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Sanggitarupa
Published by Institut Seni Indonesia Surakarta
ISSN : 28088301     EISSN : 29876877     DOI : -
Core Subject : Art,
Arts
Sanggitarupa is an Fine arts journals covering art in interior design, visual communication design, photography, film and television, sculpture, printmaking, painting supported by the concept of creation, which are innovative and scientific works that are always oriented towards quality improvement Sanggitarupa is published twice a year, in July and December. Admitted and published articles can be freely accessed on this website.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 8 Documents
 1 
Search results for , issue "Vol. 1 No. 1 (2021)" : 8 Documents clear
IKLAN LAYANAN MASYARAKAT PENTINGNYA PENGGUNAAN MASKER PADA MASA PANDEMI COVID 19 BERBASIS WEB MOBILE Setya Nugraha, Andre Eka; RACHMAN, ANUNG
Sanggitarupa Vol. 1 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i1.3840

Abstract

In this study, the discussion focuses on public service advertisements. The purpose of using this advertisement is to determine the effect of the advertisement on public awareness to use masks during the pandemic. During the COVID-19 pandemic, there are many ways to protect yourself. One of them is the Community Movement Using Masks (Gemas). This study uses qualitative research methods using a literature and empirical approach. Then the data is obtained from several regulations, such as the regulation of the governor of DKI Jakarta and phenomena that occur in the field. This advertisement is used as a means to socialize the use of masks during the pandemic and to assist the government in breaking the chain of distribution of the COVID-19 virus. The results showed that advertising had an influence on people's behavior. The results of this data are in accordance with the concepts of mass communication theory and advertising, both of which have the aim of influencing and changing people's behavior to use masks. This study uses qualitative methods, qualitative methods are methods that collect data in the form of words or sentences.Keyword: advertising, mobile web, masks, pandemic
POTRET MURUNG ANJING KAMPUNG SEBAGAI SUMBER INSPIRASI PENCIPTAAN KARYA SENI LUKIS Pratomo, Tatto Jiwo; Gozali, Amir
Sanggitarupa Vol. 1 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i1.3841

Abstract

This Final Project report entitled Portrait of Murung Kampung Dog as a Source of Inspiration for the Creation of Paintings was created based on experiences and observations related to cases that befell the lives of mongrels, from neglect, neglect, abuse, to consumption by humans. From this source of inspiration, the author creates a painting that is expected to be an awareness, that in treating mongrels like human friends. Cultivation of this final project using the L.H Chapman method with three stages, namely efforts to find ideas, develop ideas and visualize. The process of realizing the work of applying the plaque technique using acrylic paint on canvas media. This Final Project shows the visual of mutt dogs that have experienced various sufferings and cruelties from humans. This final project presents 10 works of painting. Keywords: Moody Portrait, Country Dog, Painting
COASTAL STYLE SEBAGAI RUMAH PELEPAS PENAT Aretha, Fabianty Edgar; Badriyah, Siti
Sanggitarupa Vol. 1 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i1.3843

Abstract

Coastal Style or what is known as the Nautical Style is an interior design style that describes the atmosphere of the beach and the sea waves. The atmosphere of this beach is identical to its cool coloring, namely blue, green, and brown sand. This style is suitable to be applied in Indonesia with its tropical climate. However, usually Coastal Style is applied to houses on the coast. The interior design theme that describes this beach succeeds in making the room's atmosphere breezy, calm, and peaceful. The accessories and decoration factor for this marine theme also adds to the beach feel to the room. With a coastal design, a house feels like a private beach that can keep the mind away from feeling stressed, and saturated with the problems that come your way.            Keywords : Style, Coastal, Nautical, Beach, Breezy.
INTERAKSI PERSAHABATAN MENURUT TUNTUNAN ISLAM SEBAGAI SUMBER IDE PENCIPTAAN KARYA SENI SILK SCREEN Jayanti, Intan Dwi; Rahman, Deni
Sanggitarupa Vol. 1 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i1.3844

Abstract

Berangkat dari pengalaman empiris penulis berinteraksi dengan sahabat dalam lingkup masyarakat muslim dapat diambil pelajaran dari adab berinteraksi yaitu proses merefleksikan diri agar berkembang menjadi pribadi yang lebih positif dan upaya persuasif untuk mengajak masyarakat memahami dan menyadari pentingnya sebuah hubungan sosial yang ideal dan harmonis. Penciptaan karya mengacu pada tiga tahapan meliputi tahap eksperimen, perenungan, dan pembentukan. Hasil yang diperoleh dari penciptaan karya Tugas Akhir ini adalah karya seni grafis silk screen teknik afdruk dengan editing raster warna CMYK yang dicetak di atas kertas. Kata Kunci: Interaksi, Sahabat, Tuntunan Islam, Seni Grafis, Silk Screen.  ABSTRACT Departing from the author's empirical experience of interacting with friends within the scope of Muslim society, lessons can be learned from interacting manners, namely the process of self-reflection in order to develop into a more positive person and persuasive efforts to invite people to understand and realize the importance of an ideal and harmonious social relationship. The creation of works refers to three stages including the stages of experimentation, contemplation, and formation. The result obtained from the creation of this final project is a silk screen graphic art with afdruk technique with CMYK color raster editing that is printed on paper.  Keywords: Interaction, Friends, Islamic Guidelines, Graphic Art, Silk Screen.
REFLEKSI PERSONAL ANXIETY DISORDER MELALUI FOTOGRAFI KONSEPTUAL Sukmawati, erina; Setiawan, Agus Heru
Sanggitarupa Vol. 1 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i1.3933

Abstract

ABSTRACTAnxiety disorder is a mental state characterized by excessive fear and uncontrollable anxiety. Nearly everyone has experienced anxiety at various levels. Artwork act as a bridge between human emotion and the psychological problem that could be materialized. In this project, photography is an instrument of documentary likewise conveying the photographer's ideas. The creation of this final project is a reflection of personal experiences that the photographer has been through, then visualized through art media, specifically conceptual photography which focused on the conception. The idea exploration has been achieved by adapting both sources of references and personal experiences, then discover an analysis of the model, tools, and technical equipment to the perceived desired visual presentation. A technical aspect related to this creation of projects is the photography equipment and lighting approach. The aim of this project to deliver that conceptual photography become a media communication for psychological problems and provides knowledge about one of the mental conditions, namely anxiety disorderKeywords: Reflection, personal, anxiety disorder, conceptual photographyABSTRAKAnxiety disorder adalah perasaan cemas yang berlebihan dan merupakan salah satu gangguan mental yang dapat dialami siapa saja. Karya seni merupakan jembatan bagaimana permasalahan yang berhubungan dengan emosi dan psikis seseorang dapat termaterialisasikan. Fotografi sebagai salah satu medium seni, dalam karya ini selain memiliki fungsi dokumentatif, juga memiliki fungsi untuk menyampaikan ide/gagasan seorang fotografer. Penciptaan karya Tugas Akhir ini, merupakan refleksi dari pengalaman personal selama mengalami anxiety disorder, disampaikan melalui media seni, khususnya fotografi konseptual yang fokus pada ide/gagasan. Eksplorasi ide dilakukan dengan menyesuaikan sumber referensi dan pengalaman personal, kemudian mengeksplorasi model dan properti, serta persiapan teknis guna mencapai visual yang diinginkan. Teknis yang berkaitan dengan penciptaan karya ini diantaranya adalah alat dan tata cahaya. Dengan dibuatnya karya ini diharapkan dapat menjadi edukasi bagaimana fotografi konseptual dapat menjadi sarana untuk menyampaikan permasalahan psikologis dan juga menambah wawasan tentang salah satu gangguan mental yaitu anxiety disorder.Kata Kunci: Refleksi, personal, anxiety disorder, fotografi konseptual
PROSES KREATIF PRAPRODUKSI SUTRADARA DI KOMUNITAS MONTASE FILM DALAM PRODUKSI FILM-FILM BERTEMA BUDAYA JAWA ajie, purwoko; Adji, Titus Soepono
Sanggitarupa Vol. 1 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i1.3935

Abstract

ABSTRAKLatar belakang masalah yang mendasari penelitian ini adalah keingintahuan bagaimana budaya Jawa menjadi salah satu proses kreatif praproduksi sutradara kedalam film-film di komunitas Montase Film. Konsep budaya Jawa yang akan dikembangkan tidak lepas dari kebiasaan dan adat istiadat yang ada pada masyarakat Jawa.Analisis yang digunakan mengacu pada proses kreatif menurut Ed Gaskell pada bukunya berjudul Make Your Own Hollywood Moviedan dijelaskan melaluiide cerita, menulis skenario, genre dan tema, storyboard, setting lokasi, setting dalam scene, pemeran, mencari kru produksi filmdan riset produksi dalam film.Selanjutnya, penelitian ini dijabarkan menggunakan metode kualitatif. Teknik purposive sampling yang digunakan mengacu pada potongan scene-scene budaya Jawa dan proses kreatif praproduksi sutradara. Hasil yang diperoleh dari penelitian bahwa komunitas Montase Film mampu mengembangkan proses kreatif budaya Jawa kedalam film-film produksinya antara tahun 2013 hingga 2018. Proses kreatif budaya Jawa yang muncul dalam film produksi Montase Film seperti Rembugan, Nyumbang, bahasa Jawa baik Ngoko maupun Krama, kain batik, musik gamelan, tembang Jawa, sistem bertani tradisional dan rumah beratap kampung yang sesuai dengan visual kebiasaan masyarakat di Jawa. Kata kunci:proses kreatif, budaya jawa, komunitas, montase.
MEMORI KETAKUTAN ANAK SEBAGAI SUMBER INSPIRASI KARYA SENI PATUNG Sukmawati, silviya; Indratmo, effy
Sanggitarupa Vol. 1 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i1.3936

Abstract

ABSTRACTViolence from parents and violence from the immediate environment at the age of children causes them to become children who are easily afraid of sounds (Verbal), fear of physical violence (objects), and fear of the immediate environment. This final artwork project aims to create a sculpture art with the theme of the memory of a child's fear, which also explains the concept and process of creation and also the visual aesthetics of sculpture. The shape of the memory of children's fear is portrayed in the media of sculpture art with cast printing techniques. The creation of sculpture in this final project provides more insight into empirical experiences in creating works of art as well as the deepening of concepts in children's memory of fears.Keywords: Memory, Fear, Children, Sculpture Art, Cast Printing.  ABSTRAKKekerasan dari orangtua dan kekerasan dari lingkungan terdekat pada usia anak-anak menyebabkan diri menjadi anak yang mudah takut akan suara (verbal), takut akan kekerasan Fisik (benda), dan takut akan lingkungan terdekat. Tujuan dari karya seni patung tugas akhir ini adalah menciptakan karya seni patung yang mengambil tema Memori ketakutan Anak yang juga menjelaskan konsep dan proses penciptaan serta estetika visual karya seni patung. Wujud memori ketakutan anak dituangkan kedalam media karya seni patung dengan teknik cetak Cor. Penciptaan karya seni patung tugas akhir ini memberikan wawasan yang lebih dari pengalaman empiris dalam penciptaan karya seni serta pendalaman konsep dalam memori ketakutan anak.Kata Kunci: Memori, Ketakutan, Anak, Seni Patung, Cetak Cor.
PENERAPAN MOTIF KATAK PADA KERIS DHAPUR BETOK PAMOR UDAN MAS Dewanti, Itok; Darmojo, Kuntadi Wasi
Sanggitarupa Vol. 1 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i1.3937

Abstract

ABSTRAKKatak (kodok) merupakan salah satu hewan yang cukup populer dalam kehidupan masyarakat Jawa. Katak (kodok) dalam habitatnya sering dijumpai pada tumbuhan teratai yang hidupnya tidak lepas dari unsur air. Bagi masyarakat agraris katak (kodok) dan tumbuhan teratai identik dengan lambang kesuburan dan kemakmuran. Oleh karena pada penciptaan karya tugas akhir ini penulis tertarik terhadap katak dan teratai untuk diterapkan menjadi hiasan tinatah pada bilah keris dhapur betok. Keris dhapur Betok merupakan prototipe awal bentuk keris dan juga bentuk penggambaran dari ikan betok atau bethik yang memiliki makna simbolik sebagai motivasi meraih cita-cita. Tujuan penciptaan karya ini adalah untuk mewujudkan keris dhapur Betok dengan hiasan tinatah motif katak dan teratai. Penciptaan tugas akhir ini menggunakan metode tiga tahap enam langkah yakni: tahap eksplorasi, tahap perancangan, dan tahap perwujudan. Proses pembuatan karya keris menggunakan teknik tempa, dengan menggunakan bahan besi, baja dan nikel. Estetika keindahan karya keris ini diulas dengan pendekatan berdasarkan konsep pemikiran dari Hadiwijoyo yakni: pamor, wesi, waja, garap, greget, guwoyo, dan wangun. Karya keris yang dibuat menghasilkan satu buah karya dengan nama Keris Dhapur Betok Kodok Karonsih yang mengandung makna sesuai dengan filosofi judul karya yang dihasilkan.Kata kunci: katak, keris, dhapur, dan estetika   Abstract Frogs are one of the animals that are quite popular in the life of the Javanese people. Frogs (toads) in their habitat are often found in lotus plants whose life cannot be separated from the element of water. For agrarian societies, frogs (toads) and lotus plants are synonymous with symbols of fertility and prosperity. Therefore, in the creation of this final project, the author is interested in frogs and lotuses to be applied as inscriptions on the blade of the dapur betok kris. The dhapur Betok keris is an early prototype of the shape of a keris and also a form of depiction of betok fish or bethik which has a symbolic meaning as motivation to achieve goals. The purpose of this creation is to create a Betok dhapur keris with frog and lotus motifs. The creation of this final project uses a three-stage six-step method, namely: the exploration stage, the design stage, and the embodiment stage. The process of making kris works using forging techniques, using iron, steel and nickel. The aesthetics of the beauty of this keris is reviewed with an approach based on the concept of thought from Hadiwijoyo, namely: prestige, wesi, waja, garap, greget, guwoyo, and wangun. The keris made produces a work with the name Keris Dhapur Betok Kodok Karonsih which contains meaning in accordance with the philosophy of the title of the work produced.Keywords: frog, kris, dhapur, and aesthetics

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