Garuda - Garba Rujukan Digital

Article Per Year (5 Year)

All

Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya

WD
Website

Published by Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

ISSN : 19781075 EISSN : 26203146 DOI : -

Core Subject : Social,

Social Sciences

Jurnal Widya Duta yang diterbitkan oleh Program Studi Ilmu Komunikasi Hindu Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar ini didedikasikan sebagai wadah hasil dari penyebaran ide, gagasan, maupun masukan yang positif berupa tulisan ilmiah terkait bidang ilmu sosial dan budaya.

Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)

Articles 8 Documents

Search results for , issue "Vol 16 No 2 (2021): WIDYA DUTA SEPTEMBER 2021" : 8 Documents clear

IDEOLOGI T-SHIRT BEBASKAN JRX SEBAGAI SEBUAH KOMODITI DAN SIMBOL PERLAWANAN TERHADAP KEKUASAAN Made Ika Kusuma Dewi; Ida Ayu Dwita Krisna Ari; Widya Duta
Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya Vol 16 No 2 (2021): WIDYA DUTA SEPTEMBER 2021
Publisher : UHN IGB Sugriwa Denpasar

Clothing has become an important part of the lifestyle and hasbecome a fashion trend in Balinese society. Clothing is very closely relatedto the human self, through clothing can reveal many things about theidentity of the wearer from the appearance reflected how the social statusand personality of the wearer. Currently, the t-shirt is a popular clothingused by people from all walks of life because it is easy to clean and themodel remains eternal from time to time. T-shirts have severalconveniences, apart from being cheap, comfortable to wear, easy to clean,mobile, functional, and can be used as souvenirs, and so on, this makesbusiness people and politicians realize that t-shirts can be used as a gift. aneffective and efficient promotional media, apart from being a means ofadvertising t-shirts, it is also used as a medium to spread politicalunderstanding. Of the several functions possessed by the t-shirt, it isrelated to the function of the t-shirt as a medium for delivering messagesand aspirations. Currently, several types of t-shirts have emerged thatcarry the aspirations of several groups of people who empathize with thecase that befell the drummer for the Superman Is Dead band, I Gede AriAstina, or who is familiarly called Jerink, later shortened to JRX. Regardingthis case, many JRX sympathizers thought that he did not deserve to bepunished, without holding mediation to bridge the problem between JRXand IDI Bali which he criticized, but the JRX case went straight to the legalprocess so that it was considered by some groups of society as an act.silence the aspirations of the small people who try to voice injustice in thiscountry, therefore several individual formation practices have emergedthat determine their common social orientation, this communitymovement group has the same ideology and so that they can actstructurally so that it is in line with their ideology. stretcher, then in theprocess of marking the ideology, several t-shirt designs emerged with thetheme “free JRX” with various variants, designs, colors that emerged fromseveral groups that had the same ideology.

WISATA “MANYAMABRAYA”: PAKET WISATA “AJEG BALI” BERBASIS LOCAL GENIUS Komang Trisna Dewi; Widya Duta
Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya Vol 16 No 2 (2021): WIDYA DUTA SEPTEMBER 2021
Publisher : UHN IGB Sugriwa Denpasar

This research is a qualitative research that aims to describe"manyamabraya" tourism based on local genius in the Mengali TraditionalVillage, Sawan-Buleleng District. The research data were collected usingdocumentation, interview, and observation techniques with researchinstruments in the form of interview guides and observation sheets. Thedata collected was then analyzed descriptively qualitatively by followingthe interactive analysis method proposed by Miles and Huberman (1994).This study concludes that, (1) "Manyamabraya" tourism based on localgenius in the Mengali Traditional Village is a tourism concept that providesthe opportunity for tourists to be directly involved in the socio-cultural lifeof the community in the Mengali Traditional Village, (2) This tour wasdeveloped because of the natural and cultural potential which is verysuitable to be developed into a cultural-based tourist destination, as wellas the weakness of the community's economy has encouraged creativeideas to develop this "manyamabraya" tourism, (3) The "manyamabraya"tourism is managed directly independently by the community of theMengali Indigenous Village, starting from providing accommodation,tourist activities, food, drinks and entertainment

POLA KOMUNIKASI TRANSENDENTAL DALAM KONTEKS PROSESI NGEREH BAGI TAPAKAN BHATARA DI BALI Ida Bagus Putu Supriadi; Widya Duta
Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya Vol 16 No 2 (2021): WIDYA DUTA SEPTEMBER 2021
Publisher : UHN IGB Sugriwa Denpasar

This research was designed qualitatively descriptively because the field phenomenon that wanted to be expressed was in the form of subjective experience and knowledge of the informants, then analyzed to obtain intersubjective conclusions. Aims to identify and interpret field data based on the view of transcendental communication. Postpositivistic paradigm with a phenomenological approach to communication. The material object of the procession is ngereh for the monks in Bali, while the formal object is the application of the concept of transcendental communication. The use of qualitative design means that this research emphasizes more on reality with interactive, plural dimensions, and the existence of an exchange of social experiences that can be interpreted individually. Hinduism (Bali) is a tantrayana religion. All activities of practicing tattwa and morals are in the form of religious events, which use the traditional ritual. One of the religious events, which contain the practice of divinity is the use of statues/pretima in the form of a temple bhatara which is worshiped in temples in Bali and several temples outside Bali. Before becoming a priest, a newly created pretime/barong/rangda, a purification ritual (sacralization) must be carried out to get the panugrahan as a priest's tapakan. This chilling procession for the bhatara's tread is the object of this research, and four important things have been found. First, at eachstage of the ritual a transcendental communication event occurs. Second, the transcendental communication component in the context of the ngereh procession at the bhatara's footprint in Bali includes the procession actors (pengereh) and supernatural/supernatural powers (who act as communicators and communicants alternately). Mantras or sehe that arespoken and mudras that are made mystically (act as messages), as a means of upakara as a yantra or communication medium. Third, the context of transcendental communication that can be identified for the tapakan bhatara is: the context of communication when the mangala/stakeholder/sangging performs the prayascita ceremony. when the mangala/stakeholder/sangging performed the ngatep and mintonin ceremonies, and when the mangala/stakeholders/sangging performed the pasupati and ngereh ceremonies. The four effects of transcendental communication include cognitive experience/knowledge, affective experience/knowledge, and behavioral experience/knowledge.

MITOS KECANTIKAN TUBUH WANITA PADA KAKAWIN SMARA TANTRA Putu Eka Sura Adnyana; Ni Made Yuliarmini; Widya Duta
Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya Vol 16 No 2 (2021): WIDYA DUTA SEPTEMBER 2021
Publisher : UHN IGB Sugriwa Denpasar

The concept of beauty attached to a woman's body does not onlyoccur in the real world but also in literary works. Beauty myths forminterpretations to women in the analyzed Smara Tantra kakawin. Beautymyths intimidate women in such a systematic and organized way. As longas women think that being beautiful according to the representation ofsociety's glasses is an absolute necessity. Kakawin Smara Tantra, which isquite famous among Balinese people, only sees from the point of view ofmen the beautiful construction of women. Beauty myths created inkakawin Smara Tantra have shackled women so that women no longerrespect themselves and only focus on physical form. Although the truebeauty of women is not only radiated from the physical but must bebalanced with beauty that comes from within (inner beauty).

PEMANFAATAN MEDIA KOMUNIKASI WHATSAPP UNTUK MENGOPTIMALISASI KINERJA JURNALIS DITENGAH PANDEMI COVID-19. I Ketut Manik Asta Jaya; Widya Duta
Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya Vol 16 No 2 (2021): WIDYA DUTA SEPTEMBER 2021
Publisher : UHN IGB Sugriwa Denpasar

This study aims to examine more deeply the benefits of Whatsappcommunication media to optimize the performance of journalists in themidst of the covid 19 pandemic. Especially now that the whole worldincluding Indonesia is still in the midst of the covid-19 pandemic, thusrequiring all activities to be limited while still implementing healthprotocols. In the midst of this condition, technological advances withvarious features are a solution to keep carrying out various activities,especially the profession as a journalist. This study uses a quantitativeapproach because it uses research strategies such as survey activities thatrequire statistical data. The results of this study indicate the high use of theWhatsapp application by respondents who are all journalists. In fact, oneof the results of the questionnaire distributed through Google Forms showsthat 100 percent of respondents choose the use of the Whatsappapplication compared to applications such as Facebook, Twitter, GoogleMeet and other applications. These results show that the Whatsappapplication supports the performance of journalists, especially in the midstof the covid 19 pandemic. In addition, the dominant respondents alsochoose the Whatsapp application to disseminate news links, compared tosocial media such as Facebook, Twitter and others. This result also causesmany features in the Whatsapp application that support performance as ajournalist. There are several features in the Whatsapp application: 1. Cansend text messages, 2. Receive and send photos from live cameras oralbums, 3. Send videos, 4. Exchange documents both in the form of filesand others and various other features.

KOMUNIKASI DALAM KEHIDUPAN BERAGAMA MELALUI BISINDO I Made Sukma Muniksu
Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya Vol 16 No 2 (2021): WIDYA DUTA SEPTEMBER 2021
Publisher : UHN IGB Sugriwa Denpasar

Living in a social and religious life, you will find very rapid differencesin communication between Deaf and Hearing Friends. So that eachindividual must respect and respect each other. In this way, religiousharmony will be realized. Listeners can learn BISINDO so they cancommunicate with Deaf Friends. Listening friends can learn starting fromthe easiest, namely recognizing letters and numbers. Because throughletters and numbers can provide symbols that are very useful incommunication. Communication is a basic human activity. There is not anindividual who will not be involved in communication. In this relationshipin communication, it is in the form of tolerance and information betweenreligious communities which are the core elements of limited religiousharmony within the internal environment of a religion. Meanwhile,horizontal relationships, or patterns of human relations with each other orhumans with surrounding communities of different cultures, races,religions, be it in the form of social cooperation or individual patterns withindividuals to build a stronger sense of brotherhood. A society with a socialand religious life definitely needs communication. Even though thecommunication occurred between Listening Friends and Deaf Friends. Allactivities that occur in religious life cannot be separated from thecommunication from the communicator to the communicant. A deaf friendwho uses BISINDO as a communicant has the right to know whatinformation he gets from other people. In a diverse life, Teman Deaf alsohas the right to receive religious teachings that he believes in.

KOMUNIKASI VISUAL KARTUN SOMPRET KARYA I WAYAN SADHA I Wayan Nuriarta; I Gede Agus Indram Bayu Artha; Ni Putu Dhea Pramesti; Pande Putu Sastra Wibawa
Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya Vol 16 No 2 (2021): WIDYA DUTA SEPTEMBER 2021
Publisher : UHN IGB Sugriwa Denpasar

This paper was written to read visual signs and verbal markscontained in the cartoon Sompret by I Wayan Sadha. I Wayan Sadha'sSompret cartoon has its uniqueness as a work of visual communication.The uniqueness is that the visual communication of this cartoon presentsillustrations, typography, and layouts with a deep appreciation of Balineseculture. The illustration presents a Balinese wearing a headdress is arepresentation of a Balinese in traditional culture. The illustration of aBalinese without a headdress is a representation of a Balinese who is in themodern culture. The typography used utilizes the display font to presentthe conversation and clarify the description of the image. The letters areused to explain the issue raised as Sadha's opinion and point of view on theBali issues. Sadha's Sompret Cartoons only use lines, no color, so his worksappeared as black and white cartoons. Sompret cartoons used thesymmetrical balance composition and hidden balance layout, theperspective of human eye level, and the perspective of a bird's eye. Thisresearch uses descriptive qualitative research method. Semiotic theory isused in this research and focus on denotation and connotation meaning.Denotationally, the Sompret cartoon of Sadha presents a narrative ofevents based on the issue raised related to Balinese traditional culture andthe flow of globalization. The work is created in a one-panel cartoon. Thestory of this cartoon sometimes with conversations of several charactersor only illustrations of the characters without any conversation. With thenarrative being built, the meaning of the connotation can be read. Theconnotations meaning of Sompret cartoons as opinion cartoons is showingthe flow of globalization or modern culture in the middle of the strength ofthe Balinese traditional culture. Connotatively this cartoon can be read asa development of globalization in Bali

UPACARA BIYUKUKUNG (KEARIFAN LOKAL MASYARAKAT BALI DALAM MENJAGA TEO-AGRIKULTUR) Ni Nyoman Suastini
Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya Vol 16 No 2 (2021): WIDYA DUTA SEPTEMBER 2021
Publisher : UHN IGB Sugriwa Denpasar

Biyukukung ceremony was carried out by Balinese people whoworked in agriculture, especially rice farming. This ceremony was relatedwith Balinese people’s effort religiously to gained prosperity for their ricein the field. As a rice farmer, Balinese people often had adversity in theirfield, liked damaged by pests, lacked of water, and more. As a religiouspeople, they used this ceremony to avoid any adversity. Biyukukungceremony was carried out by farmers, started from prepared the facilitieslike banten and other which related with the ceremony. The meaning ofthis ceremony was an expression of farmers’ thankful to God in the form ofhis manifestation as Dewi Sri and Dewa Wisnu which provided safety andgrowth the rice fertilely, protected from the pests, and other damaged.That was why Balinese people carried out the ceremony which hadinherited by every generation. This ceremony also made different meaningof agriculture group, which was not only about farming. Moreover, themean was combined the concept of Hindu’s theology and farming. Thistradition then became a unified in farming system, so that the religionceremony and farming activity be related to each other. Balinese peoplealways depended to God for their safety, so that all of their action, includedfarming, was related. This relation made Bali unique, there was no linebetween religion and culture in their daily life. Thus, “BiyukukungCeremony” had function and meaning to prayed the rice growth fertilelyand also the field safety, so that the farmers could harvest well accordingto their expectation.

Page 1 of 1 | Total Record : 8

Filter by Year

2021 2021

Filter By Issues

All Issue Vol 20 No 1 (2025): Widya Duta Sosial Budaya pada Maret 2025 Vol 19 No 2 (2024): Widya Duta September 2024 Vol 19 No 1 (2024): Widya Duta Maret 2024 Vol 18 No 2 (2023): Widya Duta September 2023 Vol 18 No 1 (2023): Widya Duta Maret 2023 Vol 17 No 2 (2022): Widya Duta September 2022 Vol 17 No 1 (2022): Maret 2022 Vol 16 No 2 (2021): WIDYA DUTA SEPTEMBER 2021 Vol 16 No 1 (2021): WIDYA DUTA MARET 2021

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
I Putu Adi Saskara

Contact Email
putuadisaskara@gmail.com

Phone
+6282145448959

Journal Mail Official
putuadisaskara@gmail.com

Editorial Address
Jl. Ratna No.51, Tonja, Kec. Denpasar Utara, Kota Denpasar, Bali 80237

Location
Kota denpasar,

Bali

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name I Putu Adi Saskara

Contact Email putuadisaskara@gmail.com

Phone +6282145448959

Journal Mail Official putuadisaskara@gmail.com

Editorial Address Jl. Ratna No.51, Tonja, Kec. Denpasar Utara, Kota Denpasar, Bali 80237

Location Kota denpasar, Bali INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
I Putu Adi Saskara

Contact Email
putuadisaskara@gmail.com

Phone
+6282145448959

Journal Mail Official
putuadisaskara@gmail.com

Editorial Address
Jl. Ratna No.51, Tonja, Kec. Denpasar Utara, Kota Denpasar, Bali 80237

Location
Kota denpasar,

Bali

INDONESIA