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Dr. Mochamad Aviandy, S.Hum., M.Hum
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International Review of Humanities Studies
Published by Universitas Indonesia
ISSN : 25279416     EISSN : 24776866     DOI : https://doi.org/10.7454/irhs
Core Subject : Humanities, Science, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science
International Review of Humanities Studies is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in humanities, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 15 Documents
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Search results for , issue "Vol. 5, No. 3" : 15 Documents clear
THE ARTS AND HUMANITIES
International Review of Humanities Studies Vol. 5, No. 3
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CLASSICAL BATIK TRADITION AND THE RIFA'IYAH WOMEN Fadlia, Adlien
International Review of Humanities Studies Vol. 5, No. 3
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This research is a qualitative research using the phenomenological method. The research sample is women – therefore called the Rifa’iyah women – who make batik in Rifa’iyah community in the district of Batang, Central Java. Data collection techniques are applied by conducting interviews and observation guidelines. Data analysis techniques are used by using descriptive analysis. Women in the Rifa’iyah community have a prominent role to play in the productivity of batik. The Rifa’iyah people place batik not only as an economic commodity but also as a place for women in the public sphere, no longer only in the domestic area. The Rifa’iyah batik is not as popular as Pekalongan batik. It is because of the distribution of the Rifai’yah batik is exclusively moving between the Rifai’yah people and the village of Kalipucang Wetan, Batang, Central Java. The tradition of making batik in the Rifa’iyah community is carried out by the Rifa’iyah women who are santriwati1 from the Rifa’iyah Islamic boarding school. Batik with a characteristic motif of the Rifa’iyah can be sustainable until now because of the role of women in regenerating batik skills. Based on the results of the study, the data show that the Rifa’iyah women have a critical role in the development and growth of the Rifa’iyah batik as a form of collective memory that handed down from generation to generation. Moreover, the Rifa’iyah women have the role and function of the development and growth of the Rifa’iyah batik. Therefore, it is recommended to the young generation of the Rifa’iyah to always preserve the Rifa’iyah batik so that it is increasingly known by the wider scope of society.
ARTISTIC GAZE OF TWO PAPUAN CHOREOGRAPHERS: VISUAL PERSPECTIVES ROOTED IN THE ORAL TRADITIONS OF THE KAMORO AND ASMAT TRIBE Ismar, Madia Patra; Pratiwi, Rahayu
International Review of Humanities Studies Vol. 5, No. 3
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This article is based on the artistic practice of two Papuan choreographers trained in the Jakarta Institute of the Arts Dance Study Program. Both based their choreographies on their traditional roots which were presented as site specific performances in their respective villages. The choice of visuals and dramatic bodily expressions created by them, though a new dance design, was based on their deeply ingrained roots as indigenous Papuans. The roots called upon to be re-interpreted as choreography were based on the oral traditions they grew up with as part of their identity. The focus in this article is on the work by Martinus Akai from the Asmat tribe performed in 2013, and the work by Alfo Smith from the Kamoro Tribe performed in 2018. The purpose of this study is to understand the way Papuan choreographers ingrained in their cultural heritage re-imagine the traditions passed down from ancient times through their ancestors. The research done by the choreographers was in the context of revisiting the rituals and ancestral narratives and interpreting for a contemporary expression. The research done for this paper was based on discussions had with both the choreographers during the process of creating their individual work. Among the methods for collecting data by the choreographers for creating their work was field research, observations, interviews and personal memories experiencing their cultural heritage. The observations by the writers for this article were during the creating process in the studio and on site and viewing the end results both as presentations and site specific performances
A SHIFT IN THE ARTICULATION OF URBAN SOCIETY’S WORKING SPACE Ayu, Ardianti Permata; Sulistyo, Danny Eko
International Review of Humanities Studies Vol. 5, No. 3
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Swift technological development has caused shifting habits and changing behavioral pattern or lifestye in all respects, notably among urban society, including in terms of work and self-identity production. Members of society now have elevated flexibility to have their own working spaces. Work now can be carried out independently by a mere piece of gadget anywhere within the virtual room. It is co-working space which facilitates independent workers with a flexible, open-space, relaxed, cozy, entertaining, eye-catching, and now even instagrammable space organizing system. Now that plenty of co-working spaces have been produced, the spatial design of co-working space is gaining much popularity and setting a new trend for conventional office design. Taking a cultural study approach, this work examines how a shift in the meaning of work space takes place in urban settings from that of conventional offices to that of co-working spaces as a needs facility (functionally) and how the co-working space design model later becomes a trend in conventional office designing.
CULTURAL POLICY AND THE RISE OF MULTICULTURALISM STUDY OF FINE ARTS EXHIBITION IN THE 2000s, THE NATIONAL GALLERY OF INDONESIA Dewi, Citra Smara
International Review of Humanities Studies Vol. 5, No. 3
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This study focuses on the role of cultural policy in the rise of multiculturalism with a case study of the Indonesian Art Exhibition, Pameran Seni Rupa Nusantara (PSRN) 2000s, which was initiated by a cultural institution, the National Gallery of Indonesia (GNI). PSRN exhibition is one of the important programs of GNI because it gives space to the artists of the archipelago - not just Java and Bali - to present works of modern-contemporary art rooted in local wisdom. As a nation that has the characteristics of pluralism, the spirit of multiculturalism in art has become very significant, especially in the middle of the Disruption era which is "full of uncertainty". This article uses qualitative research with a historical method approach: heuristics, verification, interpretation and historiography, namely the process of writing history based on proven facts. Material Culture analysis approach, shows how history may be read and interpreted through objects/ artefacts/findings used by artists in their works. The results show that the Cultural Policy implemented by GNI is a combination of cultural policies that are authoritarian with the cultural policies of the Command, with an emphasis on the strength of the Potential Localization owned by the Indonesian people.
INTERIOR RESTORATION A.A MARAMIS BUILDING MINISTRY OF FINANCE OF INDONESIA: DEVELOPING INTERIOR CONCEPTS WITH THE PRINCIPLES OF CULTURAL HERITAGE RESTORATION Purnama, Ika Yuni
International Review of Humanities Studies Vol. 5, No. 3
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A.A Maramis is a palace building consisting of 3 floors with the 19th century Empire in Indonesia. This building represents the development of Indonesian architecture in the early 19th century. In the renovation planning that began at the end of 2019, the A.A Maramis building is expected to be a historical reminder of how important this agency is as well as the chronology of events that have occurred in the past in order to increase love for the nation and the motherland. In the planning of restoration is expected to become one of the attractive and educative tourism destination. Restoration of A.A. Maramis building refers to the concepts and principles of Cultural Heritage. This study uses qualitative methods and interdisciplinary approaches include history, culture, and aesthetics. The renovation and development as well as the use of the interior or interior is a place to preserve, present and convey information about the travel history of the Ministry of Finance in developing the nation and state of Indonesia.
DISPLAYED OBJECTS OF THE PAVILION OF INDONESIA AT THE 1986-1992 WORLD EXPO AS REPRESENTATION OF THE NEW ORDER’S IDEOLOGY Tjahjawulan, Indah
International Review of Humanities Studies Vol. 5, No. 3
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This research delves into the pavilions of Indonesia in World Expo, which is a world class cultural event involving so many countries all over the world as participants and it also attracts millions of people coming to the event of 3 to 6 months duration. Throughout the administration of Soeharto under the regime of New Order Indonesia had participated in six World Expo events out of ten events being organized; this shows how important the role of this event for Indonesia. However, from one Expo to another, it is curious that the objects chosen to be displayed in the pavilion are in fact a repetition so it raises question whether there is a certain concept being emphasized in each Expo event that the New Order regime would like to pass on by means of the displayed items continuously and whether such repetition can be considered as a form of framing and a confirmation of the symbol of power that the New Order want to show. This research is a cultural studies using qualitative approach that delve in data taken from a variety of documents such as photographs, reports compiled by committees, newspaper, magazines and internet. Data is scrutinized with semiotics analysis and theories of semiotics and framing in order to see how text is regarded as message by way of reading the created representation closely and also how the context of New Order government tried to ‘package’ it and to put the focus on the elements of objects of display in Indonesia’s pavilion at the World Expo. This research results in findings that uncover (1) meaning and representation of the objects of display of the 1986, 1988, 1992 and (2) representation of objects of display in the pavilion of 1986, 1988 and 1992 World Expo as construction of the ideology of New Order
THE TRANSFORMATION OF R.A. KOSASIH'S MAHABHARATA WAYANG COMICS DESIGN: COMPARISON OF THE 1955 VERSION WITH THE 1975 VERSION Gunawan, Iwan
International Review of Humanities Studies Vol. 5, No. 3
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Mahabharata was an epic Hindu story that has been adapted to comics for so many times, by many comic artists. R.A. Kosasih, was one that was known for his mastery in creatingWayang Comics, and Mahabharata was his best creation. He created two versions of Mahabharata comics. The first was in 1955, published by Melodi and the second in 1975, by Maranatha. The storylines were basically the same, but there were differences not only in formats or spelling system, but in the visual narratives. The pictures in Maranatha version were designed in a more up dated style in comics. In the Maranatha version, R.A. Kosasih adjusted his drawing style like younger artist at that time. The angles of the scene drawn were more dynamic and variated. The scene itself expressed an adjustment to the lifestyles at that time. Consciously or unconsciously, R.A. Kosasih practised what a popular artist usually did: to always adapt to changes of. Even in his 56th of age he still succeeded to create another popular work.
KUASA ATAS RUANG PEMBEBASAN’: THE RESILIENCE OFWOMEN IN SASAK CULTURE Wijayanti, Lucky
International Review of Humanities Studies Vol. 5, No. 3
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The Sasak tribe on Lombok island - West Nusa Tenggara, have traditional values and are applied through the social structure of their communities in daily life. Some existing customary values place women in irreplaceable positions. Even so, the existence of financial needs makes them work abroad as laborers, which indirectly results in the occurrence of divorce and early marriage. This is a problem for Sasak women in terms of survival in the Sasak culture. An ethnographic approach derived from Malinowski, the opinion of Svasek, and the value system framework from Kluckhohn are used in this study. This research concludes that art activities are the livelihoods of Sasak women while at the same time functioning as a 'liberation room' for them to express themselves.
HIJAB IN THE INDONESIAN NATIONAL STRUGGLE Rahayu, Mangesti
International Review of Humanities Studies Vol. 5, No. 3
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Fashion and history cannot be separated, because fashion is one indicator of a change in culture, civilization, behavior, and certain identities. Vice versa, changes and developments in fashion are influenced by conditions at the time the fashion is developing, both the social, cultural, political, religious, economic and others. Fashion that is developing in Indonesia is Muslim fashion. One part of Muslim clothing is the hijab, headgear worn by Muslim women. Hijab is not only part of religious observance, hijab is already part of fashion and we can examine the hijab style of a society from its historical period. We can analyze the effects that occurred at that time. This writing will focus on how the hijab style during the struggle for independence, especially the Indonesian female heroes. How their hijab style is greatly influenced by the situation, conditions and even their role in the struggle for Indonesian independence. Hijab style at that time, of course, there are differences with the hijab worn at the present time. Even at that time every Indonesian heroine had a unique hijab style in accordance with their respective character and culture. This is very interesting to be appointed as a study, where the hijab is also part of their identity as Muslim warriors who are not afraid of invading the invaders, and also their role in fighting for the dignity of women at that time.

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