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Sugih Nugroho
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Faculty of Humanities, Universitas Indonesia Gd 2, Lt 2, Depok 16424, Indonesia
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Paradigma: Jurnal Kajian Budaya
Published by Universitas Indonesia
ISSN : 20876017     EISSN : 25030868     DOI : https://doi.org/10.17510/paradigma
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Paradigma: Jurnal Kajian Budaya is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in cultural science, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 7 Documents
 1 
Search results for , issue "Vol. 11, No. 3" : 7 Documents clear
Jalan Gender, Jalan Spiritual: Menggali Pembentukan Gender Project dalam Konteks Pengalaman Keberagamaan Perempuan Bandel, Katrin; Shakka, Anne; Linda, Gusnita; Ardhiani, Yustina Devi
Paradigma: Jurnal Kajian Budaya Vol. 11, No. 3
Publisher : UI Scholars Hub

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Abstract

Using the method of collaborative autoethnography, this study critically reflects on the life stories of three women from different backgrounds by focusing on gender and religion. One of the main aspects that we examined is gender projects, i.e. the projections people make when imagining their future gender roles and identities. As a result of our (self-) observations, we found that, while at first the gender project of those women was formed by the patriarchal gender order of their society, as time progresses, after living through and evaluating a variety of often traumatic experiences, they developed their own gender projects more independently from the constraints of the society. Religion played double roles during this process. Sometimes religious institutions became the space where traumatic experiences occurred and were even promoted, while in other contexts, religious institutions were experienced as safe spaces. However, their personal spirituality and self-transformation tended to be nurtured outside of formal religious institutions. In the end, the evaluation of these plural and complex experiences led us to more awareness of the limitations of religious institutions in accommodating and supporting women’s spirituality, due to their patriarchal gender regimes.
Peran Perempuan dalam Tradisi Sedekah Gunung di Desa Pelangas, Kecamatan Simpang Teritip, Kabupaten Bangka Barat Saputra, Putra Pratama; Ramadhani, Tiara; Sinabutar, Michael Jefri
Paradigma: Jurnal Kajian Budaya Vol. 11, No. 3
Publisher : UI Scholars Hub

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Abstract

Women have a role in a particular culture, and this can serve as a way to express their freedom and to be on an equal footing with their male counterparts. The Jering ethnic group in Palangas Village, Bangka Island, has a traditional ritual that is still carried out by the community, namely sedekah gunung. This ritual is carried out once a year, coinciding with the 14th night of the full moon. This ritual serves as an expression of gratitude for the good harvest that occurred for the entire year. This study used the descriptive qualitative method, while data collection techniques included interviews, observations, and documentation. The focus of this research is the role of women in the sedekah gunung ritual. There are several roles and functions that women serve both before and after the ritual. Just like cooking, which is predominantly done by women, the campak dambus dance is also performed by women in cultural arts performances, while the tabuh dance is also part of a series of rituals during the sedekah gunung. Women’s roles in such rituals, as well as the belief surrounding them, show that they always do things that are considered good according to the local custom. Our observation shows that the role of women is still very dominant in the ritual even though some roles have been taken over by men. The role of women in the ritual almost equals the role of men, and the involvement of women in the tradition can greatly contribute to the preservation of the tradition so that it can continue to this day.
Dramaturgi Sakaiba dalam Hibridisasi Budaya Minahasa Sulawesi Utara Tampake, Tony; Hermanus, Micchelle
Paradigma: Jurnal Kajian Budaya Vol. 11, No. 3
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This paper discusses the sakaiba ritual procession in Minahasa which is carried out every year by the Christian community to welcome the New Year. The research was conducted in Taratara village, Tomohon, North Sulawesi. This study focuses on the significance and meaning of the sakaiba ritual procession within the context of the hybridization of contemporary religious culture in Minahasa. By using the theoretical concepts of ritual and dramaturgy, as well as applying the descriptive qualitative methods, this research found that the sakaiba ritual procession is a liminal hinge that allows a peaceful encounter between the ancient Minahasa traditions and the Christian faith. This hinge promotes a contemporary Minahasa religious culture that is inclusive and transformative in the face of other cultural and religious elements present in their history and real life experiences.
Peran Branding dan Tagline Lead dalam Membangun Budaya Organisasi Perpustakaan Universitas Kristen Krida Wacana Sinaga, Steven Yehezkiel; Laksmi, Laksmi
Paradigma: Jurnal Kajian Budaya Vol. 11, No. 3
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The aim of this research was to examine how the UKRIDA’s motto “Loving, Enlightening, Advanced, Determined” (abbreviated to “LEAD”) builds an organizational culture in the university’s library unit. This research used the qualitative method of ethnography and was conducted by means of observation, interviews and document analysis. The purposive sampling method was used to select the respondents, namely employees who worked in the library unit, were active in research, and had participated in the dissemination of UKRIDA’s “LEAD” values. Data collection was carried out from February to April 2020. The study concludes that the dissemination of LEAD values did not seem to have much influence on the organizational culture at UKRIDA Library, even though there have been several attempts to implement some aspects of the motto. Therefore, this study proposes that the UKRIDA Library should increase its employees’ awareness of its motto on a regular basis. They should also perform a regular evaluation of its employees’ awareness and implementation of LEAD values at UKRIDA Library.
Narasi Perempuan melalui Tato Purnama, Nikita Devi; Putri, LG Saraswati
Paradigma: Jurnal Kajian Budaya Vol. 11, No. 3
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This research examines how women voice their narratives through tattoos by studying the experiences of seven tattooed women. Using the in-depth interview method, this research presents the narratives of these tattooed women in relation to their tattoos. Such narratives seem to be strongly intertwined with their life stories. The body is a medium in which a person can place certain markers to achieve certain purposes. As Butler theorizes, what the body displays is not the real self, but only an appearance according to the assumed or chosen role. In addition, according to Cixous, tattooing can be considered as a form of writing and appropriation of expression for women who are far removed from traditional forms of language as a medium of communication which often serves patriarchic interests. As such, tattoos differ from symbols that outsiders can simply read. Women have their own process of choosing the permanent mode of writing on their bodies, and to understand that, we need to listen to the their narratives. When referring to the process and life story of women, tattoos also contain a narrative that is full of women's specific life experiences.
Ragam Budaya Penggunaan Piranti Sumpit Masyarakat Bandung Selvia, Selvia
Paradigma: Jurnal Kajian Budaya Vol. 11, No. 3
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Food is an inseparable part of a culture and serves as one of the characteristic markers of a culture or ethnic groups. The arrival and presence of the Chinese ethnic group has contributed to the diversity of the Indonesian culture in general. One of Chinese dishes that have become a favorite delicacy in Bandung is noodles, a wide variety of which is sold in various areas around the city. Noodles are considered as a substitute for daily staple food and have become part of Indonesian identity in general. This field study used the descriptive qualitative method. Data collection was carried out through interviews and observations using the purposive sampling method. The purpose of this study is to determine the various ways Bandung people use chopsticks when consuming noodle. Results show that most Bandung people consumed noodles using spoons and forks. Their lack of understanding of the philosophy of noodles and chopsticks results in an inappropriate noodle-eating etiquette.
Pengaruh Profesi Tukang Cukur dalam Transformasi Kampung Peundeuy, Banyuresmi, Garut Nishlah, Hilyatun; Hapsarani, Dhita
Paradigma: Jurnal Kajian Budaya Vol. 11, No. 3
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Abstract

Being professional barbers from Garut—known as ASGAR, short for Asli Garut, which means ‘of Garut origin’—has been the main source of income for most men residing in Kampung Peundeuy, Banyuresmi Village, Garut Regency, West Java. The profession is considered so successful in providing financial welfare for the villagers and improving their social status that many of the residents decide to leave the village to expand their business elsewhere, especially in Jakarta and other big cities in West Java. This phenomenon has intensified since the 2000s until the residents finally dub Kampung Peundeuy as a “barber village” in West Java. In order to preserve their hometown’s reputation as a “barber village”, the residents feel the need to preserve and pass on their shaving and hairdressing skills to their relatives and children. As a result, what was once only a common profession now has been considered as part of the village’s tradition. Furthermore, the barber profession has spurred various changes in Kampung Peundeuy, including their livelihood, cultural identity, and social life. Therefore, in order to examine the relationship between barber as a profession dan village transformation, the research attempted to answer these two questions: (1) How did the profession became a tradition among Kampung Peundeuy’s residents? and (2) How has the barber profession stimulated the transformation of the village? This research incorporated thoughts proposed by Koentjaraningrat (1981) who studied community problems, by Luji (2020) who examined profession as a form of culture, and McGee (2001 & 2008) who proposed the theory of semi-urbanization. This study applied the qualitative method, which included the ethnographic method, non-participatory observation, and interviews to collect data. This study is in line with Luji’s (2020) finding that the tradition of becoming barbers was produced and consumed by the residents of Kampung Peundeuy for years by means of power relation among family members. Families encouraged their male members (parents, husbands, sons, or sons-in-law) to become barbers because the job is considered profitable. Moreover, further changes do not occur naturally but are spurred by semi-urbanization when residents carry their profession to big cities. Semiurbanization (McGee 2008) encourages the phenomenon of desakota (literally “urbanvillage”) which describes the influence of urban lifestyle on Kampung Peundeuy. Thus, it can be concluded that the barber profession influences the transformation of Kampung Peundeuy, and this can occur due to the strong encouragement among its residents to both pass down the hairdressing skills to the next generation and to enter the profession.

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