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gempur sentosa
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Program Studi Seni Karawitan - Fakultas Seni Pertunjukan Institut Seni Budaya Indonesia (ISBI) Bandung Jl. Buah Batu No. 212 Bandung 40265, Telp. (022)-7314982, 7315435; Fax. (022) – 7303021
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INDONESIA
PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24076716     EISSN : 28284240     DOI : 10.26742/para
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science Social Sciences Other
Jurnal Paraguna merupakan jurnal di lingkungan Jurusan Karawitan, Fakultas Seni Pertunjukan ISBI Bandung, yang mengedepankan pelestarian, pengelolaan dan pengembangan potensi seni, serta budaya dan kearifan lokal nusantara yang berdaya saing dalam percaturan global. Karawitan secara khusus dapat diartikan sebagai seni musik tradisional yang terdapat di seluruh wilayah etnik Indonesia. Khususnya di Pulau Jawa, Madura dan Bali. Dalam hal ini, jurusan karawitan ISBI Bandung menjadikan kebudayan Sunda sebagai kekhususan etnis yang dimaksud.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 150 Documents
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GAMELAN DEGUNG SEBAGAI SARANA PENGIRING PROSESI TARI PANGBAGEA PADA WISUDA KE XVI STSI BANDUNG TAHUN 2012 Mulyana, Kari
Paraguna Vol 5 No 2 (2018): ENTITAS WAYANG DAN GAMELAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v5i2.1904

Abstract

An  idea   of   karawitan   cultivation  in   gamelan  degung  is   the  realization  of imagination    and   expression   of   the   soul   based    on   the   experience   of   a cultivator/ stylist who is  applied  to a  claim.  In  this case the gamelan gamelan is functioned  as   an   accompaniment  of  the  "Pangbagea"  dance procession at  the opening ceremony of the XVI graduation  at STSI  Bandung as a  form of respect for all who attended the event.
KONSEP INCEP DALAM PENYAJIAN KOTEKAN GAMELAN GONG KEBYAR Adi, Komang Kusuma; Christiana, Whayan
Paraguna Vol 10 No 2 (2023): KEDALAMAN TEKS DAN KONTEKS
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v10i2.2942

Abstract

Balinese gamelan music has its own aesthetic dimensions for the group of performers and listeners. However, it can be realized that achieving a beautiful aesthetic dish is not an easy matter. Especially for those who are new to, studying, or who do not own cultural products. This research tries to investigate further the concept of incep which is one of the references for the aesthetic value of Balinese gamelan offerings, especially Gong Kebyar. The aim is to find components that form concepts that can be used as guidelines in the art inheritance system and its performances. The author uses a qualitative research model, with a textual ethnomusicological approach and the working theory popularized by Rahayu Supanggah. Based on the research carried out, it can be seen that the concept of incep is related to the value of a dish which includes instrument blows that sound clear, precise and compact. The components that form the concept consist of ngatih, celang, and maketekan. These three components have sub-requisites to achieve the desired value. Because if it cannot be fulfilled then it is certain that there will be sounds that are less clean or uncomfortable to hear in the ear. On the other hand, if everything can be fulfilled, then surely the percussion performance can achieve the aesthetic value of the incep performance
BROWN NOISE, PENDEKATAN INSTRUMENTASI DAN POST PRODUKSI “MUSIK TERAPI UNTUK ADHD DEWASA”: SEBUAH TAWARAN Murwaningrum, Dyah; Fausta, Ega; Ginanjar, Moch. Gigin
Paraguna Vol 10 No 2 (2023): KEDALAMAN TEKS DAN KONTEKS
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v10i2.2943

Abstract

The issues of mental health have become increasingly prevalent in recent times. People are exploring therapeutic methods from various avenues, including musik. Unfortunately, the availability of musik therapy is limited. This research aims to provide insight into how brown noise is closely related to musik that is considered to have a positive impact on adult ADHD survivor. The brown noise indicator (slope) can be one of measures in instrument selection. This research aims to explain the spectral sound characteristics trend in some musik therapies designed for adult ADHD survivor. This study uses noise-based approach in analyzing and finding the conclusion. The research process begins with sample selection, the determination of the main sample, analyze and measure the sample using deep listening and visual monitoring methods. The tools used are DAW Studio one 6.5, Spectrum meter plug in, and Ayaic CoS 6 Pro. The result of this research consisting of patterns in ADHD musik therapy measured through a noise approach, including white noise, pink noise and brown noise. The findings of this study are expected to assist musik therapy creator in instrument selection.
EKSISTENSI SENI ORMATAN TARAWANGSA: FUNGSI TARAWANGSA DI TENGAH EKOSISTEM MASYARAKAT BANJARAN Suryaman, Atang; Masyuning, Masyuning; Herizal, Maspon
Paraguna Vol 10 No 2 (2023): KEDALAMAN TEKS DAN KONTEKS
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v10i2.2944

Abstract

The existence of Tarawangsa Cangkungan, which is still alive and continues to grow, cannot be separated from its existence which is still functioned in many contexts, such as hajat overtime, ngaruat, and treating the sick. In the context of the ecosystem, the study in this paper takes focus and limits. The times have become one of the factors contributing to the loss of traditional culture and arts. Therefore, the continuity of an art cannot be separated from how the artists maintain and continue the tradition. The art of tarawangsa Banjaran is an example of a case where this art was once alive and well known in the community, but due to the lack of regeneration efforts and the decreasing number of artists who continue it, this art has finally experienced a period of vacuum and is now almost extinct. So far, one of the main problems has been the strict restrictions on the regeneration process of Banjaran's tarawangsa art. This policy requires prospective heirs to have blood ties to the previous presenting artist as the main requirement. This condition has become a barrier for the younger generation who are interested in learning this art.
ANALISIS FIGUR AMBU DALAM PROSESI MAPAG PANGANTÉN SUNDA Nurzaini, Mayang Amalia
Paraguna Vol 10 No 2 (2023): KEDALAMAN TEKS DAN KONTEKS
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v10i2.2945

Abstract

Mapag Pangantén is a bride and groom welcoming procession what be held at a Sundandese wedding party. The bride and the groom would welcomed with traditional music and dance performance. This procession appeared in the 1920s and continues to grow until now. The development includes various aspects, one of which is appeared of Ambu’s figure on Mapag Pangantén procession. Ambu is a Léngsér’s wife who have humorous character. But in reality, representation of Ambu’s figure often contradict with the concept of Sundanese culture and norms in society. This research was conducted using a qualitative descriptive method with observation techniques and literature study.
STRUKTUR PERTUNJUKAN DAN FUNGSI KESENIAN KACAPI PANTUN DI DESA SIRNARESMI KECAMATAN CISOLOK KABUPATEN SUKABUMI PROVINSI JAWA BARAT Ariwana, Tantan Tandira
Paraguna Vol 10 No 2 (2023): KEDALAMAN TEKS DAN KONTEKS
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v10i2.2946

Abstract

Kacapi Pantun in Sirnaresmi village is a traditional Sundanese art in Kasepuhan Adat Banten. Kacapi Pantun is traditional art that has been passed down from generation to generation. Kacapi Pantun is a performance of the Kacapi art accompanied by songs or chants. The existence of Kacapi Pantun has begun to be forgotten, only a few people know about the Kacapi Pantun because of the changing times. This is a big problem for all of us as people who care about tradtional art.
TIGA PILAR BUDAYA CIANJUR: ETIK, ESTETIK, KINESTETIK Wiradiredja, Moch. Yusuf; Resmana, Oman
Paraguna Vol 10 No 2 (2023): KEDALAMAN TEKS DAN KONTEKS
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v10i2.2947

Abstract

Character Education is an educational movement under the responsibility of the education unit to strengthen the character of students through the harmonization of heart, taste, mind, and sports. The end of strengthening character education is none other than to build the nation's identity and competitiveness. The three pillars of Cianjur culture in the form of ngaos, mamaos, maenpo, as one of the cultural and artistic expressions as the nation's identity have values that build the spirit of character education, that represent ethic, aesthetic, and kinestethic. This can be seen from the elements contained in it, where in addition to national identity, there are also noble cultural ethical values, including the value of art that accommodates the heart, taste, mind and body. Thus, the involvement of local values in the character education movement is an appropriate effort. This research focuses on this effort, especially in mapping the relationship between the three pillars of Cianjur culture and the conception of character education
TEPAK CIWARINGINAN PADA SENI PENCAK SILAT DI KOTA BANDUNG Oktriyadi, Riky; Sentosa, Gempur
Paraguna Vol 10 No 2 (2023): KEDALAMAN TEKS DAN KONTEKS
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v10i2.2948

Abstract

Pencak silat is a martial art of Indonesia's cultural identity that has been designated by UNESCO as an Intangible Cultural Heritage. Pencak silat in West Java is not only categorized as a martial sport, but also as one of the arts. Pencak silat in the context of performing arts is often called Kendang Penca (from the perspective of musical aesthetics) and Ibing Penca (from the perspective of dance aesthetics). The focus of this article is to describe the variety of tepak ciwaringinan patterns in the pencak silat family in Bandung. The consideration is that these songs and tepak no longer appear in every kendang penca performance, it can be said that their existence is starting to become extinct. In this article, the author uses a qualitative approach from Jhon W. Creswell by collecting data through observation, documentation, and interviews. After the data is obtained, the author then analyzes the data to test the truth of the data. This article discusses an overview of pencak silat as a performing art, the musical accompaniment of pencak silat in Bandung, and a description of the Ciwaringinan tepak pattern in pencak silat. The article concludes that pencak silat is one of the most important aspects of the performing arts in Indonesia, especially in West Java. Aesthetically, pencak silat generally consists of the aesthetics of the Pencak Silat dance form (ibing penca), music aesthetics (karawitan), and traditional fashion aesthetics. In addition, the findings in this study are that there are a variety of Ciwaringinan tepak patterns that have not been recognized by the public.
PENELUSURAN TEKNIK PENCIPTAAN LAGU ANAK MENGGUNAKAN ESTETIKA KARAWITAN SUNDA Mustikawati, Irna
Paraguna Vol 10 No 2 (2023): KEDALAMAN TEKS DAN KONTEKS
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v10i2.2949

Abstract

This research was conducted to find a way or framework for creating children’s songs using Sundanese musical aesthethics of Sundanese Karawitan contained in it are the creation of childrens songs in Sundanee Karawitan notation (Da Mi Na Ti La) with the rules contained in Sundanese karawitan such as the use of Sundanese musical notation, use of tunings, rurupan, as well as Sundanese vocal ornamentation (dongkari/senggol) that will be sung. Simply in a children’s song. This research is a forum for researches to practice directly the courses that researches have taken, namely the Sundanese notation system and song literature. This research uses a qualitative method which uses the researcher as the main instrument by obtaining data through libraries, audio, visual and audio-visual data and taking two stages of work, namely, working in the field (fieldwork), then processing it to the stage of working on a table (deskwork). This research basically aims to increase literacy regarding the creation of children’s songs using Sundanese musical aesthetics. Apart from that, this research aims to find techniques or ways to create children’s songs that use Sundanese musical aesthetics. To obtain tjis framework, the researcher conducted an analysis of childrens songs in Sundanese karawitan as well as interviews and cosultations with these figures before realizing what the researchers had obtained from these figures into a form of song notation. Children use Sundanese musical aesthetics. This research will produce a children’s song that is put into Sundanese notation with the theme that researchers have been looking for, namely “Getting to know Sundanese Karawitan”. More specifically, the resarcharcher created childrens songs by introducing one of the musical instruments found in sundanese karawitan, namely the Sundanese gamelan. This theme aims to increase children’s knowledge of musical instruments and the arts of Sundanese karawitan. Research investigating techniques for creating children’s songs in the pelog style and translated to Sundanese notation.
ANALISIS GAYA MUSIKAL PADA GENDING LAGU "JALI-JALI" KARYA KOKO KOSWARA Yantiningtyas, Vita Rindri; Sentosa, Gempur
Paraguna Vol 10 No 2 (2023): KEDALAMAN TEKS DAN KONTEKS
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v10i2.2950

Abstract

"Jali-Jali" is a musical composition in the form of sekar gending (song with musical accompaniment) composed by Koko Koswara in 1970 using gamelan salendro. The main musical pattern used the Sundanese musical pattern and the gambang Kromong musical pattern. The unique musical characteristics of the combination of two different musical backgrounds are the main attraction for researchers to study 2 (two) aspects, namely musical form and style. The theory used in this research is the science of musical form by Karl-Edmund Prier SJ and the style theory from Bruno Nettl. The science of musical form is used to analyze melodic aspects (motives, sequences, phrases, and periods), and Bruno Nettl's theory of style is used to analyze Koko Koswara's musical style. The results of this research illustrate that Koko adapted several characteristics of the original "Jali-Jali" song from Betawi was combined with Sundanese music into the "Jali-Jali" song as a result of his arrangement so that the unique composition that Koko created was very different from Koko's musical works another.

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