cover
Contact Name
I Putu Udiyana Wasista
Contact Email
udiyanawasista@isi-dps.ac.id
Phone
+628123970292
Journal Mail Official
igel_journal@isi-dps.ac.id
Editorial Address
Jalan Nusa Indah, Banjar Abiankapas Tengah, Denpasar, Bali, 80235
Location
Kota denpasar,
Bali
INDONESIA
Jurnal Igel: Journal of Dance
ISSN : -     EISSN : 28023245     DOI : https://doi.org/10.59997/journalofdance
Core Subject : Humanities, Art,
Jurnal IGEL : Journal Of Dance memiliki makna kolaboratif berbagai elemen serta usaha kerja keras dalam membangun ilmu pengetahuan, teknologi, dan seni tari secara luas, baik dalam matra lokal, regional, nasional maupun global.
Articles 173 Documents
Tari Wrrdhining Endek Kusuma, Putu Werdhi; Trisnawati, Trisnawati; Suartini, Ni Wayan
Jurnal IGEL : Journal Of Dance Vol 4 No 1 (2024): Jurnal IGEL Vol 4 No 1 2024
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v4i1.4199

Abstract

The Wrrdhining Endek dance work is a new dance creation inspired by the development of typical Balinese woven cloth, namely endek cloth, which was developed by the creator with his creativity and imagination. The process of creating this dance work uses the Alma M. Hawkins method whose stages consist of an exploration stage, an improvisation stage, a forming stage and packaged into a new creative dance form danced by six dancers including three male dancers and three female dancers with a duration of 11 minutes 50 seconds. Wrrdhining Endek Dance make-up uses minimalist dance make-up to clarify the character that you want to highlight. By creating the Wrrdhining Endek Dance Work, the creator hopes that all people, especially on the island of Bali, will be proud and be able to take better care of the traditional cloth that we have, namely Endek cloth, because we have endek cloth, we wear it and we are proud. And the creator hopes that in the future the relationship between the creator and the Gumiart Bali Art Studio can remain good and collaborate again.
Tari RESULT Pratama, I Putu Oka Surya; Kasih, Ni Nyoman; Saputra, I Putu Bagus Bang Sada Graha
Jurnal IGEL : Journal Of Dance Vol 4 No 1 (2024): Jurnal IGEL Vol 4 No 1 2024
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v4i1.4202

Abstract

Result is a contemporary dance work whose idea comes from dice. The creator has an interest in the form of a number game and the clash of dice which results in an uncertain number value, and is poured into the dance work Result. In the method of creating this dance work, the creator found a gambling game method that was applied spontaneously by both dancers and musicians with dice media, the creator wanted to visualize it in a dance work to try or experiment on dice media. Do not forget that the creators also used Jacqueline Smith's dance creation method, called the construction method. The construction method consists of five stages, namely I to V, each of which has a stage in the process of creating a dance work.
Banyu Atirodra: Transformasi Air Dalam Wujud Tari Kekebyaran Gunawan, Kadek Putra Dharma; Sulistyani, Sulistyani; Gunarta, I Wayan Adi
Jurnal IGEL : Journal Of Dance Vol 4 No 1 (2024): Jurnal IGEL Vol 4 No 1 2024
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v4i1.4203

Abstract

Banyu Atirodra Dance is a dance that takes creative sources from the Siat Yeh cultural event in Banjar Teba, Jimbaran, Badung Regency. Siat Yeh can be divided into two words, siat means war and yeh means water. So Siat Yeh is a war that uses water as its weapon. In the creation of the Banyu Atirodra Dance, the creator made the use of water in this tradition as the basic capital and the trigger for choreographic ideas. Banyu means water and Atirodra means terrible, so Banyu Atirodra is the awesomeness of water that is able to provide prosperity as well as bring harm to humans. In the process of its creation, the creators collaborated with the Bumi Bajra Sandhi Foundation in the Merdeka Belajar-Kampus Merdeka program by taking the form of independent study/project learning.The creation of Banyu Atirodra Dance uses the method of creating Angripta Sasolahan (creating dances) by I Kt. Suteja in the book Catur Asrama Pendakian Spiritual Masyarakat Bali Dalam Sebuah Karya Tari. This book describes the five stages of creation, including ngarencana (planning), nuasen (prayer procession), makalin (improvisation), nelesin (formation) and ngebah (premier performance). The Banyu Atirodra dance is a subtle male dance (kekebyaran) performed in groups with the dance structure consisting of four parts that last 11 minutes. The dance music uses Gamelan Gong Kebyar components such as gong, klenong, kajar, kecek, kendang and flutes. Using minimalist (natural) make-up with white nuances, consisting of white trousers, white belt (stagen), don girang and white kancut (lelancingan). The creator hopes that the values contained in this work can be implemented in social life, especially in the use of water which is very crucial for life