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Humaniora

jurnal-humaniora
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Published by Universitas Gadjah Mada

ISSN : 08520801 EISSN : 23029269 DOI : 10.22146/jh

Core Subject : Humanities,

Humanities

Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.

Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra

Articles 950 Documents

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Mengenali Verba Resiprokal dalam Bahasa Indonesia Ariyanto Ariyanto
Humaniora No 2 (1991)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Kajian tentang verba resiprokal dalam bahasa Indonesia perlu dilakukan untuk mengetahui sistem morfosintaktiknya yang menyertai proses pembentukannya. Hal ini mengingat semakin meluasnya pemakaian bentuk verba resiprokal dalam peristiwa berbahasa karena dipandang sebagai pilihan kata yang tepat. Satu yang ingin dicapai adalah ingin lebih mengefisienkan komunikasi dengan mempergunakan diksi yang dipandang lebih efektif.

Analisis Struktur Kakawin Indrawijaya Soeharto Mangkusudarmo
Humaniora No 9 (1998)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Kakawin Indrawijaya (KI) adalah hasil karya sastra yang ditulis oleh Madya Mregiwu dalam bentuk puisi Jawa Kuna yang disebut kakawin (KI XVI, 1-2). Unsur-unsur formal bentuk puisi ini, ialah: metrum, bait, dan pupuh. Metrum berpedoman pada panjang-pendek vokal dan jumlah suku kata dalam satu larik. Satuan puisi adalah bait yang terdiri dari empat larik. Sejumlah baik yang sama metrumnya membentuk satu pupuh.

Budaya Pesantren dan Tradisi Pengajian Kitab Fadlil Munawwar Manshur
Humaniora No 8 (1998)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Eksistensi pesantren ditandai oleh lima unsur pesantren, yaitu pondok atau asrama, masjid, santri, kiai, dan kitab yang satu sama lain saling mengisi dan saling berkaitan. Eksistensi pesantren ini sering disebut budaya pesantren atau dapat juga disebut masyarakat pesantren yang memiliki budaya khas masyarakat tradisional di pedesaan.

"Abun" (Elegi Seorang Ayah): Analisis Struktural Model Farhud . Sangidu
Humaniora Vol 20, No 3 (2008)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This paper aims at revealing the intrinsic aspect of the poem "Abun" (Elegy of a Father) and the inter-relationships among its aspects to discover the total meaning of the poem. The aspects include al-ma'nâ (ideas), al-'âthifah (emotion), al-khayyâl (imagination), lughatusy-syi'ir (language of poetry), and mȗsiqasy-syi'ir (rhyme and intonation).The meaning of the poem is to depict the sadness of a father because of being separated from his children. The sweet and bitter memories he has when he is with them is hard to forget. He always remembers the time when his children often argue with one another, cry and laugh together and compete with one another. All these he has to leave behind because his children have grown up and become independent.

Dari Radja Toek sampai Goesti Dertik Kees Groeneboer
Humaniora Vol 14, No 2 (2002)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Fragmen Het land van herkomst (1935) mencirikan mite sekitar sosok ahli bahasa Herman Neubronner van der Tuuk (1824-1894). Sudah sejak masa hidupnya dia menjadi sosok legendaris - ilmuwan besar, tetapi juga pribadi yang mengesankan, berbuat sekehendak hatinya, kurang sopan-santun dan eksentrik -, seseorang yang dalam publikasi dan suratnya, dengan cara yang jelas, ironis, langsung, dan terkadang kasar menentang segala sesuatu yang dianggapnya memuakkan pada masanya. Misalnya dia tidak pernah merahasiakan bahwa dia tidak suka kepada agama Kristen, bahwa dia tidak suka kepada zending, dan tidak suka kepada masyarakat dan pemerintahan Belanda dan Hindia-Belanda. Dia juga tidak merahasiakan rasa jengkelnya terhadap kemajuan agama Islam, terhadap apa yang disebutnya ‘keserakahan’ pedagang Cina, ‘kebodohan’ penduduk pribumi, dan sebagainya.Dalam artikel ini diberikan sketsa kehidupan dan karya Van der Tuuk saat dia bekerja untuk Nederlandsch Bijbelgenootschap (Persekutuan Alkitab Belanda), (1847-1873). Artikel ini dimulai dengan persiapan keberangkatannya ke Hindia-Belanda (1847-1849), kepergian dan masa keberadaannya di daerah Batak (1849-1857), periode saat dia di Belanda menyelesaikan karyanya mengenai bahasa Batak (1857-1868), tahun-tahun ketika dia bekerja untuk Persekutuan Alkitab di Bali (1870-1873). Tahun-tahun waktu dia selanjutnya meneruskan pekerjaannya di Bali untuk pemerintah Hindia-Belanda (1873-1894), tidak akan dibahas secara mendalam dan akan dibicarakan pada kesempatan lain (Groeneboer, dalam persiapan).

MEMENJOR TRADITION,THE CONTESTATION AND IMPLICATION TO HINDU’S COMMUNITY IN BALI Ni Made Ary Widiastini
Humaniora Vol 25, No 3 (2013)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The objective of this paper is to discuss the development of penjor in the post-modern and postindustrial era of society which tends for the contestation purpose. As a means of Hindu religious ceremony penjor has changed, exhibiting luxurious, extraordina ry, and magnificent conditions. Based on the survey in some areas of Bali (Denpasar regency, Badung regency, and Gianyar regency) it is found that extraordinary penjor is displayed during the Galungan Holiday. Extraordinary penjor is categorized into three types, namely (1) simple penjor, (2) penjor with symbols of mythologic animal, and (3) penjor with symbols of deities (gods and goddesses). Extraordinary penjor fulfills human desires. Following Adlin (2006:169), the capitalist cultural industry is rightful to take opportunity from the phenomenon in which the society appreciate the market religion (Atmadja, 2010: 73-89), i.e., in favor of buying extraordinary penjor as it is to hard to prepare it themselves.

BUDI DARMA’S “CHARLES LEBOURNE” AS REPRESENTATION OF MAN’S DARKSIDE AND WEAKNESS OF THE INNERSIDE: A STRUCTURAL ANALYSIS Alviani Permata
Humaniora Vol 25, No 3 (2013)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This research is to analyze a short story of Budi Darma’s short story anthology The People of Bloomington (1980). “Charles Lebourne” was chosen because storythemes1 in the text can be clearly analyzed by a structural perspective. A Structural analysis on a literary work thoroughly explains and exposes the linkages of elements and aspects of the work to form a whole meaning. By analyzing six Episodes in the story, this structural approach produces two structures. Structure I as the “Structure of Encounter” between the characters shows the process of how the two finally live together before separated for a long time. While Structure II as the “Structure of Inner-Conflict” reflects the innerconflict of man in opposing pain, misery, the weakness, and the dark sides as a human being by comparing how the characters treat each other showed in the episodes. Finally, “Charles Lebourne” is seen as a model of an anxious man pursuing his identity and interacting with others.

ORALITY AS THE REPRESENTATION OF MADNESS IN THE POEM HOWL BY ALLEN GINSBERG Randy Ridwansyah
Humaniora Vol 25, No 3 (2013)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This paper examines the characteristics of orality as the representation of madness in the poem Howl by Allen Ginsberg. Orality and madness are two major aspects of Beat literary tradition. The characteristics of orally based thought and expressions as proposed by Ong are found in the poem and have significance to the theme of madness in the poem. Madness is manifested not only in content, but also in the form of poetic structure of the poem.It was found that textual orality in Howl serves to represent the effect of mind and body alteration caused by drug-induced madness on the perception of reality. Drug-induced madness both accelerates and decelerates the speaker’s perception in the poem, which is shown in the speech pattern of the narrative. All the perceptions captured by the mind and all the sensations felt by the senses take place almost simultaneously and are verbally manifested as they are into written language. This results in incoherent and ungrammatical sentences creating chaos, a form of language madness.

DARI OTOKRASI KE DEMOKRASI: MENYIBAK SEJARAH DAN SURVIVALITAS “DEMOKRASI ALA DAERAH ISTIMEWA YOGYAKARTA” Emilianus Yakob Sese Tolo
Humaniora Vol 25, No 3 (2013)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Nowadays, western-styled democracy is regarded as the best system of governance. Therefore, there is a global tendency to make western-styled democracy to be implemented across the globe. In Yogyakarta Special Region (DIY), the introduction of western-styled democracy was wellaccepted. The values of western democracy was merged with the Javanese political culture to form a “demokrasi ala DIY”. This article aims to analyze the positive relation between western-styled democracy and political culture in DIY, by using qualitative description methodology. The article concludes that Javanese political culture does support the process of democratization. The two dynasties of Hamengkubuwono and Pakualaman do contribute for the change from autocracy to democracy and the establishment of “demokrasi ala DIY”.

BUDAYA HIBRIDA MASYARAKAT CIREBON M. Alie Humaedi
Humaniora Vol 25, No 3 (2013)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Cirebonis is one of the major of economic distribution network in the archipelago. This city has created a network of its own culture, so many social transformations and their cultural phenomena often appear in different forms with centers of cultural mainstream, both culture (and language) Sundanese or Javanese. The research question is how hybrid’s culture formed according to the city growth?. How cultural hybridity practice is a process of cross-cultural as genealogical heritage of community? Studies using ethnographic approach through in-depth interviews and direct observation was about to explain how Cirebon community articulate their views on the city and the mapping of the ethnic relationship, which is between the Sundanese as owner of the mainstream culture with Wong Java (Java Koek) as the holder of marginal culture. This study found that the cross-cultural process have resulted in cultural hybridityis never clearly demarcated. It could even give birth to new cultural patterns that are more inclined to the mainstream culture, oral so the marginal culture, as seen in the case of cross-cultural marriage that gave to the language selection, the Sunda Koek or Jawa Koek, different with each cultural center

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Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

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Kab. sleman,

Daerah istimewa yogyakarta

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Home Page

OAI Link

Editorial Team

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Reviewer

Google Scholar

Contact Name Elan Ardri Lazuardi,

Contact Email humaniora@ugm.ac.id

Phone -

Journal Mail Official humaniora@ugm.ac.id

Editorial Address Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location Kab. sleman, Daerah istimewa yogyakarta INDONESIA

Abstract

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Contact Name
Elan Ardri Lazuardi,

Contact Email
humaniora@ugm.ac.id

Phone
-

Journal Mail Official
humaniora@ugm.ac.id

Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA