BAJU: Journal of Fashion and Textile Design Unesa
BAJU mempublikasikan artikel-artikel dari mahasiswa, dosen, guru, para peneliti dan profesional yang berisi hasil penelitian, penciptaan, gagasan pemikiran, dan kreasi atau inovasi lain dibidang desain mode dan tekstil, baik dalam bahasa Indonesia maupun bahasa Inggris. Diterbitkan setahun empat kali, memberikan kesempatan artikel anda untuk segera publish. BAJU menyediakan forum ilmiah untuk topik penciptaan atau praktik busana maupun tekstil. BAJU mendorong penelitian interdisipliner dan pengembangan komunitas akademik yang akan berbagi teori, teknologi, dan teknik yang baru di industri fashion dan tekstil, termasuk: - inovasi dalam desain dan praktik mode - keberlanjutan dan etika dalam industri mode - teknologi mikro dalam konteks fashion dan tekstil - smart and digital fashion dan tekstil - konsumsi dan produksi fashion - materials, design, concepts and process Kontribusi yang sesuai untuk jurnal ini terbagi dalam kategori berikut: - Research papers menyajikan temuan baru yang penting - Technical papers yang menjelaskan perkembangan atau inovasi baru - Academic discussion papers yang membahas tren dan prediksi jangka menengah hingga panjang.
Articles
15 Documents
Search results for
, issue
"Vol. 5 No. 1 (2024)"
:
15 Documents
clear
<![CDATA[Perancangan Jaket Menggunakan Material Limbah Benang dan Pakaian Bekas dengan Teknik Manipulasi Kain ]]>
<![CDATA[Sumirat, Suci]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/baju.v5n1.p11-22
<![CDATA[In the ongoing era of the fashion industry, there are major challenges related to the environmental impact produced. One of the issues that needs to be resolved immediately is the problem of textile waste. This design aims to develop a jacket design that uses waste yarn and used clothes by applying fabric manipulation techniques. This design uses the design method of SP. Gustami's three-stage six-step design method. The process of this design is assisted by water soluble stabilizer as a thread stabilizer during the embroidery process. The results of this design are expected to be a guide in designing jackets that have high environmental value as well as attractive and creative designs. The design results of using waste yarn and used clothes as the main material in designing jackets can help reduce the amount of textile waste generated by the fashion industry. In addition, the fabric manipulation technique with embroidery also gives the jacket a creative touch and enhances the aesthetic value and uniqueness of the design. In conclusion, this research presents an innovative approach in jacket design by utilizing waste yarn and used clothing through the application of fabric manipulation techniques. By combining design creativity and textile waste utilization, this jacket can provide a sustainable solution in the fashion industry.]]>
<![CDATA[Perancangan Tekstil Burung Hong dan Bunga Meihua pada Cheongsam Modern dengan Teknik Sublim Printing ]]>
<![CDATA[Devinta, Nathasya Alin]]>;
<![CDATA[Dartono, Felix Ari]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/baju.v5n1.p23-30
<![CDATA[Indonesia and China have been closely related since ancient times. The purpose of this design was the development of two-cultural acculturation motifs that were applied in a fashion design work that gave rise to a new, unique and meaningful blend of motifs, as well as education to the public about cultural acculturation.This method of design uses an approach in the creation of artwork according to Bram Palgunadi (2008). The approach has three main processes: exploration, extraction and termination.The result of this design was an exploration of motifs that resulted in a new motif combining the Hong Bird and the Meihua Flower. Visualization of this motif is applied in fashion products, namely Cheongsam / traditional women's clothing in modern China. The technique used to realize this product is batik printing. The colors used are those commonly used in Chinese culture in fashion products such as red, green, and blue, where each color has its own meaning and philosophy.]]>
<![CDATA[Upcycling Perca Brokat dengan Tule Menggunakan Metode Sirkular Resource-Pressure ]]>
<![CDATA[Hafidzah, Serena]]>;
<![CDATA[Santoso, Ratna Endah]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/baju.v5n1.p31-40
<![CDATA[The majority of textiles today are inorganic waste that requires a lengthy processing process to decompose. Although there are various methods and stages for processing textile scraps, there are still limited techniques used for processing brocade and tulle scraps. This design represents one sustainable waste utilization option using the practice of upcycling brocade scraps into vests, based on the resource-pressure circular design method designed according to six design parameters, namely product mass, primary material content, product lifespan, manufacturing waste, recycling, and decomposition. The objective of this method is to maximize the utilization of secondary raw materials (waste) in production, transforming brocade and tulle scraps into vest garments that serve as versatile and unisex complements for various occasions.]]>
<![CDATA[Revitalisasi Kain Tenun Baduy Melalui Adibusana: Peran Inovasi Dalam Melestarikan Warisan Budaya ]]>
<![CDATA[Noor, Farzana Amatul]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/baju.v5n1.p41-50
<![CDATA[Baduy, as one of the tribes in Indonesia, has a tradition of woven fabric that is rich in cultural and aesthetic values. Combining traditional wisdom with modern fashion trends is expected to strengthen Indonesia's cultural identity in the fashion world. The main purpose of this article is to explore and analyse the potential for innovation in the development of Baduy woven fabric as a ready-to-wear or couture material. This article aims to identify the opportunities and challenges in integrating local wisdom into the modern fashion industry, as well as provide a foundation for further developments in this field. The writing of this article is based on a literature study that involves searching for literature related to the history, manufacturing techniques, and meanings of Baduy woven fabrics. In addition, the literature study also includes literature on global fashion trends and the concept of haute couture. Data and information from reliable sources will be used to detail the innovative potential of Baduy woven fabric in the context of ready-to-wear, as well as discuss its impact on cultural preservation and the development of the fashion industry in Indonesia.]]>
<![CDATA[Penerapan Kain Kain Songket Palembang dan Sashiko pada Busana Modest Fashion ]]>
<![CDATA[Fatmawati, Yuni Zhaafira]]>;
<![CDATA[Indarti, Indarti]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/baju.v5n1.p1-10
<![CDATA[Abstract The aim of this research is to determine the process and results of applying Palembang songket and sashiko embroidery to modest fashion. Palembang songket is a form of original Indonesian cultural heritage, combined with sashiko which is original Japanese culture. The implementation of this project was carried out using the double diamond method. The process of applying Palembang songket and sashiko to modest fashion clothing went through several phases. In the discover phase, the author conducted trend research, namely ITF 2024 with the Fusion theme and Borderless sub-theme. Next, in the define phase, the author determines the source of the idea for the burgundy clematis flower, which has meaning as a symbol of protection from evil and good luck. In the Develop phase, the author carried out design development, selecting designs, colors and songket patterns which were realized in modest fashion clothing. At the Deliver stage, the author created clothing by going through several discussions and evaluations. The result was that the application of Palembang songket and sashiko to modest fashion clothing is in accordance with the plan, including women's clothing consisting of 3 parts, namely a dress with a full circle skirt, an outer and a layer that used sashiko embroider that can be removed and reused. Men's clothing consists of a suit which used a combination of plain and songket fabric. Keywords: Songket Palembang, sashiko, modest fashion]]>
<![CDATA[Perancangan Pakaian Siap Pakai Dengan Kombinasi Teknik Melukis Diatas Air Dan Eco Print ]]>
<![CDATA[Angdawuni, Nabila Azzahra]]>;
<![CDATA[Sarwono, Sarwono]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/baju.v5n1.p77-88
<![CDATA[Industry players are required to be more creative and innovative in developing textile products with various manufacturing techniques. The development of textile products that did not produce textile waste and did not adversely affect the environment to make ready-made clothing for women. The purpose of this design is an update in the combination of Painting on Water and Eco Print techniques, which is for the development of textile products that do not produce textile waste if produced into ready-made clothing. The method used in the creation of artwork according to SP. Gustami. The result of three stages of creation analysis is the observation of Eco Print Ramban Ayu in Temanggung and Painting On Air Mangsi Kelir which originated in Bandung, the design by creating various combinations of designs from both techniques, and the embodiment of being used as ready-made clothing for female teenagers. The results of the design resulted in motif design and ready-made fashion design. With Painting Techniques on Water as the basis of dyeing and Eco Print as the main motif. The design resulted in the design being realized as a ready-to-use fashion product for female teenagers aged 15 to 23 using the color palette trend 2023.]]>
<![CDATA[PENERAPAN TIGA MOTIF KAIN TRADISIONAL PADA BUSANA WANITA DENGAN TEMA TRANSCULTURAL PADA AJANG MALANG FASHION WEEK 2023 ]]>
<![CDATA[Farika, Sephia]]>;
<![CDATA[Nafiah, Annisau]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/baju.v5n1.p89-98
<![CDATA[Indonesia has a variety of cultural heritage. One of the ancestral legacies is wastra, which is still preserved today. Wastra cloth is one of the works of art which is poured on traditional patterns. In this research, three different Indonesian fabric patterns used to a product in the form of women's clothing. The cloth uses three wastra fabrics including Batik Parang, Jumputan, and Lurik. The aim of making this clothing is to find out how to combine three different fabric patterns to make it look harmonious. The method used in this research is the creation designs. There are three stages in clothing-making: determining the concept, drawing the design, and sewing the clothes. The clothing consists of four items: the blazer using Jumputan fabric and the trousers using two patterns, namely Batik Parang and Lurik.]]>
<![CDATA[Inovasi Men’s Fashion: Pengaplikasian Teknik Arsir Silang pada Ilustrasi Relief Candi Menggunakan Digital Printing ]]>
<![CDATA[Damayanti, Putri]]>;
<![CDATA[Suhartini, Ratna]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/baju.v5n1.p64-76
<![CDATA[This research is to find out the process of men's shirts using the idea of the Surowono temple relief by combining elements of traditional art with modern technology to create a unique and interesting product. Inspired by the relief which depicts the story of a stork's neck being clamped to death by a crab. Using cross-hatching techniques to make illustrations have a unique and bold appearance. Then the illustrations are printed using digital printing techniques. The use of digital printing makes it possible to print temple relief illustrations with a high and accurate level of detail on men's shirts. The method used is the double diamond model which consists of 4 stages discover, define, develop and deliver. The process starts with making a moodboard as a source of ideas, making illustrations, then applying the motif to the shirt design and then a product prototype. The results of the research are a cross-hatched illustration and a men's shirt with a temple relief motif that was applied digitally using a cross-hatched technique that has clear detailed motifs. It is hoped that this research will contribute to expanding the boundaries of menswear design, combining traditional elements with modern technology. The resulting product is expected to attract the interest of consumers who are looking for clothing with unique and different characteristics.]]>
<![CDATA[Inspirasi Harimau Sebagai Sumber Ide Busana Pesta ]]>
<![CDATA[Sulistyadewi, Mirza Aulia]]>;
<![CDATA[Yulistiana, Yulistiana]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/baju.v5n1.p99-109
<![CDATA[The tiger is unique in its silhouette, fur and pattern. The purpose of the research is to describe the process and find out the finished result of tiger inspiration as a source of party fashion ideas. Party dress inspired by tiger and refers to the theme of boderless cushion from Fashion Trend Forecasting Resilient 2023/2024. the inspiration is applied to manipulating fabric screen printing, slashing and embroidery. The process of making this party dress starts from extracting the source of the idea to the design process, followed by the process of making clothes and manipulating fabric. The silhouette and model in this outfit were inspired by the uniqueness of Scottish traditional clothing. The application of slashing and embroidery is found on the outer part of the women's clothing while the application of screen printing is placed on the back and front of the men's suit.]]>
<![CDATA[Y Inang Prihatina Inspirasi Kerang Pada Busana Pesta Menggunakan Tenun Dan Slashing ]]>
<![CDATA[Subagyo, Alma Primadora]]>;
<![CDATA[Prihatina, Yuhri Inang]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/baju.v5n1.p51-63
<![CDATA[The purpose of this study was to determine the manufacturing process and finished results of seashell inspiration in party fashion using slashing and men's clothing using screen printing. Inspired by shells because it has a philosophy that can be applied in life. Shells from a visual point of view have a unique symmetrical and connected shell shape so that it is interesting to be used as a source of ideas in making fashion works. Jepara torso woven fabric was chosen because it has traditional motifs and strong fabric properties in accordance with slashing techniques. Duchesse satin fabric was chosen to reinforce the glamorous impression of party attire. The method used in this study is double diamond. Includes 4 processes, namely discover, define, develope, and deliver. The shape of the distilled shells becomes a slashing motif on the torso jepara woven material into a skirt layer. The results of the Shell Inspiration in Party Clothing and Men's Clothing, in terms of design placement manipulating fabric, namely slashing in party clothes, and polyflex flock screen printing in men's clothing with seashell motifs make the center of interest in party clothing and men's clothing, and give a thick ethnic impression but do not leave a luxurious impression.]]>
