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Dr. Mochamad Aviandy, S.Hum., M.Hum
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INDONESIA
International Review of Humanities Studies
Published by Universitas Indonesia
ISSN : 25279416     EISSN : 24776866     DOI : https://doi.org/10.7454/irhs
Core Subject : Humanities, Science, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science
International Review of Humanities Studies is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in humanities, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 324 Documents
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A CRITICAL DISCOURSE ANALYSIS OF BIG BROTHER WATCH’S STOP COVID PASSES CAMPAIGN Bachtiar, Iman Yusuf; Handayani, Lucia Lusi Ani
International Review of Humanities Studies Vol. 7, No. 2
Publisher : UI Scholars Hub

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Abstract

Nineteen Eighty-Four has been widely recontextualised in many different situations, but there has not been any discourse that tries to relate it with surveillance issues in the U.K. in the context of Covid-19 pandemic other than Big Brother Watch’s Stop Covid Passes campaign. This paper aims to discuss how the civil liberties organisation brings the fear of surveillance state presented in the novel into the real life situation happening in the U.K. society.via their public campaign called Stop Covid Passes. The campaign showcases a lot of negative evaluation of the mandatory Covid passes. However, not all agree with the campaign, and many have criticised it as an anti-vaccine movement. This paper conducts qualitative research through the three-dimensional framework of Critical Discourse Analysis (CDA) presented by Norman Fairclough to reveal the organisation's true intention behind the campaign and to examine the role of Nineteen Eighty-Four in this particular context. The findings show that the intention is indeed to stop the U.K. from becoming a surveillance state.
A STUDY OF COLONIAL INSCRIPTIONS IN STOVIA SALEMBA: THE MARKER OF MEDICAL EDUCATION DEVELOPMENT IN DUTCH EAST INDIES Fitri, Zulfa Nurdina
International Review of Humanities Studies Vol. 7, No. 2
Publisher : UI Scholars Hub

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Abstract

STOVIA serves as a starting point of medical education in Indonesia and is interesting for historical study, especially after the discovery of inscriptions. This inscription consists of different letters and languages and, despite its limited information, clearly plays a pivotal role as a means of communication in its era. Inscriptions are considered the most reliable data source as they are made in their era and need to be studied, transliterated, and translated. This paper reviews two inscriptions found in STOVIA Salemba: the groundbreaking and the building inauguration and appreciation for one of the directors of STOVIA, dr. J. Noordhoek Hegt. This study was conducted to extract the information from the inscription to allow the community learns from its content. This paper also discusses the role of the colonial inscription as the marker of medical institution development in the Dutch East Indies.
NGANJUK BRONZE STATUES (ARCA) ANALYSIS BASED ON THE CONCEPT OF VAJRADHATU MANDALA IN SHINGON BUDDHISM Suyono, Seno Joko
International Review of Humanities Studies Vol. 7, No. 2
Publisher : UI Scholars Hub

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Abstract

This paper wants to show the relationship between bronze statues and mandala. The object of the research is 23 small bronze statues of Nganjuk owned by the National Museum. These statues were once part of a statues collection found in the rice fields of Candi Lor, Nganjuk in 1913. Candi Lor is a temple built by Mpu Sindok. This paper presumes that these bronze statues of Nganjuk are statues that were placed on the altar during the Mpu Sindok era for ritual purposes. This paper argues that the Nganjuk bronze statues represent a certain type of mandala. The paper shows that the mandala of the statues is the Vajradhatu Mandala. For this purpose, this study is using the Vajradhatu Mandala concept of Shingon Buddhism. F.D.K Bosch in an article in 1929 mentioned the possibility of reading the Nganjuk statues based on the Shingon mandala, but he wrote about it briefly. Shingon Buddhism is a sect of Buddhism in Japan, which has been known since the 9th century to date using the Vajradhatu Mandala. Shingon founder, Kukai, studied the concept of the mandala in China. Recent studies show the concept of Vajradhatu Mandala was not only brought by Kukai to Japan but also spread to Southeast Asia, although it was later replaced by other types of mandalas.The Vajradhatu Mandala is a mandala centered on Vairocana. There is a core layer and an outer layer in the Shingon concept in the Vajradhatu Mandala. The core layer consists of 37 main pantheons and the outer layer is a layer that contains protective deities. The last layer of this outer layer is called Trailokyavijaya that consists of the incarnations of Vajrapani and several deities that have krodha’s expression. The objective of this paper is to show that the remaining Nganjuk statues owned by the National Museum have these elements: Vairocana, the Four Tathagatas, and also Trailokyavijaya.
VISUALITY, LANGUAGE AND COMMUNICATION IN COVID-19 NIGERIAN SOCIAL MEDIA IMAGES Maledo, Richard Oliseyenum; Ativie, Karoh
International Review of Humanities Studies Vol. 7, No. 2
Publisher : UI Scholars Hub

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Abstract

Covid-19 is one of the most disturbing infections that has rattled the world in recent history. This flu affected nearly all the countries of the world with different degrees of medical, scientific, social and scholarly attentions. The humanities are not left out from the perspective of language and communication during the pandemic. In the light of the above, this paper undertakes a multimodal semiotic analysis of Covid-19 memes in the Nigerian context with a view to showing how the visual and language complement each other in communicating aspects of Nigerian socio-political realities during the pandemic. Among the images circulated through the Whatsapp medium, ten were selected for this study and Kress and van Leeuween’s (2006) multimodal theory was adopted as our theoretical framework. The findings revealed that language and visual images effectively complement each other as viewers are made to gain easy and quick access to the messages being communicated with a visual understanding of the realities on ground.
NEW PHENOMENA IN JAPANESE YOUTH LANGUAGE: CONTRARY MEANING OF PIEN Niramaya, Kinanti Kanya; Filia, Filia
International Review of Humanities Studies Vol. 7, No. 2
Publisher : UI Scholars Hub

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Abstract

Youth language is a social dialect language variation that is used by certain age group, has linguistic processes such as significant borrowing, and morphological and semantic manipulation. In Japanese, youth language is called wakamono kotoba (wakamono 'youth', kotoba 'word', 'language'). There seems to be a new phenomenon di Japanese youth language, same word that have contrary meanings. Based on initial observation, in Japanese youth language, the word pien is a word that is used to describe ‘crying’. To approve the word pien has contrary meanings, this study explore the use of pien as a popular word among Japanese young people these days. How is the using of the word pien which has contrary meanings? In structure perspective, does the word pien come in the beginning of utterance or in the end of utterance. According to the data collected from Twitter, there are 2,474 utterances have the word pien in them. This research used the corpus method, with the help of Netlytic, a program that can automatically collect various data from social media. The result shows that the word pien can be used for 'the expression of sadness' and 'the expression of happiness', and is added to increase the emotive intensity of the utterance. For example, kyō gakkō okureta pien ‘I was late for school today pien’, Takahashi-kun yasashii pien ‘Takahashi is so kind pien’. The result also shows that the word pien is more often used at the end of an utterance after (i) verbs, (ii) final particles, (iii) nouns, (iv) adjectives, and (v) copula.
REWRITING CIVILIZATION BASED ON SCIENTIFIC REVOLUTION: CURRENT RESEARCH FINDINGS FROM ARCHAEOLOGICAL SITES IN INDONESIA Akbar, Ali
International Review of Humanities Studies Vol. 7, No. 2
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Abstract

The research on civilization in Indonesia has been conducted since 1800s. Around 1970s, there was theory regarding Out of Africa stating that ancient human was from Africa then spread to all over places in the world. Besides, around 1980s there was opinion theory regarding Out of Taiwan which stated that modern human culture spread from Taiwan to South East Asia. Different research findings then are considered anomaly and barely accepted as science. Revolution could occur when the new different evidences from previous science are found. The findings of archaeology from last ten years in Indonesia have some potential to trigger scientific revolution.
INTELLIGENCE ANALYSIS OF THE ROLE OF THE FOREIGNER SUPERVISION UNIT OF THE TANGERANG POLICE INTELLIGENCE IN THE SUPERVISION OF FOREIGN WORKERS Azhari, Apreza
International Review of Humanities Studies Vol. 7, No. 2
Publisher : UI Scholars Hub

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Abstract

Human traffic flow in Indonesia is increasing due to various available facilities. As a result, more foreigners come to work in Indonesia. The presence of foreign workers then requires supervision so that they do not threaten the resilience of the Indonesian people. This paper aims to analyze the intelligence analysis process carried out by the Foreigner Supervision Unit of the Tangerang Police Satintelkam while supervising foreign workers at PT. CGC Indonesia. This research uses a qualitative descriptive method to collect data from a literature study. The analysis uses descriptive qualitative analysis and qualitative comparative analysis. The results show that foreign workers provide two main threats to regional resilience, especially in the economic sector, namely (1) the locals can lose their livelihoods because foreigners carry out too many economic activities; and (2) the locals can lose the opportunities to occupy important positions at work because the foreigners already fill the positions. This situation reflects the importance of intelligence monitoring by the Tangerang Police Intelligence unit. The monitoring is carried out with several institutions under the Foreigner Supervision Unit (Timpora). Supervision is conducted administratively through coordination, on-site supervision, open intelligence, and closed intelligence. Immigration intelligence plays a role in the early detection of foreigners' threats, including the disruption of territorial security caused by foreign workers with illegal permits.
SUNAN GESENG AND HIS PREACHING LEGACY IN CENTRAL JAVA AND YOGYAKARTA Nurfaizah, Halimah; Suranta, Suranta
International Review of Humanities Studies Vol. 7, No. 2
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Abstract

Traditional histories are manifestations of Indonesia's cultural richness. These traditional histories encompass the legend of influential figures in the spread of Islam in Central Java and The Special Region of Yogyakarta, such as Sunan Geseng. This article will discuss about the history of Sunan Geseng based on stories from the local communities in the preaching areas of Sunan Geseng and the traces of him. The research is considered as qualitative research using the method of library studies and interview. The theory used in this study is the theory of folklore, especially religious legends. The result of this research tells that Sunan Geseng is a student of Sunan Kalijaga, who is originated from Purworejo, Central Java. He was given a nickname "geseng" because his body was burned by blaze while he was in seclusion. The preaching areas of Sunan Geseng are spreaded in southern Java regions, which covers these following areas: Bagelen, Purworejo, Central Java; Jolosutro, Bantul, Special Region of Yogyakarta; Pasanggrahan, Magelang, Central Java; and Blubuk, Wates, Special Region of Yogyakarta. The remains of his preaching relics are physical buildings, including mosques, petilasan, and tombs. These relics are still well preserved and are visited by many people.
THE POLITICAL PARTICIPATION OF CHINESE OVERSEAS IN INDONESIA AND MALAYSIA Shasha, Huang; Darmoko, Darmoko
International Review of Humanities Studies Vol. 7, No. 2
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Abstract

Political participation plays an important role in protecting the interests of the Chinese overseas in Indonesia and Malaysia. This journal is qualitative research with a library approach method. This research aims to find 1) political participation patterns of Chinese Oversees in Indonesia and Malaysia; 2) factors that influence the political participation of Chinese Oversees in Indonesia and Malaysia. Chinese overseas in Indonesia and Malaysia do not actively participate in politics as the local ethnic majorities, however with the development of democracy, the Chinese overseas mainly take part in the political field by voting in national elections and regional elections, participating in political parties, joining various associations, and building close relationships with government officials. In political participation, Chinese overseas is mainly influenced by the level of democracy, political awareness, and relations with local ethics.
DESIGNING A REPRESENTATION OF JAKARTA'S MARITIME CULTURAL IDENTITY AT THE EXHIBITION AREA MUSEUM BAHARI, JAKARTA Faturohman, Firman; Soekardi, Kresno Yulianto
International Review of Humanities Studies Vol. 7, No. 2
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Abstract

This study describes the identity of Jakarta's maritime culture which is represented through the exhibition area at Museum Bahari. There are four maritime cultural identities of the maritime community in Jakarta that will be displayed in the exhibition area of the Museum Bahari, namely inclusive cultural identities, maritime knowledge, hardworking, and multiculturalism. The theme of the exhibition study on the cultural identity of the Jakarta maritime community was chosen because the current condition of the exhibition area of the Museum Bahari in Jakarta has not yet presented an exhibition area about Jakarta's marine life to accommodate visitors and the public, especially those from Jakarta and its surroundings. The research method used in this study is a qualitative research method. While the theory used in this research is the theory of cultural identity and the new museology paradigm that is oriented towards the community, which will then be applied to examine the exhibition system at the Museum Bahari. The research resulted in several exhibition themes that represent Jakarta's maritime identity which will then be presented in the exhibition area at the Museum Bahari by prioritizing education and entertainment for visitors and the public in the new museology paradigm.

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