komunikasi Indonesia Vol 1, No 2 (2020): September
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.55012

Abstract

In 2015, Instagram users started to create secondary accounts dubbed finstagram (fake Instagram) to fulfill the unmet needs of using the main account. Among the needs is to do mediated voyeurism or stalking — the act of watching other’s lives through the means of the media — safely. Prior Instagram studies have been more focused on the self-disclosure discourse while analysis on the voyeurs as consumers of disclosure is lacking. Using the case study method, this paper records the exercise of mediated voyeurism through finstagram and the privacy management that occurs within. The result shows that the use of finstagram for mediated voyeurism is driven by the perceived privacy risk (perceived risk of possible privacy violations). The perceived privacy risk encourages voyeur to navigate privacy management by adopting protecting behavior, or various forms of action taken to protect the exercise of stalking.
Branding Agama dalam Membentuk Identitas Politik: Kajian Mengenai Selebriti Islam pada Aksi 212 Revta Fariszy; Vegasari Adya
Jurnal Media dan Komunikasi Indonesia Vol 1, No 2 (2020): September
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.55711

Abstract

The 212 Rally has many other interest outside the religious context. The rally strengthens the identity of Muslims and indicating that the hegemony of religious is able to contribute to the world of politics. Unlike usual, 212 Rally presents actors whose are not only from politicians or religious circles, but also public figures from the entertainment industry. However, the participation of public figures is full of political interests, because some of them are incorporated with certain political parties. This paper analyzes the construction of the religious identity of public figures and their relation to politics. Referring to the theory and concept of political identity and personal branding, there are indications that public figures construct their religious identity for political purposes and agendas.PrabowoSubiantodanCalonWakilPresidenSandiaga Uno dalam Pilpres 2019 (Afriyan, 2018).Takhanyaitu,RizieqShihabsebagaiImamBesarFPIpuntelahmenyatakandukungannyapadakubucalonpresidenPrabowoSubiantodanmenyerukankepadapesertaAksi212untukmengiku alurdukungannya(Siddiq,2018).Secaradaklangsung,aksiinimenjadipembukaaliransuaraPilprestahun2019.SelainsinggungandenganPilpres2019,Aksi212inijugamengandungbahasantentangidentas.Identasyangdirepresentasikanpadaaksii
Representasi Karakter Autis Dalam Film Dancing in The Rain Sarah Novita Diah; Sri Wijayanti
Jurnal Media dan Komunikasi Indonesia Vol 1, No 2 (2020): September
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.57281

Abstract

This research Focuses on how Indonesian movie portrays an autistic character. The Importance point of this research is because there is some misunderstanding around the society about people with autism. Dancing in The Rain is the most recent movie in Indonesia that held on 2018 and portrays about people with autism. That’s why this movie as an object for this research. This research used semiotic analysis by Roland Barthes, to giving enlightenment to the society about people with autism. This research finds that autistic character still used as a commodity to get sympathy from the audience. The interesting result that has been found for this movie, that this movie describe how people with autism can improve their social development as long as they grow up and get an autistic therapy.
The Fragmented Self: Having Multiple Accounts in Instagram Usage Practice among Indonesian Youth Mashita Phitaloka Fandia Purwaningtyas; Desti Ayu Alicya
Jurnal Media dan Komunikasi Indonesia Vol 1, No 2 (2020): September
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.58459

Abstract

The usage of social media has become a part of youth’s life in this digital era. Particularly in Indonesia, Instagram is one of the most popular platforms among youth. In the practice of Instagram usage, apparently a person could manage more than just one account, creating phenomenon known as ‘real Instagram account’ and ‘fake Instagram account’. Hence this form of practice is raising question in regards to the identity presented by users in those accounts. This paper aims to analyze the practice of having multiple accounts in Instagram platform, focusing on how the self-presentation of users presented and why such presentation displayed, specifically in the contestation between the concept of ‘real’ and ‘fake’. Scope of the study in this research covers the media psychology of interconnection between self and social media platform. Research was conducted by mixed-method of new ethnography and virtual ethnography. Expected findings in this research include the analysis of fragmented self in Instagram multiple accounts, focusing in the issue of how the concept of ‘real’ and ‘fake’ are being defined by users, and the aspects behind such understandings. Apparently, in the social media platform as Instagram, youth is in search for a sense of freedom and authenticity, where they could be free in expressing themselves. Thus, the motivation of having multiple accounts. However, findings in this research also indicate that certain standards have been created in the Instagram, that at some point to some extent have conditioned users to present themselves in certain ways.

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