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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Paradigma: Jurnal Kajian Budaya Sanggitarupa Jurnal Kepariwisataan: Destinasi, Hospitalitas dan Perjalanan
Ajie, Purwoko
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Arts Humanities Decision Sciences, Operations Research & Management Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Foucault's Docile Bodies Perspective: The Figure of Seniwati's Feminism in the Wido Documentary Film Ajie, Purwoko; Habsari, Sri Kusumo; Ardianto, Deny Tri
Humanus Vol 22, No 2 (2023)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v22i2.121761

Abstract

Discussion of docile bodies has been absent in film analysis. Most research is attracted to study gender representation in which women are frequently underrepresented. Thus, this study aims to examine the documentary film of Wido, a female artist, through Michel Foucault's theory of docility. This research is attracted to Widowati's narration as a Javanese woman artist who must be able to manage between her profession as an artist and a housewife respectfully. The data are the narration and scenes of Wido as both a female artist and a housewife in the documentary movie “Wido”. All data obtained are analysed textually, applying Foucault's notion of docile bodies. The research argues that the representation of Wido challenges the notion of docile bodies. Despite Widowati still glorifying her domestic roles, the feminine prescription of which women should be responsible for domestic chores, she subsequently exchanges the domestic responsibility with her husband to work in public as an artist. She also acknowledges that she is the family's breadwinner without diminishing her husband's primary responsibility as the head of the family. The fluidity of gender roles she performs contradicts the notion of docile bodies in which women are always taught and supervised to glorify their femininity.
TRADITION IN TRANSITION: UNVEILING SOCIAL REALITIES AND LOWER-CLASS OPPRESSION IN THE FILM NYUMBANG Ajie, Purwoko; Habsari, Sri Kusumo; Riyanti, Raden Roro Ratnasari Dwi; Pramadhanti, Dhelinta Fitri; Saputri, Fadhilah Mahanani
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
Publisher : UI Scholars Hub

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Abstract

The tradition of nyumbang has long functioned as a social safety net within Javanese society. However, modernity has transformed the essence of nyumbang, a shift clearly portrayed in the film Nyumbang. This study investigates how the film captures the evolving discourse of nyumbang and its changing meaning over time. By employing Foucauldian Discourse Analysis (FDA), the research examines into how the film utilises discourse as a tool for both knowledge and power, thereby revealing underlying shifts in societal dynamics. This approach uniquely uncovers the interplay between power structures and cultural practices, aspects that might be overlooked by other methodologies. The analysis identifies both dominant and counter-discourses, particularly through the narratives and dialogues of the characters. Notably, characters from lower social strata challenge traditional nyumbang practice, signalling the emergence of counter-discourse. The dominant discourse portrays nyumbang as a social obligation enforced by prevailing cultural norms, while the counter-discourse advocates for a reevaluation of this practice in light of modern societal values. The study concludes that the film Nyumbang effectively addresses the complexities of maintaining tradition amidst the significant societal changes brought on by modernity, including the tensions between traditional expectations and the reality of economic reciprocity.
PROSES KREATIF PRAPRODUKSI SUTRADARA DI KOMUNITAS MONTASE FILM DALAM PRODUKSI FILM-FILM BERTEMA BUDAYA JAWA ajie, purwoko; Adji, Titus Soepono
Sanggitarupa Vol. 1 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i1.3935

Abstract

ABSTRAKLatar belakang masalah yang mendasari penelitian ini adalah keingintahuan bagaimana budaya Jawa menjadi salah satu proses kreatif praproduksi sutradara kedalam film-film di komunitas Montase Film. Konsep budaya Jawa yang akan dikembangkan tidak lepas dari kebiasaan dan adat istiadat yang ada pada masyarakat Jawa.Analisis yang digunakan mengacu pada proses kreatif menurut Ed Gaskell pada bukunya berjudul Make Your Own Hollywood Moviedan dijelaskan melaluiide cerita, menulis skenario, genre dan tema, storyboard, setting lokasi, setting dalam scene, pemeran, mencari kru produksi filmdan riset produksi dalam film.Selanjutnya, penelitian ini dijabarkan menggunakan metode kualitatif. Teknik purposive sampling yang digunakan mengacu pada potongan scene-scene budaya Jawa dan proses kreatif praproduksi sutradara. Hasil yang diperoleh dari penelitian bahwa komunitas Montase Film mampu mengembangkan proses kreatif budaya Jawa kedalam film-film produksinya antara tahun 2013 hingga 2018. Proses kreatif budaya Jawa yang muncul dalam film produksi Montase Film seperti Rembugan, Nyumbang, bahasa Jawa baik Ngoko maupun Krama, kain batik, musik gamelan, tembang Jawa, sistem bertani tradisional dan rumah beratap kampung yang sesuai dengan visual kebiasaan masyarakat di Jawa. Kata kunci:proses kreatif, budaya jawa, komunitas, montase.
A Comparative Analysis of Kali Pepe-Tirtonadi Weir and Japan’s Nagara River for Water-Based Tourism Development Ajie, Purwoko; Putra, Octaviano Dwiyan; Paramanandana, Satrya; Ni'matussyahara, Dannis; Srimaryani, Srimaryani; Riyanti, Raden Roro Ratnasari Dwi; Yani, Desi Fitri
Jurnal Kepariwisataan: Destinasi, Hospitalitas dan Perjalanan Vol. 9 No. 1 (2025)
Publisher : Politeknik Pariwisata NHI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34013/jk.v9i1.1922

Abstract

The COVID-19 pandemic has receded from Indonesia, yet it has left enduring historical impacts, particularly on the economic sector, with tourism being one of the affected areas. Post-pandemic recovery has witnessed the emergence of numerous new locations and destinations, particularly water tourism sites, as part of tourism development initiatives. Through researcher observations via surveys and field observations in the Tirtonadi Weir area and Kali Pepe flow, several issues have been identified, including inadequate supporting facilities, suboptimal water flow circulation, less-than-optimal vegetation along the riverbanks, and pollution from inorganic waste in the river. This study adopts a qualitative comparative approach and employs SWOT analysis to compare the Kali Pepe-Tirtonadi Weir in Surakarta with the Nagara River in Japan. Data collection techniques include observation, literature review (books, journals, articles, YouTube videos, magazines, and newspapers), and documentation. Following data collection, a systematic qualitative and SWOT analysis is conducted. The findings reveal differences in management approaches between the Kali Pepe-Tirtonadi Weir and the Nagara River in Japan, attributed to long-term tourism planning, revitalization processes, and river management carried out by policymakers. It is anticipated that the Tirtonadi Weir and the Kali Pepe Stream can evolve into water tourism destinations, serving as new tourism icons in Surakarta City.
Co-Authors Adji, Titus Soepono Deny Tri Ardianto Ni'matussyahara, Dannis Paramanandana, Satrya Pramadhanti, Dhelinta Fitri Putra, Octaviano Dwiyan Riyanti, Raden Roro Ratnasari Dwi Saputri, Fadhilah Mahanani Sri Kusumo Habsari Srimaryani, Srimaryani Yani, Desi Fitri