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International Review of Humanities Studies
Published by Universitas Indonesia
ISSN : 25279416     EISSN : 24776866     DOI : https://doi.org/10.7454/irhs
Core Subject : Humanities, Science, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science
International Review of Humanities Studies is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in humanities, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 18 Documents
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Search results for , issue "Vol. 4, No. 1" : 18 Documents clear
NATIONALISM AND GLOBALIZATION: ISSUES ON THE SEA BORDER BEETWEN INDONESIA AND AUSTRALIA IN THE CONTEXT OF MARITIME SOVEREIGNTY Zuhdi, Susanto; Sari, Noor Fatia Lastika; Sunarti, Linda
International Review of Humanities Studies Vol. 4, No. 1
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Abstract

This paper analyzes transnationalism as the result of globalization in human mobility, which it has summoned new insecurities, especially when international migration as the excess of transnationalism leads to a burst of issues on the sea border, such as influx of migration, asylum seeker, refugees, and even transnational crimes. Thus, it is very important for Indonesia as a growing maritime state to put more attention to the matter, especially to the eastern part of the archipelago, where transnationalism brings different implication toward nationalism of its people. Through historical methodology and perspective, this article discusses relevant issues to be reflected into current situation and the future, in which it could lead to a more sustainable solution and a further observation toward what it means to be a part of Indonesia itself, to fulfill the need of rephrasing the means of our borders.
THE MASK, MASKING AND CURTAILMENT OF DOMESTIC TERRORISM IN IKA THROUGH AKAKUM PERFORMANCE OF NTO USOH PEOPLE IN AKWA IBOM STATE Akpan, Margaret; Udofia, Anietie Francis
International Review of Humanities Studies Vol. 4, No. 1
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n today`s Nigeria, unchecked spate of violence has gradually surfaced through slippages in human character and garner to domestic terrorism in many communities. Consequences reflect in development plans schemed for these communities. Ika community has experienced this setback significantly among others in terms of development. The dimensions the institutions responsible for countering this enigma take seem to aggravate more terrifying scenarios which end in injuries, tears and even loss of lives. This paper examines how the costumes of Akakum performance tone down domestic terrorism in Ika community. It uses qualitative methodology and interview as its methodology and bases the framework on functionalism. Findings show that chaos are developing in communities as sub-cultures like traditional performances which were viable tools for curtailing antisocial manners have been relegated to the background because of the constant absorption of foreign cultures that do not fit into the context of Nigeria’s perception of social manners. Traditional performances maintain in-built principles that prevent members from transgressing. The body accessories of Akakum are believed to embody supra-mundane powers which deter initiates from indulging in domestic terrorism that pervaded Ika community for many years. The paper concludes that traditional performances should be revitalized, secularized and given a global appeal. If traditional performances are secularized, they may attract tourists` interest; become a foreign income earner and also serve as tools of social control and development in the community
CONNECTING BRIDGES THROUGH THEATRICAL DESIGN: AN EXAMINATION OF “ASIRI NLA” IN PERFORMANCE Okeke, Tochukwu J.
International Review of Humanities Studies Vol. 4, No. 1
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The theatre provides an avenue for the expression of very salient and topical issues about a people through the presentation of performances. These performances, which are often in form of plays, are always created by playwrights and that is why playwrights are said to be the watch dogs of the society because their works x-ray past and present situations while proffering solutions for the future. However, the theatre is a composite art which involves the collaboration of many creative artists: Playwright, Director, Stage Manager, Actor(s), Designer(s), amongst others. The designer(s) are the creative artists that interpret the play in visual terms. Their creativity gives a better understanding to the play in performance as the dramatic piece is given further expressions through the actors‟ costumes, properties, lighting and scenery. This essay will interrogated the use of costume and set design in bridging ethnic divides using a Workshop performance of “Asiri Nla” as performed by students of the Department of Theatre and Film Studies, Nnamdi Azikiwe University, Awka at the Arts Theatre. The study found that through an effective set design and appropriate use of costumes that the production was able to unite different peoples under one roof without acrimony thus, it recommended at the effectiveness of design in theatrical productions is a sure way of enhancing national integration.
NETWORK LIBRARIANSHIP PARADIGM: BASED ON NETWORK SOCIETY THEORY A.M., Karim; laksmi, laksmi, LA
International Review of Humanities Studies Vol. 4, No. 1
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The 21st Century is marked with the development society that has close relationships with microelectronics network, network society. According to Manuell Castells, the network society is a society using microelectronic network as the basis of its activity. In this study, researchers sought to formulate a paradigm of network librarianship by building a common ontology which is then reflected by Manuel Castells network society theory. This study used a qualitative approach with philosophical approach. Documents are used for collecting the data and analysis. Researchers used hermeneutics approach by Hans Georg Gadamer. Research results showed that the unique characteristics of the network society found by Manuel Castells. As we known, the evolution chain of society had a serious implication for human being. Librarianship need to evaluate and rethink their based scientific paradigm to seek information phenomena being, especially for 21st century.
DE-RADICALIZATION OF FUNDAMENTALISM THROUGH THE THOUGHT OF MOHAMMED ARKOUN Rezan, Muhammad; Asnawi, Naupal
International Review of Humanities Studies Vol. 4, No. 1
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Fundamentalism in religion has become an important issue in people's lives, especially in areas with high heterogeneity. The emergence of various cases of attacks against innocent people in the name of religion, has become an irony of its own, especially for religious believers. The irony arises when religion teaches peace in diversity, but there are many irregularities in its implementation. Various factors in the emergence of fundamentalism in religion do not necessarily become a reason for the lack of efforts to deradicalize this understanding. Mohammed Arkoun, through his various studies, has raised the significance of a re-understanding of religious texts with the present context. Relevance of religion - as a guideline for human life - is essential, especially in the current era of disruption. Based on these matters, this study was made to present the deradicalization of fundamentalism through a re-understanding of religious texts in a critical and integrated manner. Arkoun explained that the main problem in this matter was the effort to make religion an institutional product whose interpretation was absolute, which led to a single understanding. This incident is contrary to the concept of Islam as a religion that is rahmatanlilaminalamin (Islam as a religion that brings grace and prosperity to all people). By utilizing a disruption era that recognizes change quickly and radically, this moment can be used well to provide a comprehensive, integrated, and credible religious knowledge forum, and of course with a high level of accessibility.
CODE MIXING AS A FORM OF INDONESIAN IDENTITY BASED ON THE MOTTO OF BHINNEKA TUNGGAL IKA Nugraha, Fajar Muhammad
International Review of Humanities Studies Vol. 4, No. 1
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In 2018, the Language Comission of the Ministry of Education and Culture (Kemendikbud) of the Republic of Indonesia has made verification towards all the languages that exists in Indonesia. The verification conducted from 1991 to 2017 resulted in 652 languages to be found. That number still does not include the dialects and their sub-divisions of the 652 languages. Meanwhile, UNESCO recorded 143 languages based on their vitality status. Identity can be interpreted as similarity or unity with others in a certain area or other things (Rummens, 1993: 157-159). "The identity possessed by an individual can be in the form of personal identity and social identity" (Santoso, 2006: 44-45). Using statistical data on language issued by the Indonesian Central Bureau of Statistics as a corpus and literature study by tracing the title of mainstream online media coverage related to the use of code mixing, identity theory, and the concept of intercultural communication, this paper discusses the relationship between the use of code mixing in the Indonesian people's everyday life with the nation‟s identity as a country that is bhineka (mentioned as its official national motto) or diversed. Instead of being not nationalist, the practice of code mixing by the Indonesian people is actually a manifestation of the identity of the Indonesian people as a diverse society. The code mix that occurs in the daily life of the community is proof that Indonesian people can understand each other and communicate well in a very complex diversity
CITIZENSHIP AS EXPERIENCE: THE LIVES AND LABOURS OF OVERSEAS INDONESIAN SCHOLARS Latifa, Inditian
International Review of Humanities Studies Vol. 4, No. 1
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UNBREAKABLE DONG NGUYEN: REAFFIRMING ASIAN-AMERICAN MASCULINITY IN THE SERIES UNBREAKABLE KIMMY SCHMIDT Setiaki, Tsamarah Augustina
International Review of Humanities Studies Vol. 4, No. 1
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A PROJECT OF CONSTRUCTING A CONTEMPORARY JEWISH IDENTITY IN RABINOVICI’S NOVEL SUCHE NACH M Liyanti, Lisda
International Review of Humanities Studies Vol. 4, No. 1
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Attitude to the Nazi past turns to its new phase in the 1980s, after the time of repressing, silent and mourning brings the new discourse in talking about the Holocaust. It was a tendency of "denying" the Holocaust and new anti semitism movement. In the 90s, Jewish authors confirm their position as „self determined agents' in the literary and political area. One of them is Doron Rabinovici, an Austrian Jewish author who wrote the novel Suche Nach M in engaging on the project of constructing a contemporary Jewish identity. In this article, the question of how Robinovici proposes the construction of contemporary Jewish identity will be answered through critical reading on Jewish myth and identity formation theory. The result shows two major strategies that he proposes in his novel: “deconstructs” the Jewish myth (by playing other possibilities to interpret them and unveil the truth) and suggests the self referential concept (find oneself based on 'the self' instead of immersing self in 'the Other‟). These two strategies can be seen as an active engagement with one own traumatic past. It is a historical and self awareness approach to construct a problematic contemporary Jewish identity.
JASMINE’S FAIL ATTEMPT TO ACHIEVE ‘TRANSCENDENCE’ AS A FORM OF HER INTERNALIZATION AS ‘THE OTHER’ IN BLUE JASMINE (2013) Veneralda, Livina; Mintarsih, Adriana Rahajeng
International Review of Humanities Studies Vol. 4, No. 1
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Although there have been more Hollywood movies having their stories centered on female characters, their representation in Hollywood cinema is still problematic as most of these female characters do not become subjects in their own stories. They often internalize the notion of women as the Other. According to Beauvoir (2010), since women are deemed to be the Other, they become inessential part of the society. In the movie Blue Jasmine (2013), Jasmine has no power to design and lead her future as she subjugates herself to men. Then when she tries to free herself from this situation, she experiences oppression that comes from a male higher-up. Using textual analysis to analyze this character, this paper found that what she experiences represents women‟s everyday struggles in the society which resembles Beauvoir‟s concept of immanence and transcendence. Jasmine initially is stuck in immanence, when she depends on men, letting them have power over her. When she wants to take control over her own life, getting her independence, through education, she can achieve transcendence. However, this does not happen, and she falls back into the immanence instead because her environment makes it impossible for a woman to transcend. Moreover, this failure leads to her tragic ending which conveys a message that in the society women are bound to immanence.

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