cover
Contact Name
Eko Pramudya Laksana
Contact Email
publisher@um.ac.id
Phone
-
Journal Mail Official
iccall.pasca@um.ac.id
Editorial Address
Semarang St., No 5, Malang, East Java, Indonesia
Location
Kota malang,
Jawa timur
INDONESIA
Journal of Calligraphy
ISSN : -     EISSN : 27978788     DOI : 10.17977
Journal of Calligraphy is an open-access journal that publishes peer-reviewed articles on the world of calligraphy. The articles that can be published is about calligraphy (practice, theory, research, and development) from the global value perspective. It can discuss the history, tools/materials, technique/design/style, worldview, knowledge and civilization, digital-computerized, emerging technologies, education/teaching, conservation and restoration, visual psychology, marketing and management, global trend and future that are suitable with the worldwide value of calligraphy.
Articles 7 Documents
Search results for , issue "Vol. 1 No. 2 (2021): Journal Of Calligraphy" : 7 Documents clear
تعليم الخط العربي عن بعد بجمعية دار الخط من خلال منهج "حميدي" أثتاء الوباء Faris Maturedy; Ahmad Yasir Amrulloh
Journal of Calligraphy Vol. 1 No. 2 (2021): Journal Of Calligraphy
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1182.595 KB) | DOI: 10.17977/um082v1i22021p1-7

Abstract

The Covid-19 epidemic has spread around the world. As a result, people's activities stopped especially educational activities in schools. This is the case with the teaching of calligraphy using the "Hamidi" curriculum in Dar Al-Khatt. The aim of the research is to describe the process of teaching calligraphy with a "Hamidy" approach during the epidemic. Then the researchers used the qualitative research method. Thus, the data was collected by a deep interview with the calligraphy teacher at the Dar Al-Khatt Society. The data was analyzed by the descriptive method. The result indicated that learning the script takes place either directly or indirectly from a distance. After it was a direct meeting between the teacher and students. The teacher complained of their inability to provide suggestions and correction accurately.
مصطلحات فن الخط العربي الإسلامي أد/ نادية لقجع جلول سايح
Journal of Calligraphy Vol. 1 No. 2 (2021): Journal Of Calligraphy
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (383.335 KB) | DOI: 10.17977/um082v1i22021p8-22

Abstract

Arabic calligraphy is one of the most prominent and highest Islamic arts because of its connection with the Holy Qur’an, or more accurately because it is linked to the drawing of the Noble Qur’an, that is, by the way of writing its words as drawn by the “Book of Revelation”, and thus enjoys a unique symbolism in Islamic civilization, and because it is a civil industry, it strengthens with the power of civilization. It is weakened by its weakness, and because it is a creative faculty, calligraphers, artists and writers have mastered the diversity of its forms, and because it is an independent art by itself, a unified idiomatic base has been formed that brings together everyone who wants to study this art as a unique field of knowledge. As we try, through this research, to combine with the explanation the terms of Arabic calligraphy, we in fact present a living model and conclusive evidence of the richness of the aesthetic of Arabic license.
فنّ الخطّ العربي بين الروح الإسلامية والبعد الاستيتيقي Khadidja Merat
Journal of Calligraphy Vol. 1 No. 2 (2021): Journal Of Calligraphy
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (335.161 KB) | DOI: 10.17977/um082v1i22021p23-31

Abstract

This research tries to explain the art of Arabic calligraphy; This ancient art, with its distinctive formations, decorations, and geometries, decorated with Islamic letters of the spirit, imparts a special breath to the fonts and gives them an aesthetic imprint and medallion of difference and individuality. Therefore, this intervention falls under the Title “ Arabic Calligraphy Art Between the Islamic Spirit and the Strategic Dimension”, is an attempt to answer the central problem of calligraphy, namely: Arabic combining the Islamic spirit with an aesthetic dimension? Or in other words, how does the spirit of Islam give Arabic calligraphy an aesthetic and aesthetic dimension? This study will rely on a historical descriptive approach, because it will describe the phenomenon of Arabic calligraphy art in addition to its history, origin, and development, to achieve the focus and axis of the study which is represented in the aesthetics and reliability of the work. this calligraphy. The study achieved a series of results, the most important of which were: 1- Arabic calligraphy is a symbol of Arab civilization. 2- The emergence of Islam contributed to the interest in calligraphy and the transition from the spoken system to the written system. 3 - Muslims are attracted to Arabic calligraphy as a means to communicate with them, communicate their civilization and culture, and spread their religion throughout the world. 4 There is a close connection between Arabic calligraphy and Arabic identity, namely that the art of Arabic calligraphy is the language and spirit of this Arabism. 5- The Islamic spirit of Arabic calligraphy has breathed into it an aesthetic and aesthetic dimension, making it a symbol of Islamic urbanism and decoration on clothing and others.
أثر مهارة الكتابة في تحسين الخط العربي لدى التلاميذ الناطقين بغير العربية في المراحل التعليمية الأساسية في نيجيريا : Ahmad Garba Ahmad Garba
Journal of Calligraphy Vol. 1 No. 2 (2021): Journal Of Calligraphy
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (311.418 KB) | DOI: 10.17977/um082v1i22021p46-54

Abstract

The writing skill is a fourth type of language skill, and it means the ability to express what is in the conscience and thoughts through transcription, and it is a skill that requires a high idea, which is always a complex scientific because it needs continuous training and continuous practice. This study aims to shed light on the impact and importance of mastering skill in improving Arabic calligraphy among non-Arabic speaking students in the basic educational stages in Nigeria. This study includes the following; Research abstract, introduction, research methodology, definition of the basic educational stages in Nigeria, the concept of writing skill, its importance, objectives of its education, types of writing, stages of its education, the status of Arabic calligraphy in education, its teaching method, research results, suggestions, conclusion and references.
الآراء الجمالية وأهميتها في تجويد فن الخط العربي: دراسة تحليلية: دعاء بنت محمد داود الأشعري دعاء بنت محمد داود الأشعري
Journal of Calligraphy Vol. 1 No. 2 (2021): Journal Of Calligraphy
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (319.766 KB) | DOI: 10.17977/um082v1i22021p55-61

Abstract

The art of calligraphy is considered one of the Islamic visual and sacred arts, and that the Islamic nation dealt with authorship and intonation in Arabic calligraphy and improving the engineering structure in terms of beautifying it because it is an art related to the Islamic faith, so this study aims to shed light on the most important aesthetic views that were mentioned regarding the art of Arabic calligraphy within A systematic perspective that includes the aesthetic context and rooted the principle of beauty in this art. The method used in this study is the descriptive analytical method, which describes and analyzes the opinions and aesthetic characteristics inherent within the art of Arabic calligraphy. The study concluded that the sum of these aesthetic opinions mentioned regarding the art of Arabic calligraphy had a great impact in imparting values and aesthetic dimensions to the art of Arabic calligraphy on the one hand, and on the other hand, they had a prominent role in its development, refinement and perfection.
تدريس الأدب العربي في الجامعات الكاميرونية: الواقع والمستقبل أبو سليمانو
Journal of Calligraphy Vol. 1 No. 2 (2021): Journal Of Calligraphy
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (347.404 KB) | DOI: 10.17977/um082v1i22021p62-77

Abstract

سنتناول في هذا البحث مسألة تدريس الأدب العربي في الجامعات الكاميرونية، وذلك للأهمية التي يحظى بها هذا الموضوع ، قائلا إنه اندفع نحو التطور والتقدم منذ بدأ تدريسها في جامعتي نغودري ومروا الحكوميتين، مواكبا بذلك اللغة العربية؛ فمثلا في جامعة مروا تخرج حتى الآن مئات من الطلبة، ونوقشت عشرات من البحوث العلمية للماجستير والدكتوراه. وقد شكلت هذه الحصيلة إضافة كبيرة للأدب العربي من حيث التعليم الجامعي في الكاميرون؛ وبالرغم من هذا التقدم المحمود فما زال تعليم الأدب العربي في الجامعتين المذكورتين يعاني العديد من المشكلات التي نرجو ونأمل أن تحل قريبا.وقد تحددت مشكلة البحث في كشف مهارات، ومداخل، وطرائق التدريس التي يستخدمها معلمو اللغة العربية في تدريس الأدب العربي في المرحلة الجامعية، وكذلك افتقار ميدان تدريس الأدب العربي إلى دراسة علمية تقوّم أداء معلمي اللغة العربية؟هذا وقد اتبعت المنهج الوصفي في معالجة هذه المشكلة المذكورة.
الخط المغربي: تاريخه وأنواعه وخصائصه أ. فاطمة طاهري; أ. أنس بوسلام
Journal of Calligraphy Vol. 1 No. 2 (2021): Journal Of Calligraphy
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (509.324 KB) | DOI: 10.17977/um082v1i22021p32-45

Abstract

The article deals with the history and spread of Al khatt al maghribi. this khatt which descends from Al khatt al koufi. The article then reviews the types of Al khatt al maghribi, the most prominent of which are: - Al khatt al koufi al maghribi - Al khatt al Mabsout - Al khatt al moujawhar - khatt A-thuluth - Al khatt al Musnad or Al khatt al Zamami. Finally, the article explains the most prominent characteristics of Al khatt al maghribi, such as the absence of specific rules. تاريخ الخط المغربي وانتشاره، هذا الخط الذي ينحدر من الخط الكوفي بالمشرق. ثم يستعرض المقال أنواع الخط المغربي وأبرزها: - الخط الكوفي المغربي- الخط المبسوط – الخط المجوهر – خط الثلث المغربي، - خط المسند أو الزمامي، وفي الأخير يوضح المقال أبرز خصائص الخط المغربي كعدم وجود قواعد محددة لهذا الخط.

Page 1 of 1 | Total Record : 7