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THE DEVELOPMENT OF MAOS HAND WRITING BATIK WITH DIPONEGORO WAR STORIES MOTIF FOR DRESS Ayasofia, Addina Aufa; Santoso, Ratna Endah
Arty: Jurnal Seni Rupa Vol 10 No 1 (2021): Arty
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

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Abstract

The Maos Cilacap batik motif was once used as a code in the Diponegoro War. There has been no development of a motif using the story of the Diponegoro War so that the history of Maos batik is not widely known. Until now, the development of Maos batik motifs is still limited to the original motifs which are added with motifs from other natural potentials. The purpose of this development is to develop Batik Maos designs by combining original motifs with the narrative motifs of the Diponegoro War stories so as to produce Batik Maos products which can be a means of education about the history of their origins. The method used consists of the design method with Collin Clipson theory, design concepts, and visualization. The results of this development include: (1) The design is carried out by displaying the original Maos batik motif combined with the visualization of the Diponegoro war story with stylized and naturalist styles, where in one fabric design containing one original maos batik motif is collaborated with the visualization of the Diponegoro war story which is in tune with the meaning of the original motif when into a war code. From development 8 designs were successfully created with the distribution of motifs according to the types of batik in Maos, namely geometry, flora and fauna. (2) This development is carried out by designing a direct motif on the ready-to-wear clothing pattern, namely the dress so that it can be ensured that the visualization of the Diponegoro war story is not cut into pieces when it becomes a form of clothing.
DESIGNING BATIK WITH THE SOURCE OF SOLO ARCHITECTURAL IDEAS FOR OUTERWEAR PRODUCTS Salsabila, Azka; Santoso, Ratna Endah
Arty: Jurnal Seni Rupa Vol 10 No 1 (2021): Arty
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

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Abstract

This design was carried out as a form of batik motif development by making Solo city architecture a source of visual ideas, given the diverse architectural heritage cities in Solo that can be used as a source of ideas. The purpose of this design is to produce batik products by exploring the visual of Solo city architecture into batik motifs to be developed towards new, more innovative designs. The design stage includes (1) observing and looking for data on batik and the architecture of the city of Solo, (2) conducting visual exploration, and (3) conducting trials on the source of the ideas taken, namely the architecture of the city of Solo. The results of this batik design are as follows: (1) This design results in a renewal of the motif design that displays the visuals of Solo City Architecture which previously was rarely applied as a batik motif. The results of this development succeeded in making 8 designs with visuals of Solo City Architecture that were processed using the Distortion style. (2) This design is applied as outerwear for women with a age range of 24-30 years. Design development considerations are adjusted to the age range and consumer tastes.
THE DEVELOPMENT OF MAOS HAND WRITING BATIK WITH DIPONEGORO WAR STORIES MOTIF FOR DRESS Ayasofia, Addina Aufa; Santoso, Ratna Endah
Arty: Jurnal Seni Rupa Vol 10 No 1 (2021): Arty
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The Maos Cilacap batik motif was once used as a code in the Diponegoro War. There has been no development of a motif using the story of the Diponegoro War so that the history of Maos batik is not widely known. Until now, the development of Maos batik motifs is still limited to the original motifs which are added with motifs from other natural potentials. The purpose of this development is to develop Batik Maos designs by combining original motifs with the narrative motifs of the Diponegoro War stories so as to produce Batik Maos products which can be a means of education about the history of their origins. The method used consists of the design method with Collin Clipson theory, design concepts, and visualization. The results of this development include: (1) The design is carried out by displaying the original Maos batik motif combined with the visualization of the Diponegoro war story with stylized and naturalist styles, where in one fabric design containing one original maos batik motif is collaborated with the visualization of the Diponegoro war story which is in tune with the meaning of the original motif when into a war code. From development 8 designs were successfully created with the distribution of motifs according to the types of batik in Maos, namely geometry, flora and fauna. (2) This development is carried out by designing a direct motif on the ready-to-wear clothing pattern, namely the dress so that it can be ensured that the visualization of the Diponegoro war story is not cut into pieces when it becomes a form of clothing.
DESIGNING BATIK WITH THE SOURCE OF SOLO ARCHITECTURAL IDEAS FOR OUTERWEAR PRODUCTS Salsabila, Azka; Santoso, Ratna Endah
Arty: Jurnal Seni Rupa Vol 10 No 1 (2021): Arty
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This design was carried out as a form of batik motif development by making Solo city architecture a source of visual ideas, given the diverse architectural heritage cities in Solo that can be used as a source of ideas. The purpose of this design is to produce batik products by exploring the visual of Solo city architecture into batik motifs to be developed towards new, more innovative designs. The design stage includes (1) observing and looking for data on batik and the architecture of the city of Solo, (2) conducting visual exploration, and (3) conducting trials on the source of the ideas taken, namely the architecture of the city of Solo. The results of this batik design are as follows: (1) This design results in a renewal of the motif design that displays the visuals of Solo City Architecture which previously was rarely applied as a batik motif. The results of this development succeeded in making 8 designs with visuals of Solo City Architecture that were processed using the Distortion style. (2) This design is applied as outerwear for women with a age range of 24-30 years. Design development considerations are adjusted to the age range and consumer tastes.
Strategi UMKM Bertahan dan Berkembang di Era New Normal berbasis Model Bisnis Canvas (kasus UMKM Gethuk Take, Kecamatan Tawangmangu Kabupaten Karanganyar) Irianto, Heru; Fajarningsih, Rhina Uchyani; Sulistyono, If Bambang; Suherlan, Yayan; Santoso, Ratna Endah; Mataram, Sayid; Widyamurti, Nidyah
Agrisaintifika: Jurnal Ilmu-ilmu Pertanian Vol 7 No 1 (2023): AGRISAINTIFIKA
Publisher : Universitas Veteran Bangun Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32585/ags.v7i1.3691

Abstract

UMKM di Indonesia mampu berkontribusi menyumbang Produk Domestik Bruto maupun penyerapan tenaga kerja dalam berbagai kondisi perekonomian bangsa. Namun, pandemi Covid 19 memberikan dampak yang cukup signifikan pada UMKM karena daya beli masyarakat menurun sebagai akibat lesunya perekonomian dan banyaknya pengangguran. Tujuan penelitian ini adalah mengkaji fenomena ditengah banyaknya UMKM mengalami penurunan omset dan kebangkrutan, masih ada UMKM yang bertahan dan berkembang ditengah-tengah serangan Covid 19” bahkan bertahan pada tatanan kehidupan baru (new normal) untuk dijadikan motivasi UMKM lain ditengah tatanan kehidupan baru tersebut. Guna kajian tersebut peneliti melakukan kajian pada salah satu UMKM olahan pangan yang mampu bertahan mekispun terdampak covid 19, yaitu UMKM Gethuk Take berada di wilayah Kecamatan Tawangmawu Kabupaten Karanganyar. Penelitian merupakan penelitian kualitatif, dengan metode analisis menggunakan bisnis model canvas. Hasil penelitian menunjukkan bahwa dampak pandemi Covid 19 secara telah menurunkan omset penjualannya karena basis konsumennya adalah para wisatawan, namun meski demikian UMKM Gethuk Take masih bisa bertahan dengan berbagai tindakan penyesuaian sebagai berikut : 1. Strategi inovasi produk dan pasar yang merupakan kunci keberhasilan untuk bertahan dan berkembang dalam masa pandemi seyogyanya tetap dilakukan dalam kondisi apapun, karena inovasi diharapkan akan menarik perhatian kepada konsumen yang loyal maupun calon konsumen baru. 2. Selain itu model bisnis berbasis digital dalam pemasaran dan keuangan sebaiknya secara gradual dijalankan agar bisnis dapat dilakukan dengan baik, tetap sehat pelakunya dan usaha terus dapat berkembang di era digitalisasi yang semakin cepat mendorong perubahan-perubahan perilaku konsumen.Kata Kunci :     Covid 19, Model Bisnis Canvas, UMKM Gethuk Take.
Synergy of Digital Literacy and E-Commerce in Boosting SME Performance Emi Widiyanti; Cahyadin, Malik; Santoso, Arief Iman; Santoso, Ratna Endah; Widyamurti, Nidyah; Ertimi, Basem
EcceS: Economics, Social, and Development Studies Vol 11 No 1 (2024): June
Publisher : Economics Department, Faculty of Economic and Islamic Business, Universitas Islam Negeri Alauddin Makassar, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/ecc.v11i1.47057

Abstract

The digital economy (e-commerce) is an important tool to enhance SMEs, with various limitations, including digital literacy and SMEs owner characteristics. The novelty of this study is to provide a deeper understanding and new evidence of the linkage between digital literacy and e-commerce for SMEs. The future expected impact of this study is the government should facilitate and improve the level of digital literacy and e-commerce for SMEs. In particular, this study sets a question, namely: Does technology literacy lead the digital economy (e-commerce) for SMEs? Therefore, this study investigates the determinant factors of e-commerce by moderating variable of digital literacy among SMEs in the Malang region (Malang City, Malang Regency, and Batu City). The sample size is 43 respondents actively involved in business training and mentoring by SME associations, business incubators, and local governments. The respondents have social media and e-commerce to stimulate their sales. The sampling method was purposive sampling. The sample was collected through a survey during March - April 2024. Path analysis was applied to elaborate the study objectives. The findings reveal that the indicators constructing digital literacy and e-commerce are valid and reliable. The digital literacy was influenced by the age of SME owner and economic media. Besides, the digital literacy has a positive and significant impact on e-commerce at the 1% level. E-commerce is also determined by firm establishment. This condition means that an increase in the quality of digital literacy can lead to a rise in e-commerce utilisation. The implications of this study suggest that SME associations, business incubators and local governments facilitate the improvement of SMEs' digital literacy and their ability to utilise e-commerce appropriately to grow their businesses in the long term. In addition, SMEs should improve their digital business skills through various training and business mentoring conducted by local governments and business incubators.
Pewarnaan Alami Benang Katun Menggunakan Angkak (Monascus Purpureus) Yuditira, Syafira Tasya; Santoso, Ratna Endah
BAJU: Journal of Fashion and Textile Design Unesa Vol. 4 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v4n2.p152-161

Abstract

Natural dyes can be obtained from plants, animals, minerals, and microorganisms. The microorganism that has the ability to produce pigment is Monascus Purpureus. Angkak, or Monascus purpureus, is the result of the fermentation of rice with the mushroom Monascus Sp. Monascus purpureus mushrooms can produce large amounts of carotenoid pigment, resulting in a red colour. Angkak is often used as a traditional medicine, a food base, and especially as a natural food colourant. However, the knowledge and application of natural dyeing for textiles are still very rare, especially on cotton yarn. This research refers to experimental methods carried out based on data collection in the form of literary studies, trials, observations, and interviews. The process of natural colouring cotton ropes with angkak is carried out in several stages and using several techniques. The natural colouring of the cotton yarn produces varying nude colours. The study resulted in 16 colour variations of 16 combinations of mordant and fixation materials. The results of this study can provide more insight into the natural colouring potential of cotton, thus making it an environmentally friendly and sustainable textile colouring alternative in the textile industry.
Transformasi Busana Pengantin Perempuan Lampung dalam Perancangan Adibusana Pratama, Romi; Santoso, Ratna Endah
BAJU: Journal of Fashion and Textile Design Unesa Vol. 4 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v4n2.p171-180

Abstract

The story behind this work is because there are many people who misinterpret the use of Haute Couture, the term is protected under the Federation de la haute couture et de la mode, even though Indonesian itself has the same term, namely adibusana. Apart from that, the factor behind this design is that there are many generations now who do not know or even leave the tradition of advanced fashion at the level of the shallot bone tribe. The lack of exploration of the wedding dress is the background for the transformation in adibusana design. The design method used is Transforming Tradition by Adhi Nugraha, there are eight important points that can be combined or selected, namely the ATUMICS method. Based on the design process carried out, the results of the collection were obtained with 6 evening dress designs and 4 shoe design to be realized, and 2 bags. This collection required approximately 400 meters of gold thread, 1258 meters of textile pipe, 480 individual chrysolite flowers from textile pipes, thousands of sequins and swarovski, and took approximately 2000 hours to put together the garments.
Upcycling Perca Brokat dengan Tule Menggunakan Metode Sirkular Resource-Pressure Hafidzah, Serena; Santoso, Ratna Endah
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

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Abstract

The majority of textiles today are inorganic waste that requires a lengthy processing process to decompose. Although there are various methods and stages for processing textile scraps, there are still limited techniques used for processing brocade and tulle scraps. This design represents one sustainable waste utilization option using the practice of upcycling brocade scraps into vests, based on the resource-pressure circular design method designed according to six design parameters, namely product mass, primary material content, product lifespan, manufacturing waste, recycling, and decomposition. The objective of this method is to maximize the utilization of secondary raw materials (waste) in production, transforming brocade and tulle scraps into vest garments that serve as versatile and unisex complements for various occasions.
PERANCANGAN MOTIF BATIK TULIS DIPADUKAN DENGAN LURIK PEDAN SEBAGAI BUSANA CONVERTIBLE WANITA KARIR Zakiyah, Naela Ni’matuz; Santoso, Ratna Endah
Moda : The Fashion Journal Vol. 5 No. 2 (2023)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v5i2.4381

Abstract

Batik sering dipilih oleh masyarakat untuk dijadikan busana formal hingga seragam dalam pekerjaan dan untuk menghadiri acara acara penting. Tidak hanya batik, saat ini kain lurik mengalami kemunduran akibat tergeser oleh produksi tekstil pabrikan. Penampilan menjadi salah satu poin penting untuk beberapa bidang pekerjaan. Hal itu menjadi norma tersendiri, dan dianggap bahwa penampilan seseorang yang lebih rapi dan sopan memiliki etika kerja yang lebih bagus. Berdasarkan beberapa realitas tersebut, menjadi seorang wanita karir sering dihadapkan pada suatu permasalahan yang kompleks dalam berbusana akibat dualitas peran yang harus mereka jalani. Dimana mereka diharuskan untuk memberikan tanggung jawab dalam pekerjaan dan kinerja yang profesional dengan memaksimalkan efektifitas waktu sebaik mungkin sesuai dengan acara, waktu dan kebutuhan yang berbeda. Permasalahan dalam perancangan ini adalah bagaimana cara merancang motif batik tulis yang nantinya dikombinasikan dengan kain lurik sebagai busana convertible untuk wanita karir, mengingat kedua material ini memiliki dua motif yang berbeda dengan mempertimbangkan aspek estetis, material, teknik, fungsi, dan bentuk agar dapat menyelesaikan masalah dalam perancangan tersebut.