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gempur sentosa
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Program Studi Seni Karawitan - Fakultas Seni Pertunjukan Institut Seni Budaya Indonesia (ISBI) Bandung Jl. Buah Batu No. 212 Bandung 40265, Telp. (022)-7314982, 7315435; Fax. (022) – 7303021
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INDONESIA
PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24076716     EISSN : 28284240     DOI : 10.26742/para
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science Social Sciences Other
Jurnal Paraguna merupakan jurnal di lingkungan Jurusan Karawitan, Fakultas Seni Pertunjukan ISBI Bandung, yang mengedepankan pelestarian, pengelolaan dan pengembangan potensi seni, serta budaya dan kearifan lokal nusantara yang berdaya saing dalam percaturan global. Karawitan secara khusus dapat diartikan sebagai seni musik tradisional yang terdapat di seluruh wilayah etnik Indonesia. Khususnya di Pulau Jawa, Madura dan Bali. Dalam hal ini, jurusan karawitan ISBI Bandung menjadikan kebudayan Sunda sebagai kekhususan etnis yang dimaksud.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 153 Documents
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Mata Kuliah Penulisan Karya Seni: Integrasi dan Kontribusinya pada Tugas Akhir Mahasiswa Program Studi Angklung dan Musik Bambu Ega Fausta,; Whayan Christiana; Rizaldy Ramadhan
Paraguna Vol 13 No 1 (2026): music as performing art II
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study aims to explore the integration of the Art Writing course and its contribution to supporting the final projects of students in the Angklung and Bamboo Music Study Program. The research employs a mixed-method approach, combining both quantitative and qualitative methods. Qualitative data were collected through literature review, observation, and semi-structured interviews to gain in-depth insights from students and lecturers. Quantitative data were gathered through a survey using a Likert scale to evaluate the correlation between the Art Writing course and students’ academic writing skills as well as their analysis of art works. The findings reveal that the integration of this course significantly contributes to enhancing students' abilities in composing final projects, particularly in terms of art work analysis and documentation. The Art Writing course functions not only as an academic support but also as a facilitator for the development of creative ideas and critical reflection on art works. In the context of traditional music art, the integration between writing and artistic practice strengthens the quality of students' final projects. Thus, this study has implications for curriculum development and more effective teaching approaches in the Angklung and Bamboo Music Study Program.
Analisis Bentuk dan Fungsi Sosial Benjang Helaran di Ujung Berung Bandung : Bahasa Indonesia Permana Eri; Mirna Nurmala
Paraguna Vol 13 No 1 (2026): music as performing art II
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v13i1.5158

Abstract

Benjang Helaran is a cultural folk performance that persists and evolves in Ujung Berung, Bandung. Originally based in agricultural ceremonies as a way to express thanks after the harvest, this art form has experienced a functional change within the framework of urban life. This research seeks to illustrate the function ofBenjang Helaran as a means of social interaction and community unity in modern society. The study utilizes a qualitative approach with a case study method, incorporating data gathering techniques like observation, detailed interviews, and analysis of documents. The results indicate that Benjang Helaran serves both aspublic entertainment and as a social platform that promotes group involvement and enhances social connections among community members. The performancecombines aspects of martial arts, dance, and traditional music, generating a lively and engaging environment for spectators. Moreover, the transition from ritual purpose to entertainment demonstrates how traditional arts can adapt to socialchanges while maintaining their cultural significance. Consequently, BenjangHelaran continues to hold significance in urban life by preserving cultural identity, promoting social cohesion, and aiding local economic endeavors.
Garap Suling dalam Tembang Sunda Cianjuran Mustika Iman Zakaria S; Kari Mulyana; Irda Rustiyaman Zakaria
Paraguna Vol 13 No 1 (2026): music as performing art II
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v13i1.5161

Abstract

This study aims to understand the garap of the suling in tembang Sunda Cianjuran tradition by analyzing its performance in ensemble settings both with and without vocal accompaniment. Employing a qualitative methodology, this research utilizes Supanggah’s (2017) theory of garap, specifically the concepts of sarana garap and piranti garap as an analytical framework to identify the techniques and concepts underlying suling performance. The study reveals that the garap of the suling in tembang Sunda Cianjuran is fundamentally rooted in its role as the pamurba lagu (melody carrier), which, in practice, entails the automatic duplication of the melodic line typically sung by the vocalist. However, the approach to this function varies depending on whether the ensemble performance includes vocals. In performances involving vocals, the suling employs the méréan, marengan, and nungtungan (2M1N) concepts, whereas in purely instrumental ensemble settings, the suling constructs its melody by drawing upon the melodic patterns of the kacapi indung and the landangan. Consequently, this study contributes to a deeper understanding of the aesthetics of tembang Sunda Cianjuran, particularly regarding the aesthetic dimensions of suling performance.  

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