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PROGRAM STUDI MUSIK Fakultas Seni Pertunjukan - Institut Seni Indonesia Denpasar Jl. Nusa Indah, Sumerta, Kec. Denpasar Tim., Kota Denpasar, Bali 80235
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INDONESIA
Melodious : Journal of Music
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 29644925     DOI : https://doi.org/10.59997/melodious.v2i1
Core Subject : Humanities, Education, Art,
Arts Humanities Education
Melodious : Journal of Music merupakan jurnal ilmiah elektronik yang menerbitkan artikel ilmiah dengan fokus pada bidang musik moderen kontemporer. Adapun topik bahasannya, mulai dari inovasi, teknologi, ilmu pengetahuan, industri, dengan ruang lingkup kajian maupun ciptaan karya musik. Hal ini sejalan dengan atensi penerbitan jurnal ini yang didedikasikan sebagai media diseminasi karya ilmiah tugas akhir Mahasiswa Program Studi Musik, pada tataran pengkajian maupun penciptaan, program Merdeka Belajar - Kampus Merdeka (MBKM).
Arjuna Subject : Seni dan Humaniora - Musik
Articles 78 Documents
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ANALISIS PENERAPAN METODE SISOLMI DALAM PEMBELAJARAN INSTRUMEN BIOLA BERBASIS CARA BELAJAR SISWA AKTIF DI BAVISCH MUSIC SCHOOL Wardoyo, Buchenita Naomi; Irawan, Ricky; Darmayuda, I Komang
MELODIOUS : JOURNAL OF MUSIC Vol 3 No 1 (2024): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v3i1.3105

Abstract

This research is motivated by the implementation of the Student Active Learning System (SAL/CBSA in Indonesia) in music education, specifically in violin instruction. The SAL system has been in existence since 1984 and is used in formal schools such as Elementary Schools, Junior High Schools, and Senior High Schools. In this case, the SAL system, which is typically applied in formal schools, is used in a music course setting, namely at Bavisch Music School. SAL itself can be applied in all branches of education, including formal, informal, and non-formal. However, the application of the SAL system to non-formal education, especially in violin instruction, differs slightly from its application in formal schools. Generally, SAL focuses on three aspects of education: cognitive, affective, and psychomotor. Its implementation in formal education differs from that in music courses, as the latter involves much more practical training, although the curriculum is also given significant attention.
PENERAPAN PEMBELAJARAN TEKNIK VOKAL MELALUI LAGU ENGGUNG KEPADA PESERTA DIDIK PADUAN SUARA DI SMP NEGERI 8 DENPASAR Siregar, Vivi Anita; Sumerjana, Ketut; Wiyati, Wahyu Sri
MELODIOUS : JOURNAL OF MUSIC Vol 3 No 1 (2024): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v3i1.3106

Abstract

This research was motivated by the low level of vocal technique mastery of choir students at SMP Negeri 8 Denpasar. This research was created with the aim of explaining the process of applying vocal technique learning to the Enggung song and to improve the vocal technique of choir students at SMP Negeri 8 Denpasar. The research method used was through interviews, document study and observation. The research subjects were students who were registered as extracurricular members of the choir at SMP Negeri 8 Denpasar. The target achievement in vocal learning activities is to improve vocal technique in performing Enggung songs, so that students can understand and apply the material presented well by the teacher. Observations of students show that there are several problems caused by time and students' learning ability, such as: Students' lack of learning ability so that students have difficulty directly practicing the material that has been given, limited time so that the knowledge they receive cannot be realized effectively, as well as lack of practice.
ANALISIS PROSES PRODUKSI PROGRAM ACARA TALKSHOW SIARAN LANGSUNG BALI TV SAMATRA ARTIS BALI SEBAGAI WADAH PUBLIKASI KARYA MUSISI LOKAL Putri, Gracia Gandi Manggala; Irawan, Ricky; Sumerjana, Ketut
MELODIOUS : JOURNAL OF MUSIC Vol 3 No 1 (2024): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v3i1.3107

Abstract

The Samatra Artis Bali Talkshow live broadcast program has succeeded in becoming a forum for local musicians to publish their work. Because as a local Balinese television media, Bali TV is a source of information media that is able to instill noble cultural values, as well as supporting local Balinese artists. In accordance with the Merdeka Belajar Kampus Merdeka (MBKM) curriculum, the author had the opportunity to carry out an Internship/Work Practicum program which was carried out on Bali TV. The aim of this research is to explain the production process carried out. This research uses descriptive qualitative research methods with observation techniques on Bali TV. Data collection in preparing this thesis was obtained through interviews, documentation and observation. The author had the opportunity to directly see the pre-production, production and post-production processes. In the research carried out, at the pre-production process stage, the production team held an internal meeting to prepare the rundown. At the production stage, a 1 hour Live On-Air was carried out. And in the post-production stage, the team evaluates whether or not there are any obstacles that occurred during the program. A television program will not run smoothly if the behind-the-scenes activities are not managed effectively. With this thesis, the author hopes that readers, especially the Balinese people, including artists/art lovers, can better appreciate and preserve cultural works of art in Bali. The Bali Artist Samatra Program makes writers understand more about the importance of publishing their work/introducing their work via television media.
EFEKTIVITAS PENERAPAN SILABUS YANG BERORIENTASI PADA PESERTA DIDIK DALAM PEMBELAJARAN GITAR DI SANGGAR MUSIK AMABILE Novenayani, Made Tri; Sumerjana, Ketut; Wiyati, Wahyu Sri
MELODIOUS : JOURNAL OF MUSIC Vol 3 No 1 (2024): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v3i1.3108

Abstract

Sanggar Musik Amabile is one example of a course in Bali that conducts guitar instrument learning with a learning plan in the form of a syllabus. The syllabus is prepared based on the ABRSM curriculum which is adjusted to the abilities, needs and interests of students to achieve effective learning with maximum results. To find out the effectiveness of the application of the syllabus, a qualitative research was conducted by collecting data through teaching assistance in the form of observation activities and complemented by interview activities. From this research, it was concluded that despite experiencing several obstacles such as: (1) Lack of discipline of students in independent practice, (2) The desire of students to learn songs that are not in accordance with the grade, (3) Lack of concentration of students during learning, (4) The existence of students' willingness that cannot be forced, the application of a learner-oriented syllabus in guitar learning at Amabile Music Studio has been effective because there is conformity between learning planning and its application in the classroom and most of the learning objectives have been achieved.
FOUR Palijama, Tirza Viona; Ardini, Ni Wayan; Laksmi, Desak Made Suarti
MELODIOUS : JOURNAL OF MUSIC Vol 3 No 2 (2024): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v3i2.3119

Abstract

FOUR is a composition inspired by the anxiety experienced by the composer. This work tells about the unrest experienced by the composer after his late father passed away on June 4, 2023. The composer felt a lot of emptiness and confusion in continuing his life after being left by his father. The efforts made to get through this grief, ended up returning to the same place and rotating only there. In this composition, the composer uses the concept of minimalist music, which has minimal musical elements with phrases that have a lot of repetition. This repetition interprets how the composer's life only revolves and returns to the same feeling of emptiness and confusion. In this composition, the composer has a musical form and structure with A, B, and A' charts. In the beginning, it interprets the confusion experienced by the composer, B interprets the emotions experienced by the composer, and A' interprets how the composer's efforts only lead back to the same place. The reference of this work is; "Methamorphosis" which is a work of Phillip Glass a minimalist music composer which has several parts of "Methamorphosis parts 1-5", from which the composer gets a reference on how to develop minimalist music.
RUTIN Atmojo, Joseph Peter; Sumerjana, Ketut; Wiyati, Wahyu Sri
MELODIOUS : JOURNAL OF MUSIC Vol 3 No 2 (2024): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v3i2.3127

Abstract

Rutin is a composition inspired by the anxiety felt by the creator. This restlessness results from activities or work that are carried out repeatedly, causing a feeling of boredom and ultimately this feeling can be eliminated by no longer doing activities or work as before. Using the concept of modern music, namely music that uses instruments and technology. The instruments used in Routin's work consist of 3 electric guitars, electric bass, and drums. The artist uses a guitar playing technique with the addition of a delay effect which produces a repetition of the sound of what is played and utilizes the results of the repetition of the sound so that the resulting sound seems different to what is actually played. In order for Routine compositional works to be created academically, the creator refers to one creation method written down by the Arts Consortium, namely: (1) preparation, (2) elaboration, (3) synthesis, (4) realization of the concept, and (5) completion into the final form artworks. Some of the works that the creator used as references include, (1) Rob Scallon's work entitled Rain, (2) Ewan Dobson's work entitled Time 2, (3) Steve Reich's composition work entitled Electric Counterpoint, (4) Steve Reich's composition work entitled 2x5, (5) Work from the band Netral or NTRL entitled Flying Sink and Pertermpuran Hati, (6) Work from the band The Temper Trap entitled Sweet Disposition, (7) Work from the band Animal as Leaders entitled Red Miso.
NAYA Purba, Hananya Eliezer; Laksmi, Desak Made Suarti
MELODIOUS : JOURNAL OF MUSIC Vol 2 No 1 (2023): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v2i1.3129

Abstract

NAYA merupakan sebuah karya komposisi yang terinsiprasi dari fenomena yang sedang dialami oleh penggarap yaitu quarter life crisis. Fenomena ini diangkat menjadi keresahan penggarap dalam membuat sebuah karya musik yang berbentuk musik modern yang berformat band dan duo string. Karya NAYA juga mengaplikasikan teknik bowing atau teknik menggesek menggunakan bow pada bass elektrik dengan tambahan effect distorsi yang membuat suara yang dihasilkan menjadi suara gemuruh yang diharapkan dapat mengeskpresikan keresahan pada masa quarter life crisis yang sedang dialami oleh penggarap. Karya ini dibuat seakan akan pendengar dapat merasakan juga apa yang ingin dimaksudkan oleh penggarap. Karya ini memiliki durasi kurang lebih 10 menit. karya ini dibuat seunik mungkin agar pendengar dapat tertarik dalam mendengarkan karya ini. Ritmis, notasi, sukat, tempo dan timbre yang dipakai juga dbuat sedemikian rupa agar pendengar dapat tertarik. Metode atau tahapan penciptaan yang dipakai adalah tahapan yang dikemukakan oleh Alma M Hawkin yang ditulis di dalam bukunya Creating Through Dance (1988) yaitu : penjajagan, percobaan, dan pembentukan. Ketiga tahapan penciptaan inilah yang menjadi acuan dalam pembentukan atau penciptaan karya NAYA.
HOME Haposan, Justine Roy Basza
MELODIOUS : JOURNAL OF MUSIC Vol 3 No 1 (2024): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v3i1.3130

Abstract

Karya Home merupakan eksplorasi emosional seorang penggarap musik saat menjalani perjalanan hidup di luar kota. Melalui pendekatan multidimensional, karya ini menggabungkan elemen-elemen musik modern, seperti funk dan jazz, untuk menciptakan komposisi yang autentik dan kaya nuansa. Eksperimen dengan instrumen bass yaitu memainkan bass dengan menggunakan botol kaca yang juga disebut Glass Slider Technique, menambahkan sentuhan unik dan personal pada karya ini. Inspirasi dari berbagai genre musik, termasuk funk dan rock, menciptakan keberagaman yang menjadi landasan keotentikan karya. Home bukan sekadar rangkaian nada, melainkan narasi emosional yang jujur tentang keresahan, kegelisahan, dan kegembiraan selama perjalanan hidup. Dengan sinergi harmoni disonan dan konsonan, karya ini mengundang pendengar untuk merasakan dan memahami perjalanan emosional yang mendalam dan penuh makna. Karya komposisi Home diharapkan dapat memberikan inspirasi pendengar untuk merasakan dan memahami perjalanan emosional yang mendalam. Dengan menggunakan pendekatan multidimensional, penggarap berharap karyanya dapat membuka ruang refleksi bagi pendengar, mengajak untuk mengeksplorasi beragam nuansa emosional dalam kehidupan. Kata kunci : Home, Glass Slider Technique, Pendekatan Multidimensional
PEMILIHAN LAGU PADA PEMBELAJARAN VOKAL ANAK-ANAK: DI SANGGAR MUSIK AMABILE Ariswanto, Elthon Oktavian; Irawan, Ricky; Laksmi, Desak Made Suarti
MELODIOUS : JOURNAL OF MUSIC Vol 3 No 2 (2024): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v3i2.3140

Abstract

The activity program MBKM or Independent Campus Learning guides students in implementing a learning process according to their deepened interest and knowledge through observation or field practice in the Teaching Assistance program. In the Teaching Assistance program, a specific music learning takes place, particularly vocal instruments or singing. Vocal learning is conducted at the Amabile Music Studio, which focuses or selecting song materials for children. The objective of this learning is to understand the process of selecting song materials for children, how techniques or applied to the learned song materials, and what challenges arise in the process of selecting song materials. The inclusion of this topic in writing is intended to inform the wider community about the process of implementing vocal learning, especially in preparing learning materials. The methods used in this writing are observation, assessment, and interviews with informants. The results of this learning include the process of preparing teaching materials, the development and application of students singing techniques, and the learning process from the song materials provided by the instructor.
PEMBELAJARAN VOKAL UNTUK MENCAPAI KETEPATAN NADA DALAM MEMBACA PARTITUR PADUAN SUARA PADA EKSTRAKULIKULER VOKAL SMPN 8 DENPASAR Ririmasse, Yorico Christy; Darmayuda, I Komang; Laksmi, Desak Made Suarti
MELODIOUS : JOURNAL OF MUSIC Vol 3 No 1 (2024): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v3i1.3157

Abstract

This research, entitled "Vocal Learning to Achieve Tone Accuracy in Reading Choral Scores at Vocal Extracurricular at SMPN 8 Denpasar", is motivated by students' lack of understanding in singing each note properly and correctly. In a choir, the accuracy of a singer's tone is absolutely essential so that the song sung sounds good. The aim of this research is to increase sensitivity to tone through various vocal techniques provided by the author. There is one vocal technique that according to the author needs to be studied in order to achieve pitch accuracy, namely the intonation technique. Apart from that, it is not enough to just learn vocal techniques, but it is also necessary to learn basic music theory in reading choral scores. The music theory in question is reading the number notation or solmization properly and correctly, knowing the value of the number notes and also understanding the chart of the song being sung. The learning methods used in this research are the lecture method, discussion method, question and answer method, and demonstration method. Data collection was obtained through interviews, document studies, and direct observation of the learning process that occurred. The extracurricular vocal class students at SMPN 8 Denpasar became the research objects. The expected achievement target is to achieve the learning objectives that have been set.

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