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Mister Gidion Maru
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SoCul: International Journal of Research in Social Cultural Issues
Published by Universitas Negeri Manado
ISSN : -     EISSN : 27984672     DOI : 10.36582
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences
SoCul (ISSN:2798-4672 ) is a bimonthly journal aiming at facilitating and sharing the disseminations of research findings, elaboration of theories, methods, knowledge, social engineering and learning and outputs in terms of breakthroughs, innovations, best practices in terms of community service or outreach relevant with Social and cultural issues. It mainly focuses, not limited, research papers related to what are considered being connected with social culture issues such as cultural values and heritage, literature, language learning, art and education. It may include economic and technology issue in the sense of social engineering and network development for poverty and illiteracy solution.
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 6 Documents
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Search results for , issue "Vol. 3 No. 6 (2023): SoCul: International Journal of Research in Social Cultural Issues" : 6 Documents clear
THE ANALYSIS ON THE STRUCTURE OF TRADITIONAL DANCE MAENGKET Zefanya Christofel Sumarandak; Luccylle M. Takalumang; Franklin Dumasi
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 6 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i6.8352

Abstract

This research aims to explore the musical structure of Maengket Art, a performing arts tradition in Kaweng village, Kakas sub-district, Minahasa district. Maengket art is typically performed in harvest ceremonies as a form of expression of gratitude and joy towards God for the harvest obtained by the local community. Maengket art performances generally involve many dancers and involve both male and female dancers dancing in pairs. Maengket art is divided into three main parts, namely Maowey Kamberu, Marambak, and Lalayaan. The choice of the title of this research was based on the researcher's interest in the musical structure of Maengket Art songs, especially those that take place in Kaweng village, Kakas sub-district. The research method used is descriptive qualitative with data collection techniques through observation, interviews and documentation. The validity of the data is checked carefully, then the data is analyzed through reduction, presentation and verification processes. The results of the research show that in Kaweng village, Kakas subdistrict, Minahasa district, there is a Maengket Art group which has been established since 1968. This Maengket Art adopts Toulour literature as an integral part of their performances. Chapters of Maengket Art in Kaweng village, such as Maowey Kamberu, Marambak, and Lalayaan, depict various aspects of local community life. Maowey Kamberu expressed his gratitude for the abundant harvest, Marambak highlighted the spirit of mutual cooperation in the housewarming ceremony, while Lalayaan described the interactions between Minahasan youth in looking for a soul mate or social relationships in the past.
HISTORICAL AND AESTHETIC STUDY ON THE SIKAYU WOVEN FABRIC OF BOLAANG MONGONDOW Exel Stevanel Pontolaeng; Meyer W. Matey; Ferdinand Pangkey
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 6 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i6.8391

Abstract

Sikayu woven fabric not only has historical value as a cultural expression, but is also recognized as a work of art that has aesthetic value, so the purpose of this study is to identify the history of Sikayu woven fabric and identify the aesthetic value of each supporting element of Sikayu woven fabric. This research adopts a qualitative method that produces descriptive data, utilizing observation, interviews with sources, and literature studies to obtain accurate information, this research was basically carried out in Mogolain Kotamobagu as a research location because it supports researchers in conducting data analysis. The results showed that Sikayu woven fabric is not only a textile product, but also a symbol of historical and cultural values. The visualization of these values is reflected in the form, motif, art structure, art style, and art function that form the elements of the work. The unity, complexity, and solemnity of each work are clear evidence of the rich artistic values contained in the Sikayu woven fabric. The implications of this research are the history and aesthetics of the Sikayu woven fabric.
THE ANALYSIS ON THE DEVELOPMENT OF THE KABELA AS A SYMBOL OF TRADITIONAL HONOUR FOR THE PEOPLE OF BOLAANG MONGONDOW Sumardiko; Ronald M. P. Kolibu; Ferdinand Pangkey
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 6 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i6.8393

Abstract

This research aims to explain the development of Kabela in Bolaang Mongondow culture and its philosophical meaning. Kabela is a container for placing betel (obuyu'), areca nut (mama'an), whiting and tobacco (tabaku') as a banquet for guests. The type of research used in this study is qualitative using a descriptive approach. Data collection techniques through observation, interviews, and documentation. Data sources in this study are divided into two, namely primary data from interviews and secondary data from written records. Data analysis in this study uses data reduction, data review and conclusion drawing. The results of this study show that there are several developments in the form of Kabela from simple forms to having decorations. There are past motifs such as pata' lumandai, pata' malasai, and current motifs such as coconut, flower and geometric motifs. The colours used in the past were red, white and black while today additional colours such as green, yellow, blue, purple and others are used. Each creation of Kabela used to have various philosophical meanings while the current Kabela emphasises more on aesthetic value. It is hoped that the community, especially Bolaang Mongondow, can continue to preserve this historical art object so that it is not lost or forgotten by future generations.
THE MEANING OF BOLAANG MONGONDOW TRADITIONAL SONGS AND STUDENTS’ PERCEPTION ON THEM Mega Yuniar Palit; Intama Jemy Polii; Viktory N. J. Rotty
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 6 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i6.8403

Abstract

The purpose of this research is to describe the meaning of the traditional songs of Bolaang Mongondow and the perceptions of students at SMP Negeri 2 Lolayan. This study employs a qualitative descriptive method, focusing on current issues. The gathered data is first organized, explained, and then analyzed. The data sources for this research are the students of SMP Negeri 2 Lolayan and a collection of three traditional songs from Bolaang Mongondow, namely Tano-tanobon, Moraoi and Tobatu Lipu. The data were collected by three steps; observation, interview and documentation. The result of the research showed that the majority of the students have good understanding of the meaning of Bolaang Mongondow traditional songs which they considered as the identity and reflection of Mongondow heritage. However, some students have a limited understanding due to various reasons such as insufficient learning time dedicated to Bolaang Mongondow traditional songs or a lack of proficiency in the Mongondow language. Furthermore, it is found that the songs have meanings. Tano-tanobon means to heed parental advice, love and cherish parents, and not hurt their feelings to lead a happy life. Moraoi means that Indonesia is known for its natural beauty from Sabang to Merauke, and similarly, Bolaang Mongondow possesses beautiful landscapes, rich flora and fauna, and hospitable communities. Lastly, Tobatu Lipu means someone who has ventured far still holds their birth land dear in their heart.
A DESCRIPTIVE ANALYSIS ON THE FUNCTION OF THE ORAL TRADITION MESSAGE KADA TOMINAA OF THE TORAJA TRIBE Ari Ratu; Grace Luntungan; Meyske Liando
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 6 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i6.8458

Abstract

The purpose of this article is to describe the functions of the oral tradition message Kada Tominaa from Tana Toraja. This study is conducted in the framework of qualitative method with the design of library research. The primary data source of this study is the Kada Tomina as an oral literature from Tana Toraja.  The primary data is supported by the secondary data such as books, research papers and articles from varios academic journals. The data is collected using the note-taking technique and analyzed descriptively. The findings show that the oral tradition message of Kada Tomina has two important functions.  The first function is to represent the expressive actions, such as expressing feelings. The second is to show the directive action messages, in the form of noble hopes and advice. The findings impliy that the oral tradition Kada Tominaa is integral part of the people of Tana Toraja.
TEENAGE SOCIAL LIFE IN GREEN’S LOOKING FOR ALASKA : A PSYCHOANALYTIC APPROACH Mister Gidion Maru; Nasya Nadinia Kaya; Imelda S. Lolowang
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 6 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i6.8550

Abstract

The purpose of this study is to analyze the teenage social life in Looking for Alaska by John Green. This research is classified as a qualitative study. The primary source for data collection is the novel itself, Looking for Alaska by John Green, while secondary sources include relevant journals and articles available on the internet. These secondary sources provide additional information to support a comprehensive analysis of the research topic. The data analysis employs Freud's psychoanalytic theory, specifically focusing on the three fundamental components of Id, Ego, and Superego. The findings indicate that the teenage years encompass both positive and negative experiences during the process of growth and development. The positive things identified include group activities, collaborative learning, and read books from famous authors. Conversely, negative impacts observed involve experimentation with smoking, alcohol consumption, breaking school rules and watching porn movies. Based on this data, the writer concludes that when living life as a teenager, there are positive and negative things that are experienced during the growth process.

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