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Sugih Nugroho
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Faculty of Humanities, Universitas Indonesia Gd 2, Lt 2, Depok 16424, Indonesia
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Paradigma: Jurnal Kajian Budaya
Published by Universitas Indonesia
ISSN : 20876017     EISSN : 25030868     DOI : https://doi.org/10.17510/paradigma
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Paradigma: Jurnal Kajian Budaya is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in cultural science, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 8 Documents
 1 
Search results for , issue "Vol. 12, No. 1" : 8 Documents clear
BTS Army: Melampaui Narasi Stigmatisasi Identitas Perempuan Penggemar Devi, Jasmine Floretta Vasthia
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 1
Publisher : UI Scholars Hub

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Abstract

Decades have passed, but female fans who like male idols are still stigmatized, judged, and reduced to exist in society and popular culture. This is also what happened to ARMY, fans of the male idol group BTS. The research uses a qualitative research methodology elaborated through a feminist perspective to discuss how ARMYs are stigmatized because of the perceived inferiority of women and the existence of male domination in society, and also their love for the male group, regarded as the subordinated male group within the circle of hegemonic masculinity. However, the stigma and gender stereotypes attached to them were successfully broken. As a female fan group, ARMY realizes that humans are essentially free creatures who always make choices in their lives that will shape them as authentic individuals. With this full awareness, they take action through fan labor practices and fan activism, which leads them to optimize Creative Power.
Strategi Adaptasi Komunitas Sedulur Sikep di Desa Klopoduwur Blora pada Era Globalisasi Dyani, Nurmalya Ayu; Yuhastina, Yuhastina; Nurhadi, Nurhadi
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 1
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Abstract

The sedulur sikep community is a collection of individuals who practice the sedulur sikep teachings, which contain the noble values of life, such as the value of humanity, the value of love for the homeland, and the value of love for the universe. The sedulur sikep community also has traditions and customs as its local wisdom. Globalization marked by the development of science and technology causes changes in various aspects of the life of the sedulur sikep community, such as changes in the religious system, changes in increasingly modern technology, and changes in traditions or customs. This article aims to explain the changes in the era of globalization and explain the adaptation strategies carried out by the sedulur sikep community in Klopoduwur Village to deal with these changes. This study uses qualitative research methods with descriptive-analytical writing presentations. The results of this study indicate that the sedulur sikep community in Klopoduwur Blora Village adapts in the era of globalization through 1) acculturating religious elements, 2) internalizing the teachings of sedulur sikep, 3) establishing traditional institutions, 4) associative social interactions with outsiders, and 5) technology limitation. When facing the current globalization, the sedulur sikep community is diffusing innovations related to the religious system and the use of advanced technology in various fields of life. Although in the diffusion process, several innovations are accepted, some innovations are limited as a form of self-defence so that the teachings of sedulur sikep remain sustainable.
Kalimat Interogatif Dialek Gyeongsang dalam Reply 1997 Carlissa, Adinda Noviana; Adnyana, Putu Pramania
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 1
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The Gyeongsang dialect is phonologically and morphologically unique, yet current research generally focuses only on its prosody characteristics. Research related to language style and sentence-final ending in the Gyeongsang dialect has received less attention. Therefore, this study focuses on sentence-final ending or jeongyeol eomi in Korean interrogative sentences to fill the research gap. This research is qualitative research with a descriptive analysis method. Data is collected from the Korean drama Reply 1997 from the first three episodes. The result shows that a closed-ended interrogative sentence is the type of interrogative sentence most commonly used in the data, while the most widely used language style is plain style (haerache). The use of question words in an interrogative sentence in the Gyeongsang dialect also determines the variation of sentence-final ending used. The sentence-final ending ended in [o] sound, such as -go, -no, must be used for an open-ended interrogative sentence with question words. Sentence final ending ended in [a] sound, such as -ga, -na, must be used for a close-ended interrogative sentence with no question words.
Penggambaran Sosok-sosok Ideal Masa Jawa Kuno: Tinjauan Relief Gua Selomangleng Tulungagung Izza, Nainunis Aulia
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 1
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This study examines Ancient Java’s ideal figures based on seven panels of the Arjunawiwaha story from Selomangleng Tulungagung Cave. The discussion focuses on the use of archaeological data, which are reliefs, statues, and the description of ideal figures from Ancient Java Kakawin. The results show that all the figures in the Selomangleng Tulungagung Cave depicted the protagonist figures from Arjunawiwaha without showing the antagonist. The protagonist figures consist of God Indra, Arjuna, Nymphs, Soldiers, and God Shiva disguised as a sage. The protagonist figures displayed the ideal concept of figures related to their role. The relief depicted the stratification of gods and humans, Arjuna as an ideal leader and male, angels as ideal woman, ideal marriage, and changes of Arjuna’s strata from human to superhuman who can reach heaven after defeating Niwatawakaca. A lot of the reliefs of Arjunawiwaha that are carved are a strong indication that Arjuna was an idol in the ancient Javanese era.
Terjemahan Beranotasi Dongeng La Sorcière De La Rue Mouffetard dalam Bahasa Indonesia Everina, Rifqi Ayu; Laksman-Huntley, Myrna
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 1
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Abstract

An annotated translation is a translation with notes or annotations of the equivalent selected in the target language with the aim of being accountable for the equivalent. This study examines a tale entitled “la Sorcière de la Rue Mouffetard” written by Pierre Gripari. This study employs qualitative methods and a comparative model to discuss translation problems and their solutions using translation strategies from Molina and Albir (2002). The use of interjection, idioms, and words containing culture is the problem in this fairy tale translation of language and cultural elements. Various dictionaries and websites are used both in the process of translating and the annotation process. The results of this study are expected to become one of the Indonesian-language fairy tales that will enrich children’s literature, especially from France.
Suara Perempuan dalam Lagu Paduan Suara Dialita Saraswati, Dyah Paramita
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 1
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The women, who survived the 1965 tragedy and had been political prisoners because they were thought to have ties to the Indonesian Communist Party, had been silenced for a long time. Those female survivors then spoke through songs in the Dialita Choir. What they do is a form of women’s writing which is an attempt to include women in historical narratives. This study aims to analyze their act as a form of feminine writing that can be seen through the lyrics of a song sung by the Dialita Choir. The lyrics from the Dialita Choir are treated as text. The analysis in this study uses a feminist perspective with a critical discourse analysis approach. This study found that written songs became a coping mechanism for them while being arrested.
Benetton’s (In)Equality: A Semiotic Reading Muljadi, Hianly; Angjaya, Sonny; Deborah, Joanna
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 1
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Abstract

United Colors of Benetton, or UCB, has been using its advertisements to deliver positive messages and values that the clothing company represents. This article analyzes one of the photographs in Benetton’s campaign for their Spring Summer Collection of 2018. The campaign, which consists of some photographs by Oliviero Toscani, raises the theme of equality of gender and ethnicity. It shows various photographs of both female and male models from different ethnicities. However, it is found that there is one photograph that shows inconsistency with the very value that Benetton wants to convey through their campaign. Based on the semiotic analysis, the study shows that the photograph can be read as having an entirely different message that the company intends to voice. This article proves that multiple interpretations can be applied to a text, and a text can betray itself.
Makna Naketi dalam Pandangan Masyarakat Dawan: Kajian Berperspektif Pastoral Benu, Wasti Juningsi
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 1
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This research aims to describe and analyze the meaning of naketi in the view of the Dawan community in Soe City. This research is motivated by the fact that Dawan people tend to practice naketi to overcome the crisis or ongoing problems experienced. The study employs descriptive research methods with qualitative approaches. Data collection uses interview methods and library studies. The data is analyzed using a pastoral theory of meaning and function. The results of the analysis show that the practice of naketi is a form functioning as pastoral counseling based on Dawan community culture. Naketi, in the view of the Dawan community, is a method, effort, and way for them to organize, align, correct and purify themselves from the violation of the sins they committed, destroying their system or order of life. Therefore, naketi’s practice aims to improve and solve various ongoing crises experienced. There are religious, social, and moral values in the meaning and practice of naketi carried out by the Dawan community.

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