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Prodi Desain Mode Batik, Jurusan Kriya, Fakultas Seni Rupa dan Desain ISI Surakarta. Kampus II: Jl. Ring Road, Mojosongo, Kec. Jebres, Kota Surakarta, Jawa Tengah 57127
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Runtas: Journal of Arts and Culture
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : 29886546     DOI : -
Core Subject : Art,
Arts
Runtas: Journal of Fine and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics includes Ethnomusicology, Karawitanology, Music Education, Dance Theatre, Movie and Television, Interior Design, Industrial Design, Media Arts, Fine Arts, Photography These topics are addressed in full-length academic articles, critical statements on current issues, developmental practice, and reviews of books and live/media-based visual and performing arts. The journal presents an innovative platform for researchers, students, practitioners and educators to both learn from and contribute to the field. All articles are subject to initial Editor screening and then a rigorous double-blind peer-review process before publication.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 64 Documents
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The Morning Star in Semba Scarves as a Source of Ideas For Creating Batik Motifs for Casual Wear Firdaus, Roihatal Jannati; Sudarwanto, Aan
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 1 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5250

Abstract

This Final Project entitled "The Morning Star in Semba Scarves as a Source of Ideas For Creating Batik Motifs for Casual Wear". The source of the idea that forms the basis for the creation of works is the weaving craft of the NTT region, especially the Ende region, namely Selendang Semba. On the Semba scarf there is a Morning Star motif which as a unique character so that the creators want to make it an idea for creating batik motifs. The purpose of creating this final project is to apply the Morning Star motif found in the Semba scarf into casual clothing for young women aged 17 year sand over. The methods used in making this work are expression, technique and creation. The process of making batik designs using the strongest character-taking technique found in the semba shawl becomes a batik motif. The making of the batik works uses the written batik process followed by the coloring process in the form of dyed caps with artificial dyes, namely napthol and remashol. The material in the work uses primissima cloth, atype of princess dance, whichhasa smooth character, dense fibers, easily absorbs sweat so it is comfortable when used as casual clothing. The output of this Final Project is in the form of 4 works of women's casual clothing, a fashion catalog, a teaser for the final work process and as cientificarticle. This work is titled "Abhita" and has different titles in each of his works, the clothes are titled : Asha, Sachi, Trisha, Agni.
JAYA STAMBA MOTIF NGANJUK REGENCY FOR BESKAP AND JARIK CLOTHING ON MILLENNIAL KEBAYA Aldi, Muhamad
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 1 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5260

Abstract

Creation of Final Project Work entitled Jaya Stamba Motif, Nganjuk Regency for Beskap and Jarik Clothing on Millennial kebaya. This final project aims to make beskap and kebaya dresses the newest models so that they are more attractive to the millennial generation by applying the Jaya Stamba motif, Nganjuk regency. The main source of ideas that form the basis for the creation of this work are various forms of Jaya Stamba motif ornaments and agricultural products of Nganjuk Regency. Jaya Stamba is an artifact originating from Nganjuk Regency, now it is a hallmark and was built in the middle of the city. The scope of the Jaya Stamba motif in Nganjuk Regency and agricultural products gave rise to the idea to be developed in the creation of batik. The creation process in making the work starts from observing the forms of Jaya Stamba and various things related to the natural wealth of Nganjuk Regency such as agricultural products and existing heritage sites. Observations through site surveys and print media were then carried out in the form of batik motifs and then poured into alternative patterns to be selected as batik motifs that would be applied to kebaya and beskap clothing. The results of the work amounted to 4, namely 2 beskap clothes and 2 kebaya clothes. Each is given a title according to the character and appearance and philosophy in it. 
A SOURCE OF INSPIRATIONS FOR BATIK MOTIFS IN CASUAL CLOTHING: PEARL OYSTERS Silvie, Aldina
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 1 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5261

Abstract

The Pearl Oyster theme is brought up in this work's final project as a potential source of inspiration for the design of batik motifs for casual wear. One type of marine life that has practically all of their bodily parts is the pearl oyster. has a selling point, including the shells themselves, pearls, and shells. The goal of this final project is to design a batik motif that may be used to decorate casual garments using the inspiration provided by pearl oysters. The author chose this theme in an effort to highlight the value involved in the pearl-creation process and to promote the worth of natural cultivation. The author develops works of art through multiple stages, including exploration, the design stage, and the embodiment of the work, using a variety of reference materials. Five pieces of casual batik apparel, including two for men and three for ladies, were produced as a result of the work's realization. Careful experimentation is required when using uncommon fabrics, such as denim fabric, for batik. Each work is given a title that reflects the plot of the pearl it depicts and the value it contains; for example, work 1 is called Bawono, work 2 is Lelono, work 3 is Murco, work 4 is Kahono, and work 5 is Mustiko. This design is an example of industrial innovation that gives motives priority.
JAPANESE WISTERIA AND KAWUNG MOTIFS AS THE DEVELOPMENT OF BATIK FOR ART WEAR Widi, Sayekti Nugrahaning; -, Septianti
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 2 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5315

Abstract

Batik has various kinds of motifs. They are traditional and developed motifs. The combination of wisteria and kawung motifs for art wear is a work inspired by hokokai batik. It is a result of acculturation between Japan and Indonesia. Japanese wisteria (Wisteria Floribunda) is a kind of flower that grows in Japan. In Japan, it is called Fuji. The wisteria flower symbolizes loyalty, nobility, and immortality. Furthermore, kawung motif is a motif developed in Indonesia, especially in Java. It has a meaning of sedulur papat lima pancer. This article aims to batik by combining two motifs, wisteria, and kawung. These two motifs would be applied in art wear. Exploration is the first stage in creating this work. It starts from looking for some references of kawung motif and wisteria motif. The second is the design stage. In this stage, the creator designs motifs that would be chosen in some alternatives as a motif would be applied in art wear. The last stage is manifestation. Making batik motifs begins with making patterns, nyorek, nyanting, coloring, and, melorod. This creation results in four works. The first is titled Hi. The second is titled Kaze. The third is titled Ki. The fourth is titled Mizu. These four titles represent four elements ruled by the four guardian gods of the cardinal directions. The four gods are legends from Japan.
WOMEN CASUAL CLOTHES WITH TEACHING BATIK MOTIF PRINCE OF SAMUDRA AT MOUNT KEMUKUS Wati, Bintang Kusuma; Andini, Bertha Galuh
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 1 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5328

Abstract

Prince Samudra teachings on Mount Kemukus covering agriculture, culture, martial arts and Islamic religious knowledge are works of art that are applied to adult women's casual clothing, with this final project the author wants to bring and introduce to the general public through fashion trends. The process of creating a work starts from the exploration stage (searching for sources of ideas, concepts, and the basis for creation), design (the design of the work), and embodiment (making the work). The process of making works of art goes through the initial stages of making designs, making patterns, preparing tools and materials, scraping, printing, dyeing colors. sewing and finishing. The technique used in this work is hand-drawn batik using night wax as the main tool, canting, primisima cloth " Golden chariot" and naptol dye. The results in the creation of this work are 5 adult women's casual clothing which are titled according to the symbolic philosophy and meaning implied in each motif, namely work 1 with the title Pulun, work 2 with the title Anacara, work 3 with the title Adisaktiman, work 4 with the title Smara Religion, and 5 works entitled Kaharep. Each of the works created reflects the storyline of Prince Samudra's teaching on Mount Kemukus with the appearance of characters spreading agricultural science, cultural science, martial arts and religious knowledge.
CEPROTAN TRADITIONAL CEREMONY PROCESSION IN BATIK MOTIFS FOR CASUAL CLOTHES Ningsih, Nadia Puspita; Lestari, Rizki
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 1 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5334

Abstract

Ceprotan traditional ceremonial procession, Sekar Village, Pacitan Regency is a tradition that contains many cultural, social, artistic and economic values. The final project of this work aims to describe ideas and create casual clothing by applying the ceprotan traditional ceremonial procession motif as the basic idea in creating works with an aesthetic approach. The scope of the Ceprotan traditional ceremonial procession gave rise to ideas to be developed into the creation of batik motifs. The process of creating works starts from the exploration stage, namely witnessing the procession of the Ceprotan traditional ceremony which is then poured into the design stage of batik motif designs on casual clothing . The last stage is the embodiment stage, in this process starting from making dress patterns, cutting, coloring cloth, pelorodan , producing, sewing to finishing. The technique used in the process of creating works is the dab and wipe technique. The materials and tools used are candles, canting, remasol, silk cotton fabrics, lurik fabrics, brocade fabrics and organza fabrics. The results of the work amounted to 5 clothes. Each work is titled according to the procession, namely work 1 entitled Balangan Cengkir, work 2 entitled Kirab Panjang Ilang, work 3 entitled Tabur Sekar, work 4 entitled Arak-arakan Jolen, and work 5 entitled Arak-arakan cengkir. This design resulted in an innovation to preserve the traditional Ceprotan ceremonial tradition and batik art in the fashion sector .
SEMICOLON BATIK MOTIVES AND ITS APPLICATION TO CASUAL CLOTHES Pramesti, Julieta Citra; -, Guntur
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 2 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5335

Abstract

A semicolon is a semicolon (;). This semicolon punctuation in writing serves as a substitute for a conjunction in a sentence. In a sentence the use of a semicolon is not intended as the end of a sentence for the author. In the lives of people with mental disorders , the use of this punctuation mark is a statement of self to survive, to avoid fatalistic actions (suicide). Semicolon mental disorder as the theme of the work is motivated by the socialization constraints of the sufferer's community and their self-expression. Semicolon is a sign used by individuals or communities to show themselves and the suffering they experience. As a sign, the semicolon is interesting to be used as inspiration in the creation of batik motif designs. Its application in casual clothing is to provide another alternative in expressing self-identity. Through exploration, design, and embodiment, the Seroja Sauntara motif is created ; Roman Wani; Lang Aruna; and Semisulur . As for its application to clothing, namely Eunoia, Tittari, Renjana, Upeksha, and Sattva . The title of the work is adapted to the character and appearance, as a means of self-healing .
THE EQUIPMENT OF THE TEDHAK SITEN TRADITION AS A SOURCE FOR CREATING BATIK MOTIFS IN CASUAL CLOTHING Kusdiyanti, Adilah Raidah; Khoirunnisa, Izzun
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 2 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5336

Abstract

Fashion creation in this study uses a theme related to Javanese tradition, entitled The Equipment of the Tedhak Siten Tradition as a Source for Creating Batik Motifs in Casual Clothing. This study aims to create a batik motif with the source of equipment ideas of the Tedhak Siten Tradition. It can encourage the preservation of traditions in Indonesia. Therefore, it can create a sense of belonging to and continue to protect cultural heritage. The data is collected from the literature study. The work creation uses a method consisting of exploration, design, and manifestation. Several batik colors are used as a basis in the creation of this fashion work. They are dark brown, light brown, and dark red. The results of this study are four batik motifs by dab coloring technique. Each fashion work is given a title that is considered to have a connection among the character, appearance, and meaning of each style.  Work 1 is entitled "Nawasena", work 2 is entitled "Lavanya", work 3 is entitled "Tapak Kluwung”, and work 4 is entitled "Rumaksara". As a result, this fashion creation can give new shades to the art world, in the form of batik applied in casual clothing.
TUMPENG MEGANA AS A SOURCE OF IDEAS CREATION MOTIVE BATIK ON CLOTHES CASUAL Arifah, Hesti Nur
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 2 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5338

Abstract

Abstract Tumpeng megana is a traditional Indonesian culinary served at the event thanksgiving birth baby or commemorate day born. Presentation tumpeng megana as form symbolic as a delivery of gratitude and supplication or pray. Characteristic features tumpeng megana is rice white form cone And surrounded side dish pauk And vegetables around the rice and there are sticks of eggs, shallots, and chilies on top of the rice. The rice white color which symbolizes a purity and vegetables which symbolize hope or prayer request in living life for the child someday, whereas the stab symbolize roundness embroidery Which full Spirit in face challenges in later life. The purpose of creating this work is to introduce back to the culinary archipelago that was almost lost amidst the incoming foreign culinary and develop in Indonesia. Poured into the exists work motive batik on fashion casual . Casual clothing is clothing that is suitable for everyday use and casual needs made with the comfort of the wearer in mind. The foundation of creation on the process The creation of this final project adheres to SP Gustami's creation method with 3 stages namely the exploration stage, the design stage, and the embodiment stage. Motive design selected with the source of ideas from tumpeng megana created through the process of batik and unplug color. Batik write is process incision Evening on cloth with use canting which aims to block the colors. In the process of making batik using dyes remasol And unplug color with use sulfurite. 
READY TO WEAR CLOTHING WITH BATIK MOTIFS INSPIRED BY CISADANE LENGGANG DANCE Zanira, Zahra Alfina
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 1 No. 2 (2023)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5349

Abstract

The work on the final project batik motif with the source of the idea of Dance Lenggang Cisadane for clothing Ready to Wear. The purpose of this final project that is, creating Batik motifs dance Lenggang Cisadane with the main motive in the dance movement that rests on the four elements of culture in dance Lenggang Cisadane. The method used in the process of creating this work is Gustami method which is divided into three methods, namely starting from the exploration stage, by making direct observations at the location of the dance studio and digging for data through interviewing. The second stage is the design, starting with alternative designs to be selected as batik motifs applied to ready-to-wear clothing. Starting from the process of pattern, shading, batik, coloring, melorod, sewing to finishing. The results in the creation of this work in the form of four ready to wear clothing. His attributes are softie, beauty, agility and cheerfulness. The creation of fashion works that raise the motif of Dance Lenggang Cisadane can be known more widely in the general public, especially the younger generation who are less aware of traditional dance culture.           

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