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Pusat Studi Etnik, Rasial Dan Warisan Budaya Lembaga Penelitian Dan Pengabdian Kepada Masyarakat Universitas Tanjungpura Jl. Daya Nasional, Kelurahan Bansir Laut, Kecamatan Pontianak Tenggara, Pontianak, Provinsi Kalimantan Barat
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International Journal Ethnic, Racial and Cultural Heritage
Published by Universitas Tanjungpura
ISSN : -     EISSN : 30217024     DOI : https://dx.doi.org/10.26418/ijerch.v1i1
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
The International Journal of Ethnic, Racial and Cultural Heritage (IJRCH) is a leading interdisciplinary academic journal dedicated to the scientific study of Ethnic, Racial and Cultural Heritage. Based on rigorous, double-blind peer-review, this journal publishes cutting-edge analyzes of Ethnic, Racial and Cultural Heritage from the perspectives of anthropology, sociology, history, law, identity studies and critical theory. The aim of this journal is to present contemporary research on the issue of identity and cultural heritage by combining a transdisciplinary approach and a theoretical orientation to address issues of identity, human rights, protection and preservation of culture. This journal welcomes theoretical and empirical contributions on ethnic identity, national identity, racial identity, identity and humanity, and cultural heritage. The International Journal of Ethnic, Racial and Cultural Heritage is published by LPPM Untan under the Study Center of Ethnic, Racial and Cultural Heritage (SC-ERCH).
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 4 Documents
 1 
Search results for , issue "Vol 3, No 1 (2025): July" : 4 Documents clear
The Motives of Dayak Kanayatn Students from Migrant Lands in Malang City Still Maintain the Malapas Tradition Piter, Romanus -; Kencana, Julio Purba; Ranubaya, Fransesco Agnes
International Journal Ethnic, Racial and Cultural Heritage Vol 3, No 1 (2025): July
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/ijerch.v3i1.96580

Abstract

This study is the most recent exposition of the Malapas tradition of the Dayak Kanayatn tribe in West Kalimantan. Malapas is an act of anticipating the occurrence of Sumpanan because of not having time to eat or drink something that is desired by oneself or offered by others. The purpose of this study was to determine the motives of Dayak Kanayatn students, who are migrants in the city of Malang, East Java, who still maintain the Malapas tradition. This study uses a qualitative method to obtain a rich picture and description of the respondents. Data collection was carried out by distributing an open questionnaire in the form of a Google Forms to Dayak Kanayatn students who are studying and living in the city of Malang. The data analysis of this study used Clifford Geertz’s Thick Description theory. The results of the study show that there are six motives for students of the Dayak Kanayatn tribe, who are migrants in the city of Malang, East Java, to still maintain the Malapas tradition: (1) so as not to be a Sumpanan, (2) as a form of respecting gifts or offers of food and drink from other people, (3) as a form of respecting ancestral traditions, (4) to affirm their identity as Dayak Kanayatn people, (5) to build solidarity, (6) because it has become a habit so that it becomes a spontaneous reaction or reflex. The results of this study indicate that knowledge and awareness of local traditions among the Dayak Kanayatn tribe, who are migrants, is still very strong. This is an important capital for preserving traditions in this era of modernization.
The Role of the Malay Cultural Customary Council (MABM) in Preserving the Saprahan Tradition in Singkawang City Alam, Fachrul; Sikwan, Agus; Astari, Zuri; Zatalini, Adhalia
International Journal Ethnic, Racial and Cultural Heritage Vol 3, No 1 (2025): July
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/ijerch.v3i1.95285

Abstract

This study explores the role of the Majelis Adat Budaya Melayu (MABM) of Singkawang City in preserving the Saprahan tradition, which constitutes an essential element of Malay Sambas cultural identity. MABM Singkawang, established as a traditional institution in 2007, is dedicated to safeguarding and revitalizing Malay customs, values, and cultural expressions in the midst of modernization and multicultural dynamics in Singkawang. The research employed a descriptive qualitative method, with data collected through in-depth interviews, participatory observation, and document analysis involving seven informants representing key cultural stakeholders. Data were analyzed through reduction, presentation, and conclusion drawing to provide a holistic understanding. Findings reveal that MABM carries out three major roles: providing understanding, supervising, and fostering preservation of Saprahan. The role of providing understanding is realized through educational seminars, cultural festivals, and community outreach programs that raise awareness about the values embedded in Saprahan, such as togetherness, mutual respect, and cooperation. The supervisory role is conducted through regular meetings, participation in community events, and direct monitoring to ensure that Saprahan remains aligned with its original cultural values. Meanwhile, fostering efforts are implemented through guidance programs in schools, cultural competitions like Besurong Saprah, and youth engagement activities aimed at transmitting cultural pride to younger generations. These strategies demonstrate MABM"™s commitment to ensuring the sustainability of Saprahan not only as a ritual of communal dining but also as a living tradition that strengthens social bonds, reinforces cultural identity, and contributes to the resilience of Malay heritage in Singkawang. This study highlights the importance of customary institutions as mediators of cultural continuity and provides insights into how traditional practices can be adapted and preserved in a rapidly changing social context.
Local Wisdom Values of Maumpan Tambang Tradition for Young Generation in Rantau Kalis Village Kapuas Hulu District Dikawati, Margareta
International Journal Ethnic, Racial and Cultural Heritage Vol 3, No 1 (2025): July
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/ijerch.v3i1.95459

Abstract

This study examines the local wisdom values contained in the Maumpan Tambang Tradition in Rantau Kalis Village, Kapuas Hulu Regency. Maumpan Tambang is a ritual aimed at warding off disasters to protect the community from disturbances caused by supernatural beings believed to exist in the surrounding area. In the Dayak Kalis community of Rantau Kalis Village, Kapuas Hulu Regency, the Maumpan Tambang Tradition is observed once a year in mid-May. The Maumpan Tambang Tradition is a form of implementing traditional rituals that have deep meaning in the social, educational, and cultural life of the Dayak Kalis community. This study aims to identify and understand aspects of local wisdom values that are integrated into traditional rituals and their impact on cultural preservation and social harmony. The research method employed is a qualitative approach, utilising data collection techniques that include in-depth interviews, participatory observation, and document studies. The data analysis techniques used are data reduction, data presentation, and concluding. While the analysis in the study used five informants, namely one key informant and four supporting informants. The results of the study show that the Maumpan Tambang tradition contains important local wisdom values , such as cooperation and solidarity in society, cultural preservation, the preservation of tradition, and respect for ancestors. This tradition not only strengthens cultural identity but also serves as a mechanism to maintain ecological and social balance within the Dayak Kalis community. This study can contribute to the documentation and preservation of local wisdom values and increase understanding of the existence of traditions in contemporary society.
Physionomy of the Bebegig Sukamantri Mask in Indonesian Sundanese Culture Putra, Edi Setiadi
International Journal Ethnic, Racial and Cultural Heritage Vol 3, No 1 (2025): July
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/ijerch.v3i1.91458

Abstract

Sukamantri Village in West Java, Indonesia, has a community that is very enthusiastic in developing the Bebegig Sukamantri art. On December 20, 2016, the Sukamantri District community successfully presented a parade of 320 bebegig accompanied by 604 kolotok dancers, which was recorded as the largest number according to the Original Indonesian Record (ORI). In 2018, it was designated as an Intangible Cultural Heritage by the Indonesian Ministry of Education and Culture. The attraction of Bebegig Sukamantri lies in the design of the spooky and very large bebegig mask with forest plant attributes. Bebegig dancers wear clothes made of palm fiber, the crown of the mask is made of flowers and forest leaves. The purpose of this study is to determine the meaning contained in the design of the Bebegig Sukamantri mask, as well as what local wisdom is contained in it. The research method used is an interpretation study of the visual structure and appearance of the mask, through an analysis of similarities in shape and differences in appearance. The results of the study show that the Bebegig Sukamantri Mask is generally made without a prior design process, and consists of three large groups based on the character category and the accompanying attribute signs. The unique appearance of the Bebegig Sukamantri Mask is influenced by the face of Batara Kala with detailed attributes related to three groups of ancient Sundanese society, namely Rama-Resi-Ratu, who have a protective god, called Denawa-Ditya-Rakhasa, as described in Sanghyang Siksa Kanda ng Karesian, in the 15th century AD. The physiognomy of the mask is very interesting, because it consists of various different characters but has a strong and sustainable Sundanese philosophical content.

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